Artists' Film is the first alternative history of the moving image, chronicling artists’ ever-evolving fascination with filmmaking from the early twentieth century to now.
From early pioneers to key artists of the present, leading authority and film expert David Curtis offers a vivid account of the numerous individuals who have been inspired by the cinematic medium and felt compelled to interpret and respond to it in their own way. In doing so, he discusses artists’ widely differing achievements, aspirations, theories and approaches.
Featuring over 400 international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation and multimedia, this generously illustrated account offers an incomparable introduction to this increasingly popular and continually evolving art-form.
Manipulation of the photograph is as old as photography itself. It has embodied and enlivened political propaganda, satire, and commercial art and helped visualize the “brave new world” of the future through surreal and fantastic images. Photomontage has been embraced by artists from the late nineteenth century to today, including the Dadaists, John Heartfield, El Lissitzky, Hannah Höch, and Alexander Rodchenko. In this updated classic, art historian Dawn Ades addresses the aesthetic, social, and historical implications of the varied manifestations and uses of manipulated photographs.
Revered by artists, critics, and readers alike, this new edition is brought up-to-date to reflect technological developments and changes in visual culture, discussing the work of contemporary artists Kathy Bruce, Linder, Cold War Steve, and others. Photomontage also includes refreshed image reproductions as well as new full-color illustrations.
From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores the significant developments in fashion since 1900. Authors Amy de la Haye and Valerie Mendes focus on key movements and innovations in style for both men and women, and explore trends through the work of the most original and influential designers. Chapters are organized around crucial shifts in style and major world events, and exciting advances in fashion are placed within their socioeconomic, political, and cultural contexts.
International in scope, this new edition includes updates to the text, including chapters on the most important new designers and the impact of online shopping. Fully illustrated in vibrant color throughout,Fashion Since 1900 includes a helpful reference section with an extensive bibliography.
Embracing over a thousand years of history and an area stretching from the Atlantic to the borders of India and China, this is an unrivalled synthesis of the arts of Islamic civilization. From the death of the Prophet Muhammad to the present day, Robert Hillenbrand traces the evolution of an extraordinary range of art forms, including architecture, calligraphy, book illumination, painting, ceramics, glassware, textiles and metalwork.
New to this edition is a chapter ranging from c. 1700 to c. 1900, a period very often neglected in books on this subject. Hillenbrand explores how recent centuries, far from being a dark age, saw extraordinary artistic ferment and creativity across the Islamic world. Throughout, full-colour illustrations of masterpieces of Islamic art and architecture – from Moorish Spain to modern Iran – show the far-reaching stylistic developments as well as the recurrent preoccupations that have shaped the arts of Islam since the seventh century.
Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s – including the shift from modernism to postmodernism – have been accompanied by fierce debates regarding the place of painting in contemporary culture, and have led to its reinvigoration as a practice, lending it an energy and excitement that persist today.
Renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject, exploring the ways in which the medium is being approached, re-imagined and challenged by contemporary artists. Her rigorous critical record brings together more than 250 eminent artists from around the world, whose diverse ideas and aesthetics characterize the painting of our time. They include Cecily Brown, Njideka Akunyili Crosby, Theaster Gates, Josh Smith, Jenny Saville, Takashi Murakami, Gabriel Orozco, Kara Walker, Kehinde Wiley, Zhang Xiaogang and many others. Hudson’s compelling text is sensitive to issues such as queer narratives, race, activism and climate, and demonstrates the continued relevance of painting today.
Surveying the last forty years since the end of China’s Cultural Revolution, this book redefines contemporary Chinese art by placing it in the context of unprecedented cultural, political and urban transformation.
Writer and curator Jiang Jiehong takes a thematic approach, examining how artists have responded to concepts of the collective, tradition, urbanization and development outside the constraints of contemporary China and beyond the conventional art space. Artworks by important, internationally recognized artists and emerging practitioners are represented through curatorial discussions, as well as images of original installation views and historical art events. Illustrated in full-colour throughout, this concise and far-reaching survey offers new insights into the relationship of contemporary Chinese art to the past and the present.
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