The three works in this collection, all dating from Nietzsche's last lucid months, show him at his most stimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the Übermensch) are forsaken, as wit, exuberance and dazzling insights predominate, forcing the reader to face unpalatable insights and to rethink every commonly accepted 'truth'. Thinking with Nietzsche, in Jaspers' words, means holding one's own against him, and we are indeed refreshed and challenged by the vortex of his thoughts, by concepts which test and probe.
In The Twilight of the Idols, The Antichrist, and Ecce Homo Nietzsche writes at breakneck speed of his provenance, his adversaries and his hopes for mankind; the books are largely epigrammatic and aphoristic, allowing this poet-philosopher to bewilder and fascinate us with their strangeness and their daring. He who fights with monsters, Nietzsche once told us, should look to it that he himself does not become one, and when you gaze long into an abyss, the abyss also gazes into you. Reader, beware.
In Symposium, a group of Athenian aristocrats attend a party and talk about love, until the drunken Alcibiades bursts in and decides to discuss Socrates instead. Symposium gives an unsurpassed picture of the sparkling society that was Athens at the height of her empire.
The setting of the other dialogues is more sombre. Socrates is put on trial for impiety, and sentenced to death. Euthyphro discusses the nature of piety, Apology is Socrates' speech in his own defence, Crito explains his refusal to escape punishment, and Phaedo gives an account of Socrates' last day. These dialogues have never been offered in one volume before. Tom Griffith's Symposium has been described as 'possibly the finest translation of any Platonic dialogue'. All the other translations are new.
In The Social Contract Rousseau (1712-1778) argues for the preservation of individual freedom in political society. An individual can only be free under the law, he says, by voluntarily embracing that law as his own. Hence, being free in society requires each of us to subjugate our desires to the interests of all, the general will.
Some have seen in this the promise of a free and equal relationship between society and the individual, while others have seen it as nothing less than a blueprint for totalitarianism. The Social Contract is not only one of the great defences of civil society, it is also unflinching in its study of the darker side of political systems.
The ideas of Plato (c429-347BC) have influenced Western philosophers for over two thousand years. Such is his importance that the twentieth-century philosopher A.N. Whitehead described all subsequent developments within the subject as foot-notes to Plato's work. Beyond philosophy, he has exerted a major influence on the development of Western literature, politics and theology.
The Republic deals with the great range of Plato's thought, but is particularly concerned with what makes a well-balanced society and individual. It combines argument and myth to advocate a life organized by reason rather than dominated by desires and appetites. Regarded by some as the foundation document of totalitarianism, by others as a call to develop the full potential of humanity, the Republic remains a challenging and intensely exciting work.
Translated by J.J. Graham, revised by F.N. Maude Abridged and with an Introduction by Louise Willmot.
On War is perhaps the greatest book ever written about war. Carl von Clausewitz, a Prussian soldier, had witnessed at first hand the immense destructive power of the French Revolutionary armies which swept across Europe between 1792 and 1815. His response was to write a comprehensive text covering every aspect of warfare.
On War is both a philosophical and practical work in which Clausewitz defines the essential nature of war, debates the qualities of the great commander, assesses the relative strengths of defensive and offensive warfare, and - in highly controversial passages - considers the relationship between war and politics. His arguments are illustrated with vivid examples drawn from the campaigns of Frederick the Great and Napoleon Bonaparte.
For the student of society as well as the military historian, On War remains a compelling and indispensable source.
London Labour and the London Poor is a masterpiece of personal inquiry and social observation. It is the classic account of life below the margins in the greatest Metropolis in the world and a compelling portrait of the habits, tastes, amusements, appearance, speech, humour, earnings and opinions of the labouring poor at the time of the Great Exhibition.
In scope, depth and detail it remains unrivalled. Mayhew takes us into the abyss, into a world without fixed employment where skills are declining and insecurity mounting, a world of criminality, pauperism and vice, of unorthodox personal relations and fluid families, a world from which regularity is absent and prosperity has departed. Making sense of this environment required curiosity, imagination and a novelist's eye for detail, and Henry Mayhew possessed all three.
No previous writer had succeeded in presenting the poor through their own stories and in their own words, and in this undertaking Mayhew rivals his contemporary Dickens. 'To pass from one to the other', writes one authority,' is to cross sides of the same street'.
Rene Descartes (1569-1650), the 'father' of modern philosophy, is without doubt one of the greatest thinkers in history: his genius lies at the core of our contemporary intellectual identity. Breaking with the conventions of his own time and suffering persecution by the Church as a consequence, Descartes in his writings - most of which are philosophical classics - attempted to answer the central questions surrounding the self, God, free-will and knowledge, using the science of thought as opposed to received wisdom based on the tenets of faith.
This edition, the most comprehensive one-volume selection of Descartes' works available in English, includes his great essay, Discourse on Method.
Sigmund Freud's audacious masterpiece, The Interpretation of Dreams, has never ceased to stimulate controversy since its publication in 1900.
Freud is acknowledged as the founder of psychoanalysis, the key to unlocking the human mind, a task which has become essential to man's survival in the twentieth century, as science and technology have rushed ahead of our ability to cope with their consequences.
Freud saw that man is at war with himself and often unable to tolerate too much reality. He propounded the theory that dreams are the contraband representations of the beast within man, smuggled into awareness during sleep. In Freudian interpretation, the analysis of dreams is the key to unlocking the secrets of the unconscious mind.
Dante Alighieri (1265-1321) is one of the most important and innovative figures of the European Middle Ages. Writing his Comedy (the epithet 'Divine' was added by later admirers) in exile from his native Florence, he aimed to address a world gone astray both morally and politically. At the same time, he sought to push back the restrictive rules which traditionally governed writing in the Italian vernacular, to produce a radically new and all-encompassing work.
The Comedy tells the story of the journey of a character who is at one and the same time both Dante himself and Everyman. In the Inferno, Dante's protagonist - and his reader - is presented with a graphic vision of the dreadful consequences of sin, and encounters an all-too-human array of noble, grotesque, beguiling, ridiculous and horrific characters.
Human, All Too Human (1878) marks the point where Nietzsche abandons German romanticism for the French Enlightenment. At a moment of crisis in his life (no longer a friend of Richard Wagner, forced to leave academic life through ill health), he sets out his views in a scintillating and bewildering series of aphorisms which contain the seeds of his later philosophy (e.g. the will to power, the need to transcend conventional Christian morality). The result is one of the cornerstones of his life's work. It well deserves its subtitle ‘A Book for Free Spirits’, and its original dedication to Voltaire, whose project of radical enlightenment here finds a new champion.
Beyond Good and Evil (1886) is a scathing and powerful critique of philosophy, religion and science. Here Nietzsche presents us with problems and challenges that are as troubling as they are inspiring, while at the same time outlining the virtues, ideas, and practices which will characterise the philosophy of the future. Relentless, energetic, tirelessly probing, he both determines that philosophy's agenda and is himself the embodiment of the type of thought he wants to foster.
A new version of John Payne's Victorian translation, with an Introduction by Cormac O Cuilleanain.
1348. The Black Death is sweeping through Europe. In Florence, plague has carried off one hundred thousand people. In their Tuscan villas, seven young women and three young men tell tales to recreate the world they have lost, weaving a rich tapestry of comedy, tragedy, ribaldry and farce.
Boccaccio's Decameron recasts the storytelling heritage of the ancient and medieval worlds into perennial forms that inspired writers from Chaucer and Shakespeare down to our own day. Boccaccio makes the incredible believable, with detail so sharp we can look straight into the lives of people who lived six hundred years ago. His Decameron hovers between the fading glories of an aristocratic past - the Crusades, the Angevins, the courts of France, the legendary East - and the colourful squalor of contemporary life, where wives deceive husbands, friars and monks pursue fleshly ends, and natural instincts fight for satisfaction.
Here are love and jealousy, passion and pride - and a shrewd calculation of profit and loss which heralds the rise of a dynamic merchant class. These stories show us early capitalism during a moment of crisis and revelation.
Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930.
It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.
The exploits of Sweeney Todd, ‘The Demon Barber of Fleet Street’, have been recounted many times in plays, films and musicals, but the origins of the character largely were forgotten for many years. The String of Pearls - the original tale of Sweeney Todd, a classic of British horror - was first published as a weekly serial in 1846-7 by Edward Lloyd, the King of the Penny Dreadfuls. One of the earliest detective stories, it became an important source for Bram Stoker's Dracula, but it was after over 150 years of obscurity that it appeared first in book form in the Wordsworth edition published in 2005.
The one great mystery that has surrounded the book is who the author was - or was it possibly the work of more than one man? In his new introduction to this fully revised second edition, Dick Collins, by means of detailed research of contemporary records, has established finally the identity of the creator of this legendary figure.
So here is the original story of the terrifying owner of that famous London barber-shop, and the secret recipe for Mrs Lovett's delicious pies…
'I read it and reread it, and wept and laughed and trembled with horror which at all times assails me yet'.
With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it?
This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow 'achieves notable heights of cosmic fear'.
‘They were removing the stones quietly, one by one, from the centuried wall. And then, as the breach became large enough, they came out into the laboratory in single file; led by a stalking thing with a beautiful head made of wax.’
From the dark, mind-expanding imagination of H P Lovecraft, Wordsworth presents a third volume of tales penned by the greatest horror writer of the 20th Century. Here are some of Lovecraft’s weirdest flesh-creeping masterpieces, including Pickman's Model, The Shunned House, his famous serial Herbert West – Reanimator, and several classic tales from the Cthulhu Mythos, in which mankind is subjected to the unimaginable terrors known only to those who have read from the forbidden Necronomicon.
Also included in this compelling collection are the complete Randolph Carter stories, chronicling his adventures in this world and the realm of his dreams, where he faces perils beyond comprehension.
The Aeneid is Virgil's Masterpiece. His epic poem recounts the story of Rome's legendary origins from the ashes of Troy and proclaims her destiny of world dominion. This optimistic vision is accompanied by an undertow of sadness at the price that must be paid in human suffering to secure Rome's future greatness. The tension between the public voice of celebration and the tragic private voice is given full expression both in the doomed love of Dido and Aeneas, and in the fateful clash between the Trojan leader and the Italian hero, Turnus.
Hailed by T.S. Eliot as 'the classic of all Europe', Virgil's Aeneid has enjoyed a unique and enduring influence on European literature, art and politics for the past two thousand years.
Tales from Shakespeare by Charles and Mary Lamb was written to be an 'introduction to the study of Shakespeare', but are much more entertaining than that. All of Shakespeare's best-loved plays, comic and tragic, are retold in a clear and robust style, and their literary quality has made them popular and sought-after ever since their first publication in 1807.
This edition contains the delightful pen-and-ink drawings of Arthur Rackham.
`When you have experienced Sons and Lovers you have lived through the agonies of the young Lawrence striving to win free from his old life'.
Richard Aldington
This novel is Lawrence's semi-autobiographical masterpiece in which he explores emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with a demanding mother and two very different lovers.
Lawrence's novels are perhaps the most powerful exploration in the genre in English of family, class, sexuality and relationships in youth and early adulthood
From its first publication in 1816 Rob Roy has been recognised as containing some of Scott's finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote - a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others.
Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces.
This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novel's historical context and a glossary of Scottish words and phrases used by Scott's colourful, vernacular characters.
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