A fascinating insight into the complexity, history and unpredictability of Iraq.
By September 2003, six months after the US-led invasion of Iraq, the anarchy had begun. Rory Stewart, a young Biritish diplomat, was appointed as the Coalition Provisional Authority's deputy governor of a province of 850,000 people in the southern marshland region. There, he and his colleagues confronted gangsters, Iranian-linked politicians, tribal vendettas and a full Islamist insurgency.
Occupational Hazards is Rory Stewart's inside account of the attempt to rebuild a nation, the errors made, the misunderstandings and insurmountable difficulties encountered. It reveals an Iraq hidden from most foreign journalists and soldiers. Stewart is an award-winning writer, gifted with extraordinary insight into the comedy, occasional heroism and moral risks of foreign occupation.
Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music.
America, with all its warts, lies naked under the laser-like scrutiny of legendary outlaw journalist and brilliant reporter Hunter S. Thompson. Fearlessly, he hurls himself into each assignment, gouges out the truth, then returns with a fresh story no one else on earth could write. From Nixon to napalm, Las Vegas to Watergate, Carter to cocaine, hippies to himself, Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful '60s and '70s. Thompson is a rebel and an artist, and we are all richer for it.
"No other reporter reveals how much we have to fear and loathe, yet does it so hilariously."
-- Chicago Tribune
As readers of Edward St. Aubyn's extraordinary earlier works--Never Mind, Bad News, Some Hope, and the Man Booker Prize finalist Mother's Milk--are well aware, for Patrick Melrose, "family" has always been a double-edged sword. At Last begins as friends, relatives, and foes trickle in to pay final respects to his mother, Eleanor. An American heiress, Eleanor married into the British aristocracy, giving up the grandeur of her upbringing for "good works" freely bestowed on everyone but her own son, who finds himself questioning whether his transition to a life without parents will indeed be the liberation he had so long imagined.
The service ends, and family and friends gather for a final party. Amid the social niceties and social horrors, Patrick begins to sense the prospect of release from the extremes of his childhood, and at the end of the day, alone in his room, the promise some form of safety. . . at last.
'Seeing Voices is both a history of the deaf and an account of the development of an extraordinary and expressive language' – Evening Standard
Imaginative and insightful, Seeing Voices by Oliver Sacks offers a way into a world that is, for many people, alien and unfamiliar – for to be profoundly deaf is not just to live in a world of silence, but also to live in a world where the visual is paramount. In this remarkable book, Sacks explores the consequences of this, including the different ways in which the deaf and the hearing impaired learn to categorize their respective worlds – and how they convey and communicate those experiences to others.
'Mieko Kawakami is a genius' - Naoise Dolan, author of Exciting Times
'Compact and supple, it’s a strikingly intelligent feat.' - The New York Times Book Review
From international literary sensation Mieko Kawakami comes All The Lovers In The Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo.
Fuyuko Irie is a freelance proofreader in her thirties. Living alone, and unable to form meaningful relationships, she has little contact with anyone other than Hijiri, someone she works with. When she sees her reflection, she’s confronted with a tired and spiritless woman who has failed to take control of her own life. Her one source of solace: light. Every Christmas Eve, Fuyuko heads out to catch a glimpse of the lights that fill the Tokyo night. But it is a chance encounter with a man named Mitsutsuka that awakens something new in her. And so her life begins to change.
As Fuyuko starts to see the world in a different light, painful memories from her past begin to resurface. Fuyuko needs to be loved, to be heard, and to be seen. But living in a small world of her own making, will she find the strength to bring down the walls that surround her?
All The Lovers In The Night is acute and insightful, entertaining and captivating, pulsing and poetic, modern and shocking. It’s another unforgettable novel from Japan’s most exciting writer.
Winner of the Booker Prize 2020
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.
Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners' children pick on him and adults condemn him as no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.
Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst’s The Line of Beauty, it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
'We were bowled over by this first novel, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' – The judges of the Booker Prize
The number one Sunday Times bestseller
'A touching, tender tale of boy meets boy in the bleak tenements of Glasgow . . . Superb' – The Times ‘Best Summer Reading’
'Love and hope across the religious divide in a fervent, gritty and emotionally engrossing novel' –The Guardian 'Best Reads For Summer'
‘Writing of transcendent beauty’ – The Financial Times ‘Best Summer Books’
The extraordinary, powerful second novel from the Booker prizewinning author of Shuggie Bain, Young Mungo is both a vivid portrayal of working-class life and the deeply moving story of the dangerous first love of two young men: Mungo and James.
Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city, and Mungo must work hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold.
But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, with two strange men behind whose drunken banter lie murky pasts, he needs to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future.
Imbuing the everyday world of its characters with rich lyricism, Douglas Stuart’s Young Mungo is a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.
From the bestselling author of Breasts and Eggs and international literary sensation Mieko Kawakami comes a sharp and illuminating novel about a fourteen-year-old boy subjected to relentless bullying.
In Heaven, a fourteen-year-old boy is tormented for having a lazy eye. Instead of resisting, he chooses to suffer in silence. The only person who understands what he is going through is a female classmate, Kojima, who experiences similar treatment at the hands of her bullies. Providing each other with immeasurable consolation at a time in their lives when they need it most, the two young friends grow closer than ever. But what, ultimately, is the nature of a friendship when your shared bond is terror?
Unflinching yet tender, sharply observed, intimate and multi-layered, this simple yet profound novel stands as yet another dazzling testament to Mieko Kawakami’s uncontainable talent. There can be little doubt that it has cemented her reputation as one of the most important young authors at work today.
Includes 'Story of Your Life' the basis for the major motion picture Arrival, starring Amy Adams, Forest Whitaker, Jeremy Renner, and directed by Denis Villeneuve.
With his masterful first collection, multiple-award-winning author Ted Chiang deftly blends human emotion and scientific rationalism in eight remarkably diverse stories, all told in his trademark precise and evocative prose.
From a soaring Babylonian tower that connects a flat Earth with the firmament above, to a world where angelic visitations are a wondrous and terrifying part of everyday life; from a neural modification that eliminates the appeal of physical beauty, to an alien language that challenges our very perception of time and reality. . . Chiang's rigorously imagined fantasia invites us to question our understanding of the universe and our place in it.
Grandpa used to say it all the time: books have tremendous power. But what is that power really?
Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse.
After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . .
The Cat Who Saved Books is a heart-warming story about finding courage, caring for others – and the tremendous power of books. Sosuke Natsukawa's international bestseller, translated from Japanese by Louise Heal Kawai, is a story for those for whom books are so much more than words on paper.
In Heaven, a fourteen-year old boy is tormented for having a lazy eye. Instead of resisting, he chooses to suffer in silence. The only person who understands what he is going through is a female classmate, Kojima, who experiences similar treatment at the hands of her bullies. Providing each other with immeasurable consolation at a time in their lives when they need it most, the two young friends grow closer than ever. But what, ultimately, is the nature of a friendship when your shared bond is terror?
Unflinching yet tender, sharply observed, intimate and multi-layered, this simple yet profound novel stands as yet another dazzling testament to Mieko Kawakami’s uncontainable talent. There can be little doubt that it has cemented her reputation as one of the most important young authors at work today.
Forced to accept that intensive farming on the heavy clay of their land at Knepp was economically unsustainable, Isabella Tree and her husband Charlie Burrell made a spectacular leap of faith: they decided to step back and let nature take over. Thanks to the introduction of free-roaming cattle, ponies, pigs and deer – proxies of the large animals that once roamed Britain – the 3,500 acre project has seen extraordinary increases in wildlife numbers and diversity in little over a decade.
Extremely rare species, including turtle doves, nightingales, peregrine falcons, lesser spotted woodpeckers and purple emperor butterflies, are now breeding at Knepp, and populations of other species are rocketing. The Burrells’ degraded agricultural land has become a functioning ecosystem again, heaving with life – all by itself.
‘A tour of the lurid fringes of the tech world’ – The Times
‘Like Louis Theroux channelling Margaret Atwood’ – New Statesman
‘A moreish page-turner of a book’ – Herald
Imagine if it was possible to have the perfect sexual relationship without compromise, eat meat without killing animals, have babies without the need to bear them, and choose the time of our painless death. Life would be better, right?
All over the globe, people are trying to make this a reality. They want to use technology to solve the thorniest problems of humanity. But what if these ‘problems’ are the very things that make us human?
Join Jenny Kleeman on an entertaining, thought-provoking adventure to a place where sex robots and vegan meat are no longer science fiction – right here, right now.
For fans of David Sedaris, Tina Fey and Caitlin Moran comes Furiously Happy from Jenny Lawson, author of the #1 New York Times bestseller Let's Pretend This Never Happened.
In Let's Pretend This Never Happened, Jenny Lawson regaled readers with uproarious stories of her bizarre childhood. In Furiously Happy she explores her lifelong battle with mental illness. A hysterical, ridiculous book about crippling depression and anxiety? That sounds like a terrible idea. And terrible ideas are what Jenny does best.
As Jenny says: 'You can't experience pain without also experiencing the baffling and ridiculous moments of being fiercely, unapologetically, intensely and (above all) furiously happy.' It's a philosophy that has – quite literally – saved her life.
Jenny's first book, Let's Pretend This Never Happened, was ostensibly about family, but deep down it was about celebrating your own weirdness. Furiously Happy is a book about mental illness, but under the surface it's about embracing joy in fantastic and outrageous ways. And who doesn't need a bit more of that?
The Sunday Times bestseller and Richard & Judy Book Club Pick, from the acclaimed author of Room.
'Moving, gripping and dazzlingly written' – Stylist
Dublin, 1918. In a country doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city centre, where expectant mothers who have come down with an unfamiliar flu are quarantined together. Into Julia’s regimented world step two outsiders: Doctor Kathleen Lynn, on the run from the police, and a young volunteer helper, Bridie Sweeney.
In the darkness and intensity of this tiny ward, over the course of three days, these women change each other’s lives in unexpected ways. They lose patients to this baffling pandemic, but they also shepherd new life into a fearful world. With tireless tenderness and humanity, carers and mothers alike somehow do their impossible work.
In The Pull of the Stars, Emma Donoghue tells an unforgettable and deeply moving story of love and loss.
Guardian, Cosmopolitan and Telegraph's 'Books of the Year'
With an introduction by Kate Mosse
Translated by Ros Schwartz
All grown-ups were children once (but most of them have forgotten).
A pilot who has crash landed in the desert awakes to see an extraordinary little boy. 'Please,' asks the stranger, 'will you draw me a little lamb!' Baffled by the little prince's incessant questioning, the pilot pulls out his pencil, and starts to draw. As the little prince's curiosity takes them further on their journey together, the pilot is able to piece together an understanding of the tiny planet from which the prince has come and of his incredible travels across the universe.
First published in 1943, The Little Prince by Antoine de Saint-Exupéry has been translated into more than 250 languages, becoming a global phenomenon. Heart-breaking, funny and thought-provoking, it is an enchanting and endlessly wise fable about the human condition and the power of imagination. A book about both childhood and adulthood, it can be read as a parable, a war story, a classic children's fairy-tale, and many more things besides: The Little Prince is a book for everyone; after all, all grown-ups were children once.
'The Little Prince moves from asteroid to desert, from fable and comedy to enigmatic tragedy, in order to make one recurrent point: You can't love roses. You can only love a rose' Adam Gopnik, New Yorker
Llewelyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice - leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life?
The post-apocalyptic modern classic with an introduction by novelist John Banville.
In a burned-out America, a father and his young son walk under a darkened sky, heading slowly for the coast. They have no idea what, if anything, awaits them there. The landscape is destroyed, nothing moves save the ash on the wind and cruel, lawless men stalk the roadside, lying in wait. Attempting to survive in this brave new world, the young boy and his protector have nothing but a pistol to defend themselves. They must keep walking.
Winner of the Pulitzer Prize for Fiction, The Road is an incandescent novel, the story of a remarkable and profoundly moving journey. In this unflinching study of the best and worst of humankind, Cormac McCarthy boldly divines a future without hope, but one in which, miraculously, this young family finds tenderness.
An exemplar of post-apocalyptic writing, The Road is a true modern classic, a masterful, moving and increasingly prescient novel.
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