W tej strefie zapraszamy czytelników tak zwane artystyczne dusze po książki z kategorii Sztuka. Polecamy szereg publikacji o sztuce i jej historii,ciekawostki i portfolia artystów, eseje, albumy, książki o malarstwie, rzeźbiarstwie, architekturze oraz histoii fotografii. Biografie ciekawych artystów, książki i powieści przedstawiające fascynujące losy malarzy i osób uwiecznianych na obrazach. W tym dziale tylko ksiązki ze sztuka w tle.
This is a book about Edward Weston before he was Edward Weston―before he was the renowned modernist photographer we know so well. His early years in the field coincided exactly with the height of the Pictorialist movement in America, and while he was never a typical practitioner, he did make photographs that borrowed themes from paintings and other media, and experimented with soft-focused imagery that sometimes looks more like graphite drawings or inky dark prints than photographs. He would later disavow the gauzy, painterly experiments of his early years, claiming in his Daybooks that “even as I made the soft ‘artistic’ work … I would secretly admire sharp, clean, technically perfect photographs.”
Introducing rare surviving prints from the unplumbed holdings of the Lane Collection at the Museum of Fine Arts, Boston, this book offers new insights into Weston’s working methods and his evolution as a photographer. By taking a longer and more nuanced view of his early years, and by reinserting his first experiments back into the larger story of his artistic production, it reveals the variety of ways in which the paths he took as a young man led him to become the mature modernist master. Beautifully reproduced examples of Weston’s most important early work, essays explaining its place in his oeuvre and the history of photography, and a section dedicated to the variety of Weston’s early materials and techniques make this book a must-have resource.
Previously unpublished photographs and iconic portraits of musicians from the 1950s through the 1980s offer a new perspective on Doisneau's remarkable talent.
Master photographer Robert Doisneau's passion for the joyful energy inherent in the music world comes alive in images that cover the musical spectrum, from classical and jazz to be-bop to the roots of modern rap and alternative rock. With camera in hand, Doisneau crisscrossed Paris to capture intimate moments with star musicians such as Eartha Kitt in a jazz club, Django Reinhardt at home, and Yehudi Menuhin backstage, or with locals at a neighborhood dance or jamming in a brass band. His portraits were commissioned for stars from Juliette Gréco to Charles Aznavour to Claude François, and a new generation of musicians in the 1980s including Rita Mitsouko and Les Négresses Vertes.
This book--curated by the photographer's granddaughter to accompany an exhibition at the Philharmonie de Paris--includes more than one hundred photographs, many previously unpublished, that showcase the artist's mastery in editing, special effects, photomontage, collage, photo distortions, and splits.
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto.
Hiroshi Hamaya (1915–1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year’s rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world.
Kansuke Yamamoto (1914–1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, René Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs.
Along with essays by the book’s coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.
W każdym z nas jest artysta. Wystarczy go obudzić...
Dzięki skutecznej i łatwej do zastosowania metodzie przedstawionej w tej książce narysujesz wszystko, o czym marzysz. Wystarczy, że rozłożysz to na podstawowe kształty, a potem zestawisz je ze sobą. Chcesz się dowiedzieć, jak to zrobić? W książce znajdziesz około stu projektów oraz ćwiczenia krok po kroku i praktyczne porady, które ożywią w tobie artystycznego ducha. Rysowanie zwierząt, roślin i postaci przestanie sprawiać ci trudność. Duża przyjemność i zaskakujące rezultaty gwarantowane!
Robert Capa and Gerda Taro were young Jewish refugees, idealistic and in love. As photographers in the 1930s, they set off to capture their generation's most important struggle—the fight against fascism. Among the first to depict modern warfare, Capa, Taro, and their friend Chim took powerful photographs of the Spanish Civil War that went straight from the action to news magazines. They brought a human face to war with their iconic shots of a loving couple resting, a wary orphan, and, always, more and more refugees—people driven from their homes by bombs, guns, and planes.
Today, our screens are flooded with images from around the world. But Capa and Taro were pioneers, bringing home the crises and dramas of their time—and helping give birth to the idea of bearing witness through technology.
With a cast of characters ranging from Langston Hughes and George Orwell to Pablo Picasso and Ernest Hemingway, and packed with dramatic photos, posters, and cinematic magazine layouts, here is Capa and Taro’s riveting, tragic, and ultimately inspiring story.
This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum.
Explore the legacy of Alfred Hitchcock’s leading ladies—their iconic roles, unforgettable costumes, and complicated relationships with the man behind the camera.
Whether she is played by Tippi Hedren, Grace Kelly, or Ingrid Bergman, the heroine of an Alfred Hitchcock picture is always the same: stylish, regal, with an elegant yet icy demeanor that masks a fire inside.
From his early days as a director in the 1920s to his heyday as the Master of Suspense in the 1960s, Hitchcock had a complicated and controversial relationship with his leading ladies. He supervised their hair, their makeup, their wardrobe, pushing them to create his perfect vision onscreen. Yet these women were also style icons in their own right, and the clothes they wore imbued the films with contemporary glamour. From Kim Novak’s gray suit in Vertigo to Janet Leigh’s thematically symbolic lingerie in Psycho, these actresses and their clothes broke barriers, made history, and transfixed audiences around the world.
In this book, Caroline Young chronicles six decades of glamorous style, exploring the fashion legacy of these amazing women and their experiences working with Hitchcock. Meticulously researched and beautifully illustrated with studio pictures, film stills, and original drawings of the costume designs, this book offers revealing insight into a fascinating period of movie history and the relationships between one of its leading directors and his female stars.
Totally Awesome: The Greatest Cartoons of the Eighties is the ultimate guide to '80s cartoon nostalgia, featuring the art, toys, and inside story behind icons like He-Man, the Teenage Mutant Ninja Turtles, G.I. Joe, and the Thundercats.
For an entire generation of kids weaned on the intoxicating excitement of eighties cartoons, the decade can be summed up with two words: Totally Awesome!
With a thriving Saturday morning network schedule, a full complement of weekday syndicated programming, and the removal of guidelines that prevented cartoons from being based on toys, the 1980s enjoyed an unprecedented TV animation boom that made household names of a host of colorful characters.
From He-Man and the Masters of the Universe to The Transformers, G.I. Joe, and The Muppet Babies, eighties cartoons would have such a huge impact on an entire generation that decades later they have become pop culture touchstones, revered by fans whose young minds were blown by their vivid visuals and snappy storytelling.
In this deluxe book, Andrew Farago, a respected cartoon historian and child of the eighties, provides an inside look at the history of the most popular cartoons of the decade, as told by the writers, animators, voice actors, and other creative talents who brought life to some of the era’s most enduring animated shows.
Also featuring Thundercats, Inspector Gadget, Teenage Mutant Ninja Turtles, and many more cartoon classics, Totally Awesome is a treasure trove of eighties animation nostalgia that will take fans back to a time of unlimited imagination and unparalleled adventure.
A rich study exploring the connections, creative processes, and themes shared by two world- renowned artists At a crucial point midway through his career, American painter and printmaker Jasper Johns (b. 1930) looked to the art of Norwegian Expressionist Edvard Munch (1863-1944) for inspiration. Munch's innovative working methods and defining themes of love, anxiety, illness, and death infused Johns's work with new meaning, allowing him a broadened range of expression that propelled his return to recognizable imagery after a decade of abstraction.
This groundbreaking publication is the first to describe precisely how and when Johns began to explore Munch's imagery and ideas. At the same time, it takes a comprehensive view of each artist's career, giving readers a deeper understanding of Johns's connection to his predecessor. Through new scholarship and copious illustration, Ravenal makes the persuasive case that Munch should be considered one of the catalysts for the sea change that occurred in Johns's art of the early 1980s.
Readers of all ages will enjoy this pop art-filled book from Mudpuppy. The Andy Land Board Book features some of Warhol's most famous works accompanied by quotes of wisdom from the artist hidden under flaps on each page.
For forty years, the Colorama dominated the east wall of New York City's Grand Central Terminal, where it was seen by thousands of people passing through each day. The massive backlit transparencies measured 60 feet wide by 18 feet tall and changed every few weeks between 1950 and 1990, resulting in a total production of 565 Coloramas. The idealized lifestyle presented in the Coloramas was intended to celebrate family or travel snapshooting, reinforcing the idea that colour photography was the best way to memorialize all of life's moments.
The Colorama display in Grand Central Terminal was one of the longest and most successful corporate marketing campaigns of the twentieth century and continues to be examined in the context of the history of advertising and colour photography.
Anna and Bernhard Blume stage pseudo-paranormal events within typically bourgeois settings and photograph them with Polaroid cameras. The objects and the protagonists are spun into the air, fly off, levitate or roll around, exposing that undercurrent of eeriness inherent to domesticity
Integral to the image of Southern California glamour and success, the luxurious backyard pool symbolizes fun in the sun for those who have made it--vivid, aqueous proof of the American Dream hard at play. As much of an icon of prosperity as it is a decadent trophy for healthful living and social aspirations, the pool is one of America's supreme status symbols dating back to the time of ""The Great Gatsby."" More than an athletic accoutrement, the swimming pool is superbly designed for socializing, frolicking, sunbathing, skinny dipping...in short, for having loud, splashy fun.
In ""Hollywood Splash,"" famed photographer Veronique Vial, author of the blockbuster bestseller ""Women Before 10 A.M.,"" takes a dip into the private pools of today's top actors and models, and captures exclusive wet poses and staged aquatic antics from hundreds of famous and soon-to-be-famous stars, celebrities, and notable faces, featuring amusing and hilarious collaborative wet hijinks with Claudia Schiffer, Lisa Marie, Rosanna Arquette, Rachael Leigh Cook, Troy Garity, Julie Delpy, Shiva Rose, Dave Navarro and Carmen Electra, Norman Reedus, Erika Christensen, Tara Reid, Rachel Hunter, Brett Ratner, Daryl Hannah, Andy Garcia, Molly Sims, Heidi Klum, Djimon Hounsou, Michael York, Benjamin Bratt, Corey Feldman, Robin Tunney, Johnny Depp, Brooke Shields, Anastasia, Tatjana Patitz, Angie Everhart, Blair Underwood, Jeff Goldblum, Tia Carrere, Michael Chiklis, Diane Warren, Will Estes, Claire Forlani, Craig Kilborn, Neil Patrick Harris, Traci Bingham, Griffin Dunne, Gabriela Reece, Jennifer Grey, Seth Green, James Franco, Esai Morales, Lucy Lawless, Patrick Dempsey, Jenny Garth, William H. Macy, Shannon Tweed and Gene Simmons, Antonio Sabato, Jr., Daphne Zuniga, and a sea of others, all playfully cavorting and hamming it up in, with, on, around, beside, under, and over water and other aqueous substitutes for Vial's camera.
Dali/Duchamp examines in detail the often-overlooked relationship between two of the twentieth century's most famous artists. Though polar opposites at first glance, Duchamp, the father of conceptual art who rejected painting in 1918; and the more showman-like Dali, the exceptional painter of fantastical landscapes; were united by a combination of humour and scepticism that led both to challenge conventional views of art and life. After meeting in the 1930s through mutual contacts within the Surrealist group, they maintained a firm friendship over the following decades, spending time together in Paris, New York and Catalonia, where Duchamp purchased a summer house in Cadaques, close to Dali's home in Port Lligat.
Throughout the book, expert contributors explore themes common to both artists, chief among them eroticism and identity, and both men's surprising engagement with science, optics, religion and myth. Each section is sumptuously illustrated with key pieces from both artists' bodies of work, and features previously unpublished photographs, letters and ephemera that demonstrate the enduring warmth of their friendship. This publication accompanies two exhibitions: 7 October 2017 - 7 January 2018, Royal Academy of Arts, London; and 5 February - 28 May 2018, The Dali Museum, St Petersburg, Florida.
This comprehensive volume examines the little-known relationship--both artistic and personal--between two of the greatest avant-garde artists of the twentieth century. Pablo Picasso and Alberto Giacometti, each in their own way, deeply disrupted existing artistic codes and pushed the barriers of established aesthetic canons in the domains of painting and sculpture. This tome reveals their friendship and the little-known artistic dialogue between them on the subjects and questions central to their work. Richly illustrated, this volume establishes clear correlations in their artistic production and provides new insight into the Picasso and Giacometti ateliers through incisive essays from art historians, which draw on previously unpublished documents. An anthology of historical texts offers the intimate perspective of the master artists' contemporaries including Man Ray, whose descriptions reveal fascinating portraits of the characters and working habits of his two friends.
New paperback edition of this fascinating look at cosmopolitan Egypt in the ""golden years"" of travel under the last kings. A tourist perched on a camel, a Bugatti at the foot of the pyramids, high tea served in jasminedraped gardens ... these are the images of Egypt under the last kings, Fuad and Farouk, in the first half of the twentieth century.
The era saw the birth of organized tourism on a grand scale, under the guiding genius of Thomas Cook, with fifty thousand wealthy adventurers boarding boats each year for the Nile. Among this throng, however, were those not content to be simply photographed in front of the ruins and then return home. In a country looking toward Europe and ""protected"" by the British army, a very particular social set formed in Cairo and Alexandria.
Within this cosmopolitan, ephemeral world, cinema and avant-garde theater flourished, featuring such stars as dancer Samia Gamal, director Youssef Chahine, and actor Omar Sharif. Fascinating accounts of this universe have been left by Egyptian writers or travelers to the country, including Rudyard Kipling, Jean Cocteau, and Andre Gide. They offer us a rare glimpse of Egypt before the era of mass tourism.
Extraordinary period photographs also survive; unearthed in Cairo or Beirut, in museums or private homes-they bring alive once again the fragile yet effervescent glamour of Egypt under the last kings.
Entering fashion history in 1993 with his notorious ‘grunge’ collection for Perry Ellis, Marc Jacobs would soon be hailed by American Vogue as ‘the dauphin of grungy, understated cool’. He quickly rose to become one of the most influential designers of his generation.
Known for his collaborations with prominent artists, musicians and muses – from Stephen Sprouse to Sonic Youth, Debbie Harry, Sofia Coppola and Chloë Sevigny, Marc Jacobs ‘changed what it means to be a fashion designer, just as once upon a time Andy Warhol changed what it meant to be an artist’, fashion historian Valerie Steele once proclaimed. Opening with an essay on the designer’s work, Marc Jacobs: Unseen unfolds chronologically, revisiting the designer’s most iconic creations and revealing previously unseen behind-the-scenes moments of models, hairdressers, stylists, make-up artists and Marc Jacobs himself at their most creative. Robert Fairer’s stunning and high-energy photographs capture the youth, glamour and spirit that defined Jacobs’s shows.
Gordon Parks was born with, he says, "a stubborn need to be somebody."Though Parks is remembered most notably as a photographer and filmmaker, on his enthralling climb to fame between 1944 and 1978 he was successful in many pursuits, including journalism, poetry, and music. It was not always an easy journey, but by thirty-six he had overcome many obstacles to become a photographer and writer for Life magazine. To Smile in Autumn is a candid revelation of a man in the prime of his life and career. This autobiography, with a new foreword by Alexs Pate, is a testament to a person much attuned to the greater world and driven to leave his mark on it.
James Ensor (1860-1949) produced one of the most unusual bodies of work at the turn of the twentieth century. Marked by psychological complexity, contradictions and sheer eccentricity, his works - featuring such bizarre subject-matter as dressed-up skeletons and macabre carnival masks - have continued to baffle and intrigue in equal measure. Ensor was born in Ostend and barely left his home town during his lifetime; his family, however, ran a curio shop filled with an array of exotic objects including parrots, a monkey and masks from around the world, which perhaps in part influenced the imagery of his mature work.
In this volume, essays explore Ensor's life and legacy, while Luc Tuymans's comments on his selection provide a dictinctive picture of James Ensor, who has been such a major influence on Expressionism and Surrealism.
Mario Casilli's photographs defined the fabulous and outrageous entertainment industry in the 1980s. His larger than life portraits, featuring his trademark backlighting and bright color palette, captured everyone from Joan Collins in blinding jewels, Dolly Parton in perfectly coiffed grandeur and the Bee Gees in sleeveless leather to full cast shots of iconic television shows like Dynasty, Dallas, Knight Rider and Miami Vice. Casilli was a magnificently talented photographer who captured this exciting, fun and over-the-top decade like no other.
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