Agnes is sent to wait out her final months on the farm of district officer Jón Jónsson, his wife and their two daughters. Horrified to have a convicted murderer in their midst, the family avoid contact with Agnes. Only Tóti, the young assistant priest appointed Agnes’s spiritual guardian, is compelled to try to understand her. As the year progresses and the hardships of rural life force the household to work side by side, Agnes’s story begins to emerge and with it the family’s terrible realization that all is not as they had assumed.
Based on actual events, Burial Rites is an astonishing and moving novel about the truths we claim to know and the ways in which we interpret what we’re told. In beautiful, cut-glass prose, Hannah Kent portrays Iceland’s formidable landscape, in which every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?
The shocking true story of the breathtaking rise and collapse of Theranos, the multibillion-dollar biotech startup founded by Elizabeth Holmes, written by the prize-winning journalist who first broke the story and pursued it to the end.
Seen as the female Steve Jobs, Theranos founder and CEO Elizabeth Holmes was a brilliant Stanford dropout whose startup ‘unicorn’ promised to revolutionize the medical industry with a machine that would make blood testing significantly faster and easier. Backed by wealthy investors, Theranos sold shares that valued the company at more than $9 billion.
There was just one problem: the technology didn’t work . . .
Despite threats of legal action, brave whistleblowers started to talk. They revealed a culture of intimidation and secrecy, technology that repeatedly failed, results sent to real patients that were incorrect but upon which life-changing medical decisions were being made, with devastating consequences.
The riveting story behind The Dropout, in Bad Blood, John Carreyrou investigates the biggest corporate fraud since Enron, a tale of ambition and scandal set amid the bold promises of Silicon Valley.
God. Truth. Existence. From the legendary author Cormac McCarthy, Stella Maris is a masterful coda to The Passenger.
'It's an uncanny, unsettling dream, tuned into the static of the universe' – New York Times
A mathematician, twenty years-old, is admitted to the hospital. She has forty thousand dollars in a plastic bag, and one request. She does not want to talk about her brother.
Stella Maris is book two in a duology, preceded by The Passenger.
Praise for The Passenger:
'What a glorious sunset song . . . It’s rich and it’s strange, mercurial and melancholic' – Guardian
'The Passenger shows that McCarthy belongs in the company of Melville and Dostoevsky, writers the world will never cease to need' – New Statesman
The top ten bestseller from the author of The Road, Cormac McCarthy's The Passenger is the story of a salvage diver, afraid of the watery deep, and pursued for a conspiracy beyond his understanding.
'A gorgeous ruin in the shape of a hardboiled noir thriller . . . It’s rich and it’s strange, mercurial and melancholic' – Guardian
1980, Mississippi: A sunken jet, nine passengers and a missing body.
It is three in the morning when Bobby Western zips the jacket of his wet suit and plunges into the darkness of the ocean. His dive light illuminates a sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot's flight bag, the plane's black box, and the tenth passenger. But how?
Now a collateral witness, Bobby is haunted by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.
Traversing the American South, from the bars of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness.
Look out for Stella Maris, the second book in the duology.
Mikhail Bulgakov's The Master and Margarita is a fiercely satirical fantasy that remained unpublished in its author's home country for over thirty years.
In Soviet Moscow, God is dead, but the devil - to say nothing of his retinue of demons, from a loudmouthed, gun-toting tomcat, to the fanged fallen angel Koroviev - is very much alive. As death and destruction spread through the city like wildfire, condemning Moscow's cultural elite to prison cells and body bags, only a madman, the Master, and Margarita, his beautiful, courageous lover, can hope to end the chaos. Written in secret during the darkest days of Stalin's reign and circulated in samizdat form for decades, when The Master and the Margarita was finally published it became an overnight literary phenomenon, signalling artistic freedom for Russians everywhere.
This luminous translation from the complete and unabridged Russian text is accompanied by an introduction by Richard Pevear exploring the extraordinary circumstances of the novel's composition and publication, and how Bulgakov drew on carnivalesque folk traditions to create his ironic subversion of Soviet propaganda. This edition also contains a list of further reading and a note on the text.
After finishing high school, Mikhail Bulgakov (1891-1940) entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece.
Once home to the country's most illustrious families, Waitsfield, Massachusetts, is now an unforgiving place awash with secrets. Forged in this frigid landscape, Ruthie learns how the town's prim facade conceals a deeper, darker history and how silence often masks a legacy of harm - from the violence that runs down the family line to the horrors endured by her high school friends.
In Very Cold People Sarah Manguso reveals the suffocating constraints of growing up in a very old, and very cold, small town. Here lies a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smouldering rage . . .
When a mother allows her thirty-something daughter to move into her apartment, she wants for her what many mothers might say they want for their child: a steady income, and, even better, a good husband with a good job with whom to start a family.
But when Green turns up with her girlfriend Lane in tow, her mother is unprepared and unwilling to welcome Lane into her home. In fact, she can barely bring herself to be civil. Having centred her life on her husband and child, her daughter’s definition of family is not one she can accept. Her daughter’s involvement in a case of unfair dismissal involving gay colleagues from the university where she works is similarly strange to her.
And yet when the care home where she works insists that she lower her standard of care for an elderly dementia patient who has no family, who travelled the world as a successful diplomat, who chose not to have children, Green’s mother cannot accept it. Why should not having chosen a traditional life mean that your life is worth nothing at all?
In Concerning My Daughter, translated from Korean by Jamie Chang, Kim Hye-jin lays bare our most universal fears on ageing, death and isolation to offer, finally, a paean to love in all its forms.
Can someone in prison be more free than someone outside? Would we ever be good if we never felt shame? What makes a person worthy of forgiveness?
Andy West teaches philosophy in prisons. Every day he has conversations with people inside about their lives, discusses their ideas and feelings, and listens as they explore new ways to think about their situation.
When Andy steps into a prison, he also confronts his inherited shame: his father, uncle and brother all spent time behind bars. While Andy has built a different life for himself, he still fears that their fate will also be his. As he discusses pressing questions of truth, identity and hope with his students, he searches for his own form of freedom too.
Moving, sympathetic, wise and frequently funny, The Life Inside is an elegantly written and unforgettable memoir. Through a blend of storytelling and gentle philosophical questioning, it offers a new insight into our stretched justice system, our failing prisons and the complex lives being lived inside.
In this searching and funny memoir, based on his popular New Yorker article, renowned pianist Jeremy Denk traces an implausible journey. Life is difficult enough as a precocious, temperamental, and insufferable six-year-old piano prodigy in New Jersey. But then a family meltdown forces a move to New Mexico, far from classical music’s nerve centers, and he has to please a new taskmaster while navigating cacti, and the perils of junior high school. Escaping from New Mexico at last, he meets a bewildering cast of college music teachers, ranging from boring to profound, and experiences a series of humiliations and triumphs, to find his way as one of the world’s greatest living pianists, a MacArthur 'Genius,' and a frequent performer at Carnegie Hall.
There are few writers working today who are willing to eloquently explore both the joys and miseries of artistic practice. Hours of daily repetition, mystifying early advice, pressure from parents and teachers who drove him on – an ongoing battle of talent against two enemies: boredom and insecurity. As we meet various teachers, with cruel and kind streaks, Denk composes a fraught love letter to the act of teaching. He brings you behind the scenes, to look at what motivates both student and teacher, locked in a complicated and psychologically perilous relationship.
In Every Good Boy Does Fine, Denk explores how classical music is relevant to 'real life,' despite its distance in time. He dives into pieces and composers that have shaped him – Bach, Mozart, Schubert, and Brahms, among others – and gives unusual lessons on melody, harmony, and rhythm. Why and how do these fundamental elements have such a visceral effect on us? He tries to sum up many of the lessons he has received, to repay the debt of all his amazing teachers; to remind us that music is our creation, and that we need to keep asking questions about its purpose.
Maps of Our Spectacular Bodies is a story of coming-of-age at the end of a life. Utterly heart-breaking yet darkly funny, Maddie Mortimer’s debut is a symphonic journey through one woman’s body: a celebration of desire, forgiveness, and the darkness within us all.
‘Original, memorable, shimmering’ - Sarah Moss, author of Ghost Wall
Lia has only one child, Iris; her magical, awkward, endlessly creative daughter who has just entered the battleground of her teenage years. Lia and Iris have always been close, but there is a war playing out inside Lia’s body, too, and everything is about to change.
As she confronts what might be the end, memories of her own childhood and a passionate love affair come rushing into her present, unearthing buried secrets and her family’s deepest fears. But Lia still has hope . . . for more time, for more love, for more Iris.
Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt.
When Poseidon commits an unforgiveable act against Medusa in the temple of Athene, the goddess takes her revenge where she can: on his victim. Medusa is changed forever – writhing snakes for hair and her gaze now turns any living creature to stone. She can look at nothing without destroying it.
Desperate to protect her beloved sisters, Medusa condemns herself to a life of shadows. Until Perseus embarks upon a quest to fetch the head of a Gorgon . . .
Maria, a trans woman in her thirties, is going nowhere. She spends her aimless days working in a New York bookstore, trying to remain true to a punk ethos while drinking herself into a stupor and having a variety of listless and confusing sexual encounters.
After her girlfriend cheats on her, Maria steals her car and heads for the Pacific, embarking on her version of the Great American Road Trip.
Along the way she stops in Reno, Nevada, and meets James, a young man who works in the local Wal-Mart. Maria recognizes elements of her younger self in James and the pair quickly form an unlikely but powerful connection, one that will have big implications for them both.
Nevada is a hilarious, groundbreaking cult classic from Imogen Binnie that inspired a whole literary movement, and is now published in the UK for the very first time.
‘Morland predicts the future of humanity in 10 illuminating statistics (could the Japanese and Italians now go the way of the dodo?) and looks back to how ebbs and flows of population have shaped history, such as the Soviet Union’s plummeting birth rate in the 1960s, which hastened the end of the Cold War.’ - The Daily Telegraph ‘The Best Books for Summer 2022’
The great forces of population change – the balance of births, deaths and migrations – have made the world what it is today. They have determined which countries are superpowers and which languish in relative obscurity, which economies top the international league tables and which are at best also-rans.
The same forces that have shaped our past and present are shaping our future. Illustrating this through ten illuminating indicators, from the fertility rate in Singapore (one) to the median age in Catalonia (forty-three), Paul Morland shows how demography is both a powerful and an under-appreciated lens through which to view the global transformations that are currently underway.
Tomorrow’s People ranges from the countries of West Africa where the tendency towards large families is combining with falling infant mortality to create the greatest population explosion ever witnessed, to the countries of East Asia and Southern Europe where generations of low birth-rate and rising life expectancy are creating the oldest populations in history. Morland explores the geographical movements of peoples that are already under way – portents for still larger migrations ahead – which are radically changing the cultural, ethnic and religious composition of many societies across the globe, and in their turn creating political reaction that can be observed from Brexit to the rise of Donald Trump. Finally, he looks at the two underlying motors of change – remarkable rises in levels of education and burgeoning food production – which have made all these epochal developments possible.
Tomorrow’s People provides a fascinating, illuminating and thought-provoking tour of an emerging new world. Nobody who wants to understand that world should be without it.
Shortlisted for the Baillie Gifford Prize
The Top Ten Bestseller
A The Times Book of the Year
Waterstones Non-Fiction Book of the Month
‘If you want to read a book that moves you both at the level of sentence and the quality of language and with the emotional depth of its subject matter, then A Fortunate Woman is definitely the book you should be reading’ - Samanth Subramanian, Baillie Gifford judge
When Polly Morland is clearing out her mother’s house she finds a book that will lead her to a remarkable figure living on her own doorstep: the country doctor who works in the same remote, wooded valley she has lived in for many years. This doctor is a rarity in contemporary medicine – she knows her patients inside out, and their stories are deeply entwined with her own.
In A Fortunate Woman, with its beautiful photographs by Richard Baker, Polly Morland has written a profoundly moving love letter to a landscape, a community and, above all, to what it means to be a good doctor.
‘Morland writes about nature and the changing landscape with such lyrical precision that her prose sometimes seems close to poetry’ - Christina Patterson, The Sunday Times
‘Timely . . . compelling . . . a delicately drawn miniature’ - Financial Times
‘This book deepens our understanding of the life and thoughts of a modern doctor, and the modern NHS, and it expands movingly to chronicle a community and a landscape’ - Kathleen Jamie, New Statesman
Funny, sharp explications of what these sometimes not-very-nice women were up to!' – Margaret Atwood, author of The Handmaid's Tale
The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.
Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.
Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.
'A treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style' - historian Amanda Foreman
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