At long last, a final reckoning is coming for Frieda Klein...
On a north London high street, a runaway vehicle crashes to a halt, but the man in the driving seat was murdered a week earlier.
On Hampstead Heath, a bonfire blazes: in the flames lies the next victim.
As autumn leaves fall, a serial killer runs amok in the capital, playing games with the police. The death toll is rising fast, and the investigation is floundering.
But this is no ordinary killer, and every new victim is intended as a message to just one woman - psychologist Freida Klein.
And the message is very simple.
You're next. . .
Frieda Klein's duel with her dark nemesis is finally coming to a climax - and only one can make it out alive.
Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter.
The world shrinks; the sap sinks.
But winter makes things visible. And if there's ice, there'll be fire.
In Ali Smith's Winter, lifeforce matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to her sensational Autumn, Smith's shape-shifting quartet of novels casts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter.
It's the season that teaches us survival.
Here comes Winter.
Can nature make us happy? How can we know anything? What is justice? Why is there evil in the world? What is the source of truth? Is it possible for God not to exist? Can we really believe what we see?
There are questions that have intrigued the world’s great thinkers over the ages, which still touch a cord in all of us today. They are questions that can teach us about the way we live, work, relate to each other and see the world. Here, one of the world’s greatest living philosophers, Leszek Kolakowski, explores the essence of these ideas, introducing figures from Socrates to Thomas Aquinas, Descartes to Nietzsche and concentrating on one single important philosophical question from each of them.
Whether reflecting on good and evil, truth and beauty, faith and the soul, or free will and consciousness, Kolakowski shows that these timeless ideas remain at the very core of our existence.
'The most esteemed philosopher to have produced a general introduction to his discipline since Bertrand Russell' Independent
In these essays, one of the most important thinkers of the twentieth century writes about communism and socialism, the problem of evil, Erasmus and the reform of the Church, reason and truth, and whether God is happy. Accessible and absorbing, the essays in Is God Happy? deal with some of the eternal problems of philosophy and the most vital questions of our age.
Leszek Kolakowski has also written on religion, Spinoza, Bergson, Pascal and seventeenth-century thought. He left communist Poland after his expulsion from Warsaw University for anti-communist activities. From 1970 he was a fellow of All Souls College, Oxford.
'His distinctive mix of irony and moral seriousness, religious sensibility and epistemological scepticism, social engagement and political doubt was truly rare ... a true Central European intellectual-perhaps the last' Tony Judt, The New York Times Review of Books
Elie Wiesel's harrowing first-hand account of the atrocities committed during the Holocaust, Night is translated by Marion Wiesel with a preface by Elie Wiesel in Penguin Modern Classics.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of hope, it remains one of the most important works of the twentieth century.
Elie Wiesel (b. 1928) was fifteen years old when he and his family were deported by the Nazis to Auschwitz. After the war, Wiesel studied in Paris and later became a journalist. During an interview with the distinguished French writer, Francois Mauriac, he was persuaded to write about his experiences in the death camps. The result was his internationally acclaimed memoir, La Nuit or Night, which has since been translated into more than thirty languages.
Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.
'Truth, she thought. As terrible as death. But harder to find.'
America, fifteen years after the end of the Second World War. The winning Axis powers have divided their spoils: the Nazis control New York, while California is ruled by the Japanese. But between these two states - locked in a cold war - lies a neutal buffer zone in which legendary author Hawthorne Abendsen is rumoured to live. Abendsen lives in fear of his life for he has written a book in which World War Two was won by the Allies. . .
'All my life my Stradivarius had been waiting for me, as I had been waiting for her . . .'
At 7 years old Min Kym was a prodigy, the youngest ever pupil at the Purcell School of Music. At 11 she won her first international prize. She worked with many violins, waiting for the day she would play 'the one'. At 21 she found it: a rare 1696 Stradivarius, perfectly suited to her build and temperament. Her career soared. She recorded the Brahms concerto and a world tour was planned.
Then, in a train station café, her violin was stolen. In an instant her world collapsed. She descended into a terrifying limbo land, unable to play another note.
This is Min's extraordinary story - of a young woman staring into the void, wondering who she was, who she had been. It is a story of isolation and dependence, of love, loss and betrayal, and the intense, almost human bond that a musician has with their instrument. Above all it's a story of hope through a journey back to music.
'The hours fell away as I read this spellbinding tale of love, loss and above all devotion to art' - Susan Cain, author of international bestseller Quiet: The Power of Introverts in a World That Can't Stop Talking
The New York Times bestseller by the acclaimed, bestselling author of Start With Why and Together is Better. Now with a new chapter on millennials in the workplace, based on Simon Sinek's viral video 'The Millennial Question' (180+ million views).
Imagine a world where almost everyone wakes up inspired to go to work. This is not a crazy, idealised notion. In many successful organisations, great leaders are creating environments in which teams trust each other so deeply that they would put their lives on the line for each other.
Yet other teams, no matter what incentives were offered, are doomed to infighting, fragmentation and failure. Why?
Today's workplaces tend to be full of cynicism, paranoia and self-interest. But the best organisations foster trust and cooperation because their leaders build what Sinek calls a Circle of Safety. It separates the security inside the team from the challenges outside. Everyone feels they belong and all energies are devoted to facing the common enemy and seizing big opportunities.
'Meet the new king of decluttering' - The Times
'Take your spring cleaning to the next level with Goodbye, Things by Fumio Sasaki' - Parade
'There's happiness in having less. If you are anything like how I used to be - miserable, constantly comparing yourself with others, or just believing your life sucks - I think you should try saying goodbye to some of your things'
Fumio Sasaki is a writer in his thirties who lives in a tiny studio in Tokyo with three shirts, four pairs of trousers, four pairs of socks and not much else. A few years ago, he realised that owning so much stuff was weighing him down - so he started to get rid of it.
In this hit Japanese bestseller, Sasaki explores the philosophy behind minimalism and offers a set of straightforward rules - discard it if you haven't used it in a year; be a borrower; find your uniform; keep photos of the things you love - that can help all of us lead simpler, happier, more fulfilled lives.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all of these?
Simon Sinek's recent video on 'The Millennial Question' went viral with over 150 million views. Start with Why is a global bestseller and the TED Talk based on it is the third most watched of all time. Why are some people and organisations more inventive, pioneering and successful than others? And why are they able to repeat their success again and again? In business, it doesn't matter what you do, it matters WHY you do it. Start with Why analyses leaders like Martin Luther King Jr and Steve Jobs and discovers that they all think in the same way - they all started with why. Simon Sinek explains the framework needed for businesses to move past knowing what they do to how they do it, and then to ask the more important question-WHY? Why do we do what we do? Why do we exist? Learning to ask these questions can unlock the secret to inspirational business. Sinek explains what it truly takes to lead and inspire and how anyone can learn how to do it.
'Probably the most influential popular science book ever written' - BBC Radio 4
'Nudge has changed the world. You may not realise it, but as a result of its findings you're likely to live longer, retire richer and maybe even save other people's lives' - The Times
From Cass R. Sunstein and Richard H. Thaler, winner of the 2017 Nobel Prize in Economics, Nudge is the book that has changed the way we think about decision-making
Nudge is about choices - how we make them and how we can make better ones. Every day we make decisions: about the things that we buy or the meals we eat; about the investments we make or our children's health and education; even the causes that we champion or the planet itself. Unfortunately, we often choose poorly. We are all susceptible to biases that can lead us to make bad decisions. And, as Thaler and Sunstein show, no choice is ever presented to us in a neutral way. By knowing how people think, we can make it easier for them to choose what is best for them, their families and society. Using dozens of eye-opening examples and original research, the authors demonstrate how to nudge us in the right directions, without restricting our freedom of choice.
When two rich young gentlemen move to town, they don't go unnoticed - especially when Mrs Bennett vows to have one of her five daughters marry into their fortunes. But love, as Jane and Elizabeth Bennett soon discover, is rarely straightforward, and often surprising. It's only a matter of time until their own small worlds are turned upside down and they discover that first impressions can be the most misleading of all.
Pride and Prejudice is one of six unforgettable Puffin Classics, brought together for International Women's Day in a stunning set in celebration of some of the most iconic female writers of the 19th and early 20th centuries.
‘It was a bright cold day in April and the clocks were striking thirteen.’ This is the opening sentence of the most influential novel of the century, in English or in any of the sixty or more languages which boast a translation. Nineteen Eighty-Four has been described as chilling, absorbing, satirical, momentous, prophetic and terrifying. It is all these things, and more.
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