Alice Kinsella was in her mid-twenties when she became pregnant with her first child, newly engaged and about to embark on a life in an unfamiliar town on the west coast of Ireland. Into this warm cocoon, this big, empty house, would arrive a little baby. And soon Alice's world began to expand and contract in ways she could never have imagined.
With her body struggling to recover, darker intrusions ran through the days and nights of new motherhood. For the first time, she considered the experiences of her mother, her grandmother, and the generations of women who came before them. She asked herself questions. How does this country treat its mothers? What does it mean to be forever tethered? Forever in love?
Set against the backdrop of a seemingly changed Ireland, in Milk Alice draws for us her own map of motherhood. Intimate, warm, startlingly vivid and gentle, this is at once a delicate reflection on a moment of gigantic change in body and mind and a powerful, often painful confrontation of the politics of a country so deeply unsure about its women.
One of The Irish Times' 'Best Books to Look Forward to in 2023'
‘Prepare your hearts, for Douglas Stuart is back. After the extraordinary success of Shuggie Bain, his second novel, Young Mungo, is another beautiful and moving book, a gay Romeo and Juliet set in the brutal world of Glasgow’s housing estates.’ – The Observer
The extraordinary, powerful second novel from the Booker Prize-winning author of Shuggie Bain, Young Mungo is both a vivid portrayal of working-class life and the deeply moving story of the dangerous first love of two young men: Mungo and James.
Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates, where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city, and Mungo must work hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold.
But the threat of discovery is constant and the punishment unspeakable. When Mungo’s mother sends him on a fishing trip to a loch in western Scotland with two strange men behind whose drunken banter lie murky pasts, he needs to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future.
Imbuing the everyday world of its characters with rich lyricism, Douglas Stuart’s Young Mungo is a gripping and revealing story about the meaning of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.
Medusa is the sole mortal in a family of gods. Growing up with her Gorgon sisters, she begins to realize that she is the only one who experiences change, the only one who can be hurt.
When Poseidon commits an unforgiveable act against Medusa in the temple of Athene, the goddess takes her revenge where she can: on his victim. Medusa is changed forever – writhing snakes for hair and her gaze now turns any living creature to stone. She can look at nothing without destroying it.
Desperate to protect her beloved sisters, Medusa condemns herself to a life of shadows. Until Perseus embarks upon a quest to fetch the head of a Gorgon . . .
Maria, a trans woman in her thirties, is going nowhere. She spends her aimless days working in a New York bookstore, trying to remain true to a punk ethos while drinking herself into a stupor and having a variety of listless and confusing sexual encounters.
After her girlfriend cheats on her, Maria steals her car and heads for the Pacific, embarking on her version of the Great American Road Trip.
Along the way she stops in Reno, Nevada, and meets James, a young man who works in the local Wal-Mart. Maria recognizes elements of her younger self in James and the pair quickly form an unlikely but powerful connection, one that will have big implications for them both.
Nevada is a hilarious, groundbreaking cult classic from Imogen Binnie that inspired a whole literary movement, and is now published in the UK for the very first time.
‘Morland predicts the future of humanity in 10 illuminating statistics (could the Japanese and Italians now go the way of the dodo?) and looks back to how ebbs and flows of population have shaped history, such as the Soviet Union’s plummeting birth rate in the 1960s, which hastened the end of the Cold War.’ - The Daily Telegraph ‘The Best Books for Summer 2022’
The great forces of population change – the balance of births, deaths and migrations – have made the world what it is today. They have determined which countries are superpowers and which languish in relative obscurity, which economies top the international league tables and which are at best also-rans.
The same forces that have shaped our past and present are shaping our future. Illustrating this through ten illuminating indicators, from the fertility rate in Singapore (one) to the median age in Catalonia (forty-three), Paul Morland shows how demography is both a powerful and an under-appreciated lens through which to view the global transformations that are currently underway.
Tomorrow’s People ranges from the countries of West Africa where the tendency towards large families is combining with falling infant mortality to create the greatest population explosion ever witnessed, to the countries of East Asia and Southern Europe where generations of low birth-rate and rising life expectancy are creating the oldest populations in history. Morland explores the geographical movements of peoples that are already under way – portents for still larger migrations ahead – which are radically changing the cultural, ethnic and religious composition of many societies across the globe, and in their turn creating political reaction that can be observed from Brexit to the rise of Donald Trump. Finally, he looks at the two underlying motors of change – remarkable rises in levels of education and burgeoning food production – which have made all these epochal developments possible.
Tomorrow’s People provides a fascinating, illuminating and thought-provoking tour of an emerging new world. Nobody who wants to understand that world should be without it.
Shortlisted for the Baillie Gifford Prize
The Top Ten Bestseller
A The Times Book of the Year
Waterstones Non-Fiction Book of the Month
‘If you want to read a book that moves you both at the level of sentence and the quality of language and with the emotional depth of its subject matter, then A Fortunate Woman is definitely the book you should be reading’ - Samanth Subramanian, Baillie Gifford judge
When Polly Morland is clearing out her mother’s house she finds a book that will lead her to a remarkable figure living on her own doorstep: the country doctor who works in the same remote, wooded valley she has lived in for many years. This doctor is a rarity in contemporary medicine – she knows her patients inside out, and their stories are deeply entwined with her own.
In A Fortunate Woman, with its beautiful photographs by Richard Baker, Polly Morland has written a profoundly moving love letter to a landscape, a community and, above all, to what it means to be a good doctor.
‘Morland writes about nature and the changing landscape with such lyrical precision that her prose sometimes seems close to poetry’ - Christina Patterson, The Sunday Times
‘Timely . . . compelling . . . a delicately drawn miniature’ - Financial Times
‘This book deepens our understanding of the life and thoughts of a modern doctor, and the modern NHS, and it expands movingly to chronicle a community and a landscape’ - Kathleen Jamie, New Statesman
Meet the Hanrahan family.
Ray, the father. Acclaimed artist and notorious narcissist, who is obsessed with his own reputation.
Lucia, his long-suffering wife. A lauded sculptor yet terrified of what recognition could bring. And she has a secret of her own which could tear the family apart.
Leah, the eldest daughter, devoted to her father and convinced of his genius.
Patrick, Lucia’s sensitive son, who has finally decided to strike out by himself.
Jess, the youngest daughter, insecure and facing a daunting decision.
As they gather for a momentous weekend – the first exhibition of Ray’s artwork in many decades – each member of the family must finally make a choice. And when they do, once tensions have boiled over and the guests have departed, what will be left of the Hanrahans?
Longlisted for the Women's Prize for Fiction 2022, The Exhibitionist is the extraordinary fifth novel from Charlotte Mendelson, a dazzling exploration of art, sacrifice, toxic family politics, queer desire and personal freedom.
When was the last time you heard a Muslim woman speak for herself without a filter?
It's Not About the Burqa is an anthology of essays by Muslim women about the contemporary Muslim female experience.
In 2016, Mariam Khan read that David Cameron had linked the radicalization of Muslim men to the ‘traditional submissiveness’ of Muslim women. Mariam felt pretty sure she didn’t know a single Muslim woman who would describe herself that way. Why was she hearing about Muslim women from people who were neither Muslim, nor female?
Years later the state of the national discourse has deteriorated even further, and Muslim women’s voices are still pushed to the fringes – the figures leading the discussion are white and male.
Taking one of the most politicized and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: seventeen Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex, and the twin threats of a disapproving community and a racist country. With a mix of British and international women writers, from activist Mona Eltahawy's definition of a revolution to journalist and broadcaster Saima Mir telling the story of her experience of arranged marriage, from author Sufiya Ahmed on her Islamic feminist icon to playwright Afshan D'souza-Lodhi's moving piece about her relationship with her hijab, these essays are funny, warm, sometimes sad, and often angry, and each of them is a passionate declaration calling time on the oppression, the lazy stereotyping, the misogyny and the Islamophobia.
What does it mean, exactly, to be a Muslim woman in the West today? According to the media, it’s all about the burqa.
Here’s what it’s really about.
Shortlisted for Foyles Non-Fiction Book of the Year
'An incredibly important collection of essays that explores the pressures of being a Muslim woman today . . . passionate, angry, self-effacing, nuanced and utterly compelling in every single way' - Nikesh Shukla, editor of The Good Immigrant
'Engrossing . . . fascinating . . . courageous' – Observer
One of Barack Obama’s Favorite Books of 2021
The New York Times bestseller from the Grammy-nominated indie rockstar Japanese Breakfast, an unflinching, deeply moving memoir about growing up mixed-race, Korean food, losing her Korean mother, and forging her own identity in the wake of her loss.
'As good as everyone says it is and, yes, it will have you in tears. An essential read for anybody who has lost a loved one, as well as those who haven't' – Marie–Claire
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humour and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band – and meeting the man who would become her husband – her Koreanness began to feel ever more distant, even as she found the life she wanted to live.
It was her mother’s diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.
Vivacious, lyrical and honest, Michelle Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.
‘Possibly the best book I’ve read all year . . . I will be buying copies for friends and family this Christmas.’ – Rukmini Iyer in the Guardian ‘Best Food Books of 2021’
‘Wonderful . . . The writing about Korean food is gorgeous . . . but as a brilliant kimchi-related metaphor shows, Zauner’s deepest concern is the ferment, and delicacy, of complicated lives.’ – Victoria Segal, Sunday Times, ‘My favourite read of the year’
Intensely moving, vital and artful' - Guardian
'A dizzying ride . . . both timely and beguiling' - Sunday Times
At a moment in which basic rights are once again in danger, Olivia Laing conducts an ambitious investigation into the body and its discontents, using the life of the renegade psychoanalyst Wilhelm Reich to chart a daring course through the long struggle for bodily freedom, from gay rights and sexual liberation to feminism and the civil rights movement.
Drawing on her own experiences in protest and travelling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century, among them Nina Simone, Sigmund Freud, Susan Sontag and Malcolm X. Everybody is a crucial examination of the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.
Longlisted for the Rathbones Folio Prize
'An ambitious, absorbing achievement that will make your brain hum' - Evening Standard
'Laing’s gift for weaving big ideas together with lyrical prose sets her alongside the likes of Arundhati Roy, John Berger and James Baldwin. In other words, she is among the most significant voices of our time.' - Financial Times
THE SUNDAY TIMES BESTSELLER
Now on BBC Radio 4 'Book of the Week'
Winner of the 2021 Baillie Gifford Prize for Non-Fiction
Shortlisted for the 2021 Financial Times/McKinsey Business Book of the Year Award
One of Barack Obama’s Favorite Books of 2021
Shortlisted for the Crime Writers' Association Gold Dagger for Non-Fiction
The gripping and shocking story of three generations of the Sackler family and their roles in the stories of Valium, OxyContin and the opioid crisis.
'One of those authors I will always read, no matter what the subject matter, which is why I gobbled up Empire of Pain . . . a masterclass in compelling narrative nonfiction.' – Elizabeth Day, The Guardian '30 Best Summer Reads'
‘You feel almost guilty for enjoying it so much’ – The Times
The Sackler name adorns the walls of many storied institutions – Harvard; the Metropolitan Museum of Art; Oxford; the Louvre. They are one of the richest families in the world, known for their lavish donations in the arts and the sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing Oxycontin, a blockbuster painkiller that was a catalyst for the opioid crisis – an international epidemic of drug addiction which has killed nearly half a million people.
In this masterpiece of narrative reporting and writing, award-winning journalist and host of the Wind of Change podcast Patrick Radden Keefe exhaustively documents the jaw-dropping and ferociously compelling reality. Empire of Pain is the story of a dynasty: a parable of twenty-first-century greed.
Now a major new Netflix film from Noah Baumbach, starring Adam Driver and Greta Gerwig
How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn’t they paralyze us?
Jack Gladney is the creator and chairman of Hitler studies at the College-on-the-Hill. This is the story of his absurd life; a life that is going well enough, until a chemical spill from a train carriage releases an ‘Airborne Toxic Event’ and Jack is forced to confront his biggest fear – his own mortality.
White Noise is an effortless combination of social satire and metaphysical dilemma in which Don DeLillo exposes our rampant consumerism, media saturation and novelty intellectualism. It captures the particular strangeness of life lived when the fear of death cannot be denied, repressed or obscured and ponders the role of the family in a time when the very meaning of our existence is under threat.
‘America’s greatest living writer.’ – Observer
Part of the Picador Collection, a series showcasing the best of modern literature.
‘A book of pure fineness, exceptional.’ – Diana Evans, Guardian
'A taut, sharp, funny book about being young now. It's brutal—and brilliant.' - Zadie Smith
Winner of the Dylan Thomas Prize
Shortlisted for the British Book Awards Fiction Debut of the Year
Longlisted for the Women's Prize For Fiction
Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family.
Razor-sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now.
A BEST BOOK OF THE YEAR: Guardian, New York Times, New Yorker, Boston Globe, Literary Hub, Vanity Fair, Los Angeles Times, Glamour, Time, Good Housekeeping, InStyle, NPR, O Magazine, Buzzfeed, Electric Literature, Town & Country, Wired, New Statesman, Vox, Shelf Awareness, i-D, BookPage and more.
One of Barack Obama’s Favourite Books of 2020
Funny and heartbreaking, Writers & Lovers by Lily King is the bitingly clever story of Casey, a young writer who has lost her direction in life, until two men step into her world and offer her two very different futures.
The New York Times Bestseller
‘Captivating, potent, incisive, and wise’ – Madeline Miller, author of Circe
‘Extremely funny’ – Sunday Times
Recently out of a devastating love affair and mourning the loss of her beloved mum, Casey is lost. The novel she has been writing for six years isn’t going anywhere, her debt is soaring, and at thirty-one, with all her friends getting married and having kids, she feels too old for things to be this way.
Then she meets Silas. He is kind, handsome, interested. But only a few weeks later, Oscar – older, fascinating, troubled – walks into her life, his two boys in tow. Suddenly Casey finds herself at the point of a love triangle, torn between two very different relationships that promise two very different futures. And she’s still got to write that book . . .
‘Suffused with hopefulness and kindness’ – Ann Patchett
‘Exquisite’ – Sunday Telegraph
‘Funny and immensely clever’ – Tessa Hadley
‘Beautiful . . . Reading the book feels like waiting for clouds to break – a kind of gorgeous agony’ – Guardian
‘I loved this book’ – Curtis Sittenfeld
The House of Fortune is the sequel to Jessie Burton’s million-copy bestseller The Miniaturist. Set in the golden city of Amsterdam in 1705, it is a story of fate and ambition, secrets and dreams, and one young woman’s determination to rule her own destiny.
Thea Brandt is turning eighteen, and is ready to welcome adulthood with open arms. At the theatre, Walter, the love of her life, awaits her, but at home in the house on the Herengracht, winter has set in – her father Otto and Aunt Nella argue endlessly, and the Brandt family are selling their furniture in order to eat. On Thea’s birthday, also the day that her mother Marin died, the secrets from the past begin to overwhelm the present.
Nella is desperate to save the family and maintain appearances, to find Thea a husband who will guarantee her future, and when they receive an invitation to Amsterdam’s most exclusive ball, she is overjoyed – perhaps this will set their fortunes straight. And indeed, the ball does set things spinning: new figures enter their life, promising new futures. But their fates are still unclear, and when Nella feels a strange prickling sensation on the back of her neck, she wonders if the miniaturist has returned for her . . .
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