Becoming a successful fashion designer involves understanding a wide variety of core principles. This foundation course is an ideal introduction for students, dressmakers and anyone interested in the creative side of fashion. Step-by-step tutorials, practical exercises and inspirational interviews with industry professionals teach you how to create your own unique fashion design collections.
Design schools around the world are now emphasising design thinking and conceptualisation more than just mere skill building. Packed with scores of new images, this new and fully updated edition provides students with more diverse methods of creating fashion, including digital design iteration and final projects, fabric design development, 3D 'sketching' on the dress form, paper collage design techniques and much more.
This book concludes with practical advice for anyone considering a career in fashion, offering ideas on building a portfolio, preparing for interviews and continuing on a path to a professional career.
Liam Wong’s world starts after dark and ends at first light. When the night draws in and the lights go down, his urban explorations and cinematic narratives truly begin.
In his previous career as a game designer, Wong learned that ‘real life is just as potent, bizarre and interesting as things we can imagine.’ In his début monograph, TO:KY:OO, he captured the beauty of the city at night. In this new publication, Wong widens his lens from the city that became his photographic muse to Osaka, Kyoto, London, Seoul, Paris and more.
The eerie emptiness of London’s Piccadilly Circus at 4:00 am, silhouettes in Seoul captured during monsoon season, a salaryman waiting on an empty subway platform in Tokyo’s Akihabara district in front of the world’s largest electronics store – mysterious ghosts representing lives lived in shadow, portrayed as intricate cinematic visions, all before the sun rises. In this evocative study of cities after midnight, Wong documents how people and places are altered when darkness falls. He weaves slivers of life, delicate and covert threads, into an insomniac’s journey through the solitude and uncertainty of the night.
When Vivian Maier’s archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Little- known during her lifetime, Maier is now recognized as one of the great American photographers of the twentieth century. Born in New York in 1926 to an Austro-Hungarian father and French mother, she lived in France several times in her youth and worked as a governess in New York and Chicago for much of her adult life. It was during her years as a governess that she took many of the photographs that have made her posthumously famous. Now the subject of films and books, Maier lived in relative obscurity until her death in 2009.
Maier’s incredible body of work consists of more than 150,000 photographic images, super 8 and 16 mm films, various recordings, and a multitude of undeveloped films. Working primarily as a street photographer, Maier’s work has been compared with such luminaries as Helen Levitt, Robert Frank, Diane Arbus, and Joel Meyerowitz.
Thanks to unpublished archives and recent scientific analyses, this retrospective volume sheds new light on Maier’s work as it documents the artistry of her photographic oeuvre. With texts by Anne Morin and Christa Bluëmlinger, this detailed look at Maier’s entire archive is organized thematically into sections that cover self-portraits, the street, portraits, gestures, cinematography, children, color work, and forms. A valuable addition to the continuing assessment of Maier’s work, this book is a one- volume compendium of her most enduring images.
This beautiful, in-depth reference book by illustration professor Martin Salisbury explores drawing for illustration. Salisbury places a special emphasis on drawing, treating it as a fundamental skill that every illustrator should engage with. Assisting students through exercises and case studies, this guide explores the often-unseen world of draftsmanship that underpins finished illustration work.
From book illustration to graphic novels and caricatures to commercial design, this attractive volume draws on sketchbooks, projects, and historical examples to show how they started as drawings from observation and drawings from imagination.
Salisbury starts out by explaining the fundamentals of this exciting discipline before outlining the basic principles of line, tone, composition, and color through inspired examples. Different approaches to drawing, including anecdotal, sequential, and reportage, are examined to help students acquire their own personal visual language. Interviews with illustrators also provide valuable insights into the creative process, as they discuss the challenges, rewards, and what drawing personally means for them.
Visually appealing, Drawing for Illustration features detailed analysis of works by key illustrators from the past and present, including George Cruikshank, Ronald Searle, Sheila Robinson, Laura Carlin, Alexis Deacon, and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.
Why do we reach for the red rose on Valentine’s day? Where did the owl gain its reputation for wisdom? Why should you never trust a fox? In this visual tour through art history, Matthew Wilson pieces together a global visual language enshrined in art: the language of symbols.
Symbols exert a strong hold in the image-saturated 21st century, and have done so for thousands of years. From national emblems to corporate logos and emojis, our day-to-day lives abound with icons with roots in the distant past. Expert art historian Matthew Wilson traces the often surprising trajectories that symbols have taken through history, from their original purposes to their modern meanings, identifying the common themes and ideas that link seemingly disparate cultures. Thus we meet the falcon as a symbol of authority from the ancient Egyptian pharaohs to the medieval aristocracy; the dog as stalwart companion from the classical era to the Renaissance; and the mythical phoenix as a symbol of female power connecting a queen in England with a goddess in China. We also see moments of radical reinterpretation and change: the transformation of the swastika from an auspicious symbol of hope to one of hate.
From Palaeolithic cave paintings to contemporary installations, Wilson deftly guides us through this world of symbols, showcasing their enduring ability to express power, hope, fear and faith, and to create and communicate identities, uniting – or dividing – the people that made them.
For two centuries, the city-republic of Siena was home to a brilliant succession of painters who created some of the greatest masterpieces of all time; an imagery unmatched in colouristic intensity and spatial experimentation. This overview, now revised and updated, is an essential introduction to this extraordinary artistic tradition. Taking a broadly chronological approach, it moves from the 14th-century Siena of Duccio, Simone Martini and the Lorenzetti brothers, to the 15th-century city of Sassetta and Giovanni di Paolo.
Perceptive visual analysis of the distinctive styles and conventions of Sienese painting is combined with clear explanations of traditional techniques such as fresco and tempera. The works are also placed in their social and religious context through discussion of Siena’s system of government, its civic consciousness, the importance of the Franciscan movement and the cults of local saints.
An accomplished writer as well as a practising artist, Timothy Hyman brings breadth of knowledge and experience to this extensively illustrated book, brilliantly conveying his personal enthusiasm for Sienese art.
Outsider art is work created by self-taught isolates, untrained visionaries, spiritualists, folk artists, psychiatric patients, prisoners, and others beyond the imposed margins of society and the art market. Coined by Roger Cardinal in 1972 as an English equivalent for Jean Dubuffet’s category of ‘art brut’ – literally ‘raw art’ – and originally regarded as defining a distinctly western phenomenon, the term has come to encompass a wide variety of work produced across the world.
In this indispensable guide, substantially revised and updated with greater coverage of global practitioners, Colin Rhodes surveys the history and reception of outsider art, while providing fresh insights into the achievements of both major figures and recently discovered artists. From now canonical and widely celebrated artists including Nek Chand, Aloïse Corbaz, Henry Darger, Madge Gill and Adolf Wölfli, to contemporary practitioners such as Noviadi Angkasapura, Marilena Pelosi and Shinichi Sawada, these individuals passionately and obsessively pursue the pictorial expression of their vision.
Georgia O’Keeffe (1887–1986) was a major figure in American art for seven decades. Throughout that long and prolific career she remained true to her unique artistic vision, creating a highly distinctive and individual style that synthesized the formal language of modern European abstraction and the themes of traditional American pictorialism, painting innovative artworks noted for their vibrant colour and smooth, sinuous forms. The main subjects to which she returned again and again were the flowers, animal bones and landscapes around her studios in Lake George, New York, and finally New Mexico, with which she has been ultimately identified.
Written by a noted authority on O’Keeffe and her work, this comprehensive and revealing introduction surveys the artist’s complete oeuvre – drawings, watercolours and paintings from all periods – and explains her life in the context of her artistic output. This new edition features colour reproductions of artworks throughout.
Acknowledging how architecture, painting, sculpture and the decorative arts reflect the culture and society of their time, this book in the Art Essentials series invites the reader to experience and appreciate the entirety of Western art from prehistory to today.
Focusing on the ‘history’ in art history, each of the twelve chapters opens with a question to ponder, followed by a summary of the major historical developments of the period, touching on social structure, political organization, migration, race, religious beliefs, scientific advances and customs. An exploration of these themes in the visual arts reveals how architecture, sculpture and painting simultaneously shape, reflect, and document the culture of the time and place they were created. A secondary focus explores the constantly evolving aesthetic preferences that swing between naturalism and abstraction, with each era and style either rebelling against the previous or seeking to improve it. Antecedents and outside influences are also discussed.
In the 21st century photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. This book provides an introduction to the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged, ‘directorial’ spectacle. The vast span of photographers whose work is reproduced includes established artists such as Isa Genzken, Jeff Wall, Sophie Calle, Thomas Demand, Nan Goldin and Sherry Levine, as well as emerging talents such as Sara VanDerBeek, Rashid Johnson, Viviane Sassen and Amalia Ulman. This new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Adding to the wide selection featured of work, Cotton celebrates a new generation of artists, who are shaping photography as a culturally significant medium for our current socio-political climate.
Showcasing more than one hundred objects and buildings — from Byzantine icons and wooden churches to gold-domed cathedrals, folk art, and avant-garde masterpieces — Treasures of Ukraine chronicles the rich arts and heritage of a country currently facing destruction and devastation. The significance of the pieces is explained by renowned artists, curators, and critics, revealing the nation’s complex history and its impact on the present. From the development of ancient cultures like Trypillia and Scythia to early states such as Kyivan Rus and the Cossack Hetmanate, to the dawn of Modernism and the striking contemporary paintings and political artworks being produced today, Treasures of Ukraine reminds us that art and monuments represent powerful sources of collective memory and identity.
All proceeds will be donated to PEN Ukraine, to help Ukrainian authors in need and support museums in Ukraine.
"Featuring fabric designs by more than one hundred of the world's top fashion designers and brands, and over 1,100 colour and black and white images, this is the most comprehensive sourcebook of fashion fabrics ever produced. The huge, varied collection of swatches reproduced in this book ranges from examples by contemporary designers working at the cutting edge of technology to the creations of historic fashion houses famous for their heritage textiles. The final section of the book features informative step-by-step photographs of different processes involved in the production of fashion fabrics.
These factory photoshoots (digital and screen printing, discharge printing, knitwear, hand embroidery, hand weaving, jacquard weaving, lace) offer an invaluable insight into the world of fabric manufacturing today."
If all the portable artifacts of Ancient Rome were in a single location, the lives of students, historians, and connoisseurs would be immeasurably simpler. But the masterpieces are in museums all over the world. This book identifies 200 of the most important of these works, and describes them vividly and informatively in ways that reveal how each is a key object in its own right - a creation that commemorates a great event or heralds the start of a new era in creativity or politics.
From coins of the fifth century bce to pottery made at the time of the fall of the Western Roman Empire in 476 ce, each object reveals an important insight into this highly influential ancient civilization.
This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as “Art Deco.”
The works shown demonstrate a broad range of styles and influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions, and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic to which architects were drawn towards 1930. The author organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, and others); the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned by éditeurs d’art and foundries from sculptors as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from around the world.
With artists’ biographies, details of manufacturers, a full glossary, and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style.
Tents, bandstands, displays, places for sitting, listening, seeing and being seen... Pavilions have myriad forms and as many functions. For architects and designers, they offer unique opportunities to experiment with form, construction, material, structure, surface and texture, often as prototypes for larger buildings or as purely artistic pursuits. A pavilion’s particular location also offers rich possibilities for interaction with the landscapes, streetscapes and peoplescapes around it. Pavilions can be temples to digital interaction or provide oases of surreal calm and isolation. This is a selection of the best examples produced in recent years. From the cutting- edge forms of Sou Fujimoto to Zaha Hadid’s Chanel pavilion, from small structures created entirely out of farm waste to a mirrored carapace conceived by Olafur Eliasson, each pavilion featured provides a lesson in the extreme possibilities of built form and demonstrates that many of the biggest ideas in architecture start small.
Jewelry from Nature" explores 200 years of fine jewelry made from natural materials, worn by style icons including the Duchess of Windsor, Coco Chanel and Diana Vreeland. Among the jewelers included are Cartier (whose Art Deco pieces in coral are icons of their era), Van Cleef & Arpels, Boivin, Faberge, Verdura (whose seashell brooches from the 1940s are collectors items), Schlumberger, Hermes, Lalique, Seaman Schepps and Tiffany. The book also features a host of important contemporary designers, notably Patricia von Musulin, Ted Muehling and Liv Blavarp. This timely and unique study of a key theme in jewelry design will appeal to makers, dealers, curators, collectors and historians.
The magazine has redefined the boundaries and possibilities of contemporary art photography, and is renowned worldwide for unearthing fresh talent and influencing galleries and collectors alike.
Masterfully curated by Eyemazing Susan, founder of Eyemazing magazine and one of the most original minds in the photography world today, this comprehensive book is just as groundbreaking as the magazine itself.
Featuring work by 131 photographers, including such famous figures as Michael Ackerman, Bettina Rheims, Sally Mann and Roger Ballen, alongside those Eyemazing Susan has discovered and championed, this book brings together a selection of the best work published in Eyemazing magazine over the last ten years into two ethereal streams of imagery: ‘Dreams and Memories of a Past Life’ and ‘Our Body, Our Cage. Our Body, Our Home’.
With outstanding reproductions on an ambitious scale and supporting essays and biographical profiles of the featured artists, Eyemazing is an unprecedented opportunity to have the very best of the new collectible art photography in a single, novel volume.
Leonardo da Vinci (1452-1519) was a painter, architect, inventor and student of all things scientific. His natural genius crossed so many disciplines that he epitomized the term `Renaissance man'. Today he remains best known for his art, including two paintings that remain among the world's most famous and admired, Mona Lisa and The Last Supper.
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