Bad News is the second of Edward St Aubyn’s semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as the aristocratic addict, Patrick.
Twenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father’s ashes. Over the course of a weekend, Patrick’s remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge – desperate always to stay one step ahead of his rapidly encroaching past.
Bad News was originally published, along with Never Mind and Some Hope, as part of a three-book omnibus also called Some Hope.
A woman determined to make her mark. A journey that will change everything.
Paris, 1895. Glamour hides a city on the brink. One morning, a young woman boards the Granville express with a deadly plan.
On the journey lives intertwine in explosive ways. There are the railway crew who have everything to lose, a little boy travelling alone for the first time, an elderly statesman with his fragile wife and a lonely artist far from home.
The train speeds towards the City of Light and into a future that will change everything . . .
Craig Suder, third baseman for the Seattle Mariners, is in a slump. His batting average is shocking, his marriage somehow worse, and he secretly fears he’s inherited his mother’s insanity. Ordered to take a midseason rest, Suder instead takes his LP of Charlie Parker’s “Ornithology” and flees.
A dazzling tale of madness, confinement and the need for escape, Suder introduced Percival Everett to the world as a writer already fully capable of conjuring whole lives and worlds on the page.
David Larson can never go home.
His parents are dead. His sister and her hippie husband, staunchly anti-war, won't even have the newly returned Vietnam veteran in the house. So Larson takes his chances on the road, travelling west from Georgia until he breaks down in the nowhere town of Slut’s Hole, Wyoming.
There he finds lodging with Chloë Sixbury, a one-legged sexagenarian widow, and her disabled son. Their ersatz family is complete when Larson takes in Butch, a Vietnamese girl abandoned at the highway rest stop where he works, but at the edge of this tableau lingers the unmistakable spectre of violence.
Blending the grotesquerie of the Southern Gothic with the Western's codes of frontier justice, in Walk Me to the Distance Percival Everett renders a vivid and haunting landscape of the American badlands, where cruelty is the lingua franca.
Part travelogue, part reportage, part autobiography, The Sign of the Cross is the story of Colm Tóibín's religious pilgrimage across Europe.
Between 1990 and 1994, Colm Tóibín made a series of trips through Catholic Europe. His journey led him into close contact with people from all walks of life, from priests to politicians, from the intellectually open to the spiritually bigoted. He then set down his impressions in The Sign of the Cross, a beautifully written book filled with personal detail set within its historical context.
Now part of the Picador Collection, a series showcasing the very best of modern literature
In Love in a Dark Time, Colm Tóibín looks at the life and work of some of the greatest and most influential artists of the nineteenth and twentieth centuries. Linked by the common thread of their sexualities, his subjects range from figures such as Oscar Wilde, born in the 1850s, to Pedro Almodóvar, born nearly a hundred years later.
Tóibín studies how a changing world impacted on the lives of people who, on the whole, kept their homosexuality hidden, and reveals that the laws of desire changed everything for them, both in their private lives and in the spirit of their work.
Now part of the Picador Collection, a series showcasing the very best of modern literature.
Follow Colm Tóibín's lone religious pilgrimage along the Irish border during the tumultuous summer of 1987.
In the summer after the Anglo-Irish Agreement, when tension was high in Northern Ireland, Colm Tóibín walked along the border from Derry to Newry. Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on ordinary life and the legacy of history in a bleak and desolate landscape.
Tóibín describes the rituals – the marches, the funerals, the demonstrations – observed by both communities along the border, and listens to the stories which haunt both sides. With sympathy and insight Bad Blood captures the intimacy of life along one of the most contested strips of land in Western Europe.
Now part of the Picador Collection, a series showcasing the very best of modern literature.
In Sweden, where children murder children and where gun violence is the worst in Europe, Nicolas Lunabba's job as a social organizer with Malmö's underclass requires firm boundaries and emotional detachment. But all that changes when he meets Elijah – an unruly teenage boy of mixed heritage whose perilous future reminds Nicolas of his own troubled and violent past.
Allowing Elijah into his home and then into his heart, Nicolas crosses one of his own red lines. With the odds stacked against them, and completely unprepared for the journey he and Elijah now set off on together, can Nicolas keep Elijah safe from harm and steer him towards a better future?
Written as a letter to Elijah, Will You Care If I Die? tells Nicolas and Elijah’s story – and asks us to reimagine what it means to care for one another in an uncaring world.
In Wise Animals, tech philosopher Tom Chatfield excavates human history to uncover our changing relationship with technology, from the personalized hand axes of our Paleolithic ancestors to the artificial superintelligences of the future.
Drawing on an astonishing breadth of cutting-edge research and historical sources, Chatfield encourages us to rethink everything we thought we knew about technology, and shows how we might deflect the path of technological development towards the long-term interests not only of humanity, but of all life on Earth.
Northern Iceland, 1829.
A woman condemned to death for murdering her lover.
A family forced to take her in.
A priest tasked with absolving her.
But all is not as it seems, and time is running out: winter is coming, and with it the execution date.
Only she can know the truth. This is Agnes's story . . .
Based on actual events, Burial Rites by Hannah Kent is a dark, thrilling work of historical fiction, and a beautiful and gripping read.
'Intriguing' – Sunday Times
'A rousing read' – Irish Times
'A bright light of Francophone feminism' – New York Times
Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women.
Taking three archetypes from historic witch hunts – independent women, women who avoid having children and women who embrace ageing – Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies åre still controlled by men.
Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in.
With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.
In Sweden, refugee children fall asleep for months and years at a time. In upstate New York, high school students develop contagious seizures. In the US Embassy in Cuba, employees complain of headaches and memory loss after hearing strange noises in the night.
These disparate cases are some of the most remarkable diagnostic mysteries of the twenty-first century, as both doctors and scientists have struggled to explain them within the boundaries of medical science and – more crucially – to treat them. What unites them is that they are all examples of a particular type of psychosomatic illness: medical disorders that are influenced as much by the idiosyncratic aspects of individual cultures as they are by human biology.
Inspired by a poignant encounter with the sleeping refugee children of Sweden, Wellcome Prize-winning neurologist Suzanne O’Sullivan travels the world to visit other communities who have also been subject to outbreaks of so-called ‘mystery’ illnesses.
From a derelict post-Soviet mining town in Kazakhstan, to the Mosquito Coast of Nicaragua via an oil town in Texas, to the heart of the Maria Mountains in Colombia, O’Sullivan hears remarkable stories from a fascinating array of people, and attempts to unravel their complex meaning while asking the question: who gets to define what is and what isn’t an illness?
Reminiscent of the work of Oliver Sacks, Stephen Grosz and Henry Marsh, The Sleeping Beauties is a moving and unforgettable scientific investigation with a very human face.
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