Priests with shotguns, scheming lovers and a necrophiliac gravedigger haunt the fables of Emilia Pardo Bazán, the formidable Spanish aristocrat, intellectual and feminist. These stories paint a rich and variegated image of Old Spain – sometimes tender, often provocative, always entertaining. But if you decide to visit, beware the Lady Bandit, whose strong, rough hands might grab your neck, and squeeze and squeeze and squeeze . . .
Marian Forrester enchants everyone around her: her husband, an elderly railroad pioneer; the small town of Sweet Water; and Niel Herbert, her unwavering confidant. Yet, her irresistible charm and dazzling wit conceal a dangerous vulnerability – and her greatest secret. A significant inspiration for The Great Gatsby, this exquisite novella is a poignant elegy for a bygone era, fading into history.
'I decided that my trip had evidently been in vain, since nothing of interest could possibly occur on this visit. I was mistaken.'
Condemned to sleeplessness by the chatter permeating his guesthouse room, a forlorn traveller turns his ear to the riotous tale spun by the garrulous, meddlesome, inane and utterly unprincipled Márya Martýnovna next door. Her exuberant deformations of morality and language scandalized Tsarist society, and she remains one of Russian literature’s most uproarious anti-heroes.
'What does love fear? Limitation.'
Johannes stealthily pursues Cordelia through the streets of Copenhagen, and through an intricate, manipulative courtship contrives to possess her. Motivated not by love or sex but by sensation and experiment, he seeks to make the object of his desire desire him – and then to retreat. At once a captivating story and philosophical exploration of existence’s entanglements, The Seducer's Diary is also an excoriating reconstruction of Kierkegaard’s own romantic failures.
I went down, I climbed back up into the light of the jaguar sun – into the sea of the green sap of the leaves. The world spun, I plunged down, my throat cut by the knife of the king-priest … The solar energy coursed along dense networks of blood and chlorophyll; I was living and dying in all the fibers of what is chewed and digested and in all the fibres that absorb the sun
Best known for his hardboiled Harlem Detective series, Chester Himes was also a superb literary writer, beginning his creative life by writing short stories in the 1930s while serving jail time for armed robbery. Selected here are some of his best stories – from a satirical tale about a student bet that purportedly disproves the existence of racism in Los Angeles to a chilling drama in which a snake invades a family home.
Kikuji has been invited to a tea ceremony by a mistress of his dead father, only to find that the mistress’ rival and successor is also present. He falls for her, with devastating consequences. By 1949 Yasunari Kawabata, the first Japanese author to win the Nobel Prize for Literature, felt that the tradition of the tea ceremony had been degraded. In this delicate novella he uses the ceremony as a powerful vehicle for loneliness, yearning and loss of history.
Composed in Iceland in the 13th Century, The Prose Edda is the most renowned of all works of Scandinavian literature, taking readers on a voyage through an enthralling world of gods, giants, dwarfs and monsters. From the beginning of the universe to the dreaded Twilight of the Gods, this is the most extensive source of Norse mythology surviving today.
All Frenchmen know you have to become civilised between eighteen and twenty-three and that civilisation comes upon you by contact with an older woman, by revolution, by army discipline, by any escape or any subjection, and then you are civilised and life goes on normally in a latin way.'
Gertrude Stein’s Paris France, published in 1940 on the day Paris fell to Nazi Germany, is a witty account of Stein’s life in France, and the perfect introduction to her work.
‘It demands great spiritual resilience not to hate the hater whose foot is on your neck, and an even greater miracle of perception and charity not to teach your child to hate’
Told in the form of two intensely personal 'letters', The Fire Next Time is an excoriating condemnation of the terrible legacy of racial injustice, drawn from Baldwin's early life in Harlem and his experience as a prominent cultural figure of the civil rights movement.
Best known for his existentialist novel The Outsider, set in French-occupied Algeria, Albert Camus was profoundly influenced by the landscapes, towns and traditions of his youth. Selected here are some of his finest personal essays about Algeria and its environs, including the luminous ‘Nuptials at Tipasa’, one of his earliest works where he developed the themes that would inform his later philosophy: to thrive now, without hope for paradise, as mortal life alone can be worthwhile.
‘I’m not the sort of husband you dream of when you’re walking alone along the avenue in the evening, am I? And it would be a disaster, wouldn’t it?’
How does love die? This question lies at the heart of Tolstoy’s desperately sad novella. It tells the story of seventeen-year-old Masha who, despite their differences, falls passionately in love with an older man, and marries him. Soon, however, the gap between them becomes unbridgeable.
A delusional man whose strange dream changes his life; a self-justifying husband who causes his wife’s suicide; a witness to a young girl’s ruin; a writer who stretches out on a gravestone and listens to the gossip of the dead … the narrators of these four confessional tales show how little we understand ourselves.
‘Maigret moved slowly, edging his bulky frame through the throng in Rue Saint-Antoine, which burst into life every morning, the sunshine streaming down from a clear sky on to the little barrows piled high with fruit and vegetables’
In these three tales of deception, set in and around Paris, Simenon's celebrated detective uncovers chilling truths about the depths of the human instinct for self-preservation.
Through the gates of Hell, past whirling hurricanes, leering devils and rivers of blood, lies the ultimate evil: Satan himself. Masterfully translated by Dorothy L. Sayers, this first instalment of The Divine Comedy tells the captivating tale of Dante and Virgil’s arduous journey through the nine circles of the underworld, and remains one of the most influential works in literary history.
This small group of stories by D. H. Lawrence show him in a number of moods. The hope is that in such a limited number of pages, the reader will come away with a compressed, rich sense of Lawrence’s wonderful prose style, precision of language and expansive vision of the human struggle and how it can be transcended. Is ‘Odour of Chrysanthemums’ perhaps the greatest of all English short stories?
No thinking person can or does genuinely keep out of politics, in an age like the present one
Unfailingly wise and often startlingly prophetic, George Orwell’s essays are masterpieces of plain English prose. This stirring new collection brings together his most cherished pieces with lesser-known gems, ranging over everything from tree planting to living with the atom bomb, sleeping rough to the perils of getting what you want in politics.
In these exquisite stories from the genius of English modernism, everyday objects acquire profound significance: a lump of buried green glass leads to a lifetime of obsession; a mark on the wall prompts a questioning of reality itself; a pale-yellow silk dress provokes a painful self-reckoning. Beautiful, strange and pioneering, each piece is a small precious stone to be held to the light and savoured.
Edgar Allen Poe’s short stories have lost none of their power to horrify. He remains a destabilizingly terse sketcher out of ideas, a writer who allows the reader to fill in the many ghastly blanks in his narratives of violence, retribution and animalism. It is hard to recommend Hop-Frog wholeheartedly (its original subtitle was: Or, The Eight Chained Ourang-Outangs) as it is such an affront to decency, but you will certainly never forget it.
There are many great English ghost stories, but they appear flimsy and emotionally spectral compared to the works of M.R. James. This selection gives the reader a flavour of his strange gifts. Often, the ghost is barely glimpsed and yet somehow sticks with the reader for years, making ordinary rooms or gardens or churches uncanny and threatening. Is that the kitchen cat? And what is it that terrible thing stalking about in the dolls’ house?
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