W tej strefie zapraszamy czytelników tak zwane artystyczne dusze po książki z kategorii Sztuka. Polecamy szereg publikacji o sztuce i jej historii,ciekawostki i portfolia artystów, eseje, albumy, książki o malarstwie, rzeźbiarstwie, architekturze oraz histoii fotografii. Biografie ciekawych artystów, książki i powieści przedstawiające fascynujące losy malarzy i osób uwiecznianych na obrazach. W tym dziale tylko ksiązki ze sztuka w tle.
Arius Duo - Duetto Concertante Op. 23 (Fuer Flote
1. Allegro Maestoso
2. Moderato
3. Allegro Scherzoso
Arius Duo - Cavatina D'ernani (Nach Der Oper Ernan
Andante
Allegro
Arius Duo - Gran Duetto Op. 87 (Fuer Flote Und Git
1. Maestoso
2. Largo Cantabile
3. Recitativo
4. Polacca
Arius Duo - Cavatina D'elvira (Nach Der Oper Ernan
Andante
Allegro
Allegro Con Brio
Luigi Legnani (1790-1877) was an Italian singer, guitarist and composer.
Famous for both his voice and his guitar playing he gave many concerts in
several European countries, inspired by his friend Niccolo Paganini, with
whom he performed together.
As a composer he continued the tradition of Mauro Giuliani in composing
serious music for the guitar. This new recording contains original works
and fantasies on popular opera melodies for flute and guitar, a beloved
combination: music of great charm, brilliance and virtuosity, the two
instruments perfectly matched to each other, the guitar by no means a
simple accompaniment.
Played with gusto and technical refinement by Sara Ligas (already recorded
flute music by Karg-Elert, BC94976) and Omar Fassa.
Quartetto Savinio - Streichquartett Nr. 1 A-moll O
1. Allegro
2. Scherzo: Presto
3. Adagio
4. Presto
Quartetto Savinio - Streichquartett Nr. 3 A-dur Op
1. Andante Espressivo - Allegro Molto Moderato
2. Assai Agitato
3. Adagio Molto
4. Finale: Allegro Molto Vivace
Płyta 2.
Quartetto Savinio - Streichquartett Nr. 2 F-dur Op
1. Allegro Vivace
2. Andante, Quasi Variazioni
3. Scherzo: Presto
4. Allegro Molto Vivace
Ruta, Alberto Maria - Trio Fuer Klavier, Violine U
1. Sehr Lebhaft
2. Mit Innigem Ausdruck
3. In Maessiger Bewegung
4. Nicht Zu Rasch
Ruta, Alberto Maria - Fantasiestuecke Op. 88 Nr. 1
Nr. 1 Romanze: Nicht Schnell, Mit Innigem Ausdruck
Nr. 2 Humoreske: Lebhaft
Nr. 3 Duett: Langsam Und Mit Ausdruck
Nr. 4 Finale: In Marsch-tempo
Płyta 3.
Ruta, Alberto Maria - Trio Fuer Klavier, Violine U
1. Mit Energie Und Leidenschaft
2. Lebhaft, Doch Nicht Zu Rasch
3. Langsam, Mit Inniger Empfindung
Nr. 4 Mit Feuer
Ruta, Alberto Maria - Trio Fuer Klavier, Violine U
1. Bewegt, Doch Nicht Zu Rasch
2. Ziemlich Langsam - Etwas Bewegter - Schneller -
3. Rasch
4. Kraeftig, Mit Humor
Johann Jakob Froberger (1616-1667) was one of the most famous and
influential composers of the early Baroque. Born in Stuttgart he travelled
in Europe extensively, thus absorbing all national styles, and influencing
other composers with his own musical inventions.
Although Froberger wrote a large number of vocal works he is mainly
known for his keyboard works, for both organ and harpsichord. He is the
”inventor” of the Baroque Suite, a number of varied dances, with the
basis of Allemande, Courante, Sarabande and Gigue. His keyboard style is
free, fanciful and highly expressive, sometimes describing extra-musical
features or events, thus creating the first “program music” in history.
With this magnificent Opus Italian keyboardist Simone Stella adds
another gem to his series of recordings of Pre-Bachian keyboard
composers, his recordings of works by Böhm, Buxtehude, Reincken and
Walther have met with great critical acclaim in the international press.
Other information:
- Brand new recordings
- Contains extensive liner notes on the
composer and the works.
- Contains organ specifications for each
organ.
Le Nuove Musiche - Madrigali Libro 1 (Madrigalbuch
Ch'ami La Vita Mia Nel Tuo Bel Nome
Se Per Avervi Ohime Donato Il Core
A Che Tormi Il Ben Mio
Amor, Per Tua Merce Vatten'a Quella
Baci Soavi E Cari
Se Pur Non Mi Consenti
Filli Cara Et Amata
Poi Che Del Mio Dolore
Fumia La Pastorella
Almo Divino Raggio
Allora I Pastor Tutti
Se Nel Partir Da Voi, Vita Mia, Sento
Tra Mille Fiamme E Tra Mille Catene
Usciam, Ninfe, Omai Fuor Di Questi Boschi
Questa Ordi Il Laccio
La Vaga Pastorella
Amor, S'il Tuo Ferire
Donna, S'io Miro Voi Giaccio Divengo
Ardo, Si, Ma Non T'amo
Ardi O Gela A Tua Voglia
Arsi Et Alsi A Mia Voglia
Płyta 2.
Le Nuove Musiche - Madrigali Libro 2 (Madrigalbuch
Non Si Levav'ancor L'alba Novella
E Dicea L'una Sospirando Allora
Bevea Fillide Mia
Dolcissimi Legami
Non Giacinti O Narcisi
Intorno A Due Vermiglie E Vaghe Labbra
Non Sono In Queste Rive
Tutte Le Bocche Belle
Donna, Nel Mio Ritorno
Quell'ombr'esser Vorrei
S'andasse Amor A Caccia
Mentr'io Miravo Fiso
Se Tu Mi Lassi, Perfida, Tuo Danno
Ecco Mormorar L'onde
La Bocca Onde L'asprissime Parole
Dolcemente Dormiva La Mia Clori
Crudel, Perche Mi Fuggi
Questo Specchio Ti Dono
Non M'e Grave Il Morire
Ti Sponto L'ali, Amor, La Donna Mia
Cantai Un Tempo, E Se Fu Dolce Il Canto
Testori, Marco - Grande Sonate Concertante Op. 34
1. Allegro Moderato
2. Andante Doloroso - Un Poco Piu Mosso -
3. Allegro Molto
Testori, Marco - Grande Sonate G-moll Op. 125 (Fue
1. Grave - Allegro
2. Larghetto Con Moto
3. Rondo: Allegretto
Testori, Marco - Grande Sonate A-dur Op. 104 (Fuer
1. Allegro Amabile E Grazioso
2. Un Poco Adagio E Con Espressione
3. Rondo: Allegro Vivace Un Poco
A delightful programme of Early-Romantic cello sonatas by Ries,
Moscheles and Hummel.
? Ferdinand Ries, Ignaz Moscheles and Johann Nepomuk Hummel are
contemporaries, active in a period of transition from Classical to
Romantic style, all three strongly influenced by the musical giant Ludwig
van Beethoven, virtuoso pianists and all three “Minor Masters”.
? Their cello sonatas follow classical style principles, spiced with
interruptions of romantic outpouring of drama and emotions: highly
enjoyable!
? Played on period instruments by cellist Marco Testori and Costantino
Mastroprimiano, playing an early 19th century fortepiano.
Attademo, Luigi - Sonatina Fuer Gitarre
Largo - Allegro
Attademo, Luigi - Rossiniana Nr.1 Op. 119 (Fuer Gi
Nr. 1 Introduzione: Andantino
Nr. 2 Andante Grazioso
Nr. 3 Maestoso
Nr. 4 Moderato
Nr. 5 Allegro Vivace
Attademo, Luigi - Capricci Op. 290 (Auszug)
Nr. 2 Allegro
Nr. 4 Allegretto
Nr. 7 Prestissimo
Nr. 15 Allegro
Nr. 19 Allegretto Grazioso
Nr. 22 Adagio
Nr. 24 Allegro Molto
Nr. 29 Prestissimo
Attademo, Luigi - Variationen Ueber Das Klinget So
Introduktion - Thema
Variation 1
Variation 2: Mineur
Variation 3
Variation 4: Piu Mosso
Variation 5: Piu Mosso
Attademo, Luigi - Fantasie Fuer Gitarre Nr. 6 Op.
Andante - Allegretto
Attademo, Luigi - Le Fandango Varie Op. 16 (Fuer G
1. Adagio
2. Allegro Vivace
3. Allegro
Attademo, Luigi - Fantasie Chevaleresque Op. 15 L
Introduction
Allegro Maestoso
? In the beginning of the 19th century the guitar gained a widespread
popularity. The technical developments of the instrument led composers
to take it seriously and compositions began to appear regularly.
? This CD offers a survey of the most important guitar composers of the 19th
century: Mauro Giuliani, Napoleon Coste, Giuseppe Anelli, Luigi Legnani
and Fernando Sor: music of classical Viennese background, spiced up by
the colouristic possibilities of the instrument, charming, witty and pleasing
to the salon audiences.
? Guitarist Luigi Attademo, one of the most important guitarists of his
generation, adds an authentic flavour to the recording by playing several
19th century historical guitars.
Gesualdi, Francesco - Libro Di Toccate, Canzoni...
Toccata Nr. 1
Toccata Nr. 2
Toccata Nr. 3 (Da Sonarsi Alla Levatione)
Toccata Nr. 4 (Da Sonarsi Alla Levatione)
Toccata Nr. 8 (Di Durezze E Ligature)
Gesualdi, Francesco - Libro Di Toccate E Partite..
Partita Ueber L'aria Della Romanesca
Gesualdi, Francesco - Canzon Francese Del Principe
Gesualdi, Francesco - Trittico (Auszug)
2. Da Gesualdo Per Gesualdi
A substantial anthology of piano music written by Italian composers in the 20th century.
In an era dominated by opera several Italian composers chose a radically different path, concentrating on purely instrumental music, influenced by widely varying sources such as Wagner, Impressionism, Neo-Classicism and Dodecaphony.
This set offers a fascinating overview of piano works by Martucci, Cilea, Busoni, Sinigaglia, Caetani, Fano, Respighi, Pizzetti, Casella, Castelnuovo-Tedesco, Dallapiccola, Rota, Malipiero, Castiglioni and Einaudi.
Performances by leading Italian pianists such as Sandro Ivo Bartoli, Michelangelo Carbonara, Pietro de Maria, Alessandra Ammara, Michele d’Ambrosio and others.
A set which will surprise and delight many collectors and piano lovers!
Svetoslav Obretenov Choir - Robert Le Diable (Robe
Accourez Au-devant D'elle
Thebault, Hjordis - L'africaine (Die Afrikanerin,
Adamastor, Roi Des Vagues Profondes
Svetoslav Obretenov Choir - Le Prophete (Der Proph
La Brise Est Muette
Thebault, Hjordis - Les Huguenots (Die Hugenotten,
Je Suis Seule Chez Moi - Parmi Les Pleurs
Thebault, Hjordis - L'etoile Du Nord (Der Nordster
A La Finlande, Buvez!
De Quelle Ville Es-tu?
Thebault, Hjordis - Dinorah (Oper In 3 Akten) (Aus
O Puissante, Puissante Magie
Svetoslav Obretenov Choir - Le Prophete (Der Proph
Voici Les Fermieres
Valse Des Patineurs
Thebault, Hjordis - Robert Le Diable (Robert Der T
Robert, Toi Que J'aime
Svetoslav Obretenov Choir - Le Prophete (Der Proph
Par Toi Muenster Nous Fut Promis
Thebault, Hjordis - Dinorah (Oper In 3 Akten) (Aus
Mon Remords Te Venge
Thebault, Hjordis - L'africaine (Die Afrikanerin,
Emmenez Cette Femme
D'ici Je Vois La Mer Immense
O Riante Couleur
Partis, Partis!
Miodini, Alberto - Stuecke Fuer Klavier Nr. 1-6 Op
Nr. 1 Capriccio: Allegro Risoluto
Nr. 2 Pezzo Fantastico: Allegro
Nr. 3 Colore Orientale: Tempo Di Marcia - Poco Piu
Nr. 4 Barcarola: Andantino Con Moto - Animato
Nr. 5 Notturno: Moderato, Ma Non Troppo - Animato
Nr. 6 Tarantella: Allegro Molto
Miodini, Alberto - Novella (Fuer Klavier) Op. 50
Miodini, Alberto - Fantasia Op. 51
Miodini, Alberto - Notturni Nr. 1-2 Op. 70
Nr. 1 Ges-dur: Moderato
Nr. 2 Fis-moll: Andantino
The music by Alessandro Stradella (1639-1682) is gaining rapidly in
recognition and popularity. The composer’s extremely adventurous life
(he was an aristocratic lady-killer, who himself was murdered in the end by
a revengeful rival) and his equally adventurous music presents a forceful
image of a fascinating and important figure of the Italian Baroque.
? Stradella is one of the most important composers of dramatic sacred
works in 17-th century Italy. San Giovanni Crisostomo is a large scale
oratorio, in lyrical vocal style: long and florid cantabile phrases,
uninterrupted by frequent cadences and a subtle characterisation of the
psychology of the dramatis personae.
? Excellent performances by Harmonices Mundi conducted by Claudio
Astronio, who already recorded three Stradella CD’s for Brilliant classics:
the oratorio La Susanna (BC94345), Duets (with Emma Kirkby and Susanne
Rydén, BC94343) and Italian Arias (BC94258).
? The booklet contains extensive liner notes written by a scholar, and the
full libretto in the original language.
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