The bestselling author of Seven Brief Lessons on Physics tells the thrilling story of one of the greatest intellectual leaps of all time
Over two millennia ago, a Greek philosopher had a number of wondrous insights that paved the way to cosmology, physics, geography, meteorology and biology, setting in motion a new way of seeing the world. Anaximander's legacy includes the revolutionary idea that the earth floats in a void, that the world can be understood in natural rather than supernatural terms, that animals evolved, and that universal laws govern all phenomena. He introduced a new mode of rational thinking with an openness to uncertainty and to the progress of knowledge.
In this elegant work, acclaimed physicist Carlo Rovelli brings to light the importance of Anaximander's overlooked legacy to modern science. He examines Anaximander as a scientist interested in shedding light on the deep nature of scientific thinking, which Rovelli locates in his rebellious ability to reimagine the world again and again. Anaximander celebrates the radical lack of certainty that defines the scientific quest for knowledge.
‘Pornography is the orchestrated destruction of women’s bodies and souls … it is war on women’
Pornography, Andrea Dworkin argued in this landmark work, is about power: the power of owning, of money, of sex. It is not merely violence against women, but the essential DNA of male dominance. As images of women’s bodies continue to be manipulated and consumed, her searing, fearless critique of pornographic media is more urgent and discomfiting than ever.
‘A major text for our time’ Adrienne Rich
‘Dworkin writes with power, anger, daring – and from a great care and love of womankind’ Alice Walker
‘The woman who showed us the dark core of pornography, the punishing hatred of women that pervades it’ Guardian
It's the perfect getaway. But the past will always find you . . .
When ex-cop Bill Robinson takes over The Inn by the Sea, all he wants is a quiet escape from the city.
But when a crime boss moves into town and begins terrorising Bill's friends, he can't just sit back and watch.
It's not long before local criminals are turning up dead and The Inn comes under attack.
With the help of The Inn's fearless residents, Bill must do everything he can to defend his town, his chosen family, and his home.
Sergeant Lindsay Boxer's friend and former partner is brutally murdered in San Francisco's Golden Gate Park.
SFPD homicide detective Lindsay Boxer knows her way around a crime scene.
But nothing can prepare her for the shock of recognition: the victim is Warren Jacobi, Lindsay's former partner who rose to chief of police.
A top detective until the end, Jacobi managed to leave Lindsay a clue.
Following a trail of evidence along the west coast, the Women's Murder Club pledges to avenge Jacobi's death before the killer can take another one of their own.
The Saxons are now the lords of Britain. And yet the bards still sing of Arthur - 'In our darkest time, when we need him most, shall he come again.'
Ageing mercenary Beran has no love of bards' songs. Nor of people. Unless they are paying him to steal or kill. Now he has been ordered to murder a boy. But this is no ordinary child. The son of King Constantine and the grandson of High King Ambrosius, this boy could be the saviour of Britain . . . if he lives.
Betraying his companions and returning to a world he believed he'd forsaken, Beran vows to take the boy to the one place that still holds out against the invader: Camelot.
Hunted by Saxons, Queen Morgana and those he deceived, he will seek the help of Guivret, called the Little King, and the Saracen, Palamedes who once rode beneath Arthur's banner. They will meet the doomed lovers, Tristan and Isolde. And they will fight for their lives and for each other.
For if there's to be any hope for Britain, Beran must deliver the boy to Camelot. And to do that, he must come to terms with his past . . .
Arthur is the breathtaking new novel from the author of the bestselling Lancelot, hailed 'a masterpiece' by Conn Iggulden.
Set at the heart of a Roman dynasty drenched in danger, intrigue and Machiavellian power struggles, the first book in Conn's brand-new series follows empress Agrippina's battle to secure her son Nero's succession
Ancient Rome, AD 37
The fate of a dynasty hangs in the balance. Into this fevered forum, Agrippina, granddaughter of Emperor Augustus, gives birth to a son: Nero. Imperial blood courses through their veins but will offer no protection. If they are to survive amongst tyrants, they must learn to walk a razor's edge.
Agrippina knows all too well that darkness and power plays of Machiavellian proportions lie at the empire's shadowy heart. She faces soldiers, senators, rivals, silver-tongued pretenders, each vying for position.
But even in her darkest moments, Agrippina sees the glint of opportunity. She will shape this boy into Rome itself - the one all must kneel before.
But first, mother and son must survive . . .
'How delicious to have Jackson Brodie back, this time in a story that starts off in Agatha Christie's world but soon becomes a landscape that could only have been crafted from the pen of the incomparable Kate Atkinson' Ian Rankin
'Christie would be proud . . . I defy you not to snort with laughter as the novel progresses to its farcical denouement. Atkinson is brilliant' Observer
Welcome to Rook Hall.
The stage is set. The players are ready. By night’s end, a murderer will be revealed.
Ex-detective Jackson Brodie is staving off a bad case of midlife malaise when he is called to a sleepy Yorkshire town, and the seemingly tedious matter of a stolen painting.
But one theft leads to another, including the disappearance of a valuable Turner from Burton Makepeace, home to Lady Milton and her family.
Once a magnificent country house, Burton Makepeace has now partially been converted into a hotel, hosting Murder Mystery weekends.
As paying guests, a vicar, an ex-army officer, impecunious aristocrats, and old friends converge, we are treated a fiendishly clever mystery; one that pays homage to the masters of the genre—from Agatha Christie to Dorothy Sayers.
Brilliantly inventive, with all of Atkinson’s signature wit, wordplay and narrative brio, Death at the Sign of the Rook may be Jackson Brodie’s most outrageous and memorable case yet.
A sizzling fantasy romance from the No.1 Sunday Times bestseller & TikTok sensation Danielle Jensen, perfect for fans of Sarah J Maas & A Court of Thorns and Roses.
Trapped in an unwanted marriage, Freya dreams of becoming a warrior – and of putting an axe in her controlling husband’s back.But those dreams become a nightmare when he makes a deal with their fanatical ruler, and she’s forced into a fight to the death. To survive, she must reveal her deepest secret: she possesses a drop of a goddess’s blood and magic that will unite their nation beneath the one who controls her fate.Believing he’s destined to be king, the ruler binds Freya with a blood oath and orders his fierce but charming son to train her to fight, to control her magic . . . and to make sure no one lays a hand on her.But the greatest test of all may be resisting her forbidden attraction to the son of her enemy.
The stories in Paul Theroux’s fascinating new collection are both exotic and domestic, their settings ranging from Hawaii to Africa and New England. Each focuses on life’s vanishing points—a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications. With the insight, subtlety, and empathy that has long characterized his work, Theroux has written deeply moving stories about memory, longing, and the passing of time, reclaiming his status, once again, as a master of the form.
'With a pacy plot, fascinating legal insights and comic interventions by Adam’s mum, Rob Rinder’s latest legal thriller is a warm-hearted treat.' Mail on Sunday
When the UK's favourite breakfast TV presenter dies live on air in front of millions of viewers, the nation is left devastated.
More devastated still when it becomes clear that her death was not an accident.
The evidence points to one culprit: celebrity chef Sebastian Brooks. But junior barrister Adam Green is about to discover that the case is not as open-and-shut as it first seemed.
And although her angelic persona would suggest otherwise, she was not short of enemies in the glittery TV world . . .
Can Adam uncover the truth?
How do you start again, after losing everything? Find out in the Sunday Times no. 1 bestselling sensation!
Anna had a dream life - according to everybody else.
She lived in New York, had a long-term boyfriend, and had The Best Job In The World working as a highly successful beauty PR.
So why did she decide to take a flamethrower to the lot?
Because now she's back Dublin, living with her parents. She's undeniably forty-eight, with no partner, no job, and no direction.
Anna's lost her purpose. She needs a new challenge to help her fall back in love with life again.
When an opportunity arises to solve a PR crisis in the tiny town of Maumtully, Anna leaps at the chance.
But will the appearance of an old love interest derail her plans?
I guess you're probably wondering about the next girl. Because there's always another girl, right? A girl waiting to be taken. To be swept away. I'll tell you about her.
It's been twenty years since Detective Chelsey Calhoun lost her sister, and she's been searching ever since: for signs, for closure, for other missing girls. Happy endings are rare in Chelsey's line of work.
Until, two years after her disappearance, local teenager Ellie Black is found alive in Washington State woods.
But something's not right about her: where has she been, and who is she protecting?
Chelsey has to find out. For herself, for her sister, and before the next girl is taken.
A sharply funny and well-observed novel about an unconventional family from the award-winning writer, journalist and podcaster, Nell Frizzell.
After Nancy’s father dies, she is faced with two life-changing revelations.
One: She has a half-brother she knew nothing about.
Nancy’s world is punched inside out at the discovery of a mysterious new sibling. But she can’t help but feel curious about Oliver, this stranger who shares her DNA. Her sister Rita, on the other hand, is furious and wants nothing to do with their ‘cuckoo’ brother.
Two: She’s pregnant.
The father – Nancy’s not-quite-boyfriend from her not-quite-relationship – doesn’t want to commit any time soon. He isn’t even in the same continent as her right now. And with her mother and sister in shock about Oliver, Nancy’s struggling to find someone to turn to for support.
In a tumult of grief, fear and hope, Nancy pushes herself into an uncertain future as she rethinks what really makes a family. But there’s one more thought in the back of her head…
Is there space in her family for two more?
Heroes of Olympus Complete Collection 5 Books Box Set. Titles in the Set: The Lost Hero, The Son of Neptune, The Mark of Athena, The House of Hades and The Blood of Olympus.
Feminism is hated because women are hated’
Why do some women support Right-wing movements, even though they curtail their freedoms? Andrea Dworkin’s timeless, visionary analysis goes to the heart of this contradiction, exploring the Right’s positions on abortion, sexuality, racism and antifeminism, and showing how it attempts both to exploit and to quiet women’s deepest fears of male violence. The Right-wing woman, Dworkin contends, acquiesces to male authority for protection and some semblance of power: because ‘survival depends on it’.
‘Groundbreaking’ Bella Abzug
‘Her razor-sharp analysis of why so many women are attracted to a politics that despises their rights is more relevant today than ever’ Guardian
London, 1877. A petite young woman stands before an all-male jury, about to risk everything. She takes a breath, and opens her defence.
Annie Besant and her confidant Charles Bradlaugh are on trial for the crime of publishing a birth control pamphlet. Remarkably, Annie is defending herself against obscenity charges 45 years before women can practice law in England. At a time when women were expected to be obedient, Annie’s fearless voice was a sensation and spotlighted issues of sex, censorship and morality.
A Dirty, Filthy Book tells the gripping story of a little-known pioneer who refused to accept the role that the establishment assigned her, and chose instead to resist.
You might not have heard of Earl Slick, but you've heard him play guitar.
In 1974 I got a call from a British guy called David Bowie. I wasn't really that familiar with his work, but I thought, what the hell?
I'm sitting like a jerk for a couple minutes and then in walks this spooky-ass looking guy with bright red hair and no eyebrows. He was dressed the way an English rock star might think a Harlem pimp would dress. Whoa. David was definitely the strangest cat I'd ever seen, and I'd been around some off-the-wall characters. He had his guitar with him and I had a jacket with a bottle of brandy inside one pocket and my vial in the other. We drank, played for a while...and that's where it all started.
That fateful day launched Earl Slick's career as rock and roll's gun for hire. Most famous for being Bowie's sideman, Slick has played with everyone from John Lennon to Eric Clapton, and with bands from The Cure to the New York Dolls.
A fly on the wall for the last 50 years of rock and roll history, Earl Slick is the most famous guitarist you've never heard of. And he's got the stories to prove it.
'Mean ass blues for a skinny ass white guy' - Buddy Guy
Anxiety is a normal and sometimes healthy process, but in a world that feels increasingly unsafe and unpredictable, many of us find ourselves in its grip far more than is comfortable or truly necessary. If you subconsciously believe that worrying or investing in your anxiety will keep you safe, it is easy to get unwittingly hooked on it. To break free of anxiety, you must break free from the underlying beliefs that you cling to and the cyclical thoughts that perpetuate it.
Addicted to Anxiety will help you understand anxiety from the perspective of addiction, identifying your triggers and learning how to break your habits and actively replace them with new, more productive behaviours. It will put the powerback in your own hands to live a calmer and less anxious life.
Judith Butler, the ground-breaking philosopher whose work has redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed ‘anti-gender ideology movements’ dedicated to circulating a fantasy that gender is a dangerous threat to families, local cultures, civilization – and even ‘man’ himself. Inflamed by the rhetoric of public figures, this movement has sought to abolish reproductive justice, undermine protections against violence, and strip trans and queer people of their rights.
But what, exactly, is so disturbing about gender? In this vital, courageous book, Butler carefully examines how ‘gender’ has become a phantasm for emerging authoritarian regimes, fascist formations and transexclusionary feminists, and the concrete ways in which this phantasm works. Operating in tandem with deceptive accounts of critical race theory and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality and leaves millions of people vulnerable to subjugation.
An essential intervention into one of the most fraught issues of our moment, Who's Afraid of Gender? is a bold call to make a broad coalition with all those who struggle for equality and fight injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us an essentially hopeful work that is both timely and timeless.
How did Tiger Woods become the greatest of all time?
And how did he fall so spectacularly?
Before the age of twenty-five, Tiger Woods had risen to phenomenon status: twice named Sportsman of the Year by Sports Illustrated, champion of more than thirty professional tournaments and the youngest player to win all four Grand Slam tournaments.
In vivid, dramatic scenes, Tiger, Tiger taps into the transformative moments of Wood's life, both on and off the course.
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PRAISE FOR JAMES PATTERSON
'The master storyteller of our times' HILLARY RODHAM CLINTON
'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades' LEE CHILD
'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind' MICHAEL CONNELLY
'James Patterson is The Boss. End of.' IAN RANKIN
'Nobody does it better' JEFFREY DEAVER
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