W tej strefie zapraszamy czytelników tak zwane artystyczne dusze po książki z kategorii Sztuka. Polecamy szereg publikacji o sztuce i jej historii,ciekawostki i portfolia artystów, eseje, albumy, książki o malarstwie, rzeźbiarstwie, architekturze oraz histoii fotografii. Biografie ciekawych artystów, książki i powieści przedstawiające fascynujące losy malarzy i osób uwiecznianych na obrazach. W tym dziale tylko ksiązki ze sztuka w tle.
Magariello, Luca - Sonate Fuer Violoncello Nr. 1 D
1. Adagio
2. Allegro Appassionato
Magariello, Luca - Sonate Fuer Violoncello Nr. 2 A
1. Allegro Moderato
2. Andante Cantabile
3. Allegro Con Spirit
Along with sonatas by Rachmaninov, Shostakovich and Prokofiev, the Second Sonata Op.81 is a repertoire work for cellists, Russian or otherwise, for its vein of melancholy Romanticism that is yet not so dark and introverted as most of the 27 symphonies for which Myaskovsky is best known. Meanwhile the First Sonata has been almost entirely neglected, even by performers so committed to the promotion of their musical heritage as Rostropovich, Gutman and Geringas.
However, as this new recording reveals, it too belongs to the distinctively Russian tradition of soulful and affecting music for the cello; an early example (written in 1911, when Myaskovsky was 30 years of age and yet to graduate; he was a late developer as a composer) of the special empathy for the instrument that would also produce a wonderfully moody and atmospheric cello concerto: the Russian Elgar, perhaps.
The Op.12 Sonata is unusually structured as two movements linked by a tempestuous recitative section. The perfect relationship between the simplicity of the themes and the intensity of the dialogue between soloist and accompaniment is such that the two instruments seem locked in a flurry of warmth and passion. In the finale there is a return to the opening material, culminating in a serene D major conclusion. Though this is an early work, it reveals on various occasions a remarkable degree of maturity.
While the Sonata Op.12 emanates all the captivating freshness of an important work dating from the dawn of the composer’s output, his second sonata is entirely different in mood. It was written between 1948 and 1949, when Myaskovsky was 69, and in the throes of the health problems that were to bring him to his grave the following year.
This is Luca Magariello’s second album for Brilliant Classics, after his participation in the album of complete piano trios by Hummel (BC94898).
Nikolay Myaskovsky (1881-1950) was educated (after a failed schooling for Military Engineer, prompted by his father) at the famous St Petersburg Conservatoire under the tutelage of Rimsky-Korsakov, Lyadov and Glazunov. His musical style has absorbed the nationalistic Russian tradition of these masters, but Myaskovsky widened his horizon by his acquaintance with Richard Strauss and his compatriots Prokofiev and Stravinsky, the former becoming one of his closest friends.
The two Cello Sonatas, presented on this new recording, fully exploit the expressive potential of the instruments, creating a warm, passionate atmosphere in which the flowing melodic lines of the cello are supported by the rich harmonies of the piano.
Italian cellist Luca Magariello won First Prize in the prestigious Khatchaturian Cello Competition, which started his international career.
Christy, Earl - Sonate Fuer Laute Nr. 39 C-dur (Au
Ouvertuere
Plusa, Thomasz Aleksander - Sonate Fuer Violine Un
1. Adagio - Andante
2. Allegro
3. Largo
4. Allegro Assai
Christy, Earl - Sonate Fuer Laute Nr. 40 C-dur (Au
Sarabande
Plusa, Thomasz Aleksander - Sonate Fuer Violine Un
1. Larghetto
2. Allegro
3. Largo
4. Allegro
Plusa, Thomasz Aleksander - Sonate Fuer Violine So
1. (Ohne Satzbezeichnung)
2. Allegro
3. Gigue
4. Variation
Christy, Earl - Sonate Fuer Laute Nr. 39 C-dur (Au
Presto
Plusa, Thomasz Aleksander - Sonate Fuer Violine Un
1. Adagio
2. Presto
3. Affettuoso
4. Vivace
? Johann Georg Pisendel (1687-1755) was born into a musical family (his
father was Cantor), and from an early age he received lessons as a
chorister and in violin, his teacher being the famous Giuseppe Torelli.
Further studies brought him to Weimar where he met Johann Sebastian
Bach (his near-contemporary) and Leipzig, where he met Telemann. In
1712 he joined the famous court orchestra of Dresden, where he stayed
till his death in 1755.
? The acquaintance and friendship of the two musical giants of the time,
Bach and Telemann, left a firm imprint on him as a composer and
violinist. On the other hand Pisendel’s astonishing virtuosity influenced
Bach to a great extent, Bach’s solo violin sonatas & partitas would not
have been the same without Pisendel.
? This new recording presents three violin sonatas and one violin solo
sonata by Pisendel, works of staggering technical demands, rich in
harmony and freedom of expression. As interludes we hear solo lute
works by Silvius Leopold Weiss.
? Played with immense dedication and conviction by young Polish violinist
Tomasz Aleksander Plusa, who studied with Lucy van Dael, Christoph
Rousset, Simon Standage, Sigiswald Kuijken and others.
A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser-known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L’Arte dell’Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, Musica Amphion/Pieter-Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance
This new and expansive collection includes over 30 composers, many of whom are rarely heard in the concert repertoire, including new recordings of Giuseppe Tartini’s Sonatas for violin and Nicola Porpora’s Sonatas for cello. This release also contains some of the most popular Baroque music today – Vivaldi’s Four Seasons and Corelli’s Concerti Grossi are present and correct – along with many under-appreciated works of well known composers; Albinoni’s skill as a composer is on show in a rare rendition of his Trattenimenti Armonici, and Scarlatti’s dramatic Sinfonie di concerto grosso also make an appearance.
Come La Vaga Aurora (Xii)
Cantando Gía La Vaga Pastorella (I)
Donna, Sei Pur Crudele (Ii)
Giva Cogliendo Fior Una Mattina (X)
Rinova, Amor, Questa Fenice Altiera (Iv)
A La Dolce Ombra Degli Ameni Faggi (Xi)
Se D'amoroso Foco (Iii)
Udite, Amanti, Come Suol Amore (Vii)
Il Cor Languisce Ognora (Xiv)
Vola Nel Bel Sereno (Xx)
Un Novo Sol Al Cielo (Xviii)
A Guisa Di Smarrita Pecorella (Xvii)
Fiorite Valli Amene (Ix)
A Guisa Di Nocchier Afflitto E Stanco (Xvi)
La Vita Nostra e Una Continua Guerra (Xix)
Crudel, Perché Non Senti (Viii)
Onde Prendesti, Amore (Vi
Un Fior Almo E Giocondo (Xv)
Deh Ferma, Amor, Costei (V
Ne' Miei Gravosi Affanni (Xiii)
Gradisci, Alma E Divina (Xxi
Budzinska-bennett, Agnieszka - Les Deux Chasseurs
Introduction: Allegro Assai
Ariette: Je Suis Perce Jusq'aux Os
Ariette: Tant Qu'il Me Reste
Duo: Eh! Bien, Colas? ...eh! Bien, Guillot?
Ariette: Le Briquet Frappe La Pierre
Ariette: Voila La Petite Laitiere
Ariette: Si Vous Trouvez Dans La Plaine
Duo: Quand Je Trouve A L'ecart... Telle Qu'une Per
Ariette: Voici Tout Mon Projet
Ariette: Jeune Fille A Cet Age
Ariette: Helas! J'ai Repandu Mon Lait
Trio: Je Tombe... La Masure... Quelle Aventure!
Ariette: Tu Promets De Me Rendre Heureuse
Vaudeville: J'etois Gisant A Cette Place
Chor: Ain Si Le Sort, Un Tems, Nous Berce
Balconi, Roberto - Sinfonie F-dur
1. Allegro
2. Andante: Rondo
3. Allegro: Rondo
El Arte Mvsico - Sonate Fuer 2 Violinen, Violoncel
1. Adagio - Presto
2. Vivace
3. Canzona
4. Vivace
El Arte Mvsico - Sonate Fuer Violine Solo Op. 2 Nr
1. Grave
2. Vivace
3. Largo Affettuoso
4. Vivace
El Arte Mvsico - Sonate Fuer Violine, Violoncello
1. Grave
2. Vivace
3. Largo
4. Vivace
El Arte Mvsico - Sonate Fuer Violine Solo Op. 2 Nr
1. Grave
2. Aria Affettuosa
3. Veloce
4. Largo
5. Affettuoso
El Arte Mvsico - Sonate Fuer Violine, Violoncello
1. Largo
2. Allegro
3. Largo
4. Vivace
El Arte Mvsico - Sonate Fuer 2 Violinen, Violoncel
1. Largo
2. Vivace
3. Largo
4. Allegro
El Arte Mvsico - Sonate Fuer Violine, Violoncello
1. Grave
2. Vivace
3. Largo
4. Presto
El Arte Mvsico - Sonate Fuer Violine Solo Op. 2 Nr
1. Grave
2. Presto Assai
3. Allegro
El Arte Mvsico - Sonate Fuer Violine, Violoncello
1. Largo
2. Vivace
3. Largo
4. Vivace
El Arte Mvsico - Sonate Fuer 2 Violinen, Violoncel
1. Largo
2. Affettuoso
3. Largo
4. Vivace
Płyta 1.
Teopini, Francesco - Sonate Fuer Violine Solo Nr.
1. Adagio
2. Fuga (Allegro)
3. Siciliana
4. Presto
Teopini, Francesco - Partita Fuer Violine Solo Nr.
1. Allemanda - Double
2. Corrente - Double (Presto)
3. Sarabande - Double
4. Tempo Di Borea - Double
Teopini, Francesco - Sonate Fuer Violine Solo Nr.
1. Grave
2. Fuga
3. Andante
4. Allegro
Płyta 2.
Teopini, Francesco - Partita Fuer Violine Solo Nr.
1. Allemanda
2. Corrente
3. Sarabanda
4. Giga
5. Ciaccona
Teopini, Francesco - Sonate Fuer Violine Solo Nr.
1. Adagio
2. Fuga
3. Largo
4. Allegro Assai
Teopini, Francesco - Partita Fuer Violine Solo Nr.
1. Preludio
2. Loure
3. Gavotte En Rondeau
4. Menuet 1 - Menuet 2
5. Bourree
6. Gigue
Linne, Simon - Preludio
Linne, Simon - Allemanda
Linne, Simon - Corrente
Linne, Simon - Sarabanda
Linne, Simon - Giga
Linne, Simon - Ciaccona
Linne, Simon - Prelude
Linne, Simon - Allemande
Linne, Simon - Courante
Linne, Simon - Sarabande
Linne, Simon - Marche
Linne, Simon - Prelude
Linne, Simon - Allemanda
Linne, Simon - Corrente
Linne, Simon - Sarabanda
Linne, Simon - Fuga
Linne, Simon - Contredanse & Double
Linne, Simon - Les Echos D'atis
Linne, Simon - Canaries
Linne, Simon - Allemanda
Linne, Simon - Passa Corde
Linne, Simon - Corrente
Linne, Simon - Sarabanda
Linne, Simon - Prelude
Linne, Simon - Overture De La Grotte De Versailles
Linne, Simon - Air Du Grand Ballet Du Roy
Linne, Simon - Air
Linne, Simon - Dieux D'amour
Linne, Simon - La Villanelle
Alberti, Gianni - Doppelkonzert Fuer Saxphon, Klav
1. (Ohne Satzbezeichnung)
2. (Ohne Satzbezeichnung)
3. (Ohne Satzbezeichnung)
Komonka, Marko - Konzert Fuer Violine Und Streicho
1. (Ohne Satzbezeichnung)
2. (Ohne Satzbezeichnung)
3. (Ohne Satzbezeichnung)
Katsaval, Serhiy - Konzert Fuer Posaune Und Streic
1. (Ohne Satzbezeichnung)
2. (Ohne Satzbezeichnung)
3. (Ohne Satzbezeichnung)
Prominent Italian composer Paolo Ugoletti (born in 1956) describes his music as follows: “It consists of a theatre of sound, narration, fables and slashes of the imagination. It has something in common with the folly of the Baroque universe, the magical union of creativity and harmony: serried groups of notes, rapid developments, the skilful handling of chiaroscuro and snatched phrases all contribute the effects that culminate in the building of
climaxes”. This new recording presents three concertos by Ugoletti: a violin concerto and two concertos for instruments which seldom get a solo role in classical music: the soprano saxophone and the bass trombone. Attractive, atmospheric music of great imagination!
Strings of the Lviv Philharmonic Orchestra
Ferdinando Nazzaro conductor
Liliya Hratylo concertmaster
Moldoveanu, Nicolae - Der Schwanensee Op. 20 (Ball
Waltz (Tempo Di Valse) (1. Akt)
Szene - Swan Theme (Moderato) (2. Akt)
Dance Of The Little Swans (Allegro Moderato)
Pas D'action - Second Dance Of The Queen (Andante
Hungarian Dance: Csardas (Moderato Assai - Allegro
Spanish Dance (Allegro Non Troppo: Tempo Di Bolero
Wordsworth, Barry - Dornroschen Op. 66 (Ballett) (
Waltz (Allegro: Tempo Di Valse) (1. Akt)
Pas D'action: Rose Adagio (Andante - Adagio Maesto
Panorama: Andantino (2. Akt)
Pas De Caractere (Puss-in-boots & The White Cat)
Pas De Deux (Auroroa & Florimund): Adagio
Coda: Allegro Vivace
Finale: Allegro Brillante. Tempo Di Mazurka
Maninov, David - Der Nussknacker Op. 71 (Ballett)
Miniature Overture
March (1. Akt)
Divertissement - Coffee: Arabian Dance (2. Akt)
Divertissement - Tea: Chinese Dance
Divertissement - Trepak: Russian Dance
Divertissement - Dance Of The Reed Pipes
Pas De Deux - Variation 2: Dance Of The Sugar Plum
Waltz Of The Flowers
Płyta 2.
Katz, Arnold - Cinderella (Ballett): Suite Nr. 1 O
1. Cinderella
2. Pas De Chale
3. Quarrel
4. Fairy Godmother & The Winter Fairy
5. Mazurka
6. Cinderella Goes To The Ball
7. Cinderella's Waltz
8. Midnight
Katz, Arnold - The Stone Flower (Ballett): Suite N
1. Love Scene
2. Dance Of The Groom's Men
3. Dance Of The Young Girls
4. Ritual Dance
5. Wedding Dance
Katz, Arnold - Romeo Und Julia (Ballett): Suite Nr
1. Montagues & Capulets
2. Juliet As A Young Girl
3. Friar Laurence
4. Dance
5. Romeo & Juliet Before Parting
6. Dance Of The Maids
7. Romeo & Juliet's Grave
Płyta 3.
Svetlanov, Evgeny - Gayaneh (Ballett): Suite
Dance Of The Rose Maidens
Aysha's Dance
Dance Of The Highlanders
Lullaby
Noune's Dance
Armen's Var
Gayaneh's Adagio
Lezghinka
Dance With Tambourines
Sabre Dance
Svetlanov, Evgeny - Spartacus (Ballett): Suite
Introduction - Dance Of The Nymphs
Aegina's Dance
Scene & Dance With Crotalums
Adagio Of Spartacus & Phrygia
Dance Of The Gaditan Maidens - Victory Of Spartacu
An extensive collection of horn concertos from several centuries. This set includes horn concertos
by Telemann, Förster, Haydn, Beer, Vivaldi, Quantz, Zelenka, Heinichen, Fick, Reicha, Sperger, Von
Weber, Saint-Saëns, Schumann, Lortzing, Fasch, Mozart, Fiala, Pokorny, Rosetti, R. Strauss,
Schoeck, Pflüger: a true “Cornucopia”!
? The horn as a musical instrument has developed considerably since its first use many centuries ago,
when man blew on animal horns as signal or ritual. The many technical improvements led to the
use of the horn as a versatile solo instrument in the baroque: its festive and jubilant character
could be set off against a smooth and dolce cantabile.
? Excellent performances by a.o. Peter Damm, Felix Klieser, Herman Jeurissen.
? The booklet contains new liner notes, written by Philip Borg-Wheeler specially for this release.
Performers:
Peter Damm, Andrew Joy, Felix Klieser, Herman Jeurissen, Zdeněk & Bedřich Tyslar
Staatskapelle Dresden, Siegfried Kurz conductor
Netherlands Chamber Orchestra, Roy Goodman conductor
Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen conductor
? Giovanni Morandi (1777-1856) was one of the most important organ
composers of 18-th century Italy, together with Petrali, Davide di
Bergamo and Fumagalli. He was Master of Music of the cathedral of
Senigallia, and wrote a substantial amount of (semi) liturgical works for
organ.
? The formal structures of his organ works, the soaring melodies, brilliant
instrumentation, 'orchestral'-type musical dialogues, the pianistic writing,
and the sonic and dynamic effects all reflect the vast world of Italian
opera in which Morandi was immersed.
? Morandi’s organ works are closely connected to the 18-th century organs
in the Veneto, notably those built by Gaetano Callido. The present
recording takes Morandi's registrations into account, and applies them
both to an important Callido organ (the famous 1791 two-manual
instrument of Borca di Cadore) and a 'modern organ' ? the Lombardy-style
organ built by Amati in 1830 for the parish of Provaglio d'Iseo.
? Organist Marco Ruggeri made already several excellent recordings for
Brilliant Classics: Petrali organ works (BC95160) and Padre Davide
Flatus Ensemble - Konzert Fuer Flote Und Streicher
1. Allegro
2. Andante
3. Spiritoso
Cecchi Fedi, Elena - Arie Son Qui Per Mare Ignoto
Flatus Ensemble - Sonate Fuer Flote Und Basso Cont
1. Moderato
2. Adagio
3. Allegro Non Tanto
Vaccari, Patrizia - Arie Vana Di Tua Bellezza (F
Ciociola, Benedetto - Duett Fuer 2 Floten D-dur
1. Allegretto Grazioso
2. Minuetto 1 Und 2
Flatus Ensemble - Sinfonie Fuer Streicher Und Horn
1. Con Spirito
2. Andantino A Mezza Voce
3. La Tempesta: Allegro Ma Non Presto
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Largo
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Largo
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Largo
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Largo
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Largo
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Thema Mit Variationen
2. Menuett - Menuett
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Larghetto
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Maestoso
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Andante Mit Variationen
2. Menuett - Menuett
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Andante
2. Allegro Assai
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Grazioso
2. Allegro
Magistrelli, Luigi - Nocturne Fuer Klarinette Und
1. Andante
2. Presto
? The seven-string guitar appeared in Russia in the 1790s and experienced
its Golden Age during the first half of the 19th century. This Box Set is a
monument to this remarkable era.
? The 7 CD’s of this set follow chronologically the development of the
guitar in Russia: from the very first works by the “Patriarch of the Russian
guitar” Andrey Sichra, through the Muscovite School of Aksionov,
Vysotsky and Vetrov, the St. Petersburg School with works by Morkov
and others, to the Romantics Alexandrov, Zimmerman and Sarenko.
? Also included are songs accompanied by the guitar and chamber music in
which the guitar has a prominent part.
? A unique project, played by master guitarist Oleg Timofeyev as soloist,
seconded by second guitarist John Schneiderman. Timofeyev wrote the
extensive and scholarly liner notes himself.
? With artist biographies and extensive liner notes written by the artist.
Amoroso
2’37
Allegro
1’49
Tempo Giusto
1’51
Allegro
3’02
Affettuoso
2’00
Allegro
2’35
Adagio
1’47
Allegro
2’50
Adagio
2’34
Allegro
2’34
Adagio Staccato
1’50
Allegro
2’16
Adagio E Staccato
2’29
Allegro
2’39
Adagio
1’20
Allegro Staccato
2’32
Adagio
2’38
Allegro
2’38
Adagio
1’38
Allegro
3’24
Adagio
2’53
Allegro
2’33
Largo
2'14
Allegro Staccato
1’39
Nicola Porpora (1686-1768) was one of the most important and successful
composers of the Neapolitan School in Italy. His fame was widespread as
he worked in the European capitals London, Dresden and Vienna, where
his works were successfully staged.
Porpora was also a singer and teacher, which explains the strong vocal
quality of his instrumental works. The 6 Cello Sonatas recorded on this CD
try to emulate the “vox humana”, expressing the human emotions
through instrumental virtuosity and phrasing.
The manuscript of the 6 Cello Sonatas lists Porpora and Constanzi as
composers, but very probably the works were written by Porpora alone.
Beautiful performances by Adriano Fazio, cello and an instrumental
continuo ensemble featuring violin, cello, theorbo and harpsichord.
Katarzyna Solecka violin
Anna Camporini cello
Pedro Alcacer theorbo
Lorenzo Profita harpsichord
(Sebastiano Cali, 2010, after Johannes Couchet, 1679 (Flemish))
Recording: March 2016, Cappella Sclafani - Basilica San Francesco d’Assisi , Palermo, Italy
Płyta 1.
Dufay Ensemble - Requiem
Filiae Jerusalem
A Solis Ortus Cardine
Iste Est Joannes
Ave Maris Stella
O Quam Gloriosum
Continuo Lacrimas
Dufay Ensemble - Missa Pro Defunctis (Messe)
Requiem Aeternam
Te Decet Hymnus
Kyrie - Christe - Kyrie
Tractus
Offertorium
Hostias
Sanctus - Pleni Sunt Coeli
Benedictus
Agnus Dei
Communio: Lux Aeterna
Requiem Aeternam Dona Eis
Ne Recorderis
Płyta 2.
Dufay Ensemble - Te Deum Laudamus
Prima Pars
Secunda Pars
Tertia Pars
Dufay Ensemble - Quoties Diem
Dufay Ensemble - Ut Queant Laxis
Ut Queant Laxis - Nuntius Celso
Ille Promissi - Ventris Obstruso
Dufay Ensemble - In Tenebris
Dufay Ensemble - Magnificat Secundi Toni
Magnificat - Et Exultavit
Euia Respexit - Quia Fecit
Et Misericordia - Fecit Potentiam
Deposuit Potentes - Esurientes
Suscepit Israel - Sicut Locutus
Gloria Patri - Sicut Erat
Dufay Ensemble - Missa Quodlibetica (Messe)
Kyrie I (Kyrie)
Christe
Kyrie II
Gloria (Gloria)
Qui Tollis
Credo
Crucifixus
Et In Spiritum
Sanctus (Sanctus)
Pleni Sunt Coeli
Hosanna I
Benedictus
Hosanna II
Agnus Dei (Agnus Dei)
Płyta 3.
Dufay Ensemble - Angelus Ad Pastores Ait
Dufay Ensemble - Ascendetis Post Filium
Prima Pars
Secunda Pars
Dufay Ensemble - Qui Gerit Augusti
Dufay Ensemble - Currite Felices
Prima Pars
Secunda Pars
Tertia Pars
Dufay Ensemble - Aurea Luce
Aurea Luce - Janitor Caeli
Jam, Bone Pastor Petre - Doctor Egregie
Olivae Binae - Sit Trinitati
Dufay Ensemble - Beata Es Et Venerabilis
Prima Pars
Secunda Pars
Dufay Ensemble - Mater Digna Dei
Prima Pars
Secunda Pars
Dufay Ensemble - Salve Regina
Salve Regina - Vita, Dulcedo
Ad Te Clamamus - Ad Te Suspiramus
Eia Ergo - Et Jesum
O Clemens - O Pia - O Dulcis Virgo Maria
Vitam Quae Faciunt
Płyta 4.
Dufay Ensemble - Magnificat Sexti Toni
Magnificat - Et Exultavit
Quia Respexit - Quia Fecit
Et Misericordia - Fecit Potentiam
Deposuit - Esurientes
Suscepit Isreal - Sicut Locutus Est
Gloria Patri - Sicut Erat In Principio
Dufay Ensemble - Dum Steteritis
Prima Pars
Secunda Pars
Dufay Ensemble - Assumens Jesus Petrum
Dufay Ensemble - Discubuit Jesus
Prima Pars
Secunda Pars
Dufay Ensemble - Quid Christum Captive
Prima Pars
Secunda Pars
Dufay Ensemble - Dixerunt Impii
Prima Pars
Secunda Pars
Dufay Ensemble - Spiritus Domini
Prima Pars
Secunda Pars
Dufay Ensemble - Deus Tuorum Militum
Deus Tuorum - Hic Nempe Mundi
Poenas Cucurrit - Ob Hoc Precatu
Dufay Ensemble - Crimina Laxa
Dufay Ensemble - Ferdnande Imperio
Prima Pars
Secunda Pars
I. Largo 3’28
Ii. Allegro 3’15
Iii. Largo 4’08
Iv. Allegro 1’56
I. Largo 3’30
Ii. Allegro 2’32
Iii. Largo 3’35
Iv. Allegro 2’29
I. Largo 4’25
Ii. Allegro 3’31
Iii. Largo 4’17
Iv. Allegro 3’02
I. Largo 3’18
Ii. Allegro 2’39
Iii. Largo 4’47
Iv. Allegro 2’42
I. Largo 2’42
Ii. Allegro 2’26
Iii. Largo 2’18
Iv. Allegro 2’28
I. Preludio: Largo 1’59
Ii. Allemande: Allegro 2’48
Iii. Largo 2’56
Iv. Corrente: Allegro 2’32
Qual Si Puo Dir
3’28
Canzonette D'amore
2’50
La Fiera Vista
4’23
Raggi Dov'e Il Mio Ben
4’30
Vita De L'alma Mia
4’36
Il Mio Martir
5’22
Son Questi I Crespi Crini
3’27
Io Mi Vivea
3’01
Su Su Su
4’03
Quando Sperai
2’47
Come Faro Cuor Mio
2’51
Corse Alla Morte
3’04
Tu Ridi Sempre Mai
1’05
Chi Vuol Veder D'inverno
2’59
Gia Mi Credea
2’18
Godi Pur Del Bel Sen
2’23
Giu Li A Quel Petto
4’03
Si Come Crescon
2’10
Io Son Fenice
5’10
Chi Vuol Vedere Un Bosco
4’05
Hor Care Canzonette
2’27
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