Katie Service has years of experience in the beauty industry, working as the Editorial Beauty Director at Harrods and with world-famous makeup artists such as Charlotte Tilbury, and top brands from Chanel to Tom Ford. Here, she shares her secret tips and tricks, giving you the low-down on which ingredients, products and procedures to adopt or avoid, whatever your skin type or budget.
You’ll find advice on the essentials of good skincare, morning routines, ‘on-the-go’ products, evening regimes, SOS skin repair tips and dermatological treatments. Katie even decodes the ingredient lists and symbols on our beauty products, featuring case studies of global best-sellers, from Weleda Skin Food to Glossier Solution.
Packed with first-hand insider knowledge and advice from experts in the industry, The Beauty Brief will have you thinking smarter – and looking better.
This is the perfect book for the man who has everything. It celebrates the gentleman’s search for the perfect sartorial detail, the ideal accessory, or beautiful gift for a loved one.
Presented through the eyes of a connoisseur looking for quality and bespoke goods in London’s key stylistic historic periods, it tells the stories of the personalities, shop-keepers and master craftsmen who have animated the business of luxury goods for centuries. The book is arranged chronologically in six chapters, each followed by three or four profiles of British luxury marques. A reference section presents the London gentleman’s social world, from the shopping arcades to classic hotels and the member’s clubs and antiquarians in between.
Humanity has always been struck by pestilence and pandemics, from the plagues of ancient Egypt to the pox that ravaged Europe in the Middle Ages, to Covid-19. People living through the crises have always recorded what they saw, what they felt, and what they did. Some presented sober facts laced with anecdote, while others produced emotional outpourings; moralists speculated on the origins of the horror, poets distilled the suffering. Doctors described how they were able to advance their understanding of disease and scientists how to cure it, while survivors and the families of victims gave the inside story of the nightmare that develops when a long-feared disease enters your home or your body.
There was a time when to read accounts of the Plague in Wittenburg by Martin Luther or the Great Plague of 1665 by Samuel Pepys – scenes of anguish and woe, empty streets, quarantined houses, closed businesses, overflowing graveyards, heroic doctors and nurses, quack remedies and charlatans – was to enter a disturbing and unfamiliar world. Today, to read the same words is to be hit by a jolt of recognition and understanding. As well as causing a huge loss of life, the Covid pandemic has taught us a great deal about ourselves and the way we live, illuminating tensions at the heart of society. This collection of intimate and revelatory first-hand accounts of pandemics through the ages bears witness to despair, rage, the blackest of humour, heartbreak and hope. These voices hold up a mirror to our own experiences of, and responses to, the crisis today.
Embracing over a thousand years of history and an area stretching from the Atlantic to the borders of India and China, this is an unrivalled synthesis of the arts of Islamic civilization. From the death of the Prophet Muhammad to the present day, Robert Hillenbrand traces the evolution of an extraordinary range of art forms, including architecture, calligraphy, book illumination, painting, ceramics, glassware, textiles and metalwork.
New to this edition is a chapter ranging from c. 1700 to c. 1900, a period very often neglected in books on this subject. Hillenbrand explores how recent centuries, far from being a dark age, saw extraordinary artistic ferment and creativity across the Islamic world. Throughout, full-colour illustrations of masterpieces of Islamic art and architecture – from Moorish Spain to modern Iran – show the far-reaching stylistic developments as well as the recurrent preoccupations that have shaped the arts of Islam since the seventh century.
Painting is a continually expanding and evolving medium. The radical changes that have taken place since the 1960s and 1970s – including the shift from modernism to postmodernism – have been accompanied by fierce debates regarding the place of painting in contemporary culture, and have led to its reinvigoration as a practice, lending it an energy and excitement that persist today.
Renowned critic and art historian Suzanne Hudson offers an intelligent and original survey of the subject, exploring the ways in which the medium is being approached, re-imagined and challenged by contemporary artists. Her rigorous critical record brings together more than 250 eminent artists from around the world, whose diverse ideas and aesthetics characterize the painting of our time. They include Cecily Brown, Njideka Akunyili Crosby, Theaster Gates, Josh Smith, Jenny Saville, Takashi Murakami, Gabriel Orozco, Kara Walker, Kehinde Wiley, Zhang Xiaogang and many others. Hudson’s compelling text is sensitive to issues such as queer narratives, race, activism and climate, and demonstrates the continued relevance of painting today.
Once upon a time pottery schools saw an increase in enrolments whenever the film Ghost aired on television. Today it is all year round. Not since the 1970s has there been this level of interest and appreciation for pottery and ceramics. The return to the handmade has been driven by our increasingly digital lives and there are now more makers, sellers and collectors than ever. There is also a new desire for unique objects made by hand and the imperfections associated with the marks of the maker. Pottery is the vehicle that most aptly captures this authenticity. From decorative pieces to the primarily functional to sculptural works pushing the boundaries of the medium, Clay surveys the richly creative output of over 50 studio potters from around the world. It is a celebration of a new generation of artisans working in clay, a snapshot not necessarily of what is happening at elite gallery level, but rather a behind-the-scenes look at the unique and eclectic offerings from small studios around the world.
Swedish Modern is a playful introduction to the philosophy and heritage of the Swedish interior design and furniture company Svenskt Tenn, founded in 1924 by Estrid Ericson and joined ten years later by designer and architect Josef Frank. Contrary to the rigid modernism that dominated in their day, theirs was a soft and tolerant style, full of variety, fantasy, humour – and elegance.
Line drawings to be coloured in by the reader are integrated with full-page colour reproductions of Josef Frank’s fantastical prints and furniture pieces, the designer’s own sketches, archival photographs and Estrid Ericson’s imaginative room and table settings. Through a creative and engaging series of compositions and short texts, the reader will not only get an insight into the creative process and design philosophy of Estrid Ericson and Josef Frank, but will also see how their legacy is still at the heart of Svenskt Tenn today.
The powerful aesthetic and philosophical framework that Modernism ushered in during the early part of the 20th century revolutionized the built world, transformed our living spaces and lifestyles, and fundamentally changed the way we think about design. As they experimented with new forms, materials and techniques, Modernist designers rejected historical precedents to prioritize function over history and tradition. This comprehensive volume brings together all facets and scales of Modernist design, presenting the vast breadth of both towering and lesser-known figures, and revealing unexpected connections and new insights. With sections on furniture, lighting, glass, ceramics, textiles, industrial and product design, graphic design and posters, architecture and interiors, and featuring profiles of nearly a hundred influential creators, including such iconic figures as Bruno Mathsson, Charlotte Perriand and László Moholy-Nagy, as well as architects Alvar Aalto, Le Corbusier, Eliel Saarinen and Walter Gropius, the book’s scope is unprecedented.
Helmut Newton (1920-2004) lived and worked all over the world and was one of the most internationally famous and controversial photographers of the 20th century. His shots at haute couture and the beau monde are instantly recognizable, having appeared in virtually every major magazine in Europe and the United States. From his early work for Vogue to his portraits of the rich and famous, Newton conveys a unique vision of a wealthy and glamorous world that often shocks but never ceases to fascinate.
The Photofile series brings together the best work of the world’s greatest photographers, in an affordable pocket format. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.
Ambitious and wide-ranging, this is the first single volume to tell the story of the library as a distinct building type, all around the world and from the beginnings of writing to the present day. In its highest form the library is a total work of art, combining painting, sculpture, furniture and architecture. From their designs for the libraries of ancient Rome to those of the Bibliotheque Nationale in Paris, architects have sought to outdo each other by producing ever more spectacular settings.
The author and photographer have travelled the globe, documenting some eighty libraries. Architectural historian James Campbell contributes an authoritative and highly readable account. Will Pryce is one of the world’s leading photographers of interiors and architecture. Arresting and technically flawless, his photographs are both lucid and deeply atmospheric.
This visually rich survey – the first of its kind – showcases the work of over 200 artists and celebrates the explosion of street art in Africa over the last decade. Including eleven in-depth interviews with street artists active in Africa today as well as coverage of the continent’s major street art projects, collectives and festivals, it takes the reader on an introductory tour of the many African street art scenes, with a deeper focus on the most prominent players in Kenya, Morocco, Senegal, South Africa and Tunisia.
Topics and projects covered include the monumental project Murais da Leba in Angola, which saw a huge wall covered by local graffiti and visual artists in the Serra da Leba mountain range; the cultural influences and idiosyncrasies of individual street art scenes, and how they mesh with local communities; and eL Seed’s project ‘Perception’, a huge multi-part mural stretching across more than fifty buildings in Cairo’s Zaraeeb neighbourhood, revealing a message of hope to its marginalized community in the artist’s distinctive ‘calligraffiti’ style.
Text commentaries elaborating on styles and processes, and social and cultural context, are peppered throughout the book, giving the reader further insight into a wealth of striking contemporary visual cultures – and helping make this a must-have for street art fans and practitioners.
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