When a tornado crashes through Kansas city, Dorothy and her dog Toto are whisked far away, over the rainbow, to a strange land called Oz. How will they ever get home? And what is at the end of the yellow brick road? Plucky Dorothy and Toto embark on a magical adventure to search for the Wizard of Oz and along the way encounter the Tin Woodman, the Scarecrow and the Cowardly Lion.
This much loved tale has enchanted generations of children and adults alike.
'It's lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them'
Huck Finn spits, swears, smokes a pipe and never goes to school. With his too-big clothes and battered straw hat, Huck is in need of 'civilising', and the Widow Douglas is determined to take him in hand. And wouldn't you know, Huck's no-good Pap is also after him and he locks Huck up in his cabin in the woods. But Huck won't stand too much of this, and after a daring escape, he takes off down the Mississppi on a raft with an runaway slave called Jim. But plenty of dangers wait for them along the river - will they survive and win their freedom?
The exploits of Tom Sawyer, a consummate prankster with a quick wit, captivate children of all ages. Yet through the novel's humorous escapades, from the episodes of the whitewashed fence and the ordeal in the cave to the trial of Injun Joe, Mark Twain explores deeper themes within the adult world Tom will one day join. These include the baser human instincts of dishonesty and superstition, murder and revenge, starvation and slavery.
Elinor is as prudent as her sister Marianne is impetuous. Each must learn from the other after they are they are forced by their father's death to leave their home and enter into the contests of polite society. The charms of unsuitable men and the schemes of rival ladies mean that their paths to success are thwart with disappointment but together they attempt to find a way to happiness.
In this vivid portrait of one day in a woman's life, Clarissa Dalloway is preoccupied with the last-minute details of party she is to give that evening. As she readies her house she is flooded with memories and re-examines the choices she has made over the course of her life.
Dr Jekyll has been experimenting with his identity. He has developed a drug which separates the two sides of his nature and allows him occasionally to abandon himself to his most corrupt inclinations as the monstrous Mr Hyde. But gradually he begins to find that the journey back to goodness becomes more and more difficult, and the risk that Mr Hyde will break free entirely from Dr Jekyll's control puts all of London in grave peril.
The phenomenal global and Sunday Times bestseller from the author of Sapiens
For the last 100,000 years, we Sapiens have accumulated enormous power. But despite all our discoveries, inventions and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. International and political tensions are rising. And we are rushing headlong into the age of AI – an alien information network that threatens to annihilate us. For all that we have accomplished, why are we so self-destructive?
Nexus looks through the long lens of human history to consider how the flow of information has brought us here. Taking us from the Stone Age through the canonisation of the Bible, the invention of print, the rise of mass media and the recent resurgence of populism, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how systems like the Roman Empire, the Catholic Church and the Soviet Union have wielded information to achieve their goals, for good and ill. And he addresses the urgent choices we face as non-human intelligence threatens our very existence.
Information is not the raw material of truth, nor is it a mere weapon. Nexus explores the hopeful middle ground between these extremes and, in doing so, rediscovers our shared humanity.
'Jane Austen's Emma is her masterpiece, mixing the sparkle of her early books with a deep sensibility' Observer
Emma is young, rich and independent. She has decided not to get married and instead spends her time organising her acquaintances' love affairs. Her plans for the matrimonial success of her new friend Harriet, however, lead her into complications that ultimately test her own detachment from the world of romance.
A woman's weekend away in the Austrian mountains takes an inexplicable and sinister turn - and becomes a fight for survival.
A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival.
This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and simultaneously a disturbing dissection of the place of human beings in the natural world.
An Austrian housewife sits in her loft intent on her drawings of birds and insects.
The loft is a retreat where she can work undisturbed. It is also a retreat from her dull and dissatisfied husband, a man who sighs unhappily even when she sneezes. Their grown-up children are living independent lives and the house is very quiet. Her dreams are filled with domestic drudgery.
Then one day, a package arrives containing extracts from the narrator's diary, written twenty years before. Back then she had been sent away to a remote cottage in a bid to 'cure' her from unexplained sudden deafness. More mysterious packages containing old diary entries arrive. Who is sending them? And what did happened all those years ago in the forest?
'A thrilling novel... What gives this book its tremendous power? First the voice is charming, with a skittish beauty throughout... But there is also disarming honesty, and a lack of vanity, which appeals as only truth can’ John Self, Guardian
TRANSLATED BY AMANDA PRANTERA
The bestselling author of The Curious Incident of the Dog in the Night-time weaves ancient fables into fresh, unexpected forms and forges new unforgettable legends.
'A marvel of a collection' Kaliane Bradley, author of The Ministry of Time
‘A consummate storyteller’ New York Times
The myth of the Minotaur in his labyrinth is turned into a wrenching parable of maternal love – and of the monstrosities of patriarchy.
The lover of a goddess, Tithonus, is gifted eternal life but without eternal youth.
Actaeon, changed into a stag after glimpsing the naked Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about how humans use and misuse animals.
From genetic engineering to the eternal complications of family, Haddon showcases how we are subject to the same elemental forces that obsessed the Greeks, as he reimagines stories from Laika the Soviet space dog on her fateful orbit to St Anthony wrestling with loneliness in the desert.
'In sentences as precisely cut as paper sculptures, Mark Haddon fits ancient myth to the cruelties and wonders of the present' Francis Spufford, author of Cahokia Jazz
Arguably the most important intellectual alive' New York Times An indispensable collection of Noam Chomsky's talks on the past, present and future of the politics of power Noam Chomsky is universally accepted as one of the world's leading intellectuals of the modern era. Now, for the first time, Peter R. Mitchell and John Schoeffel have assembled the best of Chomsky's talks on the politics of power. With an eye to political activism and the media's role in popular struggle, as well as US foreign and domestic policy, Chomsky reinterprets the events of the past three decades, from foreign policy during the Vietnam War to the decline of welfare under the Clinton administration. Highlighting America's myriad of social inequalities and political issues while offering timely advice for much needed change, Understanding Power is definitive Chomsky. `Chomsky ranks with Marx, Shakespeare and the Bible as one of the ten most quoted sources in the humanities' Guardian`Powerful and timely...his analysis is fair, meticulously researched and fascinating' Observer
Set in the Gulf Stream off the coast of Havana, Hemingway's magnificent fable is the tale of an old man, a young boy and a giant fish. This story of heroic endeavour won Hemingway the Nobel Prize for Literature. It stands as a unique and timeless vision of the beauty and grief of man's challenge to the elements.
Tanizaki's masterpiece is the story of four sisters, and the declining fortunes of a traditional Japanese family. It is a loving and nostalgic recreation of the sumptuous, intricate upper-class life of Osaka immediately before World War Two. With surgical precision, Tanizaki lays bare the sinews of pride, and brings a vanished era to vibrant life.
Shortlisted for the Women’s Prize
“Neneh is cool, Neneh is wise, Neneh is a legend. Her memoir is a treasure. I loved it.” —Zadie Smith
This vibrant memoir from Grammy-nominated singer-songwriter Neneh Cherry offers an inside look at her fascinating career and is “a living testament to artistic invention and the people who are driven by it” (The Guardian).
Born in Sweden in 1964, Neneh Cherry’s father Ahmadu was a musician from Sierra Leone. Her mother, Moki, was a twenty-one-year-old Swedish textile artist. Her parents split up just after Neneh was born, and not long afterwards Moki met and fell in love with acclaimed jazz musician Don Cherry. Eventually, the strong pull New York City in the 1970s drew him them there, but they made a home wherever they traveled. Neneh and her brother Eagle-Eye experienced a life of creativity, freedom, and, of course, music.
In A Thousand Threads, Neneh takes readers from the charming old schoolhouse in the woods of Sweden where she grew up, to the village in Sierra Leone that was birthplace of her biological father, to the early punk scene in London and New York, to finding her identity with her stepfather’s family in Watts, California. Neneh has lived an extraordinary life of connectivity and creativity and she recounts in intimate detail how she burst onto the scene as a teenager in the punk band The Slits, and went on to release her first album in 1989 with a worldwide hit single “Buffalo Stance.”
Neneh’s inspiring and deeply compelling memoir both celebrates female empowerment and shines a light on the global music scene—and is perfect for anyone interested in the artistic life in all its forms.
Cunning Folk transports us to a time when magic was used to solve life’s day-to-day problems – as well as some of deadly importance.
‘A brilliant book, written with wit and vigour’ MALCOLM GASKILL, author of The Ruin of All Witches
‘Absolutely fascinating’ IAN MORTIMER, author of The Time-Traveller’s Guide to Medieval England
It’s 1600 and you’ve lost your precious silver spoons, or maybe they’ve been stolen. Perhaps your child has a fever. Or you’re facing trial. Maybe you’re looking for love or escaping a husband. What do you do? In medieval and early modern Europe, your first port of call might well have been cunning folk: practitioners of magic who were a common, even essential part of daily life, at a time when the supernatural was surprisingly mundane.
Charming, thought-provoking and based on original research, Cunning Folk is an immersive reconstruction of a bygone world by an expert historian, as well as a commentary on the beauty and bafflement of being human.
‘I adore Cunning Folk. A truly fascinating and human book’ Ruth Goodman, author of How To Be a Tudor
‘Packed with vivid historical anecdotes, this is an intriguing insight into the magical lives of past people and the history of our own superstitions today’ Marion Gibson, author of Witchcraft
‘Fascinating . . . opens a window into another world’ Tracy Borman, author of Anne Boleyn & Elizabeth I
‘Full of such magical tips and colourful vignettes . . . crackles with incident’ Kate Maltby, Financial Times
Celebrate a vital work of feminism with this special edition featuring the original cover created by Virginia Woolf's sister, Vanessa Bell, and the original text first published by The Hogarth Press.
Anon, who wrote so many poems without signing them, was often a woman.
Witty, urbane and vital to this day, A Room of One’s Own is a persuasive argument against the intellectual subjection of women, particularly women writers. It weaves together memoir, imaginative speculation and political vision to create one of the most important works of feminism of the twentieth century.
The book sprang from two lectures that Woolf delivered at the University of Cambridge in 1928. The first printing of the book the following year was as a limited edition, a joint publication between The Fountain Press of New York and the Hogarth Press. Two months later it was released to the general trade and has been an essential work ever since.
The text of this edition of A Room of One’s Own is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf in October 1929. The dust jacket features the original cover created by Virginia Woolf’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘cinnamon’ boards printed in gilt take inspiration from the finish of the first trade edition.
'Brilliant interweaving of personal experience, imaginative musing and political clarity' Kate Mosse
'Achingly relevant' Natasha Walter, Guardian
Celebrate a captivating novel with this special edition featuring the original cover created by Virginia Woolf's sister, Vanessa Bell, and the original text first published by The Hogarth Press.
There were little daily miracles, illuminations, matches struck unexpectedly in the dark.
The Ramseys have always spent their holidays at their summer house on Skye – holidays filled with noise, joy and the stuff of family life that might go on forever. But as time passes, bringing with it war and death, the summer home stands empty until one day the family return to make the long-postponed visit to the lighthouse.
To the Lighthouse was published in 1927 and was more commercially successful than any of Woolf’s previous novels. Woolf herself thought it ‘easily the best of my books’. The book printed three times in its first year and went on to become one of Woolf’s best-loved works.
The text of this edition of To the Lighthouse is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf on 5 May 1927. The dust jacket features the original cover created by Virginia Woolf’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘bright blue’ boards printed in gilt take inspiration from the finish of the first trade edition.
'My mind was warped into a new shape by her prose and it will never be the same again' Greta Gerwig
‘Woolf’s groundbreaking novel is still one of the best available accounts of self-mythologising middle-class family life’ Rachel Cusk
‘I reread this book every once in a while, and every time I do I find it more capacious and startling. It’s so revolutionary and so exquisitely wrought that it keeps evolving on its own somehow, as if it’s alive’ Alison Bechdel
Celebrate the 100th birthday of a groundbreaking novel with this very special hardback based on the first edition published by the Hogarth Press.
Mrs Dalloway said she would buy the flowers herself.
Clarissa Dalloway is preparing to give a party. Over the course of one day, as she readies her house, Clarissa is flooded with memories and re-examines the choices she has made over the course of her life.
Virginia Woolf started writing Mrs Dalloway in 1922 as a short story. Its publication in 1925 was met with modest commercial success but the novel went on to become one of the most vital works of literature of the last century.
The text of this centenary edition of Mrs Dalloway is based on the original Hogarth Press edition, published by Virginia and Leonard Woolf on 14 May 1925. The dust jacket features the original cover created by Virginia Woolf ’s sister, Vanessa Bell, for the Hogarth Press. Beneath the cover ‘deep rust’ boards printed in gilt take inspiration from the finish of the first trade edition.
'Sheer magic' Daily Mail
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham, author of The Hours
Two or three times a day I think to myself: maybe I’ll die today.
While recovering from a stroke, seventy-seven-year-old Utsugi turns to his diary to wryly record his struggle with his ageing body. Though impotent and in pain he notes down his growing desire for his beautiful daughter-in-law Satsuko, a chic, Westernised dancer with a shady past. Written when the author himself was an old man and shining with self-effacing humour, Tanizaki’s last novel is a tragicomedy about desire and the will to survive.
‘Lightly comic, lyrically evocative and savagely cruel’ New York Times
‘An artistic masterpiece’ Irish Times
Ten produkt jest zapowiedzią. Realizacja Twojego zamówienia ulegnie przez to wydłużeniu do czasu premiery tej pozycji. Czy chcesz dodać ten produkt do koszyka?
