Who would have thought that the outstanding art book of the year would be written not by a curator or an art historian or even an artist – but by a museum guard?
Sunday Times, *Art Book of the Year*
Greek vases, an Iroquois turtle rattle, Picassos. His every word about them is illuminating. The big picture is art’s power to console and unite
Financial Times *Best Books of 2023*
Consoling and beautiful
Guardian
Hauntingly beautiful ... elegant ... a work of art as luminous as the old masters' paintings that comforted [Bringley] in his grief
Daily Mail Online
Bringley is a marvellous guide ... All the Beauty in the World succeeds joyously
Daily Telegraph
Life on our planet as you've never seen it before
A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.
Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.
The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part - or protective - of it. They begin to ask, what is life without earth? What is earth without humanity?
In 2016 it was announced that Bob Dylan had sold his personal archive to the George Kaiser Foundation in Tulsa, Oklahoma, reportedly for $22 million. As the boxes started to arrive, the Foundation asked Clinton Heylin - author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone) - to assess the material they had been given. What he found in Tulsa - as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office - so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers - Dylan himself included - have said is wrong; often as not, a case of, Print the Legend.
This is the second instalment of the definitive biography (following A Restless Hungry Feeling) of one contemporary culture's most iconic and mysterious figures - musical revolutionary, Nobel Prize-winner, chart-topping recording artist.
Clinton Heylin's meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.
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