You go into a bookshop and buy If on a Winter's Night a Traveller by Italo Calvino. You like it. But alas there is a printer's error in your copy.
You take it back to the shop and get a replacement. But the replacement seems to be a totally different story. You try to track down the original book you were reading but end up with a different narrative again.
This remarkable novel leads you through many different books including a detective adventure, a romance, a satire, an erotic story, a diary and a quest. But the real hero is you, the reader.
When Sam catches sight of Sadie at a crowded train station one winter morning he is catapulted back to the brief time they spent playing together as children. Their unique spark is instantly reignited.
What comes next is a story of friendship and rivalry, fame and creativity, betrayal and tragedy, perfect worlds and imperfect ones. And, ultimately, our need to connect: to be loved and to love.
'A novel about otherness, queerness, and hidden domestic crimes, Shani Mootoo was writing well ahead of her peers around taboo subjects. Cereus Blooms at Night is of Trinidad's finest novels, a portrait of how things really are on an island where there's been so much past hurt. A Caribbean classic'
Monique Roffey, author of THE MERMAID OF BLACK CONCH
'Visceral, sensual and heartbreakingly tender, Cereus Blooms at Night is that rare book which is not only critically acclaimed but has the devoted following of a cult classic. A generation of us in the Caribbean have held it close and pressed it into the hands and hearts of fellow readers knowing that it may never be returned, so strong was our desire to have others share in its wonder. It changed me, utterly, the first time I read it and there have been echoes of Mala Ramchandin and her teeming, crumbling house in everything I have written or tried to write since'
Ayanna Lloyd Banwo, author of WHEN WE WERE BIRDS
The story of motherhood is an endlessly rich one: it's one of love - and all the highs and lows that come with that world-turning emotion - and, in the purest sense, of life itself. Within these pages, some of the finest writers in the world explore motherhood in wildly varying modes, from single parenthood to sisters coparenting, from the deepest hardships to the biggest celebrations.
Selected and introduced by Candice Brathwaite, author of I Am Not Your Baby Mother.
When the world is still counting the cost of the Second World War and the Iron Curtain has descended, young Roland Baines's life is turned upside down. Stranded at boarding school, his vulnerability attracts his piano teacher, Miriam Cornell, leaving scars as well as a memory of love that will never fade.
Twenty-five years later Roland's wife mysteriously vanishes, and he is left alone with their baby son. Her disappearance sparks of journey of discovery that will continue for decades, as Roland confronts the reality of his rootless existence and attempts to embrace the uncertainty - and freedom - of his future.
Molly Bolt is a young lady with a big character. Beautiful, funny and bright, Molly figures out at a young age that she will have to be tough to stay true to herself in 1950s America. In her dealings with boyfriends and girlfriends, in the rocky relationship with her mother and in her determination to pursue her career, she will fight for her right to happiness. Charming, proud and inspiring, Molly is the girl who refuses to be put in a box.
'A wildly entertaining and necessary book' ELIZABETH DAY
'A must-read for every woman' JACQUELINE WILSON
'A laugh-out-loud, haunting and beautifully crafted manual' DREDA SAY MITCHELL
In her early twenties, Christie Watson was convinced she'd found her soulmate, in a glowing flash of light that turned out to be a tealight setting her quilt on fire. Twenty years later, her bed is burning once again… as she wakes in a perimenopausal sweat, night after night.
This is the story of her journey through midlife: of the joy of letting go and the pain of the morning after, of the unstoppable power of female friendship and the struggle to raise teenagers as a single parent. It lays bare the exhilaration, agony, wonder and fears of being a middle-aged woman with a wild heart, a changing body and a new set of challenges. And as her world takes on a different shape, there's something else she starts to feel: the hot flush of possibility…
'Wickedly funny, deliciously candid and deeply moving' RACHEL CLARKE, author of Dear Life
'Give Quilt on Fire to your daughter, mother, sister, friends. A howlingly good midlife battle cry' JESS KIDD, author of Things in Jars
'Brilliant… Like having an honest conversation with a smart and funny friend' CATHY RENTZENBRINK, author of Dear Reader
Discover the haunting, heartbreaking post-apocalyptic tale of female friendship and intimacy set in a deserted world.
Deep underground, thirty-nine women are kept in isolation in a cage. Above ground, a world awaits. Has it been abandoned? Devastated by a virus?
Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. But, as the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner.
Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. The woman who will never know men.
From one of our most provocative literary talents, a novel of haunting metaphysical suspense
'This is a story about what might happen when a woman takes charge... A glorious visceral mystery' The Times
While on her daily walk with her dog in the woods near her home, Vesta comes across a chilling handwritten note. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body.
Shaky even on her best days, Vesta is also alone, and new to the area, having moved here after the death of her husband. Her brooding about the note grows quickly into a full-blown obsession: who was Magda and how did she meet her fate?
From the Booker-shortlisted author of Eileen comes this razor-sharp, chilling and darkly hilarious novel about the stories we tell ourselves and how we strive to obscure the truth.
A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio.
Agnes tells stories of her youth, her family, her marriage, and ideas for her art. As the months pass, it becomes clear that Agnes might not have a place to return to. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas.
White on White is a sharp exploration of what it means to be truly vulnerable and laid bare.
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