Eminent Italian early music keyboardist Manuel Tomadin adds to a splendid discography on Brilliant Classics with his eighth release for the label. Commemorating the centenary of the apparition of Mary at Fátima, Portugal (1917), Tomadin performs settings for organ of the well-known Marian hymn Magnificat by four composers from the Hanseatic north of Germany, all talented students of Dutch organist–composer Jan Pieterszoon Sweelinck, father of the north German organ tradition. And what more fitting organ could be selected for this tribute than the fine Dell’Orto & Lanzini instrument, modelled on 17th-century organs of the Hanseatic school, housed in a Piedmontese parish church dedicated to Our Lady of Fatima? This organ reflects the rich tonal resources that would have been at the skilled fingertips of Scheidemann, Schildt, Weckmann and Strungk, who were active in the 17th century around the Hanseatic area on such organs as those at St Catherine’s and St James’s, Hamburg, the Marktkirche, Hannover, and Braunschweig’s St Martini church.
Manuel Tomadin is joined in these Magnificat performances by award winning tenor and early music ensemble director Giuseppe Maletto.
The Magnificat, the hymn to the Virgin Mary, is one of the most ancient and sacred liturgical texts, and has been set to music numerous times by composers between the 16th and 18th century.
This new recording presents Magnificat settings by Scheidemann, Schildt, Weckmann and Strungk, all active in Northern Germany and all pupils of the great Sweelinck, master of Baroque counterpoint.
This recording was made on the occasion of the centenary of the apparition of Mary of Fatima, and played on the beautiful Dell’Orto & Lanzini organ of the Parish of Pinerolo, an instrument inspired by the 17th century Hanseatic school. The booklet offers extensive liner notes in English and Italian, and the full specifications and photos of the organ.
Tomadin, Manuel - Praeludium Und Chaconne D-dur
Praeludium
Chaconne
Tomadin, Manuel - Konzert Fuer Orgel A-dur
1. Allegro
2. Siciliana
3. Vivace
Tomadin, Manuel - Konzert Fuer Orgel F-dur
1. Allegro
2. Adagio
3. Vivace
Tomadin, Manuel - Konzert Fuer Orgel D-dur
1. Allegro
2. Largo
3. Vivace
Tomadin, Manuel - Konzert Fuer Orgel G-dur
1. Allegro
2. Adagio
3. Allegro
Tomadin, Manuel - Fuge D-dur
Tomadin, Manuel - Konzert Fuer Orgel A-dur
1. Allegro
2. Adagio
3. Vivace
Tomadin, Manuel - Konzert Fuer Orgel E-dur
1. Allegro
2. Adagio
3. Vivace
Tomadin, Manuel - Konzert Fuer Orgel H-dur
1. Allegro
2. Siciliana
3. Allegro
Płyta 2.
Tomadin, Manuel - Praeludium, Fuge, Adagio Und Cha
Praeludium
Fuge
Adagio
Chaconne
Tomadin, Manuel - Adagio D-dur
Tomadin, Manuel - Konzert Fuer Orgel G-dur
1. Allegro
2. Adagio
3.allegro
Tomadin, Manuel - Konzert Fuer Orgel D-dur
1. Allegro
2. Adagio
3. Largo
4. Allegro
Tomadin, Manuel - Konzert Fuer Orgel A-moll
1. Preludio
2. Vivace
3. Adagio
4. Allegro
Tomadin, Manuel - Konzert Fuer Orgel D-moll
1. Allegro
2. Adagio
3. Vivace
Tomadin, Manuel - Konzert Fuer Orgel G-moll
1. Allegro
2. Affettuoso
3. Fuga: Allegro
Tomadin, Manuel - Praeludium, Fuge Und Allegro-ada
Praeludium
Fuge
Allegro - Adagio
The 17th century was the Golden Age of the North German organ school.
The big cities Hamburg and Luebeck boasted of magnificent organs and
famous composers, like Buxtehude, Reincken and Tunder. However in the
small city of Husum the hugely talented Nikolaus Bruhns was the titular
organist and he issued a collection of 17 organ works, now known as the
Husumer Orgelbuch, preserved in the Royal Library of Copenhagen.
? The Husumer Orgelbuch contains works by Druckenmüller, Zeyhold, Zinck
and Bruhns himself.
? Played on two magnificent historical organs: the Schnitger organ (1721)
of the Sint-Michaëlskerk in Zwolle and the famous Hinsz organ (1733) in
the small town of Leens, both in the northern part of the Netherlands.
? Italian organist Manuel Tomadin is a specialist in this repertoire. He
wrote the excellent liner notes on the music, extensive descriptions and
the full specification of both organs.
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