The Wordsworth Classics' Shakespeare Series, with Henry V as its inaugral volume, presents a newly-edited sequence of William Shakespeare's works. The textual editing endeavours to take account of recent scholarship while giving the material a careful reappraisal.
Henry V is the most famous and influential of Shakespeare's history plays. Its powerful patriotic rhetoric has resounded down the ages, gaining eloquent expression in Laurence Olivier's renowned film. Henry himself, astute and charismatic, who led his ‘band of brothers’ to victory in the Battle of Agincourt, could indeed seem to be ‘this star of England’. In recent decades the play has attracted increasing critical attention and is now highly controversial. Kenneth Branagh's film-production reflected the changing valuation. Does this play have a sceptical sub-text which subverts its patriotism? Is Henry's achievement beset by irony? Has current scepticism distorted a predominantly and proudly nationalistic drama? Henry V demonstrates Shakespeare's acclaimed ability to bring new complexity to the material that he adapted, so that different eras may find within his work the familiar and the strange, the congenial and the harsh, the sustaining and the challenging.
Unusually for Dickens, Hard Times is set, not in London, but in the imaginary mid-Victorian Northern industrial town of Coketown with its blackened factories, downtrodden workers and polluted environment. This is the soulless domain of the strict utilitarian Thomas Gradgrind and the heartless factory owner Josiah Bounderby. However human joy is not excluded thanks to 'Mr Sleary's Horse-Riding' circus, a gin-soaked and hilarious troupe of open-hearted and affectionate people who act as an antidote to all the drudgery and misery endured by the ordinary citizens of Coketown.
Have you ever heard of the fascination of terror?' This is a unique collection of strang stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The Star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hote that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale. The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles which bring a clarity of vision that can lead to madness.
Considered by many to be Dickens' finest novel, Great Expectations traces the growth of the book's narrator, Philip Pirrip (Pip), from a boy of shallow dreams to a man with depth of character. From its famous dramatic opening on the bleak Kentish marshes, the story abounds with some of Dickens' most memorable characters. Among them are the kindly blacksmith Joe Gargery, the mysterious convict Abel Magwitch, the eccentric Miss Haversham and her beautiful ward Estella, Pip's good-hearted room-mate Herbert Pocket and the pompous Pumblechook. As Pip unravels the truth behind his own ‘great expectations’ in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him towards maturity and his most important discovery of all - the truth about himself.
Russia in the 1840s. There is a stranger in town, and he is behaving oddly. The unctuous Pavel Chichikov goes around the local estates buying up 'dead souls'. These are the papers relating to serfs who have died since the last census, but who remain on the record and still attract a tax demand. Chichikov is willing to relieve their owners of the tax burden by buying the titles for a song. What he does not say is that he then proposes to take out a huge mortgage against these fictitious citizens and buy himself a nice estate in Eastern Russia. Will he get away with it? Who will rumble him? Does this narrative contain a deeper message about Russia itself or the spiritual health of humanity?
There is much interest and some suspense in considering these issues, but the real pleasure of this story lies elsewhere. It is an enjoyable comic romp through a retarded part of a backward country, a picaresque series of grotesque portraits, situations and conversations described with Gogolian humour based mainly on hyperbole. This is, quite simply, the funniest book in the Russian language before the twentieth century.
In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time.
The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor.
This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.
Mr Dombey is a man obsessed with his firm. His son is groomed from birth to take his place within it, despite his visionary eccentricity and declining health. But Dombey also has a daughter, whose unfailing love for her father goes unreturned. 'Girls' said Mr Dombey, 'have nothing to do with Dombey and Son'. When Walter Gay, a young clerk in her father's office, rescues her from a bewildering experience in the streets of London, his unforgettable friends believe he is well on his way to receiving her hand in marriage and inheriting the company. It is to be a very different type of story.
Living overseas but writing, always, about his native city, Joyce made Dublin unforgettable. The stories in Dubliners show us truants, seducers, gossips, rally-drivers, generous hostesses, corrupt politicians, failing priests, amateur theologians, struggling musicians, moony adolescents, victims of domestic brutishness, sentimental aunts and poets, patriots earnest or cynical, and people striving to get by.
In every sense an international figure, Joyce was faithful to his own country by seeing it unflinchingly and challenging every precedent and piety in Irish literature.
JULES VERNE (1828-1905) was internationally famous as the author of novels based on ‘extraordinary voyages.’ His visionary use of new travel technologies inspired his readers to look to the industrial future rather than the remote past for their dreams of adventure. The popularity of his novels led directly to modern science fiction.
In From the Earth to the Moon and Around the Moon, Jules Verne turned the ancient fantasy of space flight into a believable technological possibility – an engineering dream for the industrial age. Directly inspired by Verne’s story, enthusiasts worked successfully at overcoming the practical difficulties, and within a century, human beings did indeed fly to the Moon. Curiously, however, Verne is unlikely to have thought it possible that a manned projectile could actually be fired out of a giant cannon, rising higher than the Moon, swinging around it, and then landing safely back on Earth. He had used the science of the day to construct a literary conjuring trick, a hoax, one of the most successful in all history. By skilful misdirection he drew the attention of readers away from weaknesses in the project. Read the book and you, too, will be fooled into accepting the realistic possibility in Verne’s time of that dream of flying to the Moon.
‘I was conscious of a most horrible smell of mould, and of a cold kind of face pressed against my own, and moving slowly over it, and of several - I don't know how many - legs and arms or tentacles or something clinging to my body.’
M.R. James is probably the finest ghost-story writer England has ever produced. The stories are classics of their genre. Among them are ‘Casting the Runes’, ‘Oh, Whistle and I'll come to you, my lad’, ‘The Tractate Middoth’, ‘The Ash Tree’ and ‘Canon Alberic’s Scrapbook’. They are all designed to instil that satisfying sensse of unease in the heart of the reader.
‘There are some authors one wishes one had never read in order to have the joy of reading them for the first time. For me, M.R. James is one of these’.
Ruth Rendell
De Profundis is Wilde's eloquent and bitter reproach from prison to his lover, Lord Alfred Douglas. He contrasts his behaviour with that of his close friend Robert Ross who became Wilde's literary executor. The Ballad of Reading Gaol is a deeply moving and characteristically generous poem on the horrors of prison life, which was published anonymously in 1898. This collection also includes the essay The Soul of Man under Socialism and two of his Platonic dialogues, The Decay of Lying and The Critic as Artist.
That is not dead that can eternal lie And with strange aeons even death may die Millenia ago, the Old Ones ruled our planet. Since that time, they have but slumbered. But when a massive sea tremor brings the ancient stone city of R'lyeh to the surface once more, the Old Ones awaken at last.
The Whisperer in Darkness brings together the original Cthulhu Mythos stories of the legendary horror writer H.P. Lovecraft. Included in this volume are several early tales, along with the classics 'The Call of Cthulhu', 'The Dunwich Horror' and 'At the Mountains of Madness'. Arm yourself with a copy of Abdul Alhazred's fabled Necronomican and prepare to face terrors beyond the wildest imaginings of all, save H.P. Lovecraft.
Wilde's works are suffused with his aestheticism, brilliant craftsmanship, legendary wit and, ultimately, his tragic muse. He wrote tender fairy stories for children employing all his grace, artistry and wit, of which the best-known is The Happy Prince. Counterpoints to this were his novel The Picture of Dorian Gray, which shocked and outraged many readers of his day, and his stories for adults which exhibited his fascination with the relations between serene art and decadent life. Wilde took London by storm with his plays, particularly his masterpiece The Importance of Being Earnest.
His essays - in particular De Profundis- and his Ballad of Reading Gaol, both written after his release from prison, strikingly break the bounds of his usual expressive range. His other essays and poems are all included in this comprehensive collection of the works of one of the most exciting writers of the late nineteenth century.
Interest in supernatural phenomena was high during Charles Dickens' lifetime. He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits. His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen. Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.
Jane Austen is without question, one of England's most enduring and skilled novelists. With her wit, social precision, and unerring ability to create some of literature's most charismatic and believable heroines, she mesmerises her readers as much today as when her novels were first published.
Whether it is her sharp, ironic gaze at the Gothic genre invoked by the adventures of Catherine Morland in Northanger Abbey; the diffident and much put-upon Fanny Price struggling to cope with her emotions in Mansfield Park; her delightfully paced comedy of manners and the machinations of the sisters Elinor and Marianne in Sense and Sensibility; the quiet strength of Anne Elliot in Persuasion succeeding in a world designed to subjugate her very existence; and Emma - 'a heroine whom no one but myself will like' teased Austen - yet another irresistible character on fire with imagination and foresight. Indeed not unlike her renowned creator.
Jane Austen is as sure-footed in her steps through society's whirlpools of convention and prosaic mores as she is in her sometimes restrained but ever precise and enduring prose.
The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate. The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions.
Around the World in Eighty Days (1873) relates the hair-raising journey made as a wager by the Victorian gentleman Phileas Fogg, who succeeds - but only just! - in circling the globe within eighty days. The dour Fogg's obsession with his timetable is complemented by the dynamism and versatility of his French manservant, Passepartout, whose talent for getting into scrapes brings colour and suspense to the race against time.
Five Weeks in a Balloon (1863) was Verne's first novel. It documents an apocryphal jaunt across the continent of Africa in a hydrogen balloon designed by the omniscient, imperturbable and ever capable Dr Fergusson, the prototype of the Vernian adventurer.
William Blake was an engraver, painter and visionary mystic as well as one of the most revolutionary of the Romantic poets. His writing attracted the astonished admiration of authors as diverse as Wordsworth, Ruskin, W.B.Yeats, and more recently beat poet Allen Ginsberg and the 'flower power' generation. He is one of England's most original artists whose works aim to liberate imaginative energies and subvert 'the mind-forged manacles' of restriction.
This volume contains many of his writings, including: 'Songs of Innocence', 'Songs of Experience', 'The Marriage of Heaven and Hell', and a generous selection from the Prophetic Books including 'Milton' and 'Jerusalem'.
Bleak House is one of Dickens' finest achievements, establishing his reputation as a serious and mature novelist, as well as a brilliant comic writer. It is at once a complex mystery story that fully engages the reader in the work of detection, and an unforgettable indictment of an indifferent society. Its representations of a great city's underworld, and of the law's corruption and delay, draw upon the author's personal knowledge and experience. But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.
In these five long stories, written specifically for Christmas, Dickens combines his concern for social ills with the myths and memories of childhood and traditional seasonal lore.
A Christmas Carol, the first of the selection, has become a touchstone of English festive fiction and an enduring favourite internationally. Repeatedly adapted, parodied, staged and filmed, this richly influential tale is powerfully vivid and moving.
The other stories, The Chimes, The Cricket on the Hearth, The Battle of Life andThe Haunted Man, blend whimsy, sentiment, comedy, satire, the didactic and the fantastic, developing resourcefully the theme of individual and social regeneration.
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