After Egon Schiele (1890–1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had just ten years to inscribe his signature style into the annals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn’t prove to be too big a challenge.
His haggard, overstretched figures, extreme depiction of sexuality and self-portraits, in which he staged himself with emaciated facial expressions bordering between brilliance and madness, had none of the decorative quality of Klimt’s hymns of love, sexuality and yearning devotion. Instead, Schiele’s work spoke of a brutal honesty, one that would upset and irreversibly change Viennese society.
Although his works were later defamed as “degenerate” and for a time were almost forgotten altogether, they influenced generations of artists—from Günter Brus and Francis Bacon to Tracey Emin. Today, his then misunderstood oeuvre continues to fetch exorbitant prices on the international art market.
This monograph, first published in an XL edition, is now available in a slightly abridged, more compact edition to celebrate TASCHEN’s 40th anniversary and features the paintings and drawings that retrace the fertile last decade of Schiele’s life. These works are accompanied by essays introducing his life and oeuvre, situating the Austrian master in the context of European Expressionism and charting his extraordinary legacy.
On the 100th anniversary of their deaths, Gustav Klimt and Auguste Rodin are celebrated as two pioneers of modernism who set new standards in their chosen media.
Although they worked in different media, Auguste Rodin and Gustav Klimt were two artists whose output generated both incredible enthusiasm and virulent denunciation in their lifetimes. On the centenary of their deaths, in 1917 and 1918 respectively, this opulent volume highlights the remarkable parallels between the two creators: their passion for the human figure, erotic subject matter, pioneering techniques, and the achievement of international success. In chapters of alternating perspectives, this book features essays on fin-de-siècle Vienna, the phenomenon of artistic celebrity, and a tribute to the two seminal works that each artist gave the same name: The Kiss.
Bringing these two masters together for the first time in such a detailed manner, this book captures a significant moment in European culture and demonstrates why their geniuses still speak so profoundly to us today.
This authoritative and generously illustrated book highlights Gustav Klimt’s portrayals of women in his work. Klimt was a central figure in Vienna at the turn of the twentieth century, and a crucial link between nineteenth-century Symbolism and Modernism. His sensual portrayals of women are among his most celebrated works and the focus of this book. Highlights of the publication include Klimt's most important society portraits, such as Serena Lederer (1899); Gertrud Loew (1902); Adele Bloch-Bauer I (1907); Mäda Primavesi (1913); Elisabeth Lederer (1914–16); and Ria Munk III (1917). These works cover the gamut of Klimt's portrait style, from his early ethereal works influenced by Symbolism and the Pre-Raphaelite movement to his so-called "golden style," as well as his almost Fauvist depictions. These art works are complemented by preparatory Klimt sketches and decorative arts from the Wiener Werkstätte.
Ten produkt jest zapowiedzią. Realizacja Twojego zamówienia ulegnie przez to wydłużeniu do czasu premiery tej pozycji. Czy chcesz dodać ten produkt do koszyka?
