The Shadows of Sherlock Holmes is a fascinating collection of stories featuring detectives, criminal agents and debonair crooks from the golden age of crime fiction: a time when Sherlock Holmes was esconsced in his rooms at 221B Baker Street and London was permanently wreathed in a sinister fog. These gripping tales of mystery, suspense and clever puzzles are wonderfully entertaining and in them you will meet The Crime Doctor, Professor Augustus S.F.X.Van Dusen - The Thinking Machine, Max Carrados - the incredible blind detective, the repulsive but brilliant Skin o' My Teeth, and the natty, ingenious French sleuth Eugene Valmont. On the other side of the law, there are gentleman crooks Raffles and Simon Carn - the Prince of Swindlers. The stories include: ''The Purloined Letter' by Edgar Allan Poe, 'The Stolen Cigar Case' by Bret Harte, 'The Swedish Match' by Anton Chekhov, 'Nine Points of the Law' by E.W. Hornung, 'The Ghost at Massingham Mansions' by Ernest Bramah and 'The Great Pearl Mystery' by Baroness Orczy.
With an Introduction and Notes by R.T.Jones, Honorary Fellow of the University of York Moll Flanders follows the life of its eponymous heroine through its many vicissitudes, which include her early seduction, careers in crime and prostitution, conviction for theft and transportation to the plantations of Virginia, and her ultimate redemption and prosperity in the new World.
In this famous story of seduction, two highly intelligent but amoral French aristocrats plot the downfall of a respectable young married woman and a fifteen year old girl who has only just emerged from the convent. The letters these two conspirators exchange are remarkably frank in describing how they manage to achieve their ends and, at the same time, reveal nuances of character which make it impossible to dismiss either of them as simply evil. Those written by their victims are equally revelatory in a quite different and subtle way, while the manner in which Laclos handles the epistolary form in order to ensure that his two protagonists are finally defeated, not by outside forces, but the fissures in their own relationship, is a triumph of narrative skill. This novel poses shrewd questions about the relation between love and sex, and suggests that, in certain sections of eighteenth century French high society, idleness, boredom and wealth had created individuals whose misfortunes it would be hard to regret when, only seven years after Dangerous Liaisons was published, the Revolution broke out.
The thing came abruptly and unannounced; a demon, rat-like, scurrying from pits remote and unimaginable, a hellish panting and stifled grunting, and then from that opening beneath the chimney a burst of multitudinous and leprous life - a loathsome night-spawned flood of organic corruption more devastatingly hideous than the blackest conjurations of mortal madness and morbidity.’
Only the expansive imagination of H.P. Lovecraft could conceive the delicious and spine-tingling horrors you will find within the pages of this unique collection. In addition to such classics as 'The Picture in the House', 'The Music of Erich Zann' and 'The Rats in the Walls', this volume contains some fascinating rarities: examples of Lovecraft's earliest weird fiction and material unpublished during his lifetime.
When Princess Irene and her nursemaid stay out too late one night and are chased home by goblins, a young miner boy called Curdie comes to their rescue. So begins a fantastic adventure in which Irene and Curdie must try to stop a goblin invasion, helped by Irene's mysterious great-great-grandmother. This much-loved tale was a personal favourite of C.S. Lewis and J.R.R. Tolkien. This edition includes the sequel, The Princess and Curdie.
George Eliot's final novel, Daniel Deronda (1876), follows the intertwining lives of the beautiful but spoiled and selfish Gwendolene Harleth and the selfless yet alienated Daniel Deronda, as they search for personal and vocational fulfilment and sympathetic relationship.
Set largely in the degenerate English aristocratic society of the 1860s, Daniel Deronda charts their search for meaningful lives against a background of imperialism, the oppression of women, and racial and religious prejudice. Gwendolen's attempts to escape a sadistic relationship and atone for past actions catalyse her friendship with Deronda, while his search for origins leads him, via Judaism, to a quest for moral growth.
Eliot's radical dual narrative constantly challenges all solutions and ensures that the novel is as controversial now, as when it first appeared.
Major General Sir Richard Hannay is the fictional secret agent created by writer and diplomat John Buchan, who was himself an Intelligence officer during the First World War. The strong and silent type, combining the dour temperament of the Scot with the stiff upper lip of the Englishman, Hannay is pre-eminent among early spy-thriller heroes. Caught up in the first of these five gripping adventures just before the outbreak of war in 1914, he manages to thwart the enemy's evil plan and solve the mystery of the 'thirty-nine steps'.
In Greenmantle, he undertakes a vital mission to prevent jihad in the Islamic Near East. Mr Standfast, set in the decisive months of 1917-18, is the novel in which Hannay, after a life lived 'wholly among men', finally falls in love; later, in The Three Hostages, he finds himself unravelling a kidnapping mystery with his wife's help. In the last adventure, The Island of Sheep, he is called upon to honour an old oath.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, 'In a German Pension', appeared in 1911, and she went on to write and publish an extraordinary body of work.
This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923. With an introduction and head-notes, this volume allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years. Admired by Virginia Woolf in her lifetime and by many writers since her death, Katherine Mansfield is one of the great literary artists of the twentieth century.
An immediate best-seller on publication, Ben Hur remains a dazzling achievement by any standards. A thoroughly exhilarating tale of betrayal, revenge and salvation, it is the only novel that ranks with Uncle Tom's Cabin as a genuine American folk possession.
This was the book that finally overcame the inherent suspicion of fiction that still prevailed in much of America in the late nineteenth century.
Wallace writes with a freshness and immediacy that brings every action-packed scene to life and vividly illuminates the geography, ethnology and customs of the ancient world.
'Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your immediate feelings...'
Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the eighteenth century, the book relates a story of seduction issuing in 'the inward suffering which is the worst form of Nemesis'. But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost.
The movement of the narration between social realism and reflection on its own processes, the exploration of motives, and the constant authorial presence all bespeak an art that strives to connect the fictional with the actual.
A Room of One's Own (1929) has become a classic feminist essay and perhaps Virginia Woolf's best known work; The Voyage Out (1915) is highly significant as her first novel. Both focus on the place of women within the power structures of modern society.
The essay lays bare the woman artist's struggle for a voice, since throughout history she has been denied the social and economic independence assumed by men. Woolf's prescription is clear: if a woman is to find creative expression equal to a man's, she must have an independent income, and a room of her own. This is both an acute analysis and a spirited rallying cry; it remains surprisingly resonant and relevant in the 21st century.
The novel explores these issues more personally, through the character of Rachel Vinrace, a young woman whose ‘voyage out’ to South America opens up powerful encounters with her fellow-travellers, men and women. As she begins to understand her place in the world, she finds the happiness of love, but also sees its brute power. Woolf has a sharp eye for the comedy of English manners in a foreign milieu; but the final undertow of the novel is tragic as, in some of her finest writing, she calls up the essential isolation of the human spirit.
Wessex Tales was the first collection of Hardy's short stories, and they reflect the experience of a novelist at the height of his powers. These seven tales, in which characters and scenes are imbued with a haunting realism, show considerable diversity of content, form and style, and range from fantasy to realism and from tragedy to comedy.
In insisting on the unusual nature of any story worth the telling, and with his gift for irony and compassion, Hardy achieves more in the genre of the short story than any English novelist before him.
The tough-mindedness of the social satire in and its air of palpable integrity give this novel a special place in Anthony Trollope's Literary career. Trollope paints a picture as panoramic as his title promises, of the life of 1870s London, the loves of those drawn to and through the city, and the career of Augustus Melmotte. Melmotte is one of the Victorian novel's greatest and strangest creations, and is an achievement undimmed by the passage of time.
Trollope's 'Now' might, in the twenty-first century, look like some distant disenchanted 'Then', but this is still the yesterday which we must understand in order to make proper sense of our today.
Washington Square marks the culmination of James's apprentice period as a novelist. With sharply focused attention upon just four principal characters, James provides an acute analysis of middle-class manners and behaviour in the New York of the 1870's, a period of great change in the life of the city. This change is explored through the device of setting the novel's action during the 1840s, similarly a period of considerable turbulence as the United States experienced the onset of rapid commercial and industrial expansion.
Through the relationships between Austin Sloper, a celebrated physician, and his sister Lavinia Penniman, his daughter Catherine, and Catherine's suitor, Morris Townsend, James observes the contemporary scene as a site of competing styles and performances where authentic expression cannot be articulated or is subject to suppression.
Hardy distrusted the application of nineteenth-century empiricism to history because he felt it marginalized important human elements. In The Trumpet-Major, the tale of a woman courted by three competing suitors during the Napoleonic wars, he explores the subversive effects of ordinary human desire and conflicting loyalties on systematized versions of history.
With a new Introduction by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex.
Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography.
This mercurial eighteenth-century text thus anticipates modernism and postmodernism. Vibrant and bizarre, Tristram Shandy provides an unforgettable experience. We may see why Nietzsche termed Sterne 'the most liberated spirit of all time'.
Treasure Island is the seminal pirates and buried treasure novel, which is so brilliantly concocted that it appeals to readers both young and old. The story is told in the first person by young Jim Hawkins, whose mother keeps the Admiral Benbow Inn. An old seadog, a resident at the inn, hires Jim to keep a watch out for other sailors whom he fears but, despite all precautions, the old man is served with the black spot which means death. Among the dead man's belongings Jim discovers a map showing the location of the buried treasure of the notorious pirate Captain Flint. It is not long before he, along with Doctor Livesey and Squire Trelawney, sets sail to find the treasure. However, amongst the hired hands is the one-legged Long John Silver who has designs on the treasure for himself.
The continuing fascination with this tale of high drama, buried treasure and treachery bears out what Stevenson wrote about the book to his friend W. E. Henley: 'if this don't fetch the kids, why, they have gone rotten since my day.' The book not only continues to 'fetch the kids' but the grown-ups too – in fact all those with the spirit of adventure in their hearts.
Tom Jones is widely regarded as one of the first and most influential English novels. It is certainly the funniest. Tom Jones, the hero of the book, is introduced to the reader as the ward of a liberal Somerset squire. Tom is a generous but slightly wild and feckless country boy with a weakness for young women.
Misfortune, followed by many spirited adventures as he travels to London to seek his fortune, teach him a sort of wisdom to go with his essential good-heartedness.
This `comic, epic poem in prose' will make the modern reader laugh as much as it did his forbears. Its biting satire finds an echo in today's society, for as Doris Lessing recently remarked `This country becomes every day more like the eighteenth century, full of thieves and adventurers, rogues and a robust, unhypocritical savagery side-by-side with people lecturing others on morality'.
Lively and mischievous, idle and brave, Tom Brown is both the typical boy of his time and the perennial hero celebrated by authors as diverse as Henry Fielding (in Tom Jones) and Alec Waugh (in The Loom of Youth).
The book describes Tom's time at Rugby School from his first football match, through his troubled adolescence when he is savagely bullied by the unspeakable Flashman, to his departure for a wider world as a confident young man. This classic tale of a boy's schooldays under the benevolent eye of the renowned Dr Arnold still retains the appeal for which it was acclaimed on its first publication in 1857.
In its less well-known sequel, Tom Brown at Oxford, we follow our hero to St Ambrose's College, and, in sharing his undergraduate experiences, gain a vivid impression of university life in the mid nineteenth century.
This volume brings together Virginia Woolf's last two novels, The Years (1937) which traces the lives of members of a dispersed middle-class family between 1880 and 1937, and Between the Acts (1941), an account of a village pageant in the summer preceding the Second World War which successfully interweaves comedy, satire and disturbing observation.
Rewriting the traditional family saga and the pageant, these unsettling novels provide extraordinary critiques of Englishness and English identity while pursuing compelling existentialist and psychological themes such as the nature of time, memory, personal relationships and sexual desire. Their tightly constructed narratives enable the reader to experience the fragmented lives of their characters and the difficulties that they have in communicating with each other and even understanding themselves. Read together, these novels illuminate each other in ways that will engage both the student and the general reader.
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