A step-by-step guide to styling the home with houseplants that promote health, happiness, and well-being.
It’s no secret that time spent in nature is good for us. Nature helps us thrive: it improves our health and well-being and can decrease our stress. But if you don’t have the luxury of a forest at your doorstep, bringing the outside in can provide an immediate connection to the natural world and the many benefits that come with it.
From the founders of the botanical emporium Ivy Muse and the authors of Plant Style comes a practical guide to styling the home for health and harmony using indoor plants. With expert advice on houseplants and how to style and care for them, as well as tips on de´cor, finishes, and furnishings, this book shows how natural elements can be incorporated into almost every room in the house.
Nature Style is a beautiful and helpful guide to creating a natural and nurturing home environment where houseplants are the heroes.
Sophie Bramly lived in New York in the early 1980s and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of legendary hip hop figures, all of whom were only just getting known or in their ascendency. These include Kool Herc, Afrika Bambaataa, Grandmixer DST, Jazzy Jay, Red Alert, Grandmaster Melle Mel, Kurtis Blow, Lisa Lee, the Fat Boys, Run-DMC, Beastie Boys and many more.
Bramly knew that hip hop was becoming a cultural force rather than just a musical fashion, and spent many hours photographing the four essential elements of this new world: the emcees, the deejays, the graffiti artists and the break dancers.
Aside from the musical stars of hip-hop you will also see legendary graffiti artists captured at work and play, such as Keith Haring, Dondi, Futura, Phase One, Zephyr and Lady Pink, and break dancers including members of Magnificent Force, Dynamic Breakers and the Rock Steady Crew.
The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the ‘post-industrial’ body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives.
Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography - including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo and Juergen Teller, Sølve Sundsbø and Daniel Sannwald - Body: The Photobook explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is an essay by the psychologist Professor David Sander, who discusses the neurological representation of our own bodies.
The Baltic States – Lithuania, Latvia and Estonia – retain strong cultural identities that have survived despite centuries of colonization by powerful neighbouring lands. Following the First World War, a particularly rich period of openness and international artistic exchange unfolded. Modernism in all its forms flourished, not only in painting but in sculpture, printmaking, photomontage and the decorative arts, ranging from the elegant abstraction of Arnold Akberg to the provocative figuration of Karlis Padegs and the experimental photography of Domicele Tarabildiene.
Serge Fauchereau covers all the leading art movements of this period as well as retracing the political background of the Baltic nations, from their time under the Tsars and the German crown to the domination of the Soviet Union. With each country showcased in its own lavishly illustrated section, this is a wonderful guide to a vibrant field in European art history that is often overlooked but deserves rediscovery and a place on the global stage.
Manet, Pissarro, Morisot, Cezanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late nineteenth-century France and explains why these particular works are as important as their paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life.
For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolors by Cezanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed.
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