Autorzy pokazują, że architektura, moda i rodzący się rynek reklamy doby transformacji nie tylko tworzyły jej obrazową przestrzeń, ale także dostarczały namacalnych uzasadnień dla przyjętego kierunku przemian. Kolejne teksty wydobywają charakterystyczne dla tych czasów przekonanie o „niekwestionowanej” konieczności modernizacji utożsamianej z doktrynalnym kapitalizmem, pogoni za mitologizowanym i idealizowanym Zachodem oraz ciągłego potwierdzania swojego (niepewnego) miejsca w nowym ekonomicznym i ideologicznym porządku. Zebrane w książce analizy omawiają procesy zapoczątkowane już w latach osiemdziesiątych, a dominujące w następnej dekadzie. Rok 1989 jest w tej perspektywie datą zaledwie symboliczną, która więcej przysłania niż wyjaśnia. „Guy Laroche made in Bytom”, „szyldziarz”, „szwagier z Corelem”, „człowiek z czarną reklamówką” – to tylko niektórzy bohaterowie tej książki. To między innymi oni przypominają o aspiracjach, wyobrażeniach i wspomnieniach związanych z transformacją ustrojową w Polsce. Temu samemu celowi służy wizualny apendyks złożony z cyklów fotograficznych Olgi Drendy, Piotra Idema i Tadeusza Rolkego. LIDIA KLEIN - historyczka sztuki, zajmuje się architekturą współczesną. W 2013 roku obroniła doktorat na Uniwersytecie Warszawskim. Stypendystka Fundacji Fulbrighta (2010/11) i Fundacji Nauki Polskiej (2012), Visiting Assistant in Research w Yale School of Architecture (2016). Od 2013 kontynuuje naukę na Duke University. Wykładała na Uniwersytecie Warszawskim, Akademii Sztuk Pięknych w Warszawie i School of Form w Poznaniu. Specjalizuje się w architekturze współczesnej, skupiając się na relacjach między architekturą, polityką i ekonomią. Obecnie przedmiotem jej badań jest architektura postmodernistyczna w Ameryce Południowej i Europie Wschodniej.

Conti, Claudio - Sonate Fuer Klarinette Und Klavie 1. Allegro Affanato 2. Vivace 3. Larghetto 4. Prestissimo Assai Conti, Claudio - Sonate Fuer Klarinette Und Klavie 1. Allegro Dolente 2. Vivacissimo 3. Larghetto 4. Allegro Affabile Conti, Claudio - Sonate Fuer Klarinette Und Klavie 1. Moderato 2. Vivace - Adagio - Vivace 3. Adagio 4. Allegretto Con Grazia Conti, Claudio - Albumblatt Es-dur Conti, Claudio - Tarantella G-moll This year 2016 sees the commemoration of the death of Max Reger (1873- 1916), one of the most intriguing and misunderstood German Romantics. Reger’s Clarinet Sonatas Op. 49 are clearly modelled on the clarinet sonatas Op. 120 by Brahms. Characteristic are the long melodic lines, the intense, intertwining dialogue between the two instruments, the extended chromatic harmony and the overall complexity of both texture and counterpoint. Beautiful performance by Italian clarinettist Claudio Conti, prize winner of several international competitions, and Roberta Bambace, piano. Excellent liner notes in English and Italian.

Uinskyte, Lina - Sonate Fuer Violine Und Cembalo ( 1. Allegro 2. Minuetto Uinskyte, Lina - Sonate Fuer Violine Und Cembalo N 1. Allegro 2. Minuetto Uinskyte, Lina - Sonate Fuer Violine Und Klavier N 1. Allegretto 2. Presto Uinskyte, Lina - Sonate Fuer Violine Und Cembalo ( 1. Spiritoso 2. Vivace Uinskyte, Lina - Sonate Fuer Violine Und Cembalo ( 1. Allegro 2. Aria Uinskyte, Lina - Sonata Fuer Violine Und Cembalo ( 1. Allegro Maestoso 2. Presto Tommaso Giordani (1730-1806) was born in Naples, Italy, but his extensive travels brought him to London, where he built his career until his death. He wrote an immense amount of music: best known as an opera composer he also wrote chamber music for various instruments. Giordani’s sonatas Opus 4 are for violin and keyboard, either harpsichord, fortepiano or organ. They are delightful 2-movement works in the Galante Style, like his fellow émigré Johann Christian Bach. The writing for the instruments, especially the keyboard, is of an advanced virtuosity, rich in scales, arpeggios, octave runs and fast passage work. Excellent performances by the Lithuanian violinist Lina Uinskyte and keyboard player Marco Ruggeri, who already made a beautiful recording for Brilliant Classics of sonatas by J.C. Bach (BC 94965).

Veen, Jeroen Van - The Heart Asks Pleasure First 1 Veen, Jeroen Van - Lost & Found Veen, Jeroen Van - All Imperfest Things Veen, Jeroen Van - The Promise Veen, Jeroen Van - Big My Secret Veen, Jeroen Van - The Mood That Passes Through Yo Veen, Jeroen Van - Deep Sleep Playing Veen, Jeroen Van - The Embrace Veen, Jeroen Van - Silver-fingered Fling Veen, Jeroen Van - Here To There Veen, Jeroen Van - The Attraction Of The Pedalling Veen, Jeroen Van - The Heart Asks Pleasure First 2 Veen, Jeroen Van - Jack Veen, Jeroen Van - Franklyn Veen, Jeroen Van - Nadia Veen, Jeroen Van - Debbie Veen, Jeroen Van - Bill Płyta 2. Veen, Jeroen Van - Odessa Beach Veen, Jeroen Van - Diary Of Love Veen, Jeroen Van - Digital Tragedy Veen, Jeroen Van - Fly Drive Veen, Jeroen Van - The Morrow Veen, Jeroen Van - The Departure Veen, Jeroen Van - The Exchange Veen, Jeroen Van - Why? Veen, Jeroen Van - The Schoolroom Veen, Jeroen Van - If Veen, Jeroen Van - Goodbye Moortie Veen, Jeroen Van - Chatterbox Waltz Veen, Jeroen Van - Candlefire Veen, Jeroen Van - Chasing Sheep Is Best Left To S Veen, Jeroen Van - Shepp 'N' Tides Veen, Jeroen Van - Time Lapse Michael Nyman (born 1944) is one of the most famous and successful film music composers of our time. His music, although inextricably connected with the visual action of a film, has the quality to stand on its own, to evoke and express the visual emotions in sounds only. Nyman’s most famous film score is of the film “The Piano” , becoming an instant hit. Its openness and its deceptively simple musical lines appealed to a mass audience. The music featured on this recording is either originally written for piano or arranged by the composer himself. Minimal Music champion Jeroen van Veen has been fascinated by Nyman’s music his whole life, and the recording of it was a logical step. He is the ideal interpreter of this seductive, mind opening music.

A unique set, an extensive Anthology of French harpsichord music! This set represents excellent value for money. It is the most comprehensive set yet of French harpsichord music, and spans over 150 years, allowing the listener to fully comprehend the remarkable changes that took place during this fascinating period. In the early 18th century, the harpsichord has matured into its own style of short, evocative character pieces, which owe less and less to the dance archetypes. And, while the works of the Grand Siecle are full or grandeur and solemn grace, the century of Louis TRACK LIST XV is more inclined to elegance and lightness. Recorded in Italy and The Netherlands, 2005 - 2015, by leading harpsichordists, specialists French Harpsichord Music in the style: Pieter - Jan Belder, Michael Borgstede, Francesco Cera, Yago Mahúgo, Franz For the complete track list, see ‘Brilliant Classics Tracklist Silvestri. Newly written liner notes are included in the booklet.

Coen, Andrea - Arioso F-dur Wq 118/4 Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Variation 7 Coen, Andrea - Allegretto B-dur Wq 118/5 Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Coen, Andrea - Ich Schlief, Da Traeumte Mir Wq 118 Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Variation 7 Variation 8 Variation 9 Variation 10 Variation 11 Variation 12 Variation 13 Variation 14 Variation 15 Variation 16 Variation 17 Variation 18 Variation 19 Variation 20 Variation 21: Alla Polacca Variation 22: Allegro Variation 23: Siciliano Variation 24: Tempo Di Minuetto Coen, Andrea - Variationen Ueber Les Folies D'espa Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Variation 7: Geschwind Variation 8: Sehr Langsam Variation 9 Variation 10 Variation 11 Variation 12: Sehr Geschwinde Coen, Andrea - Arioso Sostenuto A-dur Wq 79 Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Coen, Andrea - Canzonetta F-dur Wq 118/8 (Von Der Un Poco Allegretto Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Coen, Andrea - Minuet Und Variationen 1-5 C-dur Wq Płyta 2. Coen, Andrea - Arioso C-dur Wq 118/10 Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Variation 7 Variation 8 Variation 9 Coen, Andrea - Minuet G-dur Wq 118/7 (Von Pietro L Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Variation 7 Variation 8 Variation 9 Variation 10 Variation 11 Variation 12 Variation 13 Variation 14 Variation 15 Variation 16 Variation 17 Variation 18 Variation 19 Variation 20 Variation 21 Coen, Andrea - Ariette A-dur Wq 118/2 Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Variation 7 Variation 8 Variation 9 Variation 10 Variation 11 Variation 12 Variation 13 Variation 14 Variation 15 Variation 16 Variation 17 Variation 18 Variation 19 Variation 20 Variation 21 Variation 22 Coen, Andrea - Colin A Peine A Seize Ans Wq 118/6 Thema Variation 1 Variation 2 Variation 3 Variation 4 Variation 5 Variation 6 Variation 7 Variation 8 Variation 9 Variation 10 Variation 11 Variation 12

Simonov, Yuri - Parsifal (Oper In 3 Akten) (Auszug Vorspiel Simonov, Yuri - Die Walkuere (Oper In 3 Akten) (Au Walkuerenritt Simonov, Yuri - Siegfried (Oper In 3 Akten) (Auszu Waldesrauschen Simonov, Yuri - Gotterdaemmerung (Oper In 1 Vorspi Siegfrieds Rheinfahrt Siegfrieds Trauermarsch Simonov, Yuri - Tristan Und Isolde (Oper In 3 Akte Vorspiel - Liebestod Płyta 2. Simonov, Yuri - Rienzi (Oper In 5 Akten) (Auszug) Vorspiel Simonov, Yuri - Der Fliegende Hollaender (Oper In Vorspiel Simonov, Yuri - Tannhaeuser (Oper In 3 Akten) (Aus Vorspiel Simonov, Yuri - Lohengrin (Oper In 3 Akten) (Auszu Vorspiel (1. Akt) Vorspiel (3. Akt) Simonov, Yuri - Die Meistersinger Von Nuernberg (O Vorspiel Płyta 3. (Keine Angaben) - Das Liebesverbot (Oper In 2 Akte Vorspiel Springer, Alois - Die Feen (Oper In 3 Akten) (Ausz Vorspiel Semkow, Jerzy - Parsifal (Oper In 3 Akten) (Auszug Karfreitagszauber Hollreiser, Heinrich - Siegfried-idyll E-dur Wwv 1

Seldom Sene - Inviolata (Nach Josquin Des Prez) Seldom Sene - Missa Dormendo Un Giorno (Messe) (Au Agnus Dei 3 Seldom Sene - Durmendo Un Jorno (Nach Philippe Ver Seldom Sene - Dormend'un Giorno A Baia Seldom Sene - Lamentabatur Jacob (Motette) Seldom Sene - Ascendens Christus In Altum Seldom Sene - Triste De Par (Nach Nicolas Gombert) Seldom Sene - Lagrimas De Mi Consuelo Seldom Sene - Danza Alta Seldom Sene - Amor Mio (Balletto) Seldom Sene - Bassadanza La Spagna Seldom Sene - Ave Regina Coelorum Seldom Sene - Adoro Te, Domine Jesu Christe (Motet Seldom Sene - Missa Pro Defunctis (Messe) (Auszug) Lux Aeterna Seldom Sene - Susanna Un Jour Seldom Sene - Riu, Riu, Chiu Seldom Sene - Trahe Me Post Te, Virgo Maria (Motet Seldom Sene - !hombres, Victoria, Victoria! Seldom Sene - Inviolata, Integra Et Casta Es, Mari Prima Pars Secunda Pars Tertia Pars

Carbotta, Mario - Sonate Fuer Flote Und Obligates 1. Allegro Moderato 2. Rondeau Carbotta, Mario - Trio Fuer Flote, Fagott Und Klav 1. Larghetto 2. Allegro Carbotta, Mario - Trio Fuer Flote, Fagott Und Klav 1. Allegro 2. Adagio 3. Tema Andante Con Variazioni Carbotta, Mario - Duetto Concertato Fuer Flote, Fa A delightful programme featuring the bassoon in duo and trio formation chamber music, centred around the substantial and neglected Bassoon Trio WoO37 by Beethoven. This new recording presents a brilliant duo for bassoon and flute by Devienne, a trio for flute, bassoon and piano by opera composer Donizetti, a virtuoso Fantasia on Verdi themes by Morlacchi/Torriani and Beethoven’s masterpiece. Three Italian soloists, Massimo Data (bassoon), Mario Carbotta (flute) and Piero Barbareschi (piano) deliver brilliant performances, brimming with energy and “Spielfreude”.

Guandalino, Carlo - Toccata D-moll Guandalino, Carlo - Versi D-moll Guandalino, Carlo - Canzona D-moll Guandalino, Carlo - Carsi C-dur Guandalino, Carlo - Canzona C-dur Guandalino, Carlo - Versi F-dur Guandalino, Carlo - Canzona F-dur Guandalino, Carlo - Versi E-moll Guandalino, Carlo - Canzona E-moll Guandalino, Carlo - Versi G-moll Guandalino, Carlo - Canzona G-moll Guandalino, Carlo - All'elevazione 1 F-dur Guandalino, Carlo - Al Post Comunio F-dur Guandalino, Carlo - All'elevazione 2 C-dur Guandalino, Carlo - All'offertorio C-dur Guandalino, Carlo - Pastorale C-dur Guandalino, Carlo - Sonate Fuer Violine Und Basso 1. Preludio 2. Corrente 3. Sarabande 4. Giga Płyta 2. Farabollini, Laura - Suite Fuer Cembalo H-moll 1. Prelude 2. Corrente 3. Aria 4. Gavotta Farabollini, Laura - Suite Fuer Cembalo G-moll 1. Prelude 2. Corrente 3. Sarabande 4. Giga Farabollini, Laura - Suite Fuer Cembalo C-dur 1. Prelude 2. Allemande 3. Sarabande 4. Gavotta 5. Giga Farabollini, Laura - Partita Fuer Cembalo C-dur Farabollini, Laura - Suite Fuer Cembalo D-moll 1. Prelude 2. Allemande 3. Gavotte 4. Minuetto Farabollini, Laura - Partita Fuer Cembalo A-moll ? Domenico Zipoli (1688-1726) led an turbulent and adventurous life. A student of Alessandro Scarlatti and Pasquini he held important posts as organist and composer in Florence and Rome. However he went to Spain to join the Jesuit Society from where he was sent to South America, where he settled in Cordoba (Argentina) as missionary and composer. ? Zipoli wrote in the Italian keyboard style as a worthy successor of Frescobaldi, Scarlatti and Pasquini. He wrote for both organ and harpsichord, and both instruments are included in this new recording of his complete output for the keyboard. ? Played by Carlo Guandalino on a historical 1612 organ of Castelnuovo Scrivia, and by Laura Farabollini on a copy of a 17th century French Taskin harpsichord.

Poli Cappelli, Cristiano - Ballade Poli Cappelli, Cristiano - Cavatina Nr. 1 Preludio Nr. 2 Sarabande Nr. 3 Scherzino Nr. 4 Barcarole Poli Cappelli, Cristiano - Danza Pomposa Poli Cappelli, Cristiano - Hommage A Chopin Nr. 1 Prelude Nr. 2 Nocturne Nr. 3 Valse Romantique Poli Cappelli, Cristiano - Suite In Modo Polonico 1. Entree 2. Gaillarde 3. Kujawak (Mazurka Lente) 4. Tempo Di Polonaise 5. Kolysanka Nr. 2 6. Oberek (Mazurka Vive) Poli Cappelli, Cristiano - Inventionen Nr. 1 Passepied Nr. 2 Sarabande Nr. 3 Sicilienne Nr. 4 Toccata A Deux Voix Nr. 5 Aria Poli Cappelli, Cristiano - Piece En Forme De Passa Poli Cappelli, Cristiano - Chansons Populaires Nr. Nr. 1 Andante Nr. 2 Allegretto Płyta 2. Poli Cappelli, Cristiano - Sonatine 1. Modere 2. Elegia 3. Vif 4. Fughetta Poli Cappelli, Cristiano - Variationen Ueber Ein T Poli Cappelli, Cristiano - Prelude Und Interlude Prelude Interlude Poli Cappelli, Cristiano - Pezzo In Modo Antico Poli Cappelli, Cristiano - Suite Fuer Gitarre 1. Notturno Romantico 2. Alla Polacca 3. Canzonetta 4. Invenzione 5. Berceuse D'orient 6. Segovia Poli Cappelli, Cristiano - Hommage A Lech Walesa Poli Cappelli, Cristiano - Pieces Breves Nr. 1 Valse-caprice Nr. 2 Danse Populaire Nr. 3 Burlesque Nr. 4 Berceuse-boite A Musique Nr. 5 Studio Poli Cappelli, Cristiano - Mazurka (Fuer Gitarre) Poli Cappelli, Cristiano - Quattro Tempi Di Mazurk Nr. 1 Moderato Nr. 2 Rondo Nr. 3 Allegro Ma Non Troppo Nr. 4 Allegro Giocoso

Patuzzi, Maristella - Sonate Fuer Violine Und Klav 1. Nicht Zu Langsam - Etwas Bewegter - Schneller - 2. Ruhig - Etwas Rascher - Tempo 1 - Etwas Rascher 3. Allegro Con Spirito - Ruhiger - Tempo 1 - Prest Patuzzi, Maristella - Sonate Fuer Violine Und Klav 1. Tranquillo - Andante Con Moto - Etwas Breiter - 2. Scherzo: Rasch Und Leicht - Trio 3. Breit - Sehr Breit (Rubato) - Kraeftig Bewegt - Patuzzi, Maristella - Sonate Fuer Violine Und Klav 1. Anmutig Bewegt - Breiter, Poco Rubato - Tempo 1 2. Thema Mit Variationen: Ruhig Fliessend - Etwas 3. Schnelle Viertel - Wenig Breiter, Cantabile - T

Mahugo, Yago - Suite Fuer Cembalo C-dur 1. Prelude 2. Allemande 3. Courante 4. Sarabande 1 5. Sarabande 2 6. Gavotte 7. Gigue 8. Menuet 1 9. Menuet 2 En Rondeau 10. Menuet 1 Da Capo Mahugo, Yago - Suite Fuer Cembalo C-moll 1. Prelude 2. Allemande 3. Courante 1 4. Courante 2 5. Sarabande: Grave 6. Gigue Mahugo, Yago - Suite Fuer Cembalo D-moll 1. Prelude 2. Allemande 3. Courante 1 4. Courante 3 5. Sarabande 6. Gigue 7. Chaconne 8. Menuet 9. Gavotte En Rondeau Mahugo, Yago - Suite Fuer Cembalo G-moll 1. Prelude 2. Allemande 3. Courante 4. Sarabande 5. Gigue 6. Gavotte 7. Menuet 1 8. Menuet 2 En Rondeau 9. Menuet 1 Da Capo Mahugo, Yago - La Venitienne Mahugo, Yago - Badine Mahugo, Yago - Gavotte Mahugo, Yago - Praeludium G-dur

Tortorelli, Luciano - Ausencias (Bearb. Fuer Gitar Tortorelli, Luciano - Chiquilin De Bachin (Bearb. Tortorelli, Luciano - Oblivion (Bearb. Fuer Gitarr Tortorelli, Luciano - Danza Del Altiplano Tortorelli, Luciano - Fantasie Ueber Motive Aus La Tortorelli, Luciano - Gran Vals (Fuer Gitarre) Tortorelli, Luciano - Walzer Op. 8 Nr. 1-6 (Auszug Nr. 3 (Ohne Satzbezeichnung) Tortorelli, Luciano - Suite Populaire Bresilienne 1. Mazurka-choro 2. Schottisch-choro 3. Valsa-choro 4. Gavotta-choro 5. Chorinho Tortorelli, Luciano - Dobru Noc Brno “Latin Latitudes” is a musical journey between two latitudes, connected by latin musical roots. The composers originate from Spain and Italy, Latin and South America. Astor Piazzolla, Argentina’s most famous composer, was the grandson of Italian immigrants, and in his music the melancholy for an abandoned and lost country lends a sweetly poignant atmosphere. The Waltz by Tárrega brings us back to 19-th century Vienna. Crossing the ocean again we meet Augustin Barrios, who brought European charm to Latin America. Leo Brouwer is Cuba’s most famous guitar composer as is Heitor Villa-Lobos for Brazil. Guitarist Luciano Tortorelli plays also a composition of his own: Dobrú noc Brno. Inspired by a traditional Czech Berceuse it is an homage to the famous Brno Guitar Festival.

Schmil, Marga - Das Paradies Und Die Peri Op. 50 ( Vor Edens Tor Im Morgenprangen (1. Teil) Wie Gluecklich Sie Wandeln, Die Sel'gen Geister Der Hehre Engel, Der Die Pforte Des Lichts Bewacht Wo Find's Ich Sie? Wo Blueht, Wo Liegt Die Gabe So Sann Sie Nach Und Schwang Die Fluegel - Quartet Chor: Doch Seine Strome Sind Jetzt Rot Chor: Und Einsam Steht Ein Juengling Noch - Komm, Chor: Weh, Weh, Weh, Er Fehlte Das Ziel Die Peri Sah Das Mal Der Wunde -quartett: Sei Dies Die Peri Tritt Mit Schuechterner Gebaerde Vor Eden Ihr Erstes Himmelshoffen Schwand - Chor: Hervor Au Fort Streift Von Hier Das Kind Der Luefte - Fuer E Die Peri Weint - Quartett: Denn In Der Traen' Ist Im Waldesgruen Am Stillen See - Ach, Einen Tropfen Verlassener Juengling - Doch Sieh, Wer Naht Dort L O Lass Mich Von Der Luft Durchdringen - Sie Wankt Chor: Schlaf Nun Und Ruhe In Traeumen Voll Duft Płyta 2. Chor: Schmuecket Die Stufen Zu Allahs Thron (3. Te Dem Sang Von Ferne Lauschend - Noch Nicht! Treu Wa Verstossen! Verschlossen Aufs Neu Das Goldportal! Jetzt Sank Des Abends Gold'ner Schein Und Wie Sie Niederwaerts Sich Schwingt - Quartett: Hinab Zu Jenem Sonnentempel! - Sie Schwebt Herab I Quartett - Chor: O Heil'ge Traenen Inn'ger Reue Es Faellt Ein Tropfen Auf's Land Aegypten - Chor: Freud, Ew'ge Freude, Mein Werk Ist Getan - Chor: W Schumann’s Das Paradies und die Peri is a highly original form of a dramatic cantata for soloists, choir and orchestra, based on a tale from Lalla Rookh by Thomas Moore. The Peri is a creature from Persian Mythology. Expelled from Paradise the Peri tries to regain entrance by giving the gift that is most dear to heaven, the tear from the cheek of a repentant old sinner who has seen a child crying. Schumann had great success with this large scale dramatic work, which has a continuous flow of music, without recitatives and arias. No wonder Wagner liked it greatly. This recording from 1981 features the best vocal soloists of the former DDR, the Leipzig Rundfunk-Sinfonie-Orchester and conductor Wolf-Dieter Hauschild: another treasure from the archives of Berlin Classics!

Modus Ensemble - Salvator Noster, Dilectissimi (Mo Modus Ensemble - Stephanus Autem Plenus Gratia (Mo Modus Ensemble - Maximum Hoc Omnium (Motette) Modus Ensemble - Innocentes Pro Christo (Motette) Modus Ensemble - O Admirabile Commercium (Motette) Modus Ensemble - Tribus Miraculis Ornatum Diem (Mo Modus Ensemble - Bonum Certamen Certavi (Motette) Modus Ensemble - Hodie Beata Virgo Maria (Motette) Modus Ensemble - Ave Maria (Motette) Modus Ensemble - Haec Est Dies (Motette) Modus Ensemble - Sancti Et Justi (Motette) Modus Ensemble - Cumque Beatissimus Marcus Evangel Modus Ensemble - Ascendens Christus In Altum (Mote Modus Ensemble - Hodie Spiritus Sanctus (Motette) Modus Ensemble - O Adoranda Trinitas (Motette) Modus Ensemble - Ego Sum Panis Vivus (Motette) Modus Ensemble - Puer Qui Natus Est (Motette) Modus Ensemble - Tu Es Petrus (Motette) Modus Ensemble - Beata Elisabeth (Motette) Modus Ensemble - Maria Unxit Pedes Jesu (Motette) Claudio Merulo (1533-1604) held the prestigious post of first organist of the San Marco in Venice. Although he was a key figure in the development of keyboard music he also wrote a large number of vocal works of great importance: masses, motets and madrigals. Merulo’s Motets, though standing in the tradition of the High Renaissance, reveal an innovative form and linguistic freedom. In his 5-part Motets for single choir the initial imitative counterpoints develops into antiphonal sections and ritornello passages that anticipate the “concertato” style of the emerging Baroque period. The Italian Modus Ensemble, conducted by Mauro Marchetti, is accompanied by viola da gamba, violone, theorbo and organ. The complete sung texts in the original language are included in the booklet.

Roobol, Wendy - Madrigali Libro 3 (Madrigalbuch 3) La Giovinetta Pianta O Come E Gran Martire Sovra Tenere Erbette E Bianchi Fiori O Dolce Anima Mia, Dunque E Pur Vero Stracciami Pur Il Core O Rossignol Che In Queste Verdi Fronde Se Per Estremo Ardore Vattene Pur, Crudel, Con Quella Pace La Tra 'L Sangue E Le Morti Egro Giacente Poi Ch'ella In Se Torno, Deserto E Muto O Primavera, Gioventu De L'anno Perfidissimo Volto Ch'io Non T'ami, Cor Mio Occhi, Un Tempo Mia Vita Vivro Fra I Miei Tormenti E Le Mie Cure Ma Dove, O Lasso Me, Dove Restaro Io Pur Verro La Dove Sete, E Voi Lumi, Miei Cari Lumi Rimanti In Pace Ond'ei Di Morte La Sua Faccia Impressa Płyta 2. Roobol, Wendy - Madrigali Libro 4 (Madrigalbuch 4) Ah Dolente Partita Cor Mio, Mentre VI Miro Cor Mio, Non Mori? E Mori Sfogava Con Le Stelle Volgea L'anima Mia Soavemente Anima Mea, Perdona Che Se Tu Se' Il Cor Mio Luci Serene E Chiare La Piaga C'ho Nel Core Voi Pur Da Me Partite, Anima Dura A Un Giro Sol De Bell'occhi Lucenti Ohime, Se Tanto Amate Io Mi Son Giovinetta Quell'augellin Che Canta Non Piu Guerra, Pietate Si Ch'io Vorrei Morire Anima Dolorosa Che Vivendo Anima Del Cor Mio Longe Da Te, Cor Mio Piagne E Sospira ? This new instalment of the Complete Madrigals cycle by Le Nuove Musiche presents the complete books 3 and 4. ? The 3rd and 4th book of Madrigals form a transition from the declamatory Renaissance style to a more expressive way of handling the text, in which the musical expression of the emotional impact of the words has prime importance. For instance the lamento “O come e gran mortire”, in its mournful and poignant drawing out of the lover’s pain, will leave no listener untouched. ? The vocal ensemble Le Nuove Musiche consists of the elite of Dutch Early Music vocalists, led by eminent conductor and scholar Krijn Koetsveld. Their first Monteverdi recording, the Books 5 & 6 (BC93799) received excellent reviews in the international press, among which a “5 star” in the French Diapason. ? Liner notes by the conductor, complete song texts in the original language included in the booklet.

Claude Quartet - Konzert Fuer Gitarre Und Jazz-kla 1. Hispanic Dance 2. Mexicaine 3. Invention 4. Serenade 5. Rhapsodic 6. Africaine 7. Finale Meucci, Duilio - Sonate Fuer Gitarre Solo (1996) 1. Jazzo Brasileiro 2. Baladina 3. Fogoso ? Claude Bolling was born in 1930 in Cannes, where he became one of the most popular figures of the French jazz scene. He composed music for over 100 films, and he worked together with Duke Ellington, Juliette Greco, Liza Minelli and others. ? Claude Bolling was one of the first “Crossover” composers, collaborating with classical musicians like Jean-Pierre Rampal and Alexandre Lagoya. ? Bolling’s most famous work is the Concerto for Classical Guitar and Jazz Piano Trio. It is the perfect synthesis of Jazz, Blues, Latin-American and Classical music, a unique creation of multicultural expression! ? Also included in this new recording is the Sonata for Classical Guitar. ? Performed with gusto and a free spirit by the wonderful musicians of the Claude Quartet, with guitarist Duilio Meucci.

Timofeyev, Oleg - Kyng Harry The Viiith Pavyn Timofeyev, Oleg - The Kinges Pavane Timofeyev, Oleg - Pavan Timofeyev, Oleg - Quadro Pavan Timofeyev, Oleg - Anthony Pavan Timofeyev, Oleg - Passamezzo Pavan Timofeyev, Oleg - Pavan Timofeyev, Oleg - Quadro Pavan Timofeyev, Oleg - Pavana Cromatica Timofeyev, Oleg - Spanish Pavan Timofeyev, Oleg - Philips Pavan Timofeyev, Oleg - Mason Pavan Timofeyev, Oleg - Lachrimae Pavan Timofeyev, Oleg - Spanish Pavan Timofeyev, Oleg - Semper Dowland Semper Dolens Timofeyev, Oleg - Sims Pavan Timofeyev, Oleg - Pavan Timofeyev, Oleg - Pavan Timofeyev, Oleg - Rosamund The Pavan is an ancient Spanish-Italian Dance form, solemn, slow and stately. It gained great popularity in Renaissance England, in which it developed from a straight dance form in the time of Henry VIII to a highly sophisticated composition of a slow, rhapsodic and fantasy-like nature, in which the composer expressed his often melancholy emotions. The composers featured are Cotton, Ferrabosco, Philips, Johnson, Mason, Robinson, Dowland, Daniel, Bacheler and several Anonymi. Oleg Timofeyev is a highly respected lutenist, guitarist, musicologist and documentary film director. He wrote the excellent liner notes for this release.

Urasin, Rem - Mazurka Nr. 2 G-dur Urasin, Rem - Mazurka Nr. 3 B-dur Urasin, Rem - Mazurka Nr. 47 A-moll Op. 68 Nr. 2 Urasin, Rem - Mazurka Nr. 46 C-dur Op. 68 Nr. 1 Urasin, Rem - Mazurka Nr. 48 F-dur Op. 68 Nr. 3 Urasin, Rem - Mazurka Nr. 1 Fis-moll Op. 6 Nr. 1 Urasin, Rem - Mazurka Nr. 2 Cis-moll Op. 6 Nr. 2 Urasin, Rem - Mazurka Nr. 3 E-dur Op. 6 Nr. 3 Urasin, Rem - Mazurka Nr. 4 Es-dur Op. 6 Nr. 4 Urasin, Rem - Mazurka Nr. 5 B-dur Op. 7 Nr. 1 Urasin, Rem - Mazurka Nr. 6 A-moll Op. 7 Nr. 2 Urasin, Rem - Mazurka Nr. 7 F-moll Op. 7 Nr. 3 Urasin, Rem - Mazurka Nr. 8 As-dur Op. 7 Nr. 4 Urasin, Rem - Mazurka Nr. 9 C-dur Op. 7 Nr. 5 Urasin, Rem - Mazurka Nr. 1 B-dur Urasin, Rem - Mazurka Nr. 2 D-dur Urasin, Rem - Mazurka Nr. 10 B-dur Op. 17 Nr. 1 Urasin, Rem - Mazurka Nr. 11 E-moll Op. 17 Nr. 2 Urasin, Rem - Mazurka Nr. 12 As-dur Op. 17 Nr. 3 Urasin, Rem - Mazurka Nr. 13 A-moll Op. 17 Nr. 4 Urasin, Rem - Mazurka Nr. 3 C-dur Urasin, Rem - Mazurka Nr. 4 As-dur Urasin, Rem - Mazurka Nr. 14 G-moll Op. 24 Nr. 1 Urasin, Rem - Mazurka Nr. 15 C-dur Op. 24 Nr. 2 Urasin, Rem - Mazurka Nr. 16 As-dur Op. 24 Nr. 3 Urasin, Rem - Mazurka Nr. 17 B-moll Op. 24 Nr. 4 Urasin, Rem - Mazurka Nr. 44 C-dur Op. 67 Nr. 3 Urasin, Rem - Mazurka Nr. 42 G-dur Op. 67 Nr. 1 Urasin, Rem - Mazurka Nr. 18 C-moll Op. 30 Nr. 1 Urasin, Rem - Mazurka Nr. 19 H-moll Op. 30 Nr. 2 Urasin, Rem - Mazurka Nr. 20 Des-dur Op. 30 Nr. 3 Urasin, Rem - Mazurka Nr. 21 Cis-moll Op. 30 Nr. 4 Urasin, Rem - Mazurka Nr. 50 A-moll Op. Posth. An Płyta 2. Urasin, Rem - Mazurka Nr. 22 Gis-moll Op. 33 Nr. 1 Urasin, Rem - Mazurka Nr. 23 D-dur Op. 33 Nr. 2 Urasin, Rem - Mazurka Nr. 24 C-dur Op. 33 Nr. 3 Urasin, Rem - Mazurka Nr. 25 H-moll Op. 33 Nr. 4 Urasin, Rem - Mazurka Nr. 26 Cis-moll Op. 41 Nr. 1 Urasin, Rem - Mazurka Nr. 27 E-moll Op. 41 Nr. 2 Urasin, Rem - Mazurka Nr. 28 H-dur Op. 41 Nr. 3 Urasin, Rem - Mazurka Nr. 29 As-dur Op. 41 Nr. 4 Urasin, Rem - Mazurka Nr. 51 A-moll Op. Posth. No Urasin, Rem - Mazurka Nr. 30 G-dur Op. 50 Nr. 1 Urasin, Rem - Mazurka Nr. 31 As-dur Op. 50 Nr. 2 Urasin, Rem - Mazurka Nr. 32 Cis-moll Op. 50 Nr. 3 Urasin, Rem - Mazurka Nr. 33 H-dur Op. 56 Nr. 1 Urasin, Rem - Mazurka Nr. 34 C-dur Op. 56 Nr. 2 Urasin, Rem - Mazurka Nr. 35 C-moll Op. 56 Nr. 3 Urasin, Rem - Mazurka Nr. 36 A-moll Op. 59 Nr. 1 Urasin, Rem - Mazurka Nr. 37 As-dur Op. 59 Nr. 2 Urasin, Rem - Mazurka Nr. 38 Fis-moll Op. 59 Nr. 3 Urasin, Rem - Mazurka Nr. 39 H-dur Op. 63 Nr. 1 Urasin, Rem - Mazurka Nr. 40 F-moll Op. 63 Nr. 2 Urasin, Rem - Mazurka Nr. 41 Cis-moll Op. 63 Nr. 3 Urasin, Rem - Mazurka Nr. 45 A-moll Op. 67 Nr. 4 Urasin, Rem - Mazurka Nr. 43 G-moll Op. 67 Nr. 2 Urasin, Rem - Mazurka Nr. 49 F-moll Op. 68 Nr. 4 The Mazurka is a Polish folk dance in 3 metre, the first “composed” examples going back to the middle of the 18-th century. It became a symbol of Polish patriotism, expressing the indomitable Polish identity and vitality. Chopin’s Mazurkas are “not meant to be danced” as he himself declared. They are highly artistic, harmonically complex miniatures, expressing the deeper human feelings of joy and exultation, but also melancholy and despair. Chopin wrote them during his whole lifetime, from youthful scribblings to highly sophisticated late works. Russian pianist Rem Urasin (born 1976) specialised in Chopin, having played all his works in concert. He won 4-th Prize at the International Chopin Competition in Warsaw in 1995 and First Prize in the Moscow Chopin Competition. He was a pupil of the great Lev Naumov.