When was the last time you heard a Muslim woman speak for herself without a filter?
It's Not About the Burqa is an anthology of essays by Muslim women about the contemporary Muslim female experience.
In 2016, Mariam Khan read that David Cameron had linked the radicalization of Muslim men to the ‘traditional submissiveness’ of Muslim women. Mariam felt pretty sure she didn’t know a single Muslim woman who would describe herself that way. Why was she hearing about Muslim women from people who were neither Muslim, nor female?
Years later the state of the national discourse has deteriorated even further, and Muslim women’s voices are still pushed to the fringes – the figures leading the discussion are white and male.
Taking one of the most politicized and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: seventeen Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex, and the twin threats of a disapproving community and a racist country. With a mix of British and international women writers, from activist Mona Eltahawy's definition of a revolution to journalist and broadcaster Saima Mir telling the story of her experience of arranged marriage, from author Sufiya Ahmed on her Islamic feminist icon to playwright Afshan D'souza-Lodhi's moving piece about her relationship with her hijab, these essays are funny, warm, sometimes sad, and often angry, and each of them is a passionate declaration calling time on the oppression, the lazy stereotyping, the misogyny and the Islamophobia.
What does it mean, exactly, to be a Muslim woman in the West today? According to the media, it’s all about the burqa.
Here’s what it’s really about.
Shortlisted for Foyles Non-Fiction Book of the Year
'An incredibly important collection of essays that explores the pressures of being a Muslim woman today . . . passionate, angry, self-effacing, nuanced and utterly compelling in every single way' - Nikesh Shukla, editor of The Good Immigrant
'Engrossing . . . fascinating . . . courageous' – Observer
One of Barack Obama’s Favorite Books of 2021
The New York Times bestseller from the Grammy-nominated indie rockstar Japanese Breakfast, an unflinching, deeply moving memoir about growing up mixed-race, Korean food, losing her Korean mother, and forging her own identity in the wake of her loss.
'As good as everyone says it is and, yes, it will have you in tears. An essential read for anybody who has lost a loved one, as well as those who haven't' – Marie–Claire
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humour and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band – and meeting the man who would become her husband – her Koreanness began to feel ever more distant, even as she found the life she wanted to live.
It was her mother’s diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.
Vivacious, lyrical and honest, Michelle Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.
‘Possibly the best book I’ve read all year . . . I will be buying copies for friends and family this Christmas.’ – Rukmini Iyer in the Guardian ‘Best Food Books of 2021’
‘Wonderful . . . The writing about Korean food is gorgeous . . . but as a brilliant kimchi-related metaphor shows, Zauner’s deepest concern is the ferment, and delicacy, of complicated lives.’ – Victoria Segal, Sunday Times, ‘My favourite read of the year’
Intensely moving, vital and artful' - Guardian
'A dizzying ride . . . both timely and beguiling' - Sunday Times
At a moment in which basic rights are once again in danger, Olivia Laing conducts an ambitious investigation into the body and its discontents, using the life of the renegade psychoanalyst Wilhelm Reich to chart a daring course through the long struggle for bodily freedom, from gay rights and sexual liberation to feminism and the civil rights movement.
Drawing on her own experiences in protest and travelling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century, among them Nina Simone, Sigmund Freud, Susan Sontag and Malcolm X. Everybody is a crucial examination of the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.
Longlisted for the Rathbones Folio Prize
'An ambitious, absorbing achievement that will make your brain hum' - Evening Standard
'Laing’s gift for weaving big ideas together with lyrical prose sets her alongside the likes of Arundhati Roy, John Berger and James Baldwin. In other words, she is among the most significant voices of our time.' - Financial Times
THE SUNDAY TIMES BESTSELLER
Now on BBC Radio 4 'Book of the Week'
Winner of the 2021 Baillie Gifford Prize for Non-Fiction
Shortlisted for the 2021 Financial Times/McKinsey Business Book of the Year Award
One of Barack Obama’s Favorite Books of 2021
Shortlisted for the Crime Writers' Association Gold Dagger for Non-Fiction
The gripping and shocking story of three generations of the Sackler family and their roles in the stories of Valium, OxyContin and the opioid crisis.
'One of those authors I will always read, no matter what the subject matter, which is why I gobbled up Empire of Pain . . . a masterclass in compelling narrative nonfiction.' – Elizabeth Day, The Guardian '30 Best Summer Reads'
‘You feel almost guilty for enjoying it so much’ – The Times
The Sackler name adorns the walls of many storied institutions – Harvard; the Metropolitan Museum of Art; Oxford; the Louvre. They are one of the richest families in the world, known for their lavish donations in the arts and the sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing Oxycontin, a blockbuster painkiller that was a catalyst for the opioid crisis – an international epidemic of drug addiction which has killed nearly half a million people.
In this masterpiece of narrative reporting and writing, award-winning journalist and host of the Wind of Change podcast Patrick Radden Keefe exhaustively documents the jaw-dropping and ferociously compelling reality. Empire of Pain is the story of a dynasty: a parable of twenty-first-century greed.
Now a major new Netflix film from Noah Baumbach, starring Adam Driver and Greta Gerwig
How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn’t they paralyze us?
Jack Gladney is the creator and chairman of Hitler studies at the College-on-the-Hill. This is the story of his absurd life; a life that is going well enough, until a chemical spill from a train carriage releases an ‘Airborne Toxic Event’ and Jack is forced to confront his biggest fear – his own mortality.
White Noise is an effortless combination of social satire and metaphysical dilemma in which Don DeLillo exposes our rampant consumerism, media saturation and novelty intellectualism. It captures the particular strangeness of life lived when the fear of death cannot be denied, repressed or obscured and ponders the role of the family in a time when the very meaning of our existence is under threat.
‘America’s greatest living writer.’ – Observer
Part of the Picador Collection, a series showcasing the best of modern literature.
‘A book of pure fineness, exceptional.’ – Diana Evans, Guardian
'A taut, sharp, funny book about being young now. It's brutal—and brilliant.' - Zadie Smith
Winner of the Dylan Thomas Prize
Shortlisted for the British Book Awards Fiction Debut of the Year
Longlisted for the Women's Prize For Fiction
Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family.
Razor-sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now.
A BEST BOOK OF THE YEAR: Guardian, New York Times, New Yorker, Boston Globe, Literary Hub, Vanity Fair, Los Angeles Times, Glamour, Time, Good Housekeeping, InStyle, NPR, O Magazine, Buzzfeed, Electric Literature, Town & Country, Wired, New Statesman, Vox, Shelf Awareness, i-D, BookPage and more.
One of Barack Obama’s Favourite Books of 2020
Funny and heartbreaking, Writers & Lovers by Lily King is the bitingly clever story of Casey, a young writer who has lost her direction in life, until two men step into her world and offer her two very different futures.
The New York Times Bestseller
‘Captivating, potent, incisive, and wise’ – Madeline Miller, author of Circe
‘Extremely funny’ – Sunday Times
Recently out of a devastating love affair and mourning the loss of her beloved mum, Casey is lost. The novel she has been writing for six years isn’t going anywhere, her debt is soaring, and at thirty-one, with all her friends getting married and having kids, she feels too old for things to be this way.
Then she meets Silas. He is kind, handsome, interested. But only a few weeks later, Oscar – older, fascinating, troubled – walks into her life, his two boys in tow. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures. And she’s still got to write that book . . .
‘Suffused with hopefulness and kindness’ – Ann Patchett
‘Exquisite’ – Sunday Telegraph
‘Funny and immensely clever’ – Tessa Hadley
‘Beautiful . . . Reading the book feels like waiting for clouds to break – a kind of gorgeous agony’ – Guardian
‘I loved this book’ – Curtis Sittenfeld
The House of Fortune is the sequel to Jessie Burton’s million-copy bestseller The Miniaturist. Set in the golden city of Amsterdam in 1705, it is a story of fate and ambition, secrets and dreams, and one young woman’s determination to rule her own destiny.
Thea Brandt is turning eighteen, and is ready to welcome adulthood with open arms. At the theatre, Walter, the love of her life, awaits her, but at home in the house on the Herengracht, winter has set in – her father Otto and Aunt Nella argue endlessly, and the Brandt family are selling their furniture in order to eat. On Thea’s birthday, also the day that her mother Marin died, the secrets from the past begin to overwhelm the present.
Nella is desperate to save the family and maintain appearances, to find Thea a husband who will guarantee her future, and when they receive an invitation to Amsterdam’s most exclusive ball, she is overjoyed – perhaps this will set their fortunes straight. And indeed, the ball does set things spinning: new figures enter their life, promising new futures. But their fates are still unclear, and when Nella feels a strange prickling sensation on the back of her neck, she wonders if the miniaturist has returned for her . . .
Shortlisted for the Women's Prize for Fiction
In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker.
This was never the story of one woman, or two. It was the story of them all . . .
In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.
From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women embroiled in the legendary war.
Powerfully told from an all-female perspective, A Thousand Ships puts the women, girls and goddesses at the centre of the story.
'With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War' – Madeline Miller, author of Circe
'A gripping feminist masterpiece' – Deborah Frances-White, The Guilty Feminist
Jack Gladney is the creator and chairman of Hitler studies at the College-on-the-Hill. This is the story of his absurd life; a life that is going well enough, until a chemical spill from a rail car releases an 'Airborne Toxic Event' and Jack is forced to confront his biggest fear – his own mortality.
White Noise is an effortless combination of social satire and metaphysical dilemma in which Don DeLillo exposes our rampant consumerism, media saturation and novelty intellectualism. It captures the particular strangeness of life lived when the fear of death cannot be denied, repressed or obscured and ponders the role of the family in a time when the very meaning of our existence is under threat.
'America's greatest living writer.' - Observer
The Cat Who Saved Books is a heartwarming story about finding courage, caring for others – and the tremendous power of books.
'Enchanting' – Observer
__________
Grandpa used to say it all the time: Books have tremendous power. But what is that power really?
Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse.
After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . .
Sosuke Natsukawa’s international bestseller, translated from Japanese by Louise Heal Kawai, is a story for those for whom bo
A unique love story and a classic work of philosophy, rooted in the mysterious workings of the human heart and mind. With an introduction by Sheila Heti.
'De Botton is a national treasure.' - Susan Hill, author of The Woman in Black
Perhaps it is true that we do not really exist until there is someone there to see us existing, we cannot properly speak until there is someone who can understand what we are saying in essence, we are not wholly alive until we are loved.
A man and a woman meet over casual conversation on a flight from Paris to London, and so begins a love story – from first kiss to first argument, elation to heartbreak, and everything in between. Each stage of the relationship is illuminated with startling clarity, as Alain de Botton explores emotions often felt but rarely understood.
With the verve of a novelist and the insight of a philosopher, de Botton uncovers the mysteries of the human heart. Essays In Love is an iconic book – one that should be read by anyone who has ever fallen in love.
The third novel in the international bestselling Before the Coffee Gets Cold series, following four new customers in a cafe where customers can travel back in time. On the hillside of Mount Hakodate in northern Japan, Cafe Donna Donna is fabled for its dazzling views of Hakodate port. But thats not all. Like the charming Tokyo cafe Funiculi Funicula, Cafe Donna Donna offers its customers the extraordinary experience of travelling through time. From the author of Before the Coffee Gets Cold and Tales from the Cafe comes another story of four new customers, each of whom is hoping to take advantage of the cafe's time-travelling offer. Among some familiar faces from Toshikazu Kawaguchis previous novels, readers will also be introduced to: A daughter who begrudges her deceased parents for leaving her orphaned A comedian who aches for his beloved and their shared dreams A younger sister whose grief has become all-consuming A young man who realizes his love for his childhood friend too late
From the author of the classic A LITTLE LIFE, a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much
older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist's damaged granddaughter tries to navigate life without him-and solve the mystery of her husband's disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly
paradise, and the gradual realization that it can't exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
TO PARADISE is a fin de siecle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara's understanding of the aching desire to protect those we love - partners, lovers, children, friends, family and even our fellow citizens - and the pain that ensues when we cannot.
The post-apocalyptic modern classic with an introduction by novelist John Banville.
In a burned-out America, a father and his young son walk under a darkened sky, heading slowly for the coast. They have no idea what, if anything, awaits them there. The landscape is destroyed, nothing moves save the ash on the wind and cruel, lawless men stalk the roadside, lying in wait. Attempting to survive in this brave new world, the young boy and his protector have nothing but a pistol to defend themselves. They must keep walking.
Winner of the Pulitzer Prize for Fiction, The Road is an incandescent novel, the story of a remarkable and profoundly moving journey. In this unflinching study of the best and worst of humankind, Cormac McCarthy boldly divines a future without hope, but one in which, miraculously, this young family finds tenderness.
An exemplar of post-apocalyptic writing, The Road is a true modern classic, a masterful, moving and increasingly prescient novel.
This edition is part of the Picador Collection, a series of the best in contemporary literature, inaugurated in Picador's 50th Anniversary year.
A sweeping, breathtakingly ambitious novel about power, wealth and truth, told by four unique, interlocking voices and set against the backdrop of turbulent 1920s New York.
The long-forgotten author of a bestselling novel based on a legendary New York tycoon.
The real-life tycoon who attempts to set the record straight.
The young woman tasked with helping him—who turns detective in the process.
The tycoon’s wife, whose missing journals come to haunt them all, long after her death.
In a city devoted to making money and making stories like no other, where wealth means power, who gets to tell the truth? And to rise to the top of a glittering, destructive world, what – and who – do you have to sacrifice?
What a marvellous book this is . . . de Botton dissects what [Proust] had to say about friendship, reading, looking carefully, paying attention taking your time, being alive and adds his own delicious commentary. The result is an intoxicating as it is wise, amusing as well as stimulating, and presented in so fresh a fashion as to be unique . . . I could not stop, and now much start all over again.' Brian Masters, Mail on Sunday
'De Botton not only has a complete understanding of Proust's life . . . but what is particularly charming about this small, readable book is its tongue-in-cheek benignity, its lightly held erudition and its generous way of lending itself to what is not only the greatest book of the century but also the darkest and the most eccentric' Edmund White, Observer
'It contains more human interest and play of fancy than most fiction . . . de Botton, in emphasizing Proust's healing, advisory aspects, does us the service of rereading him on our behalf, providing of that vast sacred lake a sweet and lucid distillation.' John Updike, New Yorker
'De Botton's little book is so charming, amusing and sensible that it may even itself change your life.' Allan Massie, Daily Telegraph
'This engaging book is one of the most entertaining pieces of literary criticism I have read in a long while.' Sunday Telegraph
'A very enjoyable book' Sebastian Faulks
A fascinating insight into the complexity, history and unpredictability of Iraq.
By September 2003, six months after the US-led invasion of Iraq, the anarchy had begun. Rory Stewart, a young Biritish diplomat, was appointed as the Coalition Provisional Authority's deputy governor of a province of 850,000 people in the southern marshland region. There, he and his colleagues confronted gangsters, Iranian-linked politicians, tribal vendettas and a full Islamist insurgency.
Occupational Hazards is Rory Stewart's inside account of the attempt to rebuild a nation, the errors made, the misunderstandings and insurmountable difficulties encountered. It reveals an Iraq hidden from most foreign journalists and soldiers. Stewart is an award-winning writer, gifted with extraordinary insight into the comedy, occasional heroism and moral risks of foreign occupation.
Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music.
America, with all its warts, lies naked under the laser-like scrutiny of legendary outlaw journalist and brilliant reporter Hunter S. Thompson. Fearlessly, he hurls himself into each assignment, gouges out the truth, then returns with a fresh story no one else on earth could write. From Nixon to napalm, Las Vegas to Watergate, Carter to cocaine, hippies to himself, Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful '60s and '70s. Thompson is a rebel and an artist, and we are all richer for it.
"No other reporter reveals how much we have to fear and loathe, yet does it so hilariously."
-- Chicago Tribune
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