At long last, a final reckoning is coming for Frieda Klein...
On a north London high street, a runaway vehicle crashes to a halt, but the man in the driving seat was murdered a week earlier.
On Hampstead Heath, a bonfire blazes: in the flames lies the next victim.
As autumn leaves fall, a serial killer runs amok in the capital, playing games with the police. The death toll is rising fast, and the investigation is floundering.
But this is no ordinary killer, and every new victim is intended as a message to just one woman - psychologist Freida Klein.
And the message is very simple.
You're next. . .
Frieda Klein's duel with her dark nemesis is finally coming to a climax - and only one can make it out alive.
Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter.
The world shrinks; the sap sinks.
But winter makes things visible. And if there's ice, there'll be fire.
In Ali Smith's Winter, lifeforce matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to her sensational Autumn, Smith's shape-shifting quartet of novels casts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter.
It's the season that teaches us survival.
Here comes Winter.
Can nature make us happy? How can we know anything? What is justice? Why is there evil in the world? What is the source of truth? Is it possible for God not to exist? Can we really believe what we see?
There are questions that have intrigued the world’s great thinkers over the ages, which still touch a cord in all of us today. They are questions that can teach us about the way we live, work, relate to each other and see the world. Here, one of the world’s greatest living philosophers, Leszek Kolakowski, explores the essence of these ideas, introducing figures from Socrates to Thomas Aquinas, Descartes to Nietzsche and concentrating on one single important philosophical question from each of them.
Whether reflecting on good and evil, truth and beauty, faith and the soul, or free will and consciousness, Kolakowski shows that these timeless ideas remain at the very core of our existence.
Elie Wiesel's harrowing first-hand account of the atrocities committed during the Holocaust, Night is translated by Marion Wiesel with a preface by Elie Wiesel in Penguin Modern Classics.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of hope, it remains one of the most important works of the twentieth century.
Elie Wiesel (b. 1928) was fifteen years old when he and his family were deported by the Nazis to Auschwitz. After the war, Wiesel studied in Paris and later became a journalist. During an interview with the distinguished French writer, Francois Mauriac, he was persuaded to write about his experiences in the death camps. The result was his internationally acclaimed memoir, La Nuit or Night, which has since been translated into more than thirty languages.
Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.
'Truth, she thought. As terrible as death. But harder to find.'
America, fifteen years after the end of the Second World War. The winning Axis powers have divided their spoils: the Nazis control New York, while California is ruled by the Japanese. But between these two states - locked in a cold war - lies a neutal buffer zone in which legendary author Hawthorne Abendsen is rumoured to live. Abendsen lives in fear of his life for he has written a book in which World War Two was won by the Allies. . .
'All my life my Stradivarius had been waiting for me, as I had been waiting for her . . .'
At 7 years old Min Kym was a prodigy, the youngest ever pupil at the Purcell School of Music. At 11 she won her first international prize. She worked with many violins, waiting for the day she would play 'the one'. At 21 she found it: a rare 1696 Stradivarius, perfectly suited to her build and temperament. Her career soared. She recorded the Brahms concerto and a world tour was planned.
Then, in a train station café, her violin was stolen. In an instant her world collapsed. She descended into a terrifying limbo land, unable to play another note.
This is Min's extraordinary story - of a young woman staring into the void, wondering who she was, who she had been. It is a story of isolation and dependence, of love, loss and betrayal, and the intense, almost human bond that a musician has with their instrument. Above all it's a story of hope through a journey back to music.
'The hours fell away as I read this spellbinding tale of love, loss and above all devotion to art' - Susan Cain, author of international bestseller Quiet: The Power of Introverts in a World That Can't Stop Talking
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