A step-by-step guide to styling the home with houseplants that promote health, happiness, and well-being.
It’s no secret that time spent in nature is good for us. Nature helps us thrive: it improves our health and well-being and can decrease our stress. But if you don’t have the luxury of a forest at your doorstep, bringing the outside in can provide an immediate connection to the natural world and the many benefits that come with it.
From the founders of the botanical emporium Ivy Muse and the authors of Plant Style comes a practical guide to styling the home for health and harmony using indoor plants. With expert advice on houseplants and how to style and care for them, as well as tips on de´cor, finishes, and furnishings, this book shows how natural elements can be incorporated into almost every room in the house.
Nature Style is a beautiful and helpful guide to creating a natural and nurturing home environment where houseplants are the heroes.
Sophie Bramly lived in New York in the early 1980s and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of legendary hip hop figures, all of whom were only just getting known or in their ascendency. These include Kool Herc, Afrika Bambaataa, Grandmixer DST, Jazzy Jay, Red Alert, Grandmaster Melle Mel, Kurtis Blow, Lisa Lee, the Fat Boys, Run-DMC, Beastie Boys and many more.
Bramly knew that hip hop was becoming a cultural force rather than just a musical fashion, and spent many hours photographing the four essential elements of this new world: the emcees, the deejays, the graffiti artists and the break dancers.
Aside from the musical stars of hip-hop you will also see legendary graffiti artists captured at work and play, such as Keith Haring, Dondi, Futura, Phase One, Zephyr and Lady Pink, and break dancers including members of Magnificent Force, Dynamic Breakers and the Rock Steady Crew.
The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the ‘post-industrial’ body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives.
Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography - including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo and Juergen Teller, Sølve Sundsbø and Daniel Sannwald - Body: The Photobook explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is an essay by the psychologist Professor David Sander, who discusses the neurological representation of our own bodies.
The Baltic States – Lithuania, Latvia and Estonia – retain strong cultural identities that have survived despite centuries of colonization by powerful neighbouring lands. Following the First World War, a particularly rich period of openness and international artistic exchange unfolded. Modernism in all its forms flourished, not only in painting but in sculpture, printmaking, photomontage and the decorative arts, ranging from the elegant abstraction of Arnold Akberg to the provocative figuration of Karlis Padegs and the experimental photography of Domicele Tarabildiene.
Serge Fauchereau covers all the leading art movements of this period as well as retracing the political background of the Baltic nations, from their time under the Tsars and the German crown to the domination of the Soviet Union. With each country showcased in its own lavishly illustrated section, this is a wonderful guide to a vibrant field in European art history that is often overlooked but deserves rediscovery and a place on the global stage.
Manet, Pissarro, Morisot, Cezanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late nineteenth-century France and explains why these particular works are as important as their paintings in the representation of modernity. A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life.
For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolors by Cezanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art. The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed.
From the daguerreotype to the digital age, Face Time is an accessible introduction to one of photography's most popular subjects: ourselves. With over 250 illustrations, it presents rarely seen treasures alongside works by the greatest names in photography, including nineteenth-century pioneers Hippolyte Bayard and Julia Margaret Cameron, twentieth-century masters Edward Weston, Lee Miller and Richard Avedon, and contemporary groundbreakers Newsha Tavakolian, Rineke Dijkstra and Zanele Muholi. It also immortalizes some of photography's most iconic subjects, such as Queen Elizabeth II, Barack Obama, Marilyn Monroe, Frida Kahlo and many others.
Transcending time and space, the book adopts a fresh, thematic approach to the history of photographic portraiture in eight chapters, tracing a wide range of applications and influences across the spheres of art, advertising, anthropology, fashion, narrative, documentary and vernacular photography. Informative and insightful introductions to each theme are followed by unexpected and thought-provoking curations of photographs, as well as detailed commentaries on key images. The result is an ambitiously curated and visually entertaining introduction to the history and themes of photographic portraiture, and an inspiring journey through the ever-elusive question of human identity.
Vogue Paris has always been so much more than a fashion magazine. It has assumed a central and vital role on the international cultural stage, with a history that spans the most inventive decades in fashion and taste, and in the arts and society. It has acted as a cultural bellwether, putting fashion in the context of the larger world in which we live and mirroring its times – the postwar renaissance of Paris and haute couture, the New Wave, the radical seventies, the glamorous eighties. As it enters its second century, it remains at the cutting edge of photography and design.
William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy.
A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker. Morris’s whole approach still resonates today, and his designs are popular and much admired.
Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a comprehensive, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.
In a climate that ranges from cold, dark and unforgiving to endless sun and crystalline skies, the homes of the Nordic countries are lifted by ever-changing and dramatic natural light balanced by an intrinsic sense of warmth. Nordic architects today are as much informed by vernacular traditions and natural materials as their forebears, but the most recent generation of practitioners reflects a new appetite for spatial exploration and changing lifestyles.
Divided into four chapters – rural cabins, coastal retreats, town houses and country homes – this survey of over forty of Scandinavia’s finest and most innovative houses features work by a broad spectrum of leading architects, such as Jon Danielsen Aarhus, Tham & Videgård, Snorre Stinessen, Reiulf Ramstad and Todd Saunders. Structured by terrain to reveal the full diversity of the landscape and its architectural challenges, the book is full of fresh thinking about living spaces that are at once universal and distinctively Nordic. From country houses complete with traditional Nordic fireplaces, saunas, window seats and verandas, to remote cabin hideaways and artist’s studios, there are details and grand ideas that can be applied to residential design anywhere. A reference section includes an appendix of architectural plans.
Ferns are back in the bathroom, cacti are sitting on plant stands and you don’t have to look far to see a devil’s ivy hanging from a ceiling. Indoor plants are the ultimate indoor accessory. Softening interiors and readily available, they are also a stylist’s best friend. However, it’s their power to transform a sterile space into an urban sanctuary that makes them more than just an inanimate prop – all you need to know is how to use them.
From the founders of Australian plant-wares label, Ivy Muse, comes this charming guide on how to turn your home into a jungle-like retreat. With design-savvy tips and expert advice, you’ll learn all there is to know about decorating with plants and botanical styling plus the necessities like light requirements and when to water and feed. From bathroom to boudoir to every room in between, create your very own green oasis with Plant Style.
2017 marks the 70th anniversary of the House of Dior. It was in 1947 that Christian Dior presented his first collection and heralded the birth of a new fashion silhouette for women. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture.
For this book, seventy of the most memorable looks created Christian Dior and his successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri – have been specially selected and photographed in fascinating detail. These wonderful designs are also featured in sketches, runway shots and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Patrick Demarchelier, Paolo Roversi, Peter Lindbergh, Mario Testino and Nick Knight.
Recurring themes from the history of Dior are discussed in depth: the concept of line and architecture in fashion; the influence of history and art (the Palace of Versailles, the Empire style, Impressionism, the Belle Époque, the Ballets Russes, Picasso, Dalí, Pollock); the use of colour; the influence of gardens and landscapes as sources of inspiration; and, of course, the brand’s muses and famous clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Elizabeth Taylor, Isabelle Adjani, Princess Diana, Marion Cotillard, Charlize Theron, Natalie Portman, Jennifer Lawrence and more.
The Year That Changed Our World is a definitive, visual history of the Covid-19 Pandemic. With more than 450 photographs, this ambitious publication traces the arc of the Pandemic from early 2020 through to the vaccine breakthroughs of Spring 2021.
Here, the talented photographers of Agence France Presse document the deep, human stories of the Pandemic. Active in more than 150 countries, these capture all sides of the Covid-19 story as experienced by people throughout the globe. Organized into six chronological parts, and braided together with thematic breakout sections, including topics such as protests, sports, and politics, The Year That Changed Our World is a comprehensive time capsule. These images show the extraordinary efforts to understand, control, and cope with a previously unknown virus alongside the human stories of our lives at home: playing, caring, watching, and sharing, both together and at a distance.
Edited by Marielle Eudes, Director of Photography at Agence France Presse, and featuring, texts, quotes and insights from a range of contributors and public figures, The Year That Changed Our World is a photographic testament to humankind’s resilience in the face of the pandemic. The book’s arresting imagery provides a visual record for us and for future generations to better understand the world during the time of Covid-19.
The first comprehensive presentation of Versace’s womenswear collections from its 1978 debut to today, seen through stunning catwalk photography
Founded in 1978, Gianni Versace’s family-operated fashion house quickly grew into a symbol of high glamour and luxury known the world over. Throughout the 1980s and 1990s Versace’s styles were worn by iconic celebrities such as Madonna and Princess Diana. After Gianni Versace’s tragic death in 1997, his sister Donatella became artistic director of the brand, steering it into the twenty-first century and cementing its legendary status for a new generation of fans.
This magnificent celebration of more than forty years of Versace’s trendsetting creations is organized chronologically and includes both haute-couture and ready-to-wear collections. Each collection is introduced by a short text revealing its influences and is illustrated with catwalk photographs that feature clothes, details, accessories, and beauty looks showcased by models including Kate Moss, Naomi Campbell, Gigi Hadid, and Kaia Gerber. With an extensive reference section, a concise history of the house, and biographical profiles of Gianni Versace and Donatella Versace, this volume provides an unrivaled view of one of the world’s most illustrious fashion houses.
Crumbling ruins, undead fiends, dark alleys and forests teeming with horrors seen and unseen: the tendrils of the Gothic have crept out of the architecture of churches, mosques and grand houses and into suburban malls, overcrowded cities, the deserted corners of the world and beyond, taking the shape of monsters from Beowulf to Gojira, Cthulhu or the wendigo to our own terrifying, warped reflections. Across time, form and media, this book traces the weaving path of the Gothic from the shadows of history to the very heart of popular culture today.
This beautifully illustrated book brings to life the greatest treasures from the tomb of Tutankhamun. Fifty of the most important objects on display today are each accompanied by a short, accessible text giving the reader just enough information to understand their relevance and importance while retaining a sense of wonder at these ancient artefacts.
Each carefully selected object is presented with a full-page colour image and a facing text explaining what the object is, where it was found and why it was buried with the young Pharaoh. There are quotes throughout the text from Howard Carter on his discovery of the tomb in 1922. An introduction by the esteemed Egyptologist Garry Shaw gives a brief overview of the history of ancient Egypt and sets out what we know about the life and times of the young king. He offers a graphic depiction of the dramatic story of the discovery and opening of the tomb by Howard Carter in 1922, and touches on the latest theories and scientific work that has taken place, as well as explaining what is still left to be discovered and the controversial nature of some of the latest interpretations.
This is the perfect pocket-sized companion for anyone visiting the international travelling Tutankhamun exhibition, the New Egyptian Museum in Giza or any of the renowned collections of Egyptology in museums across the world.
With the assistance of her close friend Mark Bego, founding member Mary Wilson tells the complete story of The Supremes, both on- and off-stage, from their beginnings as The Primettes in June 1959 to their 1964 breakthrough Motown hit, ‘Where Did Our Love Go’, and from the departure of Diana Ross to the group’s comeback in the mid-1970s. Packed with personal ancedotes and reflections from Mary herself, the text is accompanied by rare archive photography and ephemera, much taken from Mary’s personal collection.
The Supremes have always been synonymous with glamorous, elegant co-ordinated costumes. Supreme Glamour complements and extends their inspiring story by interleaving text sections with the cream of Mary Wilson’s unparalleled collection of Supremes outfits, showcasing thirty-five of the most eye-catching ensembles, painstakingly re-assembled and photographed on the Grammy museum stage. Detailed captions accompany each photograph, providing all the key information about the design, the fabric, the embellishments, and the occasion on which each was first worn. Contemporary photos of The Supremes wearing the outfits bring the costumes to life.
This sumptuous volume builds a complete picture of the charm and sophistication of The Supremes. Supreme Glamour is sure to appeal to fashionistas, Supremes enthusiasts, Mary’s numerous fans and visitors to her frequent exhibitions of the Mary Wilson/Supremes Gown Collection.
This richly illustrated, easy-to-navigate sourcebook of surface pattern and three-dimensional ornamentation presents more than one thousand historic and contemporary examples from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also three-dimensional ornamentation and embellishment, from Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture.
Creatives working today are as fascinated and inspired by pattern and ornament as they have always been and this expertly compiled selection will appeal to designers, artists, and illustrators from all disciplines as well as anyone interested in visual and material culture.
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