A vivid, deeply researched work of history that explores the life of an unconventional woman in Edo – now known as Tokyo – and a portrait of a great city on the brink of momentous change
The daughter of a Buddhist priest, Tsuneno was born in 1804 in a rural Japanese village and was expected to live a life much like her mother’s. But after three divorces – and with a temperament much too strong-willed for her family’s approval – she ran away to make a life for herself in one of the largest cities in the world: Edo, a bustling metropolis at its peak.
With Tsuneno as our guide, we experience the drama and excitement of Edo just before the arrival of Commodore Matthew Perry's fleet, which would open Japan up to trade and diplomacy with the West for the first time. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai and eventually ends up in the service of a famous city magistrate. An extraordinary woman at an extraordinary time, Tsuneno’s life provides a window into nineteenth-century Japanese culture – and a rare view of a woman who sacrificed her family and her reputation to make a new life for herself, despite social conventions.
Immersive and gripping, Stranger in the Shogun’s City is a revelatory work of history, layered with rich detail and delivered in beautiful prose, about the life of a woman, a city and a culture.
Micah Mortimer isn’t the most polished person you’ll ever meet. His numerous sisters and in-laws regard him oddly but very fondly, but he has his ways and means of navigating the world. He measures out his days running errands for work – his TECH HERMIT sign cheerily displayed on the roof of his car – maintaining an impeccable cleaning regime and going for runs (7:15, every morning). He is content with the steady balance of his life.
But then the order of things starts to tilt. His woman friend Cassia (he refuses to call anyone in her late thirties a ‘girlfriend’) tells him she’s facing eviction because of a cat. And when a teenager shows up at Micah’s door claiming to be his son, Micah is confronted with another surprise he seems poorly equipped to handle.
Redhead by the Side of the Road is an intimate look into the heart and mind of a man who sometimes finds those around him just out of reach – and a love story about the differences that make us all unique.
In this brilliant sequel to The Handmaid's Tale, acclaimed author Margaret Atwood answers the questions that have tantalised readers for decades. Pre-order today.
When the van door slammed on Offred’s future at the end of The Handmaid’s Tale, readers had no way of telling what lay ahead.
With The Testaments, the wait is over.
Margaret Atwood’s sequel picks up the story 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
‘Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we’ve been living in.' Margaret Atwood
‘The literary event of the year.’ Guardian
’It’s terrifying and exhilarating.’ Peter Florence, chair of the Booker 2019 judges
If you can’t get enough of the award-winning TV adaptation of The Handmaid’s Tale, order your copy of The Testaments today.
Bea and Dan, recently married, rent out their tiny flat to escape London for a few precious months. Driving through France they visit Bea’s dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic.
When Alex and Bea’s parents make a surprise visit, Dan can’t understand why Bea is so appalled, or why she’s never wanted him to know them; Liv and Griff Adamson are charming, and rich. They are the richest people he has ever met. Maybe Bea’s ashamed of him, or maybe she regrets the secrets she’s been keeping.
Tragedy strikes suddenly, brutally, and in its aftermath the family is stripped back to its rotten core, and even Bea with all her strength and goodness can’t escape.
As heard on BBC Radio 4's 'Book at Bedtime': the blistering story of a ghostwriter haunted by his demonic subject, the Man Booker Prize winner turns to lies, crime and literature with devastating effect
A young and penniless writer, Kif Kehlmann, is rung in the middle of the night by the notorious con man and corporate criminal, Siegfried Heidl. About to go to trial for defrauding the banks of $700 million, Heidl proposes a deal: $10,000 for Kehlmann to ghostwrite his memoir in six weeks.
Kehlmann accepts but begins to fear that he is being corrupted by Heidl. As the deadline draws closer, he becomes ever more unsure if he is ghostwriting a memoir, or if Heidl is rewriting him—his life, his future. Everything that was certain grows uncertain as he begins to wonder: who is Siegfried Heidl—and who is Kif Kehlmann?
By turns compelling, comic and chilling, First Person is a haunting journey into the heart of our age.
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