The Tenant of Wildfell Hall is a powerful and sometimes violent novel of expectation, love, oppression, sin, religion and betrayal. It portrays the disintegration of the marriage of Helen Huntingdon, the mysterious ‘tenant’ of the title, and her dissolute, alcoholic husband. Defying convention, Helen leaves her husband to protect their young son from his father’s influence, and earns her own living as an artist. Whilst in hiding at Wildfell Hall, she encounters Gilbert Markham, who falls in love with her.
On its first publication in 1848, Anne Brontë’s second novel was criticised for being ‘coarse’ and ‘brutal’. The Tenant of Wildfell Hall challenges the social conventions of the early nineteenth century in a strong defence of women’s rights in the face of psychological abuse from their husbands. Anne Brontë’s style is bold, naturalistic and passionate, and this novel, which her sister Charlotte considered ‘an entire mistake’, has earned Anne a position in English literature in her own right, not just as the youngest member of the Brontë family.
This newly reset text is taken from a copy of the 1848 second edition in the Library of the Brontë Parsonage Museum and has been edited to correct known errors in that edition.
One of the most celebrated and popular historical romances ever written, The Three Musketeers tells the story of the early adventures of the young Gascon gentleman, D'Artagnan and his three friends from the regiment of the King's Musketeers - Athos, Porthos and Aramis.
Under the watchful eye of their patron M. de Treville, the four defend the honour of the regiment against the guards of Cardinal Richelieu, and the honour of the queen against the machinations of the Cardinal himself as the power struggles of seventeenth century France are vividly played out in the background.
But their most dangerous encounter is with the Cardinal's spy, Milady, one of literature's most memorable female villains, and Alexandre Dumas employs all his fast-paced narrative skills to bring this enthralling novel to a breathtakingly gripping and dramatic conclusion.
G. K. Chesterton was born in London in 1874. He went to St Paul's School and then on to the Slade School of Art. In 1900, he was asked to write a few magazine articles on art criticism, and from that beginning went on to become not only one of the most prolific writers of all time but, in the opinion of some, the best writer of the twentieth century.
Chesterton, an absent-minded, overgrown elf of a man, standing 6 feet 4 inches tall and weighing around 21 stone, was a well-known figure invariably to be seen in voluminous cape and crumpled hat, with tiny glasses pinched to the end of his nose and swordstick in hand. Despite a chaotic life-style this was the genius who wrote The Everlasting Man, a book which led a young atheist named C. S. Lewis to become a Christian; The Napoleon of Notting Hill, a novel which inspired Michael Collins to lead a movement for Irish Independence; an essay in the Illustrated London News that inspired Mahatma Gandhi to lead a movement to end British colonial rule in India.
He wrote countless books, poems, plays, novels and short stories - most famously those about his creation, the priest-detective Father Brown. In 1909 Chesterton moved with his wife to Beaconsfield, at that time a village near to London, and in 1922 he converted to Catholicism. He died on 14 June 1936, at his home and is buried in the Beaconsfield Catholic Cemetery.
Prepare to be shocked. This novel, written in 1796, is a Gothic festival of sex, magic and ghastly, ghostly violence rarely seen in literature. The Monk is remarkably modern in style and tells a breathless tale of temptation, imprisonment and betrayal. Matthew Lewis recounts the downfall of Ambrosio, the holier-than-thou monk seduced within the walls of a Madrid abbey until he heads for the utter corruption of the soul. Meanwhile, two sets of young lovers are thwarted and the reader thrills to pursuits through the woods by bandits and is chilled by the spectre of nuns imprisoned in vermin-ridden and skeleton-crowded vaults.
Late Eighteenth Century audiences were polarised in opinion as to the novel's merits. Lord Byron and the Marquis de Sade were impressed by Lewis's daring, while Coleridge warned parents against The Monk's suitability for their sons or daughters, describing the novel as 'poison for youth. If you want a novel that still terrifies, over two hundred years after it was written, there is none finer than The Monk.
As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships.
At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise.
It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.
The House of the Dead is a stark account of Dostoyevsky's own experience of penal servitude in Siberia. In graphic detail he describes the suffering of the convicts - their squalor and degradation, their terror and resignation, from the rampages of a pyschopath to the brief serenity of Christmas Day. Amid the horror of labour in the sub-zero work camp, we hear the stories of the prisoners, and live through the freezing isolation and pain of day after day of misery. We see a young intellectual forced to live, eat and sleep with men from a background of cruelty, coarseness and brutality.
The Gambler is set in a spa town with its casino and international clientele. Alexey Ivanovitch is a young tutor in the household of a general. He is both observer and actor in the tempest which surrounds his impoverished employer, as he envies and mocks the airs and pretensions of his supposed superiors. Everyone is waiting for the death of Granny, the general's rich aunt, but so far from dying, she turns up alive and well, and makes her way to the casino . .
Set in 1482, Victor Hugo's powerful novel of 'imagination, caprice and fantasy' is a meditation on love, fate, architecture and politics, as well as a compelling recreation of the medieval world at the dawn of the modern age. In a brilliant reworking of the tale of Beauty and the Beast, Hugo creates a host of unforgettable characters -- amongst them, Quasimodo, the hunchback of the title, hopelessly in love with the gypsy girl Esmeralda, the satanic priest Claude Frollo, Clopin Trouillefou, king of the beggars, and Louis X1, King of France.
Over the entire novel, both literally and symbolically, broods the Cathedral of Notre-Dame. Vivid characters and memorable set-piece action scenes combine to bring the past to life in this story of love, lust, betrayal, doom and redemption.
This title features collected works of F. Scott Fitzgerald. Few American novelists of the twentieth century have stayed as modern as F. Scott Fitzgerald. He gave a name to his age, 'the Jazz Age', but his reputation has outlived it. Gathered here are the five novels he wrote in his relatively short career, together with a number of the many short stories he wrote between 1922 and his death in 1940. "This Side of Paradise" catapulted him to fame, its expose of the manners and morals of a post-war generation becoming a cause celebre. "The Beautiful and Damned", a semi-autobiographical moral parable of a doomed marriage, affirmed Fitzgerald's status as the spokesman for the generation of the 1920s. His third novel, "The Great Gatsby", remains for many readers the definitive American novel of the twentieth century, its eponymous hero a complex fictional portrayal of a romantic imagination at the mercy of a corrupt reality. "Tender is the Night" is an American Vanity Fair set on the French Riviera in the 1920s. Fitzgerald was working on "The Last Tycoon" at his death in 1940, and many critics rank his account of Hollywood at the height of the studio system, even in its unfinished state, as comparable to the achievement of "The Great Gatsby".
'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse.
It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one of the most remarkable periods in English history in the aftermath of the French Revolution and this collection, with its detailed introductions and notes, aims to place the poems very much in their context. The collection is ample proof that Keats deservedly achieved his wish to 'be among the English Poets after my death'
The Diamond as Big as the Ritz is an ominous fable about the pursuit of great wealth. Readers will be transported to a fabulous fantasy land of such opulence that its very existence has to remain a jealously guarded secret. Fatal consequences lie in store for 'bona fide' guests and uninvited visitors alike, while the sybaritic luxury of the place is evoked in an effortless prose style which is quintessentially F. Scott Fitzgerald. Also featured in this volume are The Cut-Glass Bowl, May Day, The Rich Boy, Crazy Sunday, An Alcoholic Case, The Lees of Happiness, The Lost Decade and Babylon Revisited.
The diverse tales selected for this volume display the astonishing virtuosity of Rudyard Kipling's early writings. A Nobel prize-winner, Kipling was phenomenally productive and imaginative, displaying a literary mastery of idioms, technology and technical terms, exotic locations, and social range. He gained immense popularity, becoming (as these stories indicate) the knowledgeable spokesman for a wide public.
Later, although Kipling's right-wing views increasingly incurred hostility, his creativity remained formidable. In this rich collection, we encounter bold realism, poignant nostalgia, dark comedy, the vividly horrific, the exuberantly fanciful and the disturbingly uncanny.
This gripping set of tales by the master storyteller Arthur Conan Doyle is bound to thrill and unnerve you. In these twilight excursions, Doyle's vivid imagination for the strange, the grotesque and the frightening is given full rein.
We move from the mysteries of Egypt and the strange powers granted by The Ring of Thoth to the isolated ghostlands of the Arctic in The Captain of the Polestar, we encounter a monstrous creature in The Terror of Blue John Cap and the beings that live above our heads in The Brazilian Cat and The Leather Funnel; and we shudder at the thing in the next room in Lot 249.
Sit down in your uneasy chair and enjoy this unique collection of chillers.
A Tale of Two Cities (1859), Dickens’ greatest historical novel, traces the private lives of a group of people caught up in the cataclysm of the French Revolution and the Terror. Dickens based his historical detail on Carlyle’s great work – The French Revolution – and also on his own observations and investigations during numerous visits to Paris.
‘The best story I have written’ was Dickens’ own verdict on A Tale of Two Cities, and the reader is unlikely to disagree with this judgement of a story which combines historical fact with the author’s unsurpassed genius for poignant tales of human suffering, self-sacrifice, and redemption.
W. B. Yeats was Romantic and Modernist, mystical dreamer and leader of the Irish Literary Revival, Nobel prize winner, dramatist and, above all, poet. He began writing with the intention of putting his 'very self' into his poems. T. S. Eliot, one of many who proclaimed the Irishman's greatness, described him as 'one of those few whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them'. For anyone interested in the literature of the late nineteenth century and the twentieth century, Yeats's work is essential.
This volume gathers the full range of his published poetry, from the hauntingly beautiful early lyrics (by which he is still fondly remembered) to the magnificent later poems which put beyond question his status as major poet of modern times. Paradoxical, proud and passionate, Yeats speaks today as eloquently as ever.
Widely regarded as one of Edith Wharton's greatest achievements, The Age of Innocence is not only subtly satirical, but also a sometimes dark and disturbing comedy of manners in its exploration of the 'eternal triangle' of love.
Set against the backdrop of upper-class New York society during the 1870s, the author's combination of powerful prose combined with a thoroughly researched and meticulous evocation of the manners and style of the period, has delighted readers since the novel's first publication in 1920. In 1921 The Age of Innocence achieved a double distinction - it won the Pulitzer Prize and it was the first time this prestigious award had been won by a woman author.
Marcel Proust (1871-1922) spent the last fourteen years of his life writing "A la recherche du temps perdu". It is an intimate epic, an excavation of the self, and a comedy of manners by turns and all at once. Proust is the twentieth century's Dante, presenting us with a unique, unsettling picture of ourselves as jealous lovers and unmitigated snobs, frittering our lives away, with only the hope of art as a possible salvation. He offers us a form of redemption for a sober and secular age.
Scott Moncrieff's delightful translation was for many years the only access to Proust in English. A labour of love that took him nearly as many years as Proust spent writing the original. Moncrieff's translation strives to capture the extraordinary blend of muscular analysis with poetic reverie that typifies Proust's style. It remains a justly famous classic of translation.
Although the shortest of George Eliot's novels, Silas Marner is one of her most admired and loved works. It tells the sad story of the unjustly exiled Silas Marner - a handloom linen weaver of Raveloe in the agricultural heartland of England - and how he is restored to life by the unlikely means of the orphan child Eppie.
Silas Marner is a tender and moving tale of sin and repentance set in a vanished rural world and holds the reader's attention until the last page as Eppie's bonds of affection for Silas are put to the test.
The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.
Romeo and Juliet is the world's most famous drama of tragic young love. Defying the feud which divides their families, Romeo and Juliet enjoy the fleeting rapture of courtship, marriage and sexual fulfilment; but a combination of old animosities and new coincidences brings them to suicidal deaths.
This play offers a rich mixture of romantic lyricism, bawdy comedy, intimate harmony and sudden violence. Long successful in the theatre, it has also generated numerous operas, ballets and films; and these have helped to make Romeo and Juliet perennially topical.
This specially commissioned selection of Conrad's short stories includes favourites such as Youth, a modern epic of the sea; The Secret Sharer, a thrilling psychological drama; An Outpost of Progress, a blackly comic prelude to Heart of Darkness; Amy Foster, a moving story of a shipwrecked, alienated Pole; and The Lagoon and Karain, two exotic, exciting Malay tales. Il Conde and The Tale are subtle portrayals of bewildered outrage; An Anarchist and The Informer are sardonic depictions of revolutionaries; and Prince Roman is a tale of magnificent, doomed heroism set in Conrad's native Poland during the Uprising of 1831. Both those new to Conrad's work and those familiar with his novels will delight in this wide-ranging collection.
Anton Chekhov is widely regarded as one of the greatest writers of short stories. He constructs stories where action and drama are implied rather than described openly, and which leave much to the reader's imagination. This collection contains some of the most important of his earliest and shortest comic sketches, as well as examples of his great, mature works. Throughout, the doctor-turned-writer displays compassion for human suffering and misfortune, but is always able to see the comical, even farcical aspects of the human condition.
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