A key theme of Gayatri Spivak's work is agency: the ability of the individual to make their own decisions. While Spivak's main aim is to consider ways in which "subalterns" – her term for the indigenous dispossessed in colonial societies – were able to achieve agency, this paper concentrates specifically on describing the ways in which western scholars inadvertently reproduce hegemonic structures in their work.
Spivak is herself a scholar, and she remains acutely aware of the difficulty and dangers of presuming to "speak" for the subalterns she writes about. As such, her work can be seen as predominantly a delicate exercise in the critical thinking skill of interpretation; she looks in detail at issues of meaning, specifically at the real meaning of the available evidence, and her paper is an attempt not only to highlight problems of definition, but to clarify them.
What makes this one of the key works of interpretation in the Macat library is, of course, the underlying significance of this work. Interpretation, in this case, is a matter of the difference between allowing subalterns to speak for themselves, and of imposing a mode of "speaking" on them that – however well-intentioned – can be as damaging in the postcolonial world as the agency-stifling political structures of the colonial world itself. By clearing away the detritus of scholarly attempts at interpretation, Spivak takes a stand against a specifically intellectual form of oppression and marginalization.
Few stories are more captivating than the one told by Natalie Zemon Davis in The Return of Martin Guerre. Basing her research on records of a bizarre court case that occurred in 16th-century France, she uses the tale of a missing soldier – whose disappearance threatens the livelihood of his peasant wife – to explore complex social issues. Davis takes rich material – dramatic enough to have been the basis of two major films – and uses it to explore issues of identity, women's role in peasant society, the interior lives of the poor, and the structure of village society, all of them topics that had previously proved difficult for historians to grapple with.
Davis displays fine qualities of reasoning throughout – not only in constructing her own narrative, but also in persuading her readers of her point of view. Her work is also a fine example of good interpretation – practically every document in the case needs to be assessed for issues of meaning.
Despite having no formal training in urban planning, Jane Jacobs deftly explores the strengths and weaknesses of policy arguments put forward by American urban planners in the era after World War II. They believed that the efficient movement of cars was of more value in the development of US cities than the everyday lives of the people living there. By carefully examining their relevance in her 1961 book, The Death and Life of Great American Cities, Jacobs dismantles these arguments by highlighting their shortsightedness. She evaluates the information to hand and comes to a very different conclusion, that urban planners ruin great cities, because they don’t understand that it is a city’s social interaction that makes it great. Proposals and policies that are drawn from planning theory do not consider the social dynamics of city life. They are in thrall to futuristic fantasies of a modern way of living that bears no relation to reality, or to the desires of real people living in real spaces. Professionals lobby for separation and standardization, splitting commercial, residential, industrial, and cultural spaces. But a truly visionary approach to urban planning should incorporate spaces with mixed uses, together with short, walkable blocks, large concentrations of people, and a mix of new and old buildings. This creates true urban vitality.
In his 1997 work Guns, Germs and Steel, Jared Diamond marshals evidence from five continents and across 13,000 years of human history in an attempt to answer the question of why that history unfolded so differently in various parts of the globe. His results offer new explanations for why the unequal divisions of power and wealth so familiar to us today came into existence – and have persisted.
Balancing materials drawn from a vast range of sources, addressing core problems that have fascinated historians, anthropologists, biologists and geographers alike – and blending his analysis to create a compelling narrative that became an international best-seller and reached a broad general market – required a mastery of the critical thinking skill of reasoning that few other scholars can rival. Diamond’s reasoning skills allow him to persuade his readers of the value of his interdisciplinary approach and produce well-structured arguments that keep them turning pages even as he refocuses his analysis from one disparate example to another.
Diamond adds to that a spectacular ability to grasp the meaning of the available evidence produced by scholars in those widely different disciplines – making Guns, Germs and Steel equally valuable as an exercise in high-level interpretation.
Debt is one of the great subjects of our day, and understanding the way that it not only fuels economic growth, but can also be used as a means of generating profit and exerting control, is central to grasping the way in which our society really works.
David Graeber's contribution to this debate is to apply his anthropologists' training to the understanding of a phenomenon often considered purely from an economic point of view. In this respect, the book can be considered a fine example of the critical thinking skill of problem-solving. Graeber's main aim is to undermine the dominant narrative, which sees debt as the natural – and broadly healthy – outcome of the development of a modern economic system. He marshals evidence that supports alternative possibilities, and suggests that the phenomenon of debt emerged not as a result of the introduction of money, but at precisely the same time.
This in turn allows Graeber to argue against the prevailing notion that economy and state are fundamentally separate entities. Rather, he says, "the two were born together and have always been intertwined" – with debt being a means of enforcing elite and state power. For Graeber, this evaluation of the evidence points to a strong potential solution: there should be more readiness to write off debt, and more public involvement in the debate over debt and its moral implications.
Ways of Seeing is a key art-historical work that continues to provoke widespread debate. It is comprised of seven different essays, three of which are pictorial and the other containing texts and images. Berger first examines the relationship between seeing and knowing, discussing how our assumptions affect how we see a painting. He moves on to consider the role of women in artwork, particularly regarding the female nude. The third essay deals with oil painting looking at the relationship between subjects and ownership. Finally, Berger addresses the idea of ownership in a consumerist society, discussing the power of imagery in advertising, with particular regards to photography.
The history of anthropology is, to a large extent, the history of differing modes of interpretation.
As anthropologists have long known, examining, analyzing and recording cultures in the quest to understand humankind as a whole is a vastly complex task, in which nothing can be achieved without careful and incisive interpretative work. Edward Evans-Pritchard’s seminal 1937 Witchcraft, Oracles, and Magic Among the Azande is a model contribution to anthropology’s grand interpretative project, and one whose success is based largely on its author’s thinking skills. A major issue in anthropology at the time was the common assumption that the faiths and customs of other cultures appeared irrational or illogical when compared to the “civilized” and scientific beliefs of the western world.
Evans-Pritchard sought to challenge such definitions by embedding himself within a tribal culture in Africa – that of the Azande – and attempting to understand their beliefs in their proper contexts. By doing so, Evans-Pritchard proved just how vital context is to interpretation. Seen within their context, he was able to show, the beliefs of the Azande were far from irrational – and magic actually formed a coherent system that helped mould a functional community and society for the tribe. Evans-Pritchard’s efforts to clarify meaning in this way have proved hugely influential, and have played a major part in guiding later generations of anthropologists from his day to ours.
In Outline of a Theory of Practice, Bourdieu questions the preeminent ideas of social anthropologists such as Levi-Strauss who stressed the structural principles governing human action rather than the actions themselves and, Bourdieu asserts, doesn’t account for all observable nuances of behaviour. Drawing on his fieldwork in Algeria, he expresses the need for a theory of practice focusing on the dynamic flow of human actions in the social world. Bourdieu coins the term ‘habitus’- a relational concept linking structures to the practice of agents. Outline is a significant and original contribution, providing an account of many of the issues Bourdieu continued to develop through his career.
Erwin Panofsky’s Meaning in the Visual Arts is considered a key work in art history. Its ideas have provoked widespread debate, and although it was first published more than sixty years ago, it continues to feature regularly on numerous university reading lists.
Meaning in the Visual Arts comprises nine essays. In these, Panofsky argues for the independence of iconology as a branch of history. He moves on to demonstrate the anatomy of art and its study, as well as the controlling principles of interpretation. He then deals with the theories of human proportions, Gothic architecture, and the Northern Renaissance. Finally, Panofsky discusses his own American experiences.
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