Fathers and Sons is one of the greatest nineteenth century Russian novels, and has long been acclaimed as Turgenev's finest work. It is a political novel set in a domestic context, with a universal theme, the generational divide between fathers and sons. Set in 1859 at the moment when the Russian autocratic state began to move hesitantly towards social and political reform, the novel explores the conflict between the liberal-minded fathers of Russian reformist sympathies and their free-thinking intellectual sons whose revolutionary ideology threatened the stability of the state.
At its centre is Evgeny Bazorov, a strong-willed antagonist of all forms of social orthodoxy who proclaims himself a nihilist and believes in the need to overthrow all the institutions of the state. As the novel develops Bazarov's political ambitions become fatally meshed with emotional and private concerns, and his end is a tragic failure. The novel caused a bitter furore on its publication in 1862, and this, a year later, drove Turgenev from Russia.
When Jerry, Jimmy and Cathy discover a tunnel that leads to a castle, they pretend that it is enchanted. But when they discover a Sleeping Princess at the centre of a maze, astonishing things begin to happen. Amongst a horde of jewels they discover a ring that grants wishes.
But wishes granted are not always wishes wanted, so the children find themselves grappling with invisibility, dinosaurs, a ghost and the fearsome Ugli-Wuglies before it is all resolved.
This edition of The Enchanted Castle has forty-seven evocative illustrations by H.R. Millar.
Cervantes’ tale of the deranged gentleman who turns knight-errant, tilts at windmills and battles with sheep in the service of the lady of his dreams, Dulcinea del Toboso, has fascinated generations of readers, and inspired other creative artists such as Flaubert, Picasso and Richard Strauss. The tall, thin knight and his short, fat squire, Sancho Panza, have found their way into films, cartoons and even computer games.
Supposedly intended as a parody of the most popular escapist fiction of the day, the ‘books of chivalry’, this precursor of the modern novel broadened and deepened into a sophisticated, comic account of the contradictions of human nature. On his ‘heroic’ journey Don Quixote meets characters of every class and condition, from the prostitute Maritornes, who is commended for her Christian charity, to the Knight of the Green Coat, who seems to embody some of the constraints of virtue.
Cervantes’ greatest work can be enjoyed on many levels, all suffused with a subtle irony that reaches out to encompass the reader, and does not leave the author outside its circle.
Peter Motteux’s fine eighteenth-century translation, acknowledged as one of the best, brilliantly succeeds in communicating the spirit of the original Spanish.
Late in the eighteenth century authors began to write ‘Gothic’ stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the ‘Age of Reason’.
This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting ‘The Lame Priest’ are ‘lost masterpieces’ and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling – tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind – insanity, sexuality, death and the often terrible power of the past to catch up with the present.
In a lively, authoritative introduction David Blair provides fresh insights and a detailed commentary on the stories’ place in the complex traditions of Gothic writing in British and American literature.
The narrator of The War of the Worlds is quick to discover that what appeared to be a falling star was, in fact, a metallic cylinder landing from Mars. Six million people begin to flee London in panic as tentacled invaders emerge and overpower the city. With their heat-ray, killing machines, black gas, and a taste for fresh human blood, is there anything that can be done to stop the Martians?
In The War in the Air, naive but resourceful Bert Smallways is thrilled by speed and fascinated by the new flying machines. His curiosity sweeps him away by accident into a German plan to conquer America, beginning with the destruction of New York. The ease of movement in aerial warfare means that nothing and nobody is safe as Total War erupts, civilisation crumbles, and Bert's hopes of getting back to London to marry his love seem impossibly distant.
In these 'scientific romances' H. G. Wells sees the present reflected in the future and the future in the present. His aim is to provoke rather than predict. The Sleeper falls into a trance, waking up two centuries later as the richest man in a world of new technologies, power-greedy leaders, sensual elites, and brutalised industrial slaves. Arriving in the year 802,701, the Time-Traveller finds that humanity has evolved into two drastically different species; going farther still, he witnesses the ultimate fate of the solar system. The Chronic Argonauts, the original version of The Time Machine, pits a scientist with daring views of time and space against superstitious villagers. In all three works Wells laces vivid adventure stories with the latest ideas in biology and physics.
'Each time I dip a living creature into the bath of burning pain, I say: this time I will burn out all the animal, this time I will make a rational creature of my own!' declares Doctor Moreau to hapless narrator Edward Prendick.
Moreau's highly controversial methods and ambitions conflict with the religious, moral and scientific norms of his day and Wells later called The Island of Doctor Moreau 'a youthful exercise in blasphemy'. Today his vivid depictions of the Beast People still strike modern readers with an uncanny glimpse of the animal in the human, while the behaviour of humans leave us wondering who is the most monstrous after all.
This volume unites four of Wells' liveliest and most engaging tales of the strange evolution and behaviour of animals - including human beings. The Island of Doctor Moreau is followed by three fantastic yet chillingly plausible short stories of human-animal encounters. The Empire of the Ants is a darkly humorous account of intelligent Amazonian ants threatening to displace humans as ‘the lords of the future and masters of the earth’. In The Sea Raiders, the south coast of England is terrorized by an unwelcome visit from deep-sea predator Haploteuthis ferox, while Æpyornis Island provides a marooned egg collector with an unusual companion.
Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress.
The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.
Elizabeth Gaskell’s first novel depicts nothing less than the great clashes between capital and labour, which arose from rapid industrialisation and problems of trade in the mid-nineteenth century. But these clashes are dramatized through personal struggles. John Barton has to reconcile his personal conscience with his socialist duty, risking his life and liberty in the process. His daughter Mary is caught between two lovers, from opposing classes – worker and manufacturer. And at the heart of the narrative lies a murder which implicates them all.
Mary Barton was published in 1848, at a time of great social ferment in Europe, and it reflects its revolutionary moment through an English lens. Elizabeth Gaskell wrote her first novel about the world in which she lived – Manchester at the height of the industrial revolution. As the wife of a Unitarian minister she was solidly middle-class;but she also had close contact with the working classes around her, sympathised with them, and represented their extreme distresses in her fiction. She is radical in taking on their dialect, imagining the realities of their lives, and placing a working woman at the centre of her fiction. If to our eyes her vision remains limited, it was an honest vision, for which she was much criticised in her own time, by her own class.
Richard III is one of the finest of Shakespeare’s historical dramas. Although it has a huge cast, Richard himself, gleefully wicked, charismatically Machiavellian, always dominates the play: a role to gratify such leading actors as David Garrick, Laurence Olivier, Anthony Sher, Ian McKellen and Al Pacino.
Since, in real life, political Machiavellianism is never out of date, Richard III remains perennially topical. Numerous revivals on stage and screen have demonstrated the enduring cogency of this drama about the lethally corrupting quest for power.
A Pair of Blue Eyes, though early in the sequence of Hardy's novels, is lively and gripping. Its dramatic cliff-hanging episode, for example, is at once tense, ironic, feministic and erotic.
With settings in Wessex and London, the novel also has some strongly autobiographical features, as the blue-eyed heroine, Elfride Swancourt, is based largely on Emma Gifford, who became Thomas Hardy's first wife. Elfride's vivacious nature attracts several lovers, but she is beset by sexual prejudice, and the ensuing ironies reveal the constraints of her times.
A Pair of Blue Eyes provides an engaging and moving experience for today's readers.
Like George Orwell, Franz Kafka has given his name to a world of nightmare, but in Kafka’s world, it is never completely clear just what the nightmare is. The Trial, where the rules are hidden from even the highest officials, and if there is any help to be had, it will come from unexpected sources, is a chilling, blackly amusing tale that maintains, to the very end, a relentless atmosphere of disorientation. Superficially about bureaucracy, it is in the last resort a description of the absurdity of 'normal' human nature.
Still more enigmatic is The Castle. Is it an allegory of a quasi-feudal system giving way to a new freedom for the subject? The search by a central European Jew for acceptance into a dominant culture? A spiritual quest for grace or salvation? An individual's struggle between his sense of independence and his need for approval? Is it all of these things? And K? Is he opportunist, victim, or an outsider battling against elusive authority?
The Shirley of the title is a woman of independent means; her friend Caroline is not. Both struggle with what a woman's role is and can be. Their male counterparts - Louis, the powerless tutor, and Robert, his cloth-manufacturing brother - also stand at odds to society's expectations. The novel is set in a period of social and political ferment, featuring class disenfranchisement, the drama of Luddite machine-breaking, and the divisive effects of the Napoleonic Wars.
But Charlotte Brontës particular strength lies in exploring the hidden psychological drama of love, loss and the quest for identity. Personal and public agitation are brought together against the dramatic backdrop of her native Yorkshire. As always, Brontë challenges convention, exploring the limitations of social justice whilst telling not one but two love stories.
Kim is Rudyard Kipling’s finest work. Now controversial, this novel is a memorably vivid evocation of the life and landscapes of India in the late nineteenth century. Kim himself is a resourceful lad who befriends a lama, an ageing priest; and both embark on a combined quest. Whereas Kim has an insatiable interest in the varied activities around him, the lama seeks redemption from the ‘Wheel of Life’. Kim becomes involved in the ‘Great Game’, undertaking espionage for the British rulers.
This engrossing and moving novel, with its diversity of memorable characters, offers many insights into political, religious and social tensions.
Based on Charlotte Brontë's personal experience as a teacher in Brussels, Villette is a moving tale of repressed feelings and subjection to cruel circumstance and position, borne with heroic fortitude.
Rising above the frustrations of confinement within a rigid social order, it is also the story of a woman's right to love and be loved.
A year after the publication of The Three Musketeers, Alexandre Dumas produced a sequel worthy in every respect of the original. In Twenty Years After the much beloved D'Artaganan, Athos, Porthos and Aramis reunite to fight the forces of evil. In the original novel they defeated Milady, a formidable foe; now they need to face her vengeful son Mordaunt, as well as countering the machinations of the sinister Cardinal Mazarin.
Their adventures also take them to England, where Cromwell is about to topple Charles I. Meanwhile, they must overcome the obstacles which the passing of time has placed between them. Rediscovering strength in unity, they fight for Queen and country. The Musketeer novels were a huge success in Dumas' own lifetime, and have lost none of their original appeal. Translated into many languages and adapted for cinema and television, they have helped to make Dumas arguably the most successful exporter of French culture to the wider world.
Our edition is based on the William Robson translation first published by Routledge in 1856.
The Professor is Charlotte Brontës first novel, in which she audaciously inhabits the voice and consciousness of a man, William Crimsworth. Like Jane Eyre he is parentless; like Lucy Snowe in Villette he leaves the certainties of England to forge a life in Brussels. But as a man, William has freedom of action, and as a writer Brontë is correspondingly liberated, exploring the relationship between power and sexual desire.
William's first person narration reveals his attraction to the dominating directress of the girls' school where he teaches, played out in the school's 'secret garden'. Balanced against this is his more temperate relationship with one of his pupils, Frances Henri, in which mastery and submission interplay. The Professor was published only after Charlotte Brontës death; today it gives us a fascinating insight into the first stirrings of her supreme creative imagination.
This is the first paperback edition to bring out in one volume Kate Chopin’s extraordinary novel The Awakening (1899), along with the complete text of her two collections of short stories, Bayou Folk (1894) and A Night in Acadie (1897), and twelve uncollected tales.
The Awakening is a strikingly modern, evocative story of self-discovery and female emancipation, set in the sensuous environment of Southern Louisiana, where the young Edna Pontellier reclaims her own individuality, refusing to be defined by her roles of wife and mother.
Chopin’s stories are brilliantly observed, compassionate and often humorous, alert to the foibles, weaknesses and small triumphs of her characters. Overshadowed by the relatively recent fame of The Awakening, they contain some of the best work of this remarkably original author.
In 1915, Lawrence's frank representation of sexuality in The Rainbow caused a furore and the novel was seized by the police and banned almost as soon as it was published. Today it is recognised as one of the classic English novels of the twentieth century.
The Rainbow is about three generations of the Brangwen family of Nottinghamshire from the 1840s to the early years of the twentieth century. Within this framework Lawrence's essential concern is with the passional lives of his characters as he explores the pressures that determine their lives, using a religious symbolism in which the 'rainbow' of the title is his unifying motif.
His primary focus is on the individual's struggle to growth and fulfilment within marriage and changing social circumstances, a process shown to grow more difficult through the generations. Young Ursula Brangwen, whose story is continued in Women in Love, is finally the central figure in Lawrence's anatomy of the confining structures of English social life and the impact of industrialisation and urbanisation on the human psyche.
Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky’s short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife’s suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal.
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