Prizewinning Yan Lianke returns with a campus novel like no other following a young Buddhist as she journeys through worldly temptation
Yahui is a young Buddhist at university. But this is no ordinary university. It is populated by every faith in China: Buddhists, Daoists, Catholics, Protestants and Muslims who jostle alongside one another in the corridors of learning, and whose deities are never far from the classroom.
Her days are measured out making elaborate religious papercuts, taking part in highly charged tug-of-war competitions between the faiths and trying to resist the daily temptation to return to secular life and abandon the ascetic ideals that are her calling. Everything seems to dangle by a thread. But when she meets a Daoist student called Mingzheng, an inexorable romance of mythic proportions takes hold of her.
'Jane Austen's Emma is her masterpiece, mixing the sparkle of her early books with a deep sensibility' Observer
Emma is young, rich and independent. She has decided not to get married and instead spends her time organising her acquaintances' love affairs. Her plans for the matrimonial success of her new friend Harriet, however, lead her into complications that ultimately test her own detachment from the world of romance.
A woman's weekend away in the Austrian mountains takes an inexplicable and sinister turn - and becomes a fight for survival.
A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival.
This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and simultaneously a disturbing dissection of the place of human beings in the natural world.
An Austrian housewife sits in her loft intent on her drawings of birds and insects.
The loft is a retreat where she can work undisturbed. It is also a retreat from her dull and dissatisfied husband, a man who sighs unhappily even when she sneezes. Their grown-up children are living independent lives and the house is very quiet. Her dreams are filled with domestic drudgery.
Then one day, a package arrives containing extracts from the narrator's diary, written twenty years before. Back then she had been sent away to a remote cottage in a bid to 'cure' her from unexplained sudden deafness. More mysterious packages containing old diary entries arrive. Who is sending them? And what did happened all those years ago in the forest?
'A thrilling novel... What gives this book its tremendous power? First the voice is charming, with a skittish beauty throughout... But there is also disarming honesty, and a lack of vanity, which appeals as only truth can’ John Self, Guardian
TRANSLATED BY AMANDA PRANTERA
The bestselling author of The Curious Incident of the Dog in the Night-time weaves ancient fables into fresh, unexpected forms and forges new unforgettable legends.
'A marvel of a collection' Kaliane Bradley, author of The Ministry of Time
‘A consummate storyteller’ New York Times
The myth of the Minotaur in his labyrinth is turned into a wrenching parable of maternal love – and of the monstrosities of patriarchy.
The lover of a goddess, Tithonus, is gifted eternal life but without eternal youth.
Actaeon, changed into a stag after glimpsing the naked Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about how humans use and misuse animals.
From genetic engineering to the eternal complications of family, Haddon showcases how we are subject to the same elemental forces that obsessed the Greeks, as he reimagines stories from Laika the Soviet space dog on her fateful orbit to St Anthony wrestling with loneliness in the desert.
'In sentences as precisely cut as paper sculptures, Mark Haddon fits ancient myth to the cruelties and wonders of the present' Francis Spufford, author of Cahokia Jazz
Cunning Folk transports us to a time when magic was used to solve life’s day-to-day problems – as well as some of deadly importance.
‘A brilliant book, written with wit and vigour’ MALCOLM GASKILL, author of The Ruin of All Witches
‘Absolutely fascinating’ IAN MORTIMER, author of The Time-Traveller’s Guide to Medieval England
It’s 1600 and you’ve lost your precious silver spoons, or maybe they’ve been stolen. Perhaps your child has a fever. Or you’re facing trial. Maybe you’re looking for love or escaping a husband. What do you do? In medieval and early modern Europe, your first port of call might well have been cunning folk: practitioners of magic who were a common, even essential part of daily life, at a time when the supernatural was surprisingly mundane.
Charming, thought-provoking and based on original research, Cunning Folk is an immersive reconstruction of a bygone world by an expert historian, as well as a commentary on the beauty and bafflement of being human.
‘I adore Cunning Folk. A truly fascinating and human book’ Ruth Goodman, author of How To Be a Tudor
‘Packed with vivid historical anecdotes, this is an intriguing insight into the magical lives of past people and the history of our own superstitions today’ Marion Gibson, author of Witchcraft
‘Fascinating . . . opens a window into another world’ Tracy Borman, author of Anne Boleyn & Elizabeth I
‘Full of such magical tips and colourful vignettes . . . crackles with incident’ Kate Maltby, Financial Times
A husband and wife each write in their diary, never knowing if it is being read by the other.
Ikuko and her husband are deeply in love but have grown physically apart, each unsure of the other’s desires. When Ikuko finds the key to her husband’s diary she ignores it, but she does begin to keep a diary of her own. Both parties start to set down in writing the evolution of their sex life and their deepest, most private desires. Who is reading whose diary? Who knows what? So begins an extended erotic game of lust, jealousy and manipulation.
‘A story about sex and marriage that is as explicit as any novel on the theme since Lady Chatterley's Lover’ The Times
'Sensational and serious' New York Times
Two or three times a day I think to myself: maybe I’ll die today.
While recovering from a stroke, seventy-seven-year-old Utsugi turns to his diary to wryly record his struggle with his ageing body. Though impotent and in pain he notes down his growing desire for his beautiful daughter-in-law Satsuko, a chic, Westernised dancer with a shady past. Written when the author himself was an old man and shining with self-effacing humour, Tanizaki’s last novel is a tragicomedy about desire and the will to survive.
‘Lightly comic, lyrically evocative and savagely cruel’ New York Times
‘An artistic masterpiece’ Irish Times
"Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?"
From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities. The psychologists would call it folie a deux...
Strangers on a Train was Patricia Highsmith's first novel, and adapted into a classic film by Alfred Hitchcock.
'A true original in crime fiction' The Times
The Instant Sunday Times #1 Bestseller – a moving, life-affirming memoir about survival and the power of love to heal, from Booker Prize winner Salman Rushdie
On the morning of 12 August 2022, Salman Rushdie was standing onstage in upstate New York, preparing to give a lecture on the importance of keeping writers safe from harm, when a man in black – black clothes, black mask – rushed down the aisle towards him, wielding a knife. His first thought: So it’s you. Here you are.
What followed was a horrific act of violence that shook the literary world and beyond. Now, for the first time, Rushdie relives the traumatic events of that day and its aftermath, as well as his journey of healing and recovery. This is an intimate and life-affirming meditation on life, loss, love, art – and finding the strength to stand up again.
A beautiful deluxe gift edition of Poe's most macabre and irresistible stories with foiled covers, marbled endpapers, sprayed edges, beautiful paper and finished with a silk ribbon.
Edgar Allan Poe's stories uncover the deeply unnerving strangeness lurking within us all. His genius for horror and suspense went on to influence the world, from Freud to Hollywood. This complete collection of his best short stories contains the well-known works 'The Pit and the Pendulum' and 'The Tell-Tale Heart' alongside a wide range of delightfully terrifying tales to unsettle and enthrall.
This hardback is part of VINTAGE COLLECTOR’S CLASSICS, a series of luxurious books especially crafted for collectors and fans of beautiful special editions. Sumptuous design meets the highest quality production. Discover timeless classics beautifully bound for every bookshelf.
The bullet enters Tia’s thigh close to where her brother will look for the star-shaped mole when asked to identify her body.
The green carpet is moving towards her. Flung onto her side, Tia lands hard on her left arm. Pop pop pop sounds bounce between her ears. Flashbangs. The force of the grenades is knocking artwork to the floor. The heavy frames could be falling onto someone but it’s too dark, or too bright, to see properly, and there’s probably nothing she can do to help them. On the ground, Tia feels her way to the wall, any wall. A palm goes to each thigh: no wound. That was her own thumb which drove into her skin. The firearms team are in the room now, but the bullet was her imagination. She will not bleed out, and these aren’t her final breaths. Relief comes, but it isn’t much, because she has been thinking about dying all day. Death no longer frightens her. Fear requires energy and Tia is too tired for it now. They all must be.
Her hand finally hits something solid. She’s made it to the side of the room. Tia stands and leans against the plaster, making herself as flat as she can. She’s safe here, and now she has some sense of direction: the windows out onto the road are to her right, and the doors to the rest of the museum to her left. That’s where the specialist officers are coming from. Through the smoke in front of her, human shapes start to take form. There are bodies on the carpet. Alive? She cannot just wait here for it to be over and help to collect the dead. Back on all fours, Tia leaves the wall and crawls to the nearest hostage. Broken glass crunches underneath her knees. The noise of the police boots, the guns, the shields, everything, is so intense, her teeth gnaw into her cheeks.
Tia reaches someone – there’s a pulse. They’re shaking but they’re okay. She sees more human shadows. There is no real furniture in here and nowhere to shelter. When the police burst in, everyone dropped in place, and the unlucky were stood near the doors, or in the centre of the room, exposed. The white haze meant to disorient the gunman is stopping Tia from working out who is who. But it’s those hostages in the middle of the room who are most in need. Tia rises to her feet. Keeping as low as possible, she moves quickly. She sees two bodies lying in the path of the entering police. She’ll go to them.
Are they hurt? She won’t drag them out of the danger zone in case it makes their injuries worse. The pop, pops continue. The two hostages are about ten yards apart. She can’t get to them both. Suddenly it’s obvious who they are, and she must choose. Pick one hostage, shield them. The only thing she can give now is herself.
This is the iconic Josephine Baker in her own words.
Funny, candid and unconventional: the wildly famous but elusive Josephine Baker tells her own story in this enchanting memoir. Baker took Paris by storm in the 1920s, dazzling audiences with her humour, beauty and effervescence on stage. She became an icon. Hemingway, Cocteau and Picasso admired her; Shirley Bassey adored her. It was said she strolled the streets of Paris with her pet cheetah who wore a diamond collar.
Later, as one of the most recognisable women in the world, she became a spy for the French resistance, her celebrity working as her cover. She was awarded the Légion d’honneur for military service. After the war she became increasingly interested in civil rights, and in 1963 she spoke at the March on Washington alongside Martin Luther King. All this from a girl of mixed heritage, born in Missouri to a poor mother and a father she did not know.
Formed from a series of conversations with the French journalist Marcel Sauvage over a period of more than twenty years, and now translated into English for the first time, this gorgeous book offers an insight into one of the most beguiling figures of the twentieth century.
‘The most sensational woman anyone ever saw’ Ernest Hemingway
The Soviet Don Quixote, Chevengur is now seen by many Russian writers as Russia's greatest novel of the last century.
'Platonov is an extraordinary writer, perhaps the most brilliant Russian writer of the twentieth century' New York Review of Books
The Soviet Don Quixote, Chevengur is now seen by many Russian writers as Russia's greatest novel of the last century. This is the first English version to convey its subtlety and depth.
Zakhar Pavlovich comes from a world of traditional crafts to work as a train mechanic, motivated by his belief in the transformative power of industry. His adopted son, Sasha Dvanov, embraces revolution, which will transform everything: the words we speak and the lives we live, souls and bodies, the soil underfoot and the sun overhead.
Seeking communism, Dvanov joins up with Stepan Kopionkin, a warrior for the cause whose steed is the fearsome cart horse Strength of the Proletariat. Together they cross the steppe, meeting counter-revolutionaries, desperados and visionaries of all kinds. At last they reach the isolated town of Chevengur. There communism is believed to have been achieved because everything that is not communism has been eliminated. And yet even in Chevengur the revolution recedes from sight.
Comic, ironic, grotesque, disturbingly poetic in its use of language and profoundly sorrowful, Chevengur is a revolutionary novel about revolutionary ardour and despair. Unpublished during Andrey Platonov’s life, it is now one of the most celebrated Russian novels, and the most ambitious and moving of Platonov’s recreations of a world undergoing revolutionary transformation.
'It was from the novel Chevengur that I learned to create \"literary worlds\". Platonov is a self-taught literary jeweller, a true believer who built dystopias. His love for his characters is instantly conveyed to readers' Andrey Kurkov
Read the seminal bestselling novel that changed the face of British fiction and inspired Danny Boyle's film. 'The best book ever written by man or woman... Deserves to sell more copies than the Bible' Rebel Inc Choose us.
Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced.
Choose life. 'Welsh writes with a skill, wit and compassion that amounts to genius.' Sunday Times
You are the knife I turn inside myself'Franz Kafka's letters to his one-time muse, Milena Jesenska - an intimate window into the desires and hopes of the twentieth-century's most prophetic and important writer
Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech. Their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience.
While at times Milena's 'genius for living' gave Kafka new life, it ultimately exhausted him, and their relationship was to last little over two years. In 1924 Kafka died in a sanatorium near Vienna, and Milena died in 1944 at the hands of the Nazis, leaving these letters as a moving record of their relationship.
In 1918, Ernest Hemingway went to war. He volunteered for ambulance service in Italy, was wounded and twice decorated.
Out of his experience came A Farewell to Arms. Hemingway's description of war is unforgettable. He recreates the fear, the comradeship, the courage of his young American volunteer, and the men and women he meets in Italy, with total conviction.
But A Farewell to Arms is not only a novel of war. In it Hemingway has also created a love story of immense drama and uncompromising passion. 'In these troubled times Hemingway's clarity, spirituality and sense of hard reality in the midst of confusion is very helpful' Sunday Telegraph
Empowering and practical, Food for Life is nothing less than a new approach to how to eat - for our health and the health of the planet.
Food is our greatest ally for good health, but the question of what to eat in the age of ultra-processed food has never seemed so complicated.
Drawing on cutting-edge research and personal insights, Professor Tim Spector offers clear answers in this definitive, easy-to-follow guide to the new science of eating well.
‘No fads, no nonsense, just practical, science-based advice on how to eat well’ Daily Mail, Books of the Year
'A rigorously academic book that welcomes the layperson with open arms' The Times
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