W tej strefie zapraszamy czytelników tak zwane artystyczne dusze po książki z kategorii Sztuka. Polecamy szereg publikacji o sztuce i jej historii,ciekawostki i portfolia artystów, eseje, albumy, książki o malarstwie, rzeźbiarstwie, architekturze oraz histoii fotografii. Biografie ciekawych artystów, książki i powieści przedstawiające fascynujące losy malarzy i osób uwiecznianych na obrazach. W tym dziale tylko ksiązki ze sztuka w tle.
Z radością prezentujemy najnowszą publikację Piotra Pajora “O budowaniu królestwa. Książęce i królewskie fundacje architektoniczne w Małopolsce jako środek reprezentacji władzy 1243–1370”, będącą kolejnym tomem serii “Studia z historii sztuki dawnej Instytutu Historii Sztuki Uniwersytetu Jagiellońskiego i Muzeum Narodowego w Krakowie”. Tym razem tematem przewodnim tomu są sposoby wykorzystania architektury jako środka autoprezentacji i propagandy przez władców rządzących Małopolską w schyłkowym okresie rozbicia dzielnicowego (za panowania Bolesława Wstydliwego, Leszka Czarnego, Wacława II Przemyślidy) oraz dwóch ostatnich królów z dynastii Piastów – Władysława Łokietka i Kazimierza Wielkiego.
Autor omawia fundacje (w tym inicjatywy urbanistyczne) Bolesława Wstydliwego, dalej podejmuje kwestię reprezentacji władzy w inwestycjach z epoki Leszka Czarnego, Wacława II i Władysława Łokietka. W kolejnym rozdziale koncentruje się na budowie i znaczeniu gotyckiej katedry na wzgórzu wawelskim, najobszerniejszą część książki poświęcając „dziełu Kazimierza Wielkiego” – od serii kościołów dwunawowych, przez działania związane z królewskimi fundacjami, przedsięwzięcia urbanistyczne (tu w roli głównej lokacja miasta Kazimierz), by wreszcie dopełnić rozważania zagadnieniem Kazimierzowskich warowni i rezydencji.
Karty książki Piotra Pajora przynoszą nie tylko samo omówienie architektury, faz budowy i funkcji, ale sytuują je w perspektywie ogólniejszej, a przede wszystkim przedstawiają własne opinie Autora, często będące polemiką ze stanowiskami wcześniejszych badaczy. Wywód jest bogato ilustrowany, co dodatkowo ułatwia i uatrakcyjnia lekturę.
Publikacja wzbudzi zainteresowanie nie tylko historyków sztuki i historyków. Książka Piotra Pajora jest istotnym głosem w dyskusji o przeszłości zapisanej w dziełach średniowiecznej sztuki polskiej.
One part history book, one part art book, and one part fascinating memoir, this book is an overview of more than two centuries of tattoo history intermixed with an intimate look at the lives of tattoo artists, and the personal struggles and triumphs, occupational hazards, and artistic courage that have defined so much of this history.
For the last forty years, Henk Schiffmacher has poured his heart and soul into his collection, amassing tattoo drawings, designs, photographs, and artifacts from around the world. Each of the book’s five chapters features many never-before-seen highlights from this collection and includes lithographs, etchings, tattooing instruments, paintings, photographs, posters, shop signs, original drawings, and tattoo designs known in the business as flash, among them extremely rare vintage flash sheets from major players in early Western tattooing. The vastness and variety of tattooing around the world is chronicled in the book’s 700+ images, including the indigenous tattooing of the Māori and South Pacific islanders, the ancient traditions of Asia, and the origins of old-school Western tattooing in Europe and the United States. The book also features a dozen original illustrations by Schiffmacher in his inimitable style, as well as a personal introduction describing Schiffmacher’s own journey as both an artist and a collector that has shaped his view of the art’s journey from the underground to the mainstream.
Schiffmacher brings a fascinating perspective to tattoo history through his personal reflections and wild tales of adventure. In this book, we learn not only about the history of tattooing, but also about the adventures behind the making of one of the largest tattoo collections in the world, by a self-taught tattoo artist in love with the art and its innovators.
Louis Isadore Kahn and a luminous modernist language
Louis Isadore Kahn (1901–1974) treated each building like a temple. Across the United States, in India, Bangladesh, Pakistan, and Israel, his designs combined the sleek, utilitarian surfaces of modernism with a devotion to geometric forms and a reverence for natural light that suffused his stuctures with a monumental and breathtaking spirituality.
This essential introduction brings together 17 of Kahn’s most important buildings across his cultural, governmental, religious, and residential repertoire. Plans, views, descriptions, and quality photographs trace the context and development of each project, while an introductory essay explores Kahn’s unique architectural ideology and his legacy as one of the most important 20th-century American architects since Frank Lloyd Wright.
Through Kahn masterworks, such as the National Assembly Building in Dhaka, Bangladesh, or Kimbell Art Museum in Fort Worth, Texas, we’ll explore Kahn’s his “back to basics” grammar inspired by ancient sites in Italy, Greece, and Egypt; and his unique vocabulary of mass, void, and light that suffused the International Style with a near-celestial luminescence.
An enigmatic world of masks and the macabre
An Expressionist before the term was coined, James Ensor (1860–1949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. He was a cosmopolitan trailblazer of modernism, but lived reclusively in an attic room in the resort town of Ostend.
For all his elusiveness, Ensor influenced generations of artists through his vivid often gruesome paintings, prints, and drawings. He is cited in particular for his use of dark satire and allegory, his innovative lighting, and for his interest in carnival and performance, showcased in The Entry of Christ into Brussels in 1889 as well as in his repertoire of self-portraits in which he employs masking, travesty, and role-playing to adopt such varied guises as Christ on the Cross and a gender-bending dandy.
This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
The brooding spaces of Giorgio de Chirico
With his Pittura Metafisica, Greek-born Italian painter Giorgio de Chirico (1888–1978) was a major influence in Europe’s interwar avant-garde, hailed by the likes of Pablo Picasso and Paul Éluard.
The artist’s Pittura Metafisica set statues or mannequin-like figures in exaggerated one-point perspective spaces including city squares, receding arcades, distant walls, or claustrophobic interiors. Sharp perspectives, striking shadows, geometrical planes, and voids of space crafted a compositional drama and lurking mood of anxiety and loneliness.The paintings set out to disquiet, to make the viewer reassess the nature of reality and search beneath its appearances for elusive memories and unexpected insights. While the Surrealists around Breton turned to Freud’s theories of the unconscious, de Chirico was fascinated by Nietzsche.
This dependable artist introduction explores all the ominous shadows and brooding corners of de Chirico’s Pittura Metafisica as well as his later development into a more classical style, a shift widely criticized by the Surrealists who had so admired his early paintings.
PRIDE is a photography book capturing the parades and protests in the gay community, with publication set to coincide with the 50th anniversary of the Stonewall riots, which took place on June 28, 1969. On June 28, 1970, the first gay pride marches took place in New York, Los Angeles, San Francisco, and Chicago commemorating the anniversary of the riots. Similar marches were organized in other cities-acting as both a celebration of gay culture and an activist movement for equal rights under the law.
The book will be an inspiring visual history documenting the resilience of a marginalized group and their fight for civil rights. As gay rights in both America and the world have evolved, the scenes capturing the parade have as well-through signs, dress, and expressions of freedom and love, this book also tells the story of the ever-changing culture of a people. It is a book about celebration, oppression, hope, recognition, and, above all, pride in being who you are.
In the first book of its kind, Aaron Rosen tells the story of how art developed across the world. He takes young readers on a journey through art history, from the Palaeolithic period to the present day, stopping off at thirty different locations around the world. As readers travel from one incredible destination to the next, they will discover the remarkable network of caves carved into the rock in ad 500 at Ajanta, India; Cambodia's remarkable Angkor Wat as it stood in ad 1200; the glories of Renaissance Florence in ad 1500; and the remarkable energy in New York in the 1950s.
At every stop-off point readers will encounter stories of astonishing artworks and the cultures that gave birth to them. There are three sections: prehistoric and ancient; medieval and early modern; and modern and contemporary. At each location, two beautifully illustrated spreads allow children to engage with the art, artifacts and culture of a unique place in time.
Along the way, key movements and ideas are picked out and explained for a young audience. A Journey Through Art is the perfect companion for young explorers of the world's cultural history.
A visual feast of 400 dazzling images, this is a comprehensive survey of the genre over the last century. The book also offers an overview of the development of fashion, as seen through the eyes of the greatest illustrators of the day. Early in the century, fashion illustration reflected new, liberating currents in art and culture, such as the exoticism of the Ballets Russes, while the postwar period saw inspiration from the great Parisian couturiers.
After the dominance of the celebrity fashion photographer in the 60s, a new generation of illustrators emerged, embracing the medium of the computer, while many returned to more traditional techniques.
This comprehensive survey of optical illusions includes an astonishing range of images from ancient times to the present. Covering illusions of depth, inversions, vibration effects, ambiguous figures, camouflage, anamorphic art, tessellations and other brain-teasing illusions, it presents examples from psychology, the popular press, the decorative arts, contemporary street art and the fine arts. M.C. Escher, Picasso, Vasarely, Magritte, Liu Bolin, Jos de Mey and other artists are generously represented. Reflecting author Paul Baars's deep engagement with the art and science of optical illusions, this book supersedes all others on the subject.
The face is not only central to identity, but is also the primary vehicle for human expression, emotion and character. It also signifies intellect and power, and has often been regarded as a window into the soul. Above all, it is the focus of our attention whenever we encounter another individual.
But how have different cultures depicted faces, whether a likeness or idealized, whether masked or revealed, whether newborn, in the prime of life, dying or even deceased? Why has the depiction of the human face been so central to artistic expression in all world cultures, and why has it sometimes even been defaced or destroyed by iconoclasts and others? Debra N. Mancoff explores the depiction of the human face through the full range of objects and works of art in the collection of the British Museum, and discovers how the face subtly conveys the full spectrum of human emotion. Arranged thematically, the book's chapters each begin with a brief introduction before depicting faces in various visually led pairings and groupings that encourage the reader to look for associations regardless of the objects' cultural origins.
Some of the juxtapositions are allowed to speak for themselves; others are explored through brief narrative captions. Some of the juxtapositions raise a smile; others are surprisingly affecting. This book will both fascinate and delight the reader, offering insights into experiences that we all share as human beings and that our faces inevitably reveal.
The result of a five-year airborne odyssey across five continents and sixty countries, The Earth from the Air is the bestselling and most popular book of aerial photography ever published. This updated edition of the internationally acclaimed original features an updated text and over 100 breathtaking new photographs. New editorials by such renowned authors as Jane Goodall, Matthieu Ricard and Olivier Blond consider such perpetual issues as agriculture, climate and biodiversity, as well as the latest concerns - refugees, new technologies and environmental movements.
A classic of its kind, this book will heighten everyone's awareness of today's urgent ecological issues. Now more than ever, The Earth from the Air stands as a call to action.
A fully illustrated guide to the glorious riches of New York's museums and galleries, drawing on the cream of the city's collections to create an easily navigable, narrative history of art. The guide's unique approach allows you to locate your favourite artist or style of art in any museum and follow this throughout the museums of New York. Do you like, say, French art? This book will show you where to find it in New York, from great masterpieces of the genre on show in world-famous institutions to hidden gems housed in galleries off the beaten track.
Visit the Metropolitan Museum to take in Nicolas Poussin, Jacques-Louis David and Courbet; move on to the Frick Collection to see works by the Rococo painters Boucher and Fragonard, or take off to the Dahesh Museum, the only American insitution devoted to the academic tradition in the 19th and 20th centuries. Featuring over 100 destinations, including the Metropolitan Musuem of Modern Art, Neue Galerie, MoMA, the Guggenheim, Storm King Art Center and the Frick Collection, and works by such artists as Courbet, Pollock, Poussin, Picasso, Warhol and Dali, The Art Guide: New York is the perfect guidebook for all art lovers who visit and live in the city.
Fashion photography is said to have begun with the distinguished American photographer Edward Steichen in 1911, and in the more than hundred years since then the genre has attracted some of the most talented photographers in the history of the medium. Many of them started their careers thanks to the editors and art directors of Vogue, Glamour and other Conde Nast publications. This book, featuring the work of 85 of the great fashion photographers past and present, drawn from the Conde Nast archives in New York, Paris and Milan, illustrates the early work of such celebrated practitioners as Cecil Beaton, Irving Penn, David Bailey, Helmut Newton, Corinne Day, Ellen von Unwerth and Mario Testino that appeared in the pages of the company's magazines.
The book is arranged chronologically from 1910 to 2010, and each plate section is interleaved with texts that recount the major photographers of the period and the changing styles of photography and fashion. The book also includes an interview with Franca Sozzani, the editor-in-chief of Vogue Italia, essays by Olivier Saillard and Sylvie Lecallier from the Musee Galliera, Paris, and an introduction by author Nathalie Herschdorfer, photography historian and curator. A brief biography of each photographer is included at the back of the book.
An earthly delight not to be missed
In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was “skating on ice”—meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.
Bosch—whose real name was Jheronimus van Aken—was widely copied and imitated: the number of surviving works by Bosch’s followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.
Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming 500th anniversary of Bosch’s death, covers the artist’s complete works. Discover Bosch’s pictorial inventions in splendid reproductions with copious details and a huge fold-out spread, over 110 cm (43 in.) long, of The Garden of Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.
Surrealism meets Symbolism in Salvador Dalí’s tarot deck
Legend has it that when preparing props for the James Bond film Live and Let Die, producer Albert Broccoli commissioned Surrealist maestro Salvador Dalí to create a custom deck of tarot cards. Inspired by his wife Gala, who nurtured his interest in mysticism, Dalí eagerly got to work, and continued the project of his own accord when the contractual deal fell through.
The work was published in a limited art edition in 1984 that has since long sold out, making Dalí the first renowned painter to create a completely new set of cards. Drawing on Western masterpieces from antiquity to modernity (including some of his own), Dalí seamlessly combined his knowledge of the arcane with his unmistakable wit. The result is a surreal kaleidoscope of European art history.
TASCHEN resurrects all 78 cards in a fresh celebration of Dalí’s inimitable custom set, complete with a booklet by renowned German tarot author Johannes Fiebig offering:
an introduction to Dalí’s life and the project’s making-of
a comprehensive explanation of each card’s composition, its meaning, and practical advice
step-by-step instructions on how to perform readings
a jargon-free approach simplifying tarot for the newcomer
Design trends and styles of the 1950s
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.
TASCHEN’s Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on both sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future—between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.
The genius and the angst of a tortured talent
Today, the works of Vincent van Gogh (1853–1890) are among the most well known and celebrated in the world. In paintings such as Sunflowers, The Starry Night, and Self-Portrait with Bandaged Ear, we recognize an artist uniquely dexterous in the representation of texture and mood, light and place.
Yet in his lifetime, van Gogh battled not only the disinterest of his contemporary audience but also devastating bouts of mental illness. His episodes of depression and anxiety would eventually claim his life, when, in 1890, he committed suicide shortly after his 37th birthday.
This comprehensive study of Vincent van Gogh offers a complete catalogue of his 871 paintings, alongside writings and essays, charting the life and work of a master who continues to tower over art to this day.
June Newton, renowned under her professional pseudonym Alice Springs, takes the reader on an extraordinary photographic journey from her childhood in Australia through work and travels with her husband, Helmut Newton. The photographs offer a wonderful mix of personal snapshots, editorial work for magazines like Elle, and portraits of such leading creative figures as Yves Saint Laurent, Gore Vidal, Balthus, Robert Mapplethorpe, Brassai, Nicole Kidman, and Anjelica Huston.
The pictures are accompanied by Newton's unpublished diary extracts and her own written commentaries, illuminating the pictures and the stories they tell with her particular blend of gentle irony, candor, and a photographer's eye for detail. Personal and engaging, this book combines iconic faces and places of the 20th century with privileged access into Newton's most intimate inner circle.
Tadao Ando’s complete works from 1975 until today
Discover the completely unique aesthetic of Tadao Ando, the only architect ever to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize.
Philippe Starck defines him as a “mystic in a country which is no longer mystic.” Philip Drew calls his buildings “land art” as they “struggle to emerge from the earth.” His designs have been described as haiku crafted from concrete, water, light, and space. But to Ando, true architecture is not expressed in metaphysics or beauty, but rather through space that embodies physical wisdom.
This thoroughly updated edition spans the breadth of his entire career, including such stunning new projects as the Shanghai Poly Theater and the Clark Center at the Clark Art Institute in Williamstown, Massachusetts. Each project is profiled through photographs and architectural drawings to explore Ando’s unprecedented use of concrete, wood, water, light, space, and natural forms. Based on the massive XXL monograph, this edition brings the architect’s definitive career overview to an accessible format.
A monumental retrospective of the Case Study Houses program
The Case Study House program (1945–66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.
The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day.
TASCHEN brings you a monumental retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.
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