An extensive collection favourite Oboe Concertos from the Baroque and Classical Era! The oboe was one of the first wind instruments gaining a solo role in the Baroque. Its strong, nasal timbre, able of expressing both joy and sadness, established the instrument as a leading voice within the instrumental ensemble.
This 12CD set contains oboe concertos by Albinoni, Vivaldi, Marcello, Telemann, J.S. Bach, C.P.E. Bach, Bellini, Rosetti, Lebrun, Fiorillo, Dittersdorf, Ferlendis, Hofmann and Mozart.
Excellent performances on period instruments by leading soloists in their field: Stefan Schilli, Pier Luigi Fabretti, Andrius Puskunigis and others. Recorded between 1995 and 2015.
Contains liner notes written by Philip Borg-Wheeler specially for this release.
Cera, Francesco - Gentil Donna
Cera, Francesco - Gagliarda Comadrina (1551)
Cera, Francesco - Gagliarda Lodesana (16. Jhdt.)
Cera, Francesco - Gagliarda Chataccio (16. Jhdt.)
Cera, Francesco - Canzon Francese Detta Je N'en Di
Cera, Francesco - Canzon Francese Deta Qui La Dira
Cera, Francesco - Canzon Nr. 8 Detta La Vincenti
Cera, Francesco - Ricercare Quatro Sopra Mi Re Fa
Cera, Francesco - Partite Di Bergamasca
Cera, Francesco - Diferencias Sobre El Canto Llano
Cera, Francesco - Diferencias Sobre La Gallarda Mi
Cera, Francesco - Diferenicas Sobre Las Vaca
Cera, Francesco - Tandernack
Cera, Francesco - Galliarda
Cera, Francesco - Allemanda (10 Variationen)
Cera, Francesco - Uppon La Mi Re (16 Jhdt.)
Cera, Francesco - My Lady Careys Dompe (16. Jhdt.)
Cera, Francesco - A Hornpype
Cera, Francesco - Pavenne
Cera, Francesco - Gaillarde
Cera, Francesco - Branle
Cera, Francesco - Allemande Grave
? The organ is usually associated with the church and sacred music.
However, in Renaissance and early baroque small organs were often used
in noble mansions and courts for performance of secular music.
Collections of instruments held by courts in England and Italy include a
considerable number of small organs, often richly decorated and inlayed
with ivory and turtle-shell.
? This anthology offers a fascinating view on the secular repertoire that
organists from 5 countries were performing on organs at royal courts.
? Renowed Italian organist Francesco Cera plays a beautiful “Organo
ottavino” from 1772 of Neapolitan build. He plays works by Antico,
Frescobaldi, Gabrieli, Pasquini, de Cabezon, Scheidemann, Scheidt,
Attaingnant and Du Mont.
? The booklet contains liner notes and all information and photo of the
organ.
Carnelli, Alessandro Maria - Musikalisches Opfer B
Ricercar A 6
Sborgi, Gabriella - Suite Three Songs (Zusammeng
Libestreu Op. 3 Nr. 1
Der Wanderer Op. 6 Nr. 8
Die Nachtigall
Carnelli, Alessandro Maria - Ein Stueck Aus Dem Le
Schicksal
Carnelli, Alessandro Maria - Maiblumen Bluehten Ue
Carnelli, Alessandro Maria - Toter Winkel (Fuer Se
Carnelli, Alessandro Maria - Ein Harfenklang (Fuer
Carnelli, Alessandro Maria - Fragment G-moll (Fuer
Carnelli, Alessandro Maria - Verklaerte Nacht Op.
1. Sehr Langsam
2. Etwas Bewegter
3. Schwer Betont
4. Sehr Breit Und Langsam
5. Sehr Ruhig
Carnelli, Alessandro Maria - Verklaerte Nacht Op.
? This CD presents a fascinating musical illustration of the paths which led to
the composition of Verklärte Nacht, Arnold Schoenberg’s masterpiece for
string sextet, the late romantic outpouring of a harmonic and melodic
language at the end of its development, and at the same time the
beginning of a new language.
? Alessandro Maria Carnelli, scholar, musicologist, author and musician
compiled a number of works which deeply influenced Schoenberg: the 6-
part (sextet) Ricercar by J.S. Bach, songs by Brahms and Berg transcribed
for voice and string sextet, two unfinished works for string sextet by
Zemlinsky (a close friend of Schoenberg), all culminating in the work itself,
Verklärte Nacht by Schoenberg.
? Performed by mezzo-soprano Gabriella Sborgi and a string sextet formed
with the principal players of the Orchestra da Camera di Mantova,
conducted by Alessandro Maria Carnelli.
? The booklet contains extensive information on the background of this
intriguing conceptual album.
Tomadin, Manuel - Christum Wir Sollen Loben Schon
Tomadin, Manuel - Es Ist Das Heil Uns Kommen Her (
Tomadin, Manuel - Allein Zu Dir, Herr Jesu Christ
Tomadin, Manuel - Praeludium Und Ciaccona D-dur
Praeludium
Ciaccona
Tomadin, Manuel - Concerto Fuer Orgel A-dur
1. Allegro
2. Siciliana
3. Vivace
Tomadin, Manuel - Concerto Fuer Orgel F-dur
1. Allegro
2. Adagio
3. Vivace
Tomadin, Manuel - Concerto Fuer Orgel D-dur
1. Allegro
2. Largo
3. Vivace
Tomadin, Manuel - Concerto Fuer Orgel G-dur
1. Allegro
2. Adagio
3. Allegro
Tomadin, Manuel - Praeludium Fuer Orgel D-dur
Tomadin, Manuel - Praeludium Fuer Orgel B-dur
Tomadin, Manuel - Praeludium Fuer Orgel F-dur
Tomadin, Manuel - Praeludium Fuer Orgel D-dur
Tomadin, Manuel - Praeludium Fuer Orgel E-moll
? This new recording features the magnificent Schnitger organ of the St.
Michael Church in Zwolle, the Netherlands. It was built in 1721 by Arp
Schnitger and his sons, and after careful restoration over the last decades
by Flentrop the organ is restored in its full glory, one of the finest
examples of the Golden Age of organ building, the Baroque.
? The works on this recording are derived from the Husumer Orgelbuch
(Husum organ book), a collection of organ works by North German major
and minor masters. Presented are substantial Preludes by Georg Wilhelm
Saxer, Choralvorspiele by Daniel Erich and two Concertos by Wolfgang
Druckenmüller, written in the Italian style, as original compositions and
not as transcriptions of Italian Concerti grossi, as was the custom of that
period.
? Manuel Tomadin is one of the foremost Italian organists, a scholar,
teacher and passionate musician. He won the Grand Prix of the Schnitger
Organ Competition of Alkmaar in 2011, and recorded several CD’s for
Brilliant Classics, among which the complete keyboard works by Alberti
(BC95161). He wrote the excellent liner notes for the booklet, which also
contains all information on the organ.
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