In the history of photography, the lives of the major personalities behind the lens are often as captivating as the images they have left behind. Yet, while certain photographs have become world famous, indelibly printed on the cultural consciousness, the stories of the photographers have been all too often distorted, obfuscated, or overlooked, and their social and political environments misunderstood or forgotten.
Lives of the Great Photographers brings together the engaging and entertaining biographies of thirty-eight pioneers in the field, selected, carefully researched, and narrated by respected photography expert Juliet Hacking. The entries evoke the lives and backgrounds of these landmark figures, bringing new light to their work and forging a better understanding of how they pioneered new techniques and approaches. The text is accompanied by a beautifully curated sampling of images, including many rarely seen portraits and self-portraits.
With entries on Margaret Bourke-White, Brassai, Robert Capa, Henri Cartier-Bresson, Walker Evans, André Kertész, Eadweard Muybridge, Edward Steichen, and many others, Lives of the Great Photographers captures from a new angle the contributions of some of the most masterful image-makers in history.
Attention all hipsters! In November 2012, the worlds coolest camera brand celebrates its 20th anniversary with the publication of this official two-volume slipcased title. Book I features specially commissioned photography showing off all cameras in the vast Lomography range, including every limited edition and the best one-offs ever made. Book II traces the story of the last 20 years of Lomography, as seen through the wonderful and varied world of Lomo lenses. Anecdotes and recollections relate the stuff of Lomo legend. Chronologically organized and featuring the very best photographic material from the 1.5 million-strong Lomography community, this volume is a snapshot of every corner of the lomographic world. This is an absolute must-have package for designers, photographers and hipsters the world over. The future is analogue!
When one of the most visually exciting photographers of our times turns fashion stories into fairy tales, the results are unmistakable and inimitable. Though they may soar in scale and ambition to satisfy in meticulous detail one of fashion photography’s most original eyes, they are painstakingly realized – and with no concession to artificial enhancement.
In this collection of Tim Walker’s dazzling images, everything you see was specially constructed; the make-believe really happened. In Walker’s pursuit of the perfect picture no demand appears too unreasonable, no scenario too outlandish, no objective unattainable. The half-forgotten, slow-paced world he conjures up is one of grandeur mixed with eccentricity, of opulence with romanticism and of time stilled entirely. For the most part it is, to say the least, at odds with the pace of 21st-century life.
Some of the biggest names in fashion and contemporary culture are here: Alber Elbaz sporting a pair of rabbit ears; Agyness Deyn in the sand dunes of Namibia; Alexander McQueen and a memento mori of skull and cigarettes; Helena Bonham Carter poised with Ray-Bans and a Diet Coke; Stella Tennant in a pink cloud among the rhododendrons of an English country garden…
The singer and musician Kate Bush contributes a foreword and Walker himself an afterword, as well as illuminating his pictures throughout with personal observations.
This exceptional and beautifully designed overview of a career caught in mid-flow reveals just how much one man’s singular vision has influenced contemporary tastes in fashion, beauty, glamour and portraiture. So, if ever you have yearned to crash-land a Spitfire in your drawing room, to paint a village yellow, to cut a car in two, to meet a real witch, to swing from several chandeliers, to ride with a pack of foxhounds led by a flying saucer, to pilot a biplane made of French loaves, Tim Walker shows you it is entirely possible. You just have to believe.
Great works of art cannot be fully understood in a single encounter: to get the most out of modern art, it pays to revisit and reconsider, to reflect and to scrutinize in detail. It is also helpful to understand a work’s context: what has gone before, what it may be reacting against or extending, how it embraces new technologies, and how it relates to contemporary thinking on such subjects as politics, sexuality, identity and the role of the artist.
Modern Art in Detail: 75 Masterpieces spotlights the finer points that even those in the know may miss, casting light upon minutiae that a quick glance will almost certainly fail to reveal. Expert commentary reveals the subtle internal details and technical tricks employed by the artist to achieve particular effects. The book also looks at the themes and external and personal factors influencing the creation of an artwork – everything from global political events, to groundbreaking movements such as Cubism, Abstract Expressionism and Pop, and even scientific and mathematical theories, which are often of great relevance. The book examines 75 works of modern art, from Vincent van Gogh’s The Church at Auvers-sur-Oise, through Marcel Duchamp’s The Bride Stripped Bare by her Bachelors, Even and Francis Bacon’s Three Studies for a Crucifixion, to Jeff Koons’s Triple Elvis and Theaster Gates’s Face Over Time.
Approaching each work as part of a tradition that links the oldest work of art to the most recent, it deftly charts the shift from the supremacy of artistic technique to the more recent dominance of the idea behind the artwork itself, as well as being an enlightening, entertaining and accessible guide to a wide range of modern art.
This humorous and handy guide contains all the information aspiring Vikings need to know about life as a Norse warrior. Expert tips include: how to plunder a monastery; how to keep your lunch in stormy seas; what to wear and what not to wear if you want to look like a boss; and how to avoid getting a battleaxe through your chest. Based on the bestselling Viking by historian John Haywood, So you want to be a Viking? features the field's latest scholarship, complemented by the zany illustrations of Japanese cartoonist Takayo Akiyama.
The result is a book that brings to life the experience of being a Viking in 991 ce - from learning to steer a longship to cleaning one's spear after a particularly bloody battle - through a crew of likeable (as well as highly disagreeable) characters.
Described by an admirer as 'the High Druidess of fashion, the Supreme Pontiff, Perpetual Curate and Archpresbyter of elegance, the Vicaress of Style', Diana Vreeland is the cloth from which 21st-century fashion editors are cut. Diana joined Harper's Bazaar in 1936, where her pizzazz and singular point of view quickly made her a major creative force in fashion. During her time at Harper's Bazaar and later as the editor-in-chief of Vogue, the self-styled 'Empress of fashion' launched Twiggy's career, advised Jackie Kennedy, and enjoyed the full swing of sixties' London.
In Diana's Vogue, women were encouraged to resist fashion orders from on high, and to use their own imaginations in re-creating themselves - much as Vreeland spent her own life doing. In this book, Amanda Mackenzie Stuart portrays a visionary: a fearless innovator who inspired designers, models, photographers and artists. Diana Vreeland reinvented the way we think about style and where we go to find it.
As an editor, curator and wit, she made a lasting mark and remains an icon for generations of fashion lovers.
The American Dream: From Pop to present presents an overview of the development of American printmaking since 1960, paying particular attention to key figures such as Jasper Johns, Robert Rauschenberg and Andy Warhol. The 1960s was a period of change in the production, marketing and consumption of prints and the medium attracted a new generation of artists whose attitude towards making art had been conditioned by the monumentality and bold, eye-catching nature of popular imagery in postwar America, from advertising billboards to drive-in movies. Artists used to working on large canvases and huge sculptures created prints of an unprecedented ambition, scale and boldness in state-of-the-art workshops newly established on both the East and West coasts.
Prints also became a means for expressing opinions on the great social issues of the day, from civil rights to the overt and covert role of government. This has continued, with feminism, gender, the body, race and identity, all topics represented in prints in a variety of stylistic approaches across the decades. The changing nature of American society provides a core element of the narrative, with prints offering a fascinating insight into contemporary thinking and attitudes.
This beautiful and engaging volume charts the evolution of manga from its roots in late 19th-century Japan through the many and varied forms of comics, cartoons and animation created throughout Asia for more than 100 years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of cultural and aesthetic ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War with the emergence of such artists as Osamu Tezuka, whose pioneering Astro Boy spawned a new and much imitated visual dynamic.
He highlights how creators have responded to political events since 1950 in the form of propaganda, criticism and commentary in manga magazines, comics and books. There have been many remarkably powerful and sophisticated graphic novels, although some sexually explicit and emotionally dark adult manga has also attracted criticism, raising questions about taste and acceptability. Gravett discusses the influence of censorship on manga and concludes with a survey of current multi- platform offerings of manga in Asia and the transition from cut-price rental libraries to the booming specialist emporia and comic conventions that champion the kaleidoscope of creativity apparent in the digital age.
Logos, packages, signs, publications, websites: in the modern world we are surrounded by graphic design. Where does it come from? Why does it look that way? What is it supposed to do?
How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world is the career monograph from graphic designer Michael Bierut. Using examples from a portfolio spanning five decades, Bierut provides the answers, describing three dozen projects from start to finish, with insights into the creative process, his working life, his relationship with clients, and the challenges that any creative person faces in bringing innovative work into the world today.
The spirit of exploration is alive and well in the twenty-first century. This collection of thrilling and inspiring accounts from today’s most intrepid explorers offers a unique insight into what it is like to be on an expedition – to be dragged through the top of the rainforest canopy in an inflatable raft suspended from a balloon; to trek across inhospitable desert with your water supply running out; to inch up a sheer rock wall to conquer a summit never climbed before; to pedal a boat solo across the Pacific; or to stand on the edge of an erupting volcano. The passion, courage and resilience of these modern explorers come to life in their stories of epic journeys to some of the most remote parts of the planet in extreme conditions, often alone and never far from danger.
The definition of a supergraphic has changed over the last twenty years. Once, only a large decorative design on a wall or building was a supergraphic. Today it encompasses architectural delineation wayfinding and identifying signage, illustrative murals, and branding elements.
A supergraphic can take the form of an enormous logo on the side of a building, a wall of multi-colored squares, or an oversized restroom symbol. Digital technology now allows for interaction and screen-based media on a large scale. The audience can now truly communicate with an architectural space in a unique and personal manner.
The difference between a large overwrought design on the wall and a successful supergraphic is typically based on two points: a strong concept, and interaction with the architecture, light and space. Many people can paint stripes on a wall. But a designer can use the entire volume, sense place, context and changing environment to create a story with words, colour and shapes.
This book includes examples of the best supergraphics internationally. These are evidence of the sense of delight when a beautifully crafted graphic solution and smart concept are married to remarkable architecture
A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin. Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and 'Swinging London' in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things.
They asked the question 'what can painting do?' and explored in their diverse ways, but with equal passion, the possibilities of paint.
This landmark publication presents, for the first time ever, 500 of the very best and previously unpublished graphic works by cinema's master of film. Created in collaboration with RGALI - the Russian State Archive of Literature and Arts - this book traces Eisenstein's extraordinary life and career through the distinctive yet evolving styles of his drawings, from early childhood sketches to set and costume designs, and from surreal pshychoanalytic drawings to late abstract works. Foremost Eisenstein scholar Naum Kleiman brings fresh and incredible insights into the motivation and purpose of the drawings, and reflects upon excerpts from Eisenstein's own discursive texts, some published here for the first time.
Comparative frames from Eisenstein's movies - scanned from the original film - together with a biographical introduction and a foreword by Martin Scorsese completes the revelatory and arresting picture.
Paper crafts are as old as paper itself, with a profusion of different techniques and traditions originating around the world. Paper is affordable, ephemeral and easily manipulated, and has long inspired makers from humble folk crafters to fine artists and fashion designers. The book begins with a practical guide to tools, techniques and materials for the modern paper crafter.
Chapters cover Folding, Cutting, Sticking and Forming. Each introduces a range of paper craft traditions and offers maker's projects inspired by them. With projects ranging from braided paper string jewelry to a concertina papercut peepshow, from a silhouette family portrait to a handmade paper notebook, this book will introduce makers to the immensely exciting creative possibilities of paper.
Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity. Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time.
A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself. Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today.
Pocket Museum: Vikings brings together nearly 200 of the most remarkable artefacts that are held in museum collections around the world. Although the popular image of the Vikings is one of wild, violent raiders, the objects in this book reveal a more complex society comprised of pioneering explorers and master metalworkers who established a far-reaching trade network. From the vast Oseberg ship to a tiny valkyrie pendant, and from simple wooden panpipes to the unparalleled collection of silver items in the Spillings Hoard, each object provides an important insight into this most fascinating of cultures.
Digital communication has seen the word as text permeate life in ways that the poets and artists of yesterday could never have imagined. Presenting a history of word- and book-based art, and examining major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.
What value can text hold in the sphere of visual art? How is such text different from poetry? Can the poetic itself be visual art, or is text in this context consigned to the realms of gimmick and catchphrase? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Tracey Emin, Jenny Holzer, Shirin Neshat and many more, The Word is Art examines each of these questions, contending above all that in the digital age, words have become more important than ever.
With the advent of texting and social media, many predicted the debasement of language, and some have pointed to evidence of this in our so-called ‘post-truth’ culture. Michael Petry demonstrates that, on the contrary, words remain critical, powerful and central to art practice.
In the first book of its kind, Aaron Rosen tells the story of how art developed across the world. He takes young readers on a journey through art history, from the Palaeolithic period to the present day, stopping off at thirty different locations around the world. As readers travel from one incredible destination to the next, they will discover the remarkable network of caves carved into the rock in ad 500 at Ajanta, India; Cambodia's remarkable Angkor Wat as it stood in ad 1200; the glories of Renaissance Florence in ad 1500; and the remarkable energy in New York in the 1950s.
At every stop-off point readers will encounter stories of astonishing artworks and the cultures that gave birth to them. There are three sections: prehistoric and ancient; medieval and early modern; and modern and contemporary. At each location, two beautifully illustrated spreads allow children to engage with the art, artifacts and culture of a unique place in time.
Along the way, key movements and ideas are picked out and explained for a young audience. A Journey Through Art is the perfect companion for young explorers of the world's cultural history.
This comprehensive survey of optical illusions includes an astonishing range of images from ancient times to the present. Covering illusions of depth, inversions, vibration effects, ambiguous figures, camouflage, anamorphic art, tessellations and other brain-teasing illusions, it presents examples from psychology, the popular press, the decorative arts, contemporary street art and the fine arts. M.C. Escher, Picasso, Vasarely, Magritte, Liu Bolin, Jos de Mey and other artists are generously represented. Reflecting author Paul Baars's deep engagement with the art and science of optical illusions, this book supersedes all others on the subject.
The face is not only central to identity, but is also the primary vehicle for human expression, emotion and character. It also signifies intellect and power, and has often been regarded as a window into the soul. Above all, it is the focus of our attention whenever we encounter another individual.
But how have different cultures depicted faces, whether a likeness or idealized, whether masked or revealed, whether newborn, in the prime of life, dying or even deceased? Why has the depiction of the human face been so central to artistic expression in all world cultures, and why has it sometimes even been defaced or destroyed by iconoclasts and others? Debra N. Mancoff explores the depiction of the human face through the full range of objects and works of art in the collection of the British Museum, and discovers how the face subtly conveys the full spectrum of human emotion. Arranged thematically, the book's chapters each begin with a brief introduction before depicting faces in various visually led pairings and groupings that encourage the reader to look for associations regardless of the objects' cultural origins.
Some of the juxtapositions are allowed to speak for themselves; others are explored through brief narrative captions. Some of the juxtapositions raise a smile; others are surprisingly affecting. This book will both fascinate and delight the reader, offering insights into experiences that we all share as human beings and that our faces inevitably reveal.
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