Translated by F Max-Muller, revised and with an Introduction by Suren Navlakha.
Upanishads are mankind's oldest works of philosophy, predating the earliest Greek philosophy. They are the concluding part of the Vedas, the ancient Indian sacred literature, and mark the culmination of a tradition of speculative thought first expressed in the Rig-Veda more than 4000 years ago. Remarkable for their meditative depth, spirit of doubt and intellectual honesty, the Upanishads are concerned with the knowledge of the Brahman, the Ultimate Reality, and Man's relationship with it.
The name Upanishad is derived from the face-to-face mode of imparting knowledge - in the utmost sanctity and secrecy, to prevent its trivialisation or perversion. Composed in Sanskrit between 900 and 600 BC, the Upanishads presented here are by far the oldest and most important of those that exist. Twelve were first translated more than a hundred years ago, and have been extensively revised and edited. The thirteenth is an entirely new translation by Suren Navlakha.
The three works in this collection, all dating from Nietzsche's last lucid months, show him at his most stimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the Übermensch) are forsaken, as wit, exuberance and dazzling insights predominate, forcing the reader to face unpalatable insights and to rethink every commonly accepted 'truth'. Thinking with Nietzsche, in Jaspers' words, means holding one's own against him, and we are indeed refreshed and challenged by the vortex of his thoughts, by concepts which test and probe.
In The Twilight of the Idols, The Antichrist, and Ecce Homo Nietzsche writes at breakneck speed of his provenance, his adversaries and his hopes for mankind; the books are largely epigrammatic and aphoristic, allowing this poet-philosopher to bewilder and fascinate us with their strangeness and their daring. He who fights with monsters, Nietzsche once told us, should look to it that he himself does not become one, and when you gaze long into an abyss, the abyss also gazes into you. Reader, beware.
This astonishing series of aphorisms, put into the mouth of the Persian sage Zarathustra, or Zoroaster,
contains the kernel of Nietzsche’s thought. ‘God is dead’, he tells us. Christianity is decadent, leading
mankind into a slave morality concerned not with this life, but with the next. Nietzsche emphasises the
Übermensch, or Superman, whose will to power makes him the creator of a new heroic mentality. The
intensely felt ideas are expressed in prose-poetry of indefinable beauty.
Though misused by the German National Socialist party as a spurious justification of their creed, the book
also had a profound influence on early twentieth-century writers such as Shaw, Mann, Gide, Lawrence and Sartre.
“Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.”
― Khalil Gibran, The Prophet
Translated by Abdullah Yusuf Ali, The Holy Qur'an (also known as The Koran) is the sacred book of Islam. It is the word of God whose truth was revealed to the Prophet Muhammad through the angel Gabriel over a period of 23 years. As it was revealed, so it was committed to memory by his companions, though written copies were also made by literate believers during the lifetime of the Prophet.
The first full compilation was by Abu Bakar, the first Caliph, and it was then recompiled in the original dialect by the third Caliph Uthman, after the best reciters had fallen in battle. Muslims believe that the truths of The Holy Qur'an are fully and authentically revealed only in the original classical Arabic. However, as the influence of Islam grows and spreads to the modern world, it is recognised that translation is an important element in introducing and explaining Islam to a wider audience.
This translation, by Abdullah Yusuf Ali, is considered to be the most faithful rendering available in English.
Dating from around 300BC, Tao Te Ching is the first great classic of the Chinese school of philosophy called Taoism. Within its pages is summed up a complete view of the cosmos and how human beings should respond to it. A profound mystical insight into the nature of things forms the basis for a humane morality and vision of political utopia.
The ideas in this work constitute one of the main shaping forces behind Chinese spirituality, art and science, so much so that no understanding of Chinese civilisation is possible without a grasp of Taoism. This edition presents the authoritative translation by Arthur Waley, with a new Introduction reflecting recent developments in the interpretation of the work.
In Symposium, a group of Athenian aristocrats attend a party and talk about love, until the drunken Alcibiades bursts in and decides to discuss Socrates instead. Symposium gives an unsurpassed picture of the sparkling society that was Athens at the height of her empire.
The setting of the other dialogues is more sombre. Socrates is put on trial for impiety, and sentenced to death. Euthyphro discusses the nature of piety, Apology is Socrates' speech in his own defence, Crito explains his refusal to escape punishment, and Phaedo gives an account of Socrates' last day. These dialogues have never been offered in one volume before. Tom Griffith's Symposium has been described as 'possibly the finest translation of any Platonic dialogue'. All the other translations are new.
In The Social Contract Rousseau (1712-1778) argues for the preservation of individual freedom in political society. An individual can only be free under the law, he says, by voluntarily embracing that law as his own. Hence, being free in society requires each of us to subjugate our desires to the interests of all, the general will.
Some have seen in this the promise of a free and equal relationship between society and the individual, while others have seen it as nothing less than a blueprint for totalitarianism. The Social Contract is not only one of the great defences of civil society, it is also unflinching in its study of the darker side of political systems.
The ideas of Plato (c429-347BC) have influenced Western philosophers for over two thousand years. Such is his importance that the twentieth-century philosopher A.N. Whitehead described all subsequent developments within the subject as foot-notes to Plato's work. Beyond philosophy, he has exerted a major influence on the development of Western literature, politics and theology.
The Republic deals with the great range of Plato's thought, but is particularly concerned with what makes a well-balanced society and individual. It combines argument and myth to advocate a life organized by reason rather than dominated by desires and appetites. Regarded by some as the foundation document of totalitarianism, by others as a call to develop the full potential of humanity, the Republic remains a challenging and intensely exciting work.
Translated by J.J. Graham, revised by F.N. Maude Abridged and with an Introduction by Louise Willmot.
On War is perhaps the greatest book ever written about war. Carl von Clausewitz, a Prussian soldier, had witnessed at first hand the immense destructive power of the French Revolutionary armies which swept across Europe between 1792 and 1815. His response was to write a comprehensive text covering every aspect of warfare.
On War is both a philosophical and practical work in which Clausewitz defines the essential nature of war, debates the qualities of the great commander, assesses the relative strengths of defensive and offensive warfare, and - in highly controversial passages - considers the relationship between war and politics. His arguments are illustrated with vivid examples drawn from the campaigns of Frederick the Great and Napoleon Bonaparte.
For the student of society as well as the military historian, On War remains a compelling and indispensable source.
Njal's Saga is the finest of the Icelandic sagas, and one of the world's greatest prose works. Written c.1280, about events a couple of centuries earlier, it is divided into three parts: the first recounts the touching friendship between noble Gunnar and the statesman Njal, together with the fatal enmity between their wives. The second part works out the central tragedy of the saga, while the third describes the retribution wrought by Flosi and Kari.
The saga is remarkable not only for the details of everyday life - the farming, the feasting and the charcoal-burning - but also for the social structure of the society in which that life took place - the Althing or Parliament, the lawmaking and the lawgiving. The grandeur of the narrative and the beauty and distinction of the characters mark Njal's Saga as an essential text for all who love adventure and great literature.
London Labour and the London Poor is a masterpiece of personal inquiry and social observation. It is the classic account of life below the margins in the greatest Metropolis in the world and a compelling portrait of the habits, tastes, amusements, appearance, speech, humour, earnings and opinions of the labouring poor at the time of the Great Exhibition.
In scope, depth and detail it remains unrivalled. Mayhew takes us into the abyss, into a world without fixed employment where skills are declining and insecurity mounting, a world of criminality, pauperism and vice, of unorthodox personal relations and fluid families, a world from which regularity is absent and prosperity has departed. Making sense of this environment required curiosity, imagination and a novelist's eye for detail, and Henry Mayhew possessed all three.
No previous writer had succeeded in presenting the poor through their own stories and in their own words, and in this undertaking Mayhew rivals his contemporary Dickens. 'To pass from one to the other', writes one authority,' is to cross sides of the same street'.
Since its first publication in 1651, Thomas Hobbes’s Leviathan has been recognised as one of the most compelling, and most controversial, works of political philosophy written in English. Forged in the crucible of the civil and religious warfare of the mid-seventeenth century, it proposes a political theory that combines an unequivocal commitment to natural human liberty with the conviction that the sovereign power of government must be exercised absolutely. Leviathan begins from some shockingly naturalistic starting-points: an analysis of human nature as being motivated by vain-glory and pride, and a vision of religion as simply the fear of invisible powers made up by the mind. Yet from these deliberately unpromising elements, Hobbes constructs with unparalleled forcefulness an elaborate, systematic, and comprehensive account of how political society ought to be: ordered, law-bound, peaceful. In Leviathan, Hobbes presents us with a portrait of politics which depicts how a state that is made up of the unified body of all its citizens will be powerful, fruitful, protective of each of its members, and − above all − free from internal violence.
The legend of King Arthur and his knights of the Round Table is one of the most enduring and influential stories in world literature. Its themes - love, war, religion, treachery and family loyalty - are timeless, as are the reputations of its major characters, Arthur, Merlin, Guenever and Launcelot.
Malory's Le Morte Darthur is a story of noble knights, colourful tournaments and fateful love, set in a courtly society which is outwardly secure and successful, but in reality torn by dissent and, ultimately, treachery. Originally published in 1485, Malory's Le Morte Darthur is here presented in modern spelling and is accompanied by an Introduction and helpful Glossary.
Rene Descartes (1569-1650), the 'father' of modern philosophy, is without doubt one of the greatest thinkers in history: his genius lies at the core of our contemporary intellectual identity. Breaking with the conventions of his own time and suffering persecution by the Church as a consequence, Descartes in his writings - most of which are philosophical classics - attempted to answer the central questions surrounding the self, God, free-will and knowledge, using the science of thought as opposed to received wisdom based on the tenets of faith.
This edition, the most comprehensive one-volume selection of Descartes' works available in English, includes his great essay, Discourse on Method.
Sigmund Freud's audacious masterpiece, The Interpretation of Dreams, has never ceased to stimulate controversy since its publication in 1900.
Freud is acknowledged as the founder of psychoanalysis, the key to unlocking the human mind, a task which has become essential to man's survival in the twentieth century, as science and technology have rushed ahead of our ability to cope with their consequences.
Freud saw that man is at war with himself and often unable to tolerate too much reality. He propounded the theory that dreams are the contraband representations of the beast within man, smuggled into awareness during sleep. In Freudian interpretation, the analysis of dreams is the key to unlocking the secrets of the unconscious mind.
Dante Alighieri (1265-1321) is one of the most important and innovative figures of the European Middle Ages. Writing his Comedy (the epithet 'Divine' was added by later admirers) in exile from his native Florence, he aimed to address a world gone astray both morally and politically. At the same time, he sought to push back the restrictive rules which traditionally governed writing in the Italian vernacular, to produce a radically new and all-encompassing work.
The Comedy tells the story of the journey of a character who is at one and the same time both Dante himself and Everyman. In the Inferno, Dante's protagonist - and his reader - is presented with a graphic vision of the dreadful consequences of sin, and encounters an all-too-human array of noble, grotesque, beguiling, ridiculous and horrific characters.
Hector bidding farewell to his wife and baby son, Odysseus bound to the mast listening to the Sirens, Penelope at the loom, Achilles dragging Hector's body round the walls of Troy - scenes from Homer have been reportrayed in every generation. The questions about mortality and identity that Homer's heroes ask, the bonds of love, respect and fellowship that motivate them, have gripped audiences for three millennia.
Chapman's Iliad and Odyssey are great English epic poems, but they are also two of the liveliest and readable translations of Homer. Chapman's freshness makes the everyday world of nature and the craftsman as vivid as the battlefield and Mount Olympus. His poetry is driven by the excitement of the Renaissance discovery of classical civilisation as at once vital and distant, and is enriched by the perspectives of humanist thought.
Human, All Too Human (1878) marks the point where Nietzsche abandons German romanticism for the French Enlightenment. At a moment of crisis in his life (no longer a friend of Richard Wagner, forced to leave academic life through ill health), he sets out his views in a scintillating and bewildering series of aphorisms which contain the seeds of his later philosophy (e.g. the will to power, the need to transcend conventional Christian morality). The result is one of the cornerstones of his life's work. It well deserves its subtitle ‘A Book for Free Spirits’, and its original dedication to Voltaire, whose project of radical enlightenment here finds a new champion.
Beyond Good and Evil (1886) is a scathing and powerful critique of philosophy, religion and science. Here Nietzsche presents us with problems and challenges that are as troubling as they are inspiring, while at the same time outlining the virtues, ideas, and practices which will characterise the philosophy of the future. Relentless, energetic, tirelessly probing, he both determines that philosophy's agenda and is himself the embodiment of the type of thought he wants to foster.
David Hume (1711–1776) was the most important philosopher ever to write in English, as well as a master stylist. This volume contains his major philosophical works. A Treatise of Human Nature (1739–1740), published while Hume was still in his twenties, consists of three books on the understanding, the passions, and morals. It applies the experimental method of reasoning to human nature in a revolution that was intended to make Hume the Newton of the moral sciences. Disappointed with the Treatise’s failure to bring about such a revolution, Hume later recast Book I as An Enquiry concerning Human Understanding (1751), and Book III as An Enquiry concerning the Principles of Morals, which he regarded as ‘incomparably the best’ of all his works. Both Enquiries went through several editions in his lifetime.
Hume’s works, controversial in his day, remain deeply and widely influential in ours, especially for his contributions to our understanding of the nature of morality, political and economic theory, philosophy of religion, and philosophical naturalism.
This volume also includes Hume’s anonymous Abstract of Books I and II of the Treatise, and the short autobiographical essay, ‘My Own Life’, which he wrote just before his death.
Ten produkt jest zapowiedzią. Realizacja Twojego zamówienia ulegnie przez to wydłużeniu do czasu premiery tej pozycji. Czy chcesz dodać ten produkt do koszyka?
