A sensitive portrayal of the healing process that took place in the aftermath of the First World War, J.L. Carr's A Month in the Country includes an introduction by Penelope Fitzgerald, author of Offshore, in Penguin Modern Classics.
A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years. Adapted into a 1987 film starring Colin Firth, Natasha Richardson and Kenneth Branagh, A Month in the Country traces the slow revival of the primeval rhythms of life so cruelly disorientated by the Great War
Joseph Lloyd Carr (1912-1994) attended the village school at Carlton Miniott in the North Riding and Castleford Secondary School. A head teacher, publisher and novelist, his books include A Day in Summer (1964); The Harpole Report (1972); A Month in the Country (1980), which won the Guardian Fiction prize and was shortlisted for the Booker Prize; The Battle of Pollock's Crossing (1985), which was also shortlisted for the Booker Prize; What Hetty Did (1988) and Harpole and Foxberrow, General Publishers (1992).
If you enjoyed A Month in the Country, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics.
'Unlike anything else in modern English literature'
D.J. Taylor, Spectator
In 1944, Jack Kerouac and William S. Burroughs were charged as accessories to murder. One of their friends, Lucien Carr, had stabbed another, David Kammerrer. Carr had come to each of them and confessed; Kerouac helped him get rid of the weapon - neither told the police. For this failing they were arrested. Months later, the two writers - unpublished at the time - collaborated on And the Hippos Were Boiled in Their Tanks, a fictionalized account of the summer of the killing.
Anthony Burgess's nightmare vision of a society overrun by nihilistic violence and governed by a menacing totalitarian state, A Clockwork Orange includes an introduction by Blake Morrison in Penguin Modern Classics.
Fifteen-year-old Alex doesn't just like ultra-violence - he also enjoys rape, drugs and Beethoven's ninth. He and his gang of droogs rampage through a dystopian future, hunting for terrible thrills. But when Alex finds himself at the mercy of the state and subject to the ministrations of Dr Brodsky, and the mind-altering treatment of the Ludovico Technique, he discovers that fun is no longer the order of the day. The basis for Stanley Kubrick's notorious 1971 film, A Clockwork Orange is both a virtuoso performance from an electrifying prose stylist and a serious exploration of the morality of free will.
In his introduction, Blake Morrison situates A Clockwork Orange within the context of Anthony Burgess's many other works, explores the author's unhappiness with the Stanley Kubrick film version, analyses the composition of the Nadsat argot spoken by Alex and his droogs, and examines the influences on Burgess's unique, eternally original style.
In a dazzling fusion of Quentin Fiore's bold and inventive graphic design and Marshall McLuhan's unique insight into technology, advertising and mass-media, The Medium is the Massage is a unique study of human communication in the twentieth century, published in Penguin Modern Classics
Marshall McLuhan is the man who predicted the all-pervasive rise of modern mass media. Blending text, image and photography, his 1960 classic The Medium is the Massage illustrates how the growth of technology utterly reshapes society, personal lives and sensory perceptions, so that we are effectively transformed by the means we use to communicate. His theories, many of which are illustrated in this astonishing 'inventory of effects', force us to question how modes of communication have shaped society. This concept, and his ideas such as rolling, up-to-the-minute news broadcasts and the media 'Global Village' have proved decades ahead of their time.
How do we see the world around us? The 'Penguin on Design' series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
ohn Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.
The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.
How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.
'A wonderful bitter-sweet book, written with disarming simplicity' Esther Freud
'It was as if a curtain had fallen, hiding everything I had ever known,' says Anna Morgan, eighteen years old and catapulted to England from the West Indies after the death of her beloved father. Working as a chorus girl, Anna drifts into the demi-monde of Edwardian London. But there, dismayed by the unfamiliar cold and greyness, she is absolutely alone and unconsciously floating from innocence to harsh experience. Her childish dreams have been replaced by harsh reality. Voyage in the Dark was first published in 1934, but it could have been written today. It is the story of an unhappy love affair, a portrait of a hypocritical society, and an exploration of exile and breakdown; all written in Jean Rhys's hauntingly simple and beautiful style.
'A brilliantly and preposterously funny book' Guardian
'A flawless comic novel ... I loved it then, as I do now. It has always made me laugh out loud' Helen Dunmore, The Times
Jim Dixon has accidentally fallen into a job at one of Britain's new red brick universities. A moderately successful future in the History Department beckons - as long as Jim can stave off the unwelcome advances of fellow lecturer Margaret, survive a madrigal-singing weekend at Professor Welch's, deliver a lecture on 'Merrie England' and resist Christine, the hopelessly desirable girlfriend of Welch's awful son Bertrand. Inspired by Amis's friend, the poet Philip Larkin, Jim Dixon is a timeless comic character, adrift in a hopelessly gauche and pretentious world, in a witty campus novel that skewers the hypocrisies and vanities of 1950s academic life.
With an introduction by David Lodge
Josef Vadassy, a Hungarian refugee and language teacher living in France, is enjoying his first break for years in a small hotel on the Riviera. But when he takes his holiday photographs to be developed at a local chemists, he suddenly finds himself mistaken for a Gestapo agent and a charge of espionage is levelled at him. To prove himself innocent to the French police, he must discover which one of his fellow guests at his pension is the real spy. As he desperately tries to uncover the true culprit's identity, Vadassy must risk his job, his safety and everything he holds dear.
Okonkwo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone - even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man's dangerous pride eventually destroy him?
'When a day that you happen to know is Wednesday starts off by sounding like Sunday, there is something seriously wrong somewhere.'
When a freak cosmic event renders most of the Earth's population blind, Bill Masen - one of the lucky few to keep his sight - finds himself trapped in a London jammed with sightless mobs who prey on those who can still see. But another menace stalks blind and sighted alike. With nobody to stop them the Triffids - walking carnivorous plants with lethal stingers - rise up as humanity stumbles and falls . . .
Antoine de Saint-Exupéry, an intrepid and eccentric adventurer, transferred his passion for flying to the written word by writing several classics of aviation literature, including Southern Mail and Night Flight. Based on Saint-Exupéry's trail-blazing flights for the French airmail service over the Sahara and later, the Andes, these two novels evoke the tragic courage and nobility of the airborne pioneers who took enormous risks, flying in open cock-pits in planes that were often fragile and unstable.
The French Writer and aviator Antoine de Saint-Exupéry (1900-1944), was born in Lyon. His first two books, SOUTHERN MAIL and NIGHT FLIGHT, are distinguished by a poetic evocation of the romance and discipline of flying. Later works, including WIND, SAND AND STARS and FLIGHT TO ARRAS, stress his humanistic philosophy. Saint-Exupéry's popular children's book THE LITTLE PRINCE is also read by adults for its allegorical meaning. Saint-Exupéry's plane disappeared during a mission in World War II.
A searing account of George Orwell's observations of working-class life in the bleak industrial heartlands of Yorkshire and Lancashire in the 1930s, The Road to Wigan Pier is a brilliant and bitter polemic that has lost none of its political impact over time. His graphically unforgettable descriptions of social injustice, cramped slum housing, dangerous mining conditions, squalor, hunger and growing unemployment are written with unblinking honesty, fury and great humanity. It crystallized the ideas that would be found in Orwell's later works and novels, and remains a powerful portrait of poverty, injustice and class divisions in Britain.
Published with an introduction by Richard Hoggart in Penguin Modern Classics.
'It is easy to see why the book created and still creates so sharp an impact ... exceptional immediacy, freshness and vigour, opinionated and bold ... Above all, it is a study of poverty and, behind that, of the strength of class-divisions'
Richard Hoggart
The American poet John Shade is dead; murdered. His last poem, Pale Fire, is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should.
Nabokov's darkly witty, richly inventive masterwork is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.
Although 'continually and bitterly ashamed' that the Arabs had risen in revolt against the Turks as a result of fraudulent British promises of self-rule, Lawrence led them in a triumphant campaign which revolutionized the art of war.
Seven Pillars of Wisdom recreates epic events with extraordinary vividness. In the words of E. M. Forster, 'Round this tent-pole of a military chronicle, T. E. has hung an unexampled fabric of portraits, descriptions, philosophies, emotions, adventures, dreams'. However flawed, Lawrence is one of the twentieth century's most fascinating figures. This is the greatest monument to his character and achievements.
It is the sum of myself, as far as the written word can go' Kerouac on THE TOWN AND THE CITY Kerouac's debut novel is a great coming of age story which can be read as the essential prelude to his later classics. Inspired by grief over his father's death and gripped by determination to write the Great American Novel, he draws largely on his own New England childhood.
Siddhartha is perhaps the most important and compelling moral allegory our troubled century has produced. Integrating Eastern and Western spiritual traditions with psychoanalysis and philosophy, this strangely simple tale, written with a deep and moving empathy for humanity, has touched the lives of millions since its original publication in 1922. Set in India, Siddhartha is the story of a young Brahmin's search for ultimate reality after meeting with the Buddha. His quest takes him from a life of decadence to asceticism, from the illusory joys of sensual love with a beautiful courtesan, and of wealth and fame, to the painful struggles with his son and the ultimate wisdom of renunciation
When Betty Friedan produced The Feminine Mystique in 1963, she could not have realized how the discovery and debate of her contemporaries' general malaise would shake up society. Victims of a false belief system, these women were following strict social convention by loyally conforming to the pretty image of the magazines, and found themselves forced to seek meaning in their lives only through a family and a home. Friedan's controversial book about these women - and every woman - would ultimately set Second Wave feminism in motion and begin the battle for equality.
This groundbreaking and life-changing work remains just as powerful, important and true as it was forty-five years ago, and is essential reading both as a historical document and as a study of women living in a man's world.
Building on the crucial insight that jokes use many of the same mechanisms he had already discovered in dreams, Freud developed one of the richest and most comprehensive theories of humour that has ever been produced.
Jokes, he argues, provide immense pleasure by allowing us to express many of our deepest sexual, aggressive and cynical thoughts and feelings which would otherwise remain repressed. In elaborating this central thesis, he brings together a dazzling set of puns, anecdotes, snappyone-liners, spoonerisms and beloved stories of Jewish beggars and marriage-brokers. Many remain highly amusing, while others throw a vivid light on the lost world of early twentieth-century Vienna.
Ralph Ellison's blistering and impassioned first novel tells the extraordinary story of a man invisible 'simply because people refuse to see me'. Published in 1952 when American society was in the cusp of immense change, the powerfully depicted adventures of Ellison's invisible man - from his expulsion from a Southern college to a terrifying Harlem race riot - go far beyond the story of one individual. As John Callahan says, 'In an extraordinary imaginative leap, he hit upon a single word for the different yet shared condition of African Americans, Americans, and, for that matter, the human individual in the twentieth century and beyond.'
This edition includes Ralph Ellison's introduction to the thirtieth anniversary edition of Invisible Man, a fascinating account of the novel's seven-year gestation.
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