W tej strefie zapraszamy czytelników tak zwane artystyczne dusze po książki z kategorii Sztuka. Polecamy szereg publikacji o sztuce i jej historii,ciekawostki i portfolia artystów, eseje, albumy, książki o malarstwie, rzeźbiarstwie, architekturze oraz histoii fotografii. Biografie ciekawych artystów, książki i powieści przedstawiające fascynujące losy malarzy i osób uwiecznianych na obrazach. W tym dziale tylko ksiązki ze sztuka w tle.
In the 17th century, Amsterdam was a vibrant hub of the burgeoning European trade with Asia, Africa, and the Levant, importing copious amounts of foreign items that powerfully stimulated the imagination of numerous Dutch artists. This was notably the case with Rembrandt, whose curiosity and voraciousness as a collector were legendary in his time.
Throughout his prolific career, he drew on Eastern influences in genres as diverse as history painting and portraiture, including depictions in which he himself adopted Oriental styled attire. This lavishly illustrated book explores the inventive ways in which Rembrandt and his contemporaries accommodated Eastern imagery into their own repertoire, set within the wider context of Holland's rapidly expanding commercial and cultural exchange with its non-European trading partners.
The problematic term "Orient" was widely used in Rembrandt's time and will be discussed at great length in this catalogue.
From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous, creative, and strangest people in the world. It quickly became known for its all-ages celebrity guest list and its uniquely chic clientele of superstars and freaks of all races and sexual preferences who would often show up half-dressed or in costume.
From the cutting-edge lighting displays and sound system to its elaborate sets that would change on a whim, altering the environment and ambiance, it was the beginning of nightclub as performance art.
On the heels of Walter Isaacson's beloved new biography (Fall 2017), and increased media attention (as 2019 marks the 500th anniversary of the artist's death), this book's appeal will extend beyond the devoted and numerous members of Leonardo's audience to reach a popular one.
The most comprehensive collection of Leonardo da Vinci's drawings provides an intimate look at the mind and hand of the genius.
Curated and edited by the artist Ina Otzko, 100 Norwegian Photographers is a magnificent volume of photos from today’s Norwegian photography scene.
Otzko gives one hundred contemporary photographers from her country the space to show their best images, including renowned figures such as Dag Alveng, Jonas Bendiksen, Knut Bry, Morten Krogvold, Annemor Larsen, Crispin Gurholt and Mikkel McAlinden. With several double pages for each photographer, the book is a vivid archive of Norwegian photography, uniting the most diverse genres, from landscapes to portraits, experimental photography to snapshots. It provides an extensive overview of the mysterious country in the north, the land of glaciers and fjords, showing it in brilliant facets—witty, absurd, poetic, political, special.
This is an accurate summation of the life of the British photographer (1815-1879), who took up the camera at age forty-eight and made more than a thousand images over the next fourteen years.
Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her art through exhibitions and sales, and pursuing the eminent men of her time as subjects for her lens.
A thematic exploration of Picasso's work in the 1910s and 1920s | Includes previously unpublished material from the archives of the Fundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA) | An exhibition catalogue with 200 works and 80 archival images.
In light of a large selection of previously unpublished personal archives - documents, photographs and films - this title explores Picasso's 'Olga period' by contextualizing his work during this period and by questioning the contrast between the subject and its portrayal. A favorite model since their meeting in 1917, Olga Khokhlova, a Russian ballet dancer who married Picasso in July 1918, is the most represented female figure in the artist's work of the late 1910s and 1920s. Picasso renders the ambiguity of his first wife, her beauty, her Ingres-like contours, and her deep, pensive, melancholy, in many of his most famous portraits.
The exhibition that this book accompanies brings to light materials conserved by Olga's family until recently, including memorabilia of her life as a dancer, photos of Picasso, their son Paul, and their daily life together, and their travels to Barcelona, Naples, and Monte Carlo.
A stunning visual journey of the enduring legacy of fashion and couture icon Manfred Thierry Mugler.
Since launching his first fashion collection in 1973, Manfred Thierry Mugler has been celebrated for his fierce creative vision. Drawing inspiration from everything from architecture and theatre to Old Hollywood and futurism, Mugler not only designs his collections, but also stages his own shows, directs the advertising campaigns, and photographs his fantastical creations. Including both iconic and never-before-published images, this book is illustrated with more than 150 photographs from his captivating personal collection and includes a travel journal-inspired text that follows Mugler around the world on his shoots, offering a behind-the-scenes look at how the images came to be. Proving that Mugler's vision is best captured by his own extraordinary images, »Manfred Thierry Mugler Photographer« is a vibrant visual journey through the work of a singular talent.
Manfred Thierry Mugler is a legendary fashion designer, creating iconic ready-to-wear and haute couture collections since 1974. Mugler also works as a photographer, director, choreographer, and perfumer.
"Two Rivers" presents Joachim Brohm's photo series "Ruhr"(1980 to 1983) alongside "Sleeping by the Mississippi" (2000 to 2004) by Alec Soth. Other work groups on view in the catalogue, such as "Ohio", "Dessau Files" and "Culatra" by Joachim Brohm, and "Songbook" and "Niagara" by Alec Soth, represent fictitious places and allow for a broader view of the oeuvres of the two photographers. Also featured in the book is Brohm's portrait series "Flash Ohio" which will be published for the first time exactly 35 years after its creation and occupies a special position in his work.
This dazzling survey of 16th-century Venetian painting captures the striking colors and revolutionary characteristics of one of art history's greatest chapters. It is hard to imagine more profoundly influential artists than the Venetian painters of the 16th century. Whether creating sweeping devotional altarpieces or intimate portraits, the Venetian painters changed the way artists employed color and composition. These defining qualities are on brilliant display in this book that covers fascinating aspects of the work of Titian, Veronese, Tintoretto, Lorenzo Lotto, Jacopo Bassano, and many others. More than one hundred paintings, drawings, and prints are reproduced in stunning detail. Side-by-side comparisons draw readers into the conversations between Venetian artists as they tackled similar subjects and vied for commissions. The book opens with fascinating essays about the history of 16th-century Venice, the Venetian School of painting, and the techniques of the Venetian masters. As beautiful as it is informative, this book features all of the excitement and splendor of one of the most prolific and important chapters in the history of European art.
Fashion photographer Arthur Elgort has loved jazz since he was nine years old, when a childhood friend introduced him to the music; he soon found himself frequenting jazz clubs all over his native New York City.
The dynamic style that made Elgort such a sensation in fashion photography was directly informed by his love for jazz and dance. His talent as a photographer grew alongside his interest and knowledge of jazz. By the time he was a well-known working photographer, Elgort could parlay his influence into meetings with his boyhood idols, requesting to have his favorite musicians appear in both his fashion and personal work.
Countless jazz greats have appeared in front of Elgort's camera, including Illinois Jacquet, Dexter Gordon and Dorothy Donegan. Each sitting produced not only images but memorable stories: the time Elgort took Dorothy shopping at Chanel; what it was like to shoot Dexter in his Hell's Kitchen apartment; getting to know Illinois and his wife personally. Arthur Elgort: Jazz collects these moments and more, exploring for the first time the creative exchange between the photographer and his musical heroes.
A spectacular retrospective of the profoundly influential photographer Rankin s extraordinary thirty-year career on the cutting edge of fashion and pop culture.
Masterworks from the Brooklyn Museum Costume Collection at The Metropolitan Museum of Art. An alluring, opulent showcase of hundreds of beautiful historic clothing items and accessories.
After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper returned to Los Angeles in the mid-1980s. In 1987, Hopper began to use a Polaroid camera to document gang graffiti. He was particularly drawn to the abstract shapes of overlapping paint that appeared when graffiti had been covered up or written over, reminding him, he said, “that art is everywhere in every corner that you choose to frame and not just ignore and walk by.” The Polaroids presented for the first time in this book are proof of that. Hopper firmly considered himself an “Abstract Expressionist and action painter by nature, and a Duchampian finger pointer by choice.” Hopper transformed the instantaneous, disposable nature of Polaroid film into pictures as deliberate and final as images achieved by an artist painting on canvas, and these images represent the first part of his journey back to the world of photography, picking up where he had left off in the 1960s.
Aaron Rose— curator, film director, and the founder of the legendary Alleged Gallery in New York City—contributes a text, which is informed by his deep connection to the Beautiful Losers generation of artists, including Barry McGee, Mike Mills, Chris Johanson, Ari Marcopoulos, and Ed Templeton.
This book is a companion to Drugstore Camera (Damiani, 2015) also edited and designed by Michael Schmelling, which presented Hopper’s personal photographs taken in Taos, New Mexico.
Witness the rise of New York City through dozens of historic and contemporary aerial photographs that chart the city’s ever-changing skyline. From the ground, New York City can feel like a chaotic jumble of traffic, pedestrians, one-way streets, parks, and buildings of every shape and size. But above the city, away from the cacophony and the commotion, New York can be tranquil and awe-inspiring.
The city that never sleeps also never stops changing, which is why this phenomenal collection of historic maps and aerial photos is a fascinating way to explore New York’s evolution. The book opens with maps of 17th-century Manhattan, a quiet settlement with a ragged shoreline. A series of chronological illustrations show the city’s northward expansion, the establishment of its grid system, and the creation of Central Park. The next three chapters include aerial photographs that chart the city’s unbelievable expansion in every direction, including skyward.
As buildings rise, as the shoreline expands with ports and landfills, and as more sophisticated photographic techniques allow for breathtaking views of New York’s unmistakable skyline, this lush, oversized book captures a city that is truly alive. Author Peter Skinner’s commentaries on the photographs and maps will guide readers through what is certain to become a treasured book for all who love New York.
Unique Comic Book! Rembrandt as you have never seen him before in an absolute masterpiece by the Dutch illustrator and cartoonist Typex. For three years Typex lived with Rembrandt, obsessively, day after day, from dawn until deep into the night.
The result is a visually overwhelming graphic novel, in which Typex brings 'his' genius Rembrandt to life: petulant, vain, arrogant, crass, touchy, but also endearing, disarming and sometimes pathetic. This award-winning book is a virtuoso masterpiece to take up again and again.
An evocative celebration of the men of gypsy flamenco culture, from one of contemporary photography's most gifted artists.
Known for his edgy photographs, Ruven Afanador amazes again with another collection of images that will seduce and delight. Following up on Mil Besos - which focused on the women of flamenco - Afanador turns his powerful vision to the men of flamenco, with startling results.
Photographed in Andalusian Spain, these unique images present a universe inhabited by gypsies, musicians, and most of all the male flamenco dancers, full of beauty and bravado. Captured in arranged poses or in mid-dance, the dancers embody the wild, youthful passion inherent in the musical world of flamenco. As likely to be in gorgeous costumes as in the nude, these men exude gritty glamour, innate classicism, and a singularly charged eroticism.
Combining the surreal glamour of fashion with documentary photography, these striking black-and-white images will appeal to both the fashion crowd as well as the serious art photography audience.
W książce zaprezentowano - rzadko podejmowane w literaturze dotyczącej tak metodologii historii sztuki, jak i historii fotografii - zagadnienie reprodukcji dzieła sztuki i artefaktu. Jest to o tyle zaskakujące, że fotografia zaczęła się od reprodukcji właśnie, od faksymile innych obrazów, które tworzył od 1822 roku Nicphore Nipce. W tym samym czasie historia sztuki wyemancypowała jako odrębna dyscyplina akademicka i od początku jej przedstawiciele posługiwali się nowym medium, i w procesie badawczym, dydaktycznym, i w publikacjach swoich prac. Fotografia nie była jednak nigdy medium transparentnym. Magdalena Wróblewska pokazuje szczególnie jej uwikłania w aktualny dyskurs władzy (zwłaszcza w kolonializm) oraz w reżim wiedzy ("obiektywność"). Fotograficzna reprodukcja dzieła ukazana została nie jako proste narzędzie, ale medium, współtworzące zarówno przedmiot badań, jak i samą dyscyplinę. Książka Magdaleny Wróblewskiej jest na gruncie polskich badań pionierskim spojrzeniem na fotografię jako na medium ściśle związane z wczesnym rozwojem historii sztuki jako autonomicznej dyscypliny naukowej; nie medium służebne czy pomocnicze, lecz aktywnie współkonstytuujące tę dziedzinę wiedzy. Jest otworzeniem oczu na niezauważane, mimowiedne, lecz, jak się okazuje, tkwiące u samych podstaw naukowego działania czynniki pracy badawczej. Książka ta wnosi bardzo istotny wkład w krytyczną, rewizyjną, lecz w rezultacie niezbędną i ożywczą refleksję nad naszą dyscypliną. prof. dr hab. Maria Poprzęcka Magdalena Wróblewska - historyczka sztuki, pracuje na Wydziale "Artes Liberales" Uniwersytetu Warszawskiego. W latach 2015-2020 kierowała programami badawczymi w Muzeum Warszawy, gdzie zrealizowała m.in. nagrodzony "Sybillą" projekt dotyczący migracji. Stypendystka m.in. Kunsthistorisches Institut in Florenz - Max-Planck-Institut oraz Staatliche Museen zu Berlin (2012-2014), The Ruskin - Library, Museum, and Research Centre, Lancaster University (2014), Henry Moore Institute w Leeds (2015). Za doktorat poświęcony fotograficznym reprodukcjom dzieł otrzymała nagrodę Stowarzyszenia Historyków Sztuki (2014). Opublikowała m.in. książki Fotografie ruin - ruiny fotografii. 1944-2014 (Warszawa 2014; nagroda w konkursie "Muzeum widzialne" NIMOZ), Practicing Decoloniality in Museums: A Guide with Global Examples (Amsterdam 2021; wraz z C.E. Ariese).
Przeczarowując świat - Re-enchanting the WorldKatalog towarzyszący wystawie Przeczarowując świat Małgorzaty Mirgi-Tas w Pawilonie Polskim na Biennale Sztuki 2022. W publikacji pod redakcją Wojciecha Szymańskiego i Joanny Warszy, obok tekstów kuratorów znalazły się eseje zaproszonych pisarzy Ali Smith i Damiana Le Basa, uczonej Ethel Brooks, a także wiersze Teresy Mirgi i Jana Mirgi.
Czy można oglądać programy telewizyjne, nie mając telewizji i nie korzystając z platform streamingowych? Jak zmienia się interaktywność telewizji pod wpływem mediów społecznościowych? Jak odbiorcy definiują telewizję w dobie nowych mediów? Książka Aleksandry Powierskiej przynosi odpowiedzi na powyższe pytania, prezentując świeże podejście do badań nad przemianami współczesnej telewizji. W efekcie przeprowadzonych analiz powstaje koncepcja sieciowości telewizji, która w duchu teorii ANT wskazuje na coraz większą liczbę aktorów ludzkich i nie-ludzkich kształtujących praktyki odbiorcze oraz doświadczenia widzów-użytkowników. W publikacji nie brakuje również wątków dotyczących języka mediów społecznościowych, komunikacyjnej roli obrazów oraz znaczenia algorytmów."Książka doskonale wpisuje się w prowadzone w Polsce i na świecie badania środowisk medialnych, a także opisuje przemiany, które zachodzą w środowiskach nowych mediów. Wskazana przez Autorkę kategoria sieciowości telewizji, ukazująca telewizję jako połączenie sieci technicznej i potencjału społecznego, rzuca ciekawe światło na badania związane z telewidzeniem".Z recenzji dr hab. prof. UP Agnieszki Waleckiej-RynduchAleksandra Powierska - kulturoznawczyni i medioznawczyni, pracuje w Instytucie Sztuk Audiowizualnych Uniwersytetu Jagiellońskiego. Badawczo interesuje się nowymi mediami, a w szczególności serwisami społecznościowymi i komunikacyjną rolą obrazów publikowanych w internecie.
Since 1940 Slim Aarons has been hard at work, first as a war photographer, then with unprecedented access as a photographer to the rich and famous. In this gorgeous sequel to Slim Aarons-Once Upon a Time, he develops the environmental portrait to the level of art, always showing his subjects in their natural setting, in a circumstance synonymous with their station in life. He documented a particular world that is vanished. A Place in the Sun is that special glimpse of privilege under a bright and beaming sky, whether on sandy shore, snowy slope, or elegant home where cares are few. Through 250 stunning color pictures, Aarons provides a veritable who's who of high society: Aristotle Onassis with his first wife, Tina, and their children, Christina and Alexander; C.Z. Guest at her villa in Palm Beach; the Aga Khan at his Sardinian resort; and Truman Capote in Palm Springs. From Mustique to Monaco, from Aspen to Gstaad, only Slim Aarons can take us on a journey to the most exclusive playgrounds of the rich, inspiring even the most jaded armchair traveler. Also available from Slim Aarons: Slim Aarons: Women, Slim Aarons: Once Upon a Time, Poolside with Slim Aarons, and Slim Aarons: La Dolce Vita.
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