W tej strefie zapraszamy czytelników tak zwane artystyczne dusze po książki z kategorii Sztuka. Polecamy szereg publikacji o sztuce i jej historii,ciekawostki i portfolia artystów, eseje, albumy, książki o malarstwie, rzeźbiarstwie, architekturze oraz histoii fotografii. Biografie ciekawych artystów, książki i powieści przedstawiające fascynujące losy malarzy i osób uwiecznianych na obrazach. W tym dziale tylko ksiązki ze sztuka w tle.
A new printing of Last Gasp’s publication Struggle: The Art of Szukalski, with a foreword by George and Leonardo DiCaprio, presents an overview of Szukalski’s best sculpture and drawings.
Szukalski (1893-1987) was one of the great sculptors of the 20th Century.
Szukalski was a Polish-born sculptor, writer, graphic artist, and heretic. Highly regarded in both the US and Poland between the World Wars, he lapsed into obscurity, living and working in “America’s Cultural Siberia” (Southern California) until comic art collector Glenn Bray rediscovered him in 1973.
Struggle is the first critical view of Szukalski’s work published since 1923 — a 200-page overview of his art.
A new Netflix documentary produced by Leonardo DiCaprio is bringing greater interest and attention to one of the world’s greatest and least-known artists.
Struggle: The Life and Lost Art of Szukalski, tells the story of Stanislav Szukalski, an unparalleled artistic genius who lapsed into obscurity after WWII until comic art collector Glenn Bray rediscovered him in 1973.
Sceny wycięte z polskich filmów w okresie PRL-u obrosły legendą czegoś bezpowrotnie utraconego. Taśmy z takimi scenami niszczono, a jedyną po nich pozostałością były osobiste opowieści reżyserów, fragmenty scenopisów i dokumenty kolaudacyjne. Dopiero kilkanaście lat temu okazało się, że istnieje jednak pewien wizualny ślad, pozwalający pełniej wyobrazić sobie te utracone sekwencje: to niewykorzystane wcześniej fotosy filmowe, które fotosiści wykonywali na planie. Z wielu negatywów fotograficznych nie robiono nigdy odbitek, spoczywały przez lata w pudłach i dopiero proces skanowania tych materiałów klatka po klatce pozwolił teraz odkryć, że są tam również fotosy ilustrujące wycięte sceny. Autor Proszę to wyciąć analizuje najważniejsze polskie filmy pierwszego ćwierćwiecza PRL-u. Za punkt wyjścia bierze właśnie historię wyciętych z nich scen i próbuje odpowiedzieć na pytanie: jakimi filmami byłyby Pokolenie i Niewinni czarodzieje Andrzeja Wajdy, Nikt nie woła Kazimierza Kutza, Zezowate szczęście Andrzeja Munka czy Rejs Marka Piwowskiego, gdyby nie ingerencje cenzorskie? Jakie treści dobudowywały do tych filmów sceny, których usunięcie zostało autorom odgórnie narzucone? Zestawienie archiwalnych dokumentów produkcyjnych i cenzorskich z odkrytymi fotosami oraz wspomnieniami twórców pozwala najpełniej dziś odtworzyć nie tylko historię konkretnych scen wyciętych z filmów, ale także opisać cały skomplikowany proces ingerowania w dzieło filmowe na różnych etapach jego produkcji. Piotr Śmiałowski - historyk kina polskiego i dziennikarz filmowy. Doktor nauk humanistycznych. W latach 20042019 stały współpracownik miesięcznika "Kino". Od 2009 roku współpracownik portalu Fototeka Filmoteki Narodowej - Instytutu Audiowizualnego oraz Nowych Horyzontów Edukacji Filmowej (noszących od niedawna nazwę Edukacja Młode Horyzonty). Publikował także w "Ekranach", "Images" i "Pleografie". Autor monografii Tadeusz Janczar. Zawód: aktor (2007), wywiadu rzeki z reżyserem Tadeuszem Chmielewskim Jak rozpętałem polską komedię filmową (2012) oraz książki Niewidzialne filmy. Uparci debiutanci (2018) o niezrealizowanych projektach debiutów fabularnych Wojciecha Jerzego Hasa, Janusza Morgensterna oraz Jerzego Hoffmana i Edwarda Skórzewskiego.
Art Nouveau, elegant ornamentation, and sensual women. Hardly any other artist proved a greater virtuoso in this style than Alphonse Mucha. Discover not only the most beautiful of the Czech artist’s posters, but also many of lesser-known works including oil paintings, furniture, interior design, and murals.
Between 1890 and the beginning of the First World War, a new international style developed in architecture and design. Following the example of the English Arts and Crafts movement, the representatives of Art Nouveau turned against the eclectic excesses of historicism and opposed them with organic forms, plant ornamentation, and functional constructions. This volume shows the highlights of Art Nouveau in Germany, Austria, Bohemia, Hungary, Italy, and Switzerland.
With Art Nouveau there developed a new, international style under various names in the architecture and handicrafts from the 1880s onwards that sought to replace the forms of historicism with plant ornamentation and functional construction. A comprehensive reform of the arts that produced rich floral ornaments in Paris and Brussels, and became an expression of national identity in Barcelona. This volume illuminates the origins of this current and its manifestations in France, Belgium, and Spain.
This richly illustrated monograph delves into the innovative output of one of the world's most prolific international design and architecture practitioners, Tokyo-based Shigeru Ban. Canvassing an enormous compilation of works, this title is a significant contribution to IMAGES' stable of works showcasing renowned architects from around the globe. This book features an array of innovative projects, from commercial and residential innovation strategies to humanitarian works, such as emergency shelters made from paper and modular shelters for earthquake victims.
Shigeru Ban's visionary residential design philosophies encompass timber hybrid structures, including a building constructed from cardboard tubes; the tallest hybrid timber structure in the world for a residential tower in Vancouver; as well as the new home designed for the Aspen Art Museum, which features woven wooden cladding. His innovation extends to the industrial design of an architect's scale pen used for drawing. This book also helps to relay Shigeru Ban's contemporary discourse on architectural culture, and how it is moving in new directions.
This title is a must-have for any serious aficionado of modern architecture, innovative thinking, and design.
Nieznana i zdumiewająca historiamatki Leonarda da Vinci.Opowieść, która rzuca nowe światłona dzieła jednego z największychtwórców renesansuCaterina jest wolna jak wiatr i jak wiatr nieokiełznana.Jeździ konno po dzikich stepach, słucha głosów drzew, zwierząti bogów. Jej przyszłość zdaje się przesądzona. Caterina niepodejrzewa, że przyjdzie jej opuścić niedostępne góry Kaukazu.Pewnego dnia zostaje gwałtownie wyrwana ze swojegoświata i wciągnięta w wielką historię -przeniesiona do serca renesansu, Florencji.Jej życie nabierze zupełnie nowego sensu. Pozna potężną miłość,a swoje dziecko pokocha bardziej niż własne życie. A ono pokochają w ten sam sposób. Caterina da mu wszystko, co dla niejnajważniejsze: nieskończoną miłość do życia, wolności i wszelkichstworzeń. Pokaże mu, czym jest piękno. A On to przyjmiei stanie się twórcą totalnym, człowiekiem, który nie należy dojednego narodu ani do jednej kultury, ale do całej ludzkości.Imię tego dziecka znamy wszyscy: Leonardo.Opowieść o największym umyśle wszech czasów, o matczynejmiłości, o początkach współczesnego świata, konfrontacjiZachodu i Wschodu. O Morzu Śródziemnym jako kolebce kultury,fascynującej mozaice ukazanej w przededniuodkrycia obu Ameryk.
Global icon. Songwriting sensation. Fashion phenomenon. Welcome to the Taylor-verse.
Through stunning photographs that explore key outfits from her style evolution alongside expert analysis, Icons of Style pays homage to the artist whose every outfit tells a tale. From country boots to bejewelled body suits, explore the wardrobe of the girl-next-door-turned-superstar, who connects with fans the world over with her ever-evolving attire, eye-catching looks and signature pieces.
Taylor’s relatability, integrity and sartorial storytelling mean this fearless fashion queen will never go out of style.
Immerse yourself in the yokai images and their mesmerizing detail showcased over more than 500 pages in this epic collection!
Lurking beneath the global obsession with manga and anime, there is a world of Japan’s yokai monsters, mutants, and vengeful mononoke spirits, which have long held people’s imaginations in their terrifying grip ever since the Edo period (16th-19th centuries). These fearsome creatures are now gathered together in this gorgeous new release that, for the first time ever, shows many enlargements of these masterpieces! Selections include over 60 works chosen from the collection at the Yumoto Koichi Memorial Japan Yokai Museum (Miyoshi Mononoke Museum), Japan’s – and, in fact, the world’s – only museum specializing in Japanese yokai monsters, each reproduced in high-resolution images with explanations. This compilation provides readers with the rare experience of seeing the brushwork of Edo-era painters like Tsukioka Yoshitoshi in detail firsthand. This is a must-have book for those who love strange worlds and mutant creatures, and for anyone wanting to know more about Japanese yokai monsters.
The long-awaited debut collection of illustrations by Posuka Demizu, the up-and-coming manga artist
Posuka Demizu is a rising star among manga artists whose new title, The Promised Neverland, created with co-author Kaiu Shirai, is currently running in the manga magazine Weekly Shonen Jump in Japan. The Promised Neverland Volume 1 will be released by Viz Media in October 2017 (Digital), and December 2017 (Print).
This first collection of Posuka’s work features outstanding artworks from the career so far, along with new illustrations created especially for this edition.
Readers will appreciate seeing Posuka's vibrant characters and compositions rendered in the characteristically precise style gathered together for the first time in a single volume.
A GIANT 512-page collection of Katsuya Terada’s RAKUGAKI sketches and illustrations.
The one and only legendary illustrator Katsuya Terada, a.k.a RAKUGAKING (The Sketch King) and well known as a pioneer who is always seeking new ideas and motifs for his drawings, has finally revealed his RAKUGAKI sketches and illustrations, long kept in his sketch book. Although most illustrations in this collection have appeared in Terada’s previous international exhibitions (e.g., Giant Robot in Los Angeles), never before has any book collected so many of his RAKUGAKI. This is the best and most comprehensive collection of Katsuya Terada’s pencil sketches, making it a must-have book for both his hardcore fans and also to illustrators in general.
Written by Director of Tate Maria Balshaw, this book is a powerful, timely and thought-provoking exploration of the transformative role of the museum – and of art – in society today.
As the world adapts to the consequences of a global pandemic, museums continue to experience unprecedented disruption and change. At the same time, there is a growing debate and dissent over what museums are for, who they speak to and what the histories, objects and ideas they are tasked with holding reflect – all taking place within a public sphere that feels increasingly dynamic and volatile.
’Public institutions do not sit “outside” society, they are the barometer of time and place. How museums and galleries open themselves up to change and engage dissenting voices is not obvious or easy, but as a recent visitor said, “Art is an invitation to a conversation” – so perhaps our role might be to unlock that conversation.’ – Maria Balshaw Taking a wide-ranging and thought-provoking look at the roles and responsibilities of some of our most well-known and best-loved public institutions, Gathering of Strangers: Why Museums Matter explores the critical challenges and opportunities for the museum at this point in the twenty-first century. Moving from the historical origins of the gallery to important current debates taking place around art and public engagement, the climate emergency, race equality and decolonisation, and the value of the arts in education, this book sets out the role of art and artists in imagining and shaping our collective future.
It is also a love letter to museums, from a sector leader who is at the forefront of the cultural conversation today.
‘Ambitious, generous and packed with ideas, this is a thrilling, thought-provoking invitation into the museum of the future, where both art and people are made welcome.’ – Olivia Laing Maria Balshaw is Director of Tate. Previously, she was Director of the Whitworth, University of Manchester; Director of Manchester City Galleries; and Director of Culture for Manchester City Council. She is also a member of the Women Leaders in Museums Network and a member of the Bizot group of leading global museums.
Created to accompany one of the most exciting exhibitions of 2020, this stunning paperback catalogue presents the full breadth of Muholi’s photographic and activist practice.
Richly illustrated, it includes images from the key series Muholi has produced over the past twenty years, as well as never-before-published and recent works. The exhibition book also features six newly commissioned essays exploring their work, as well as a full glossary and chronology.
Born in South Africa, Zanele Muholi came to prominence in the early 2000s with photographs that sought to envision black lesbian, gay, bisexual, trans, queer and intersex lives beyond deviance or victimhood. Muholi’s work challenges hetero-patriarchal ideologies and representations, presenting the participants in their photographs as confident and beautiful individuals bravely existing in the face of prejudice, intolerance and, frequently, violence. While Muholi’s intimate photographs of others launched their international career, their intense self-portraits solidified it.
Sarah Allen is Assistant Curator at Tate Modern.
Yasufumi Nakamori is Senior Curator, International Art at Tate Modern.
From Tudor times to the First World War, this paperback exhibition book accompanying Now You See Us: Women Artists in Britain 1520–1920 charts these women’s journeys to becoming professional artists.
From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to be elected a member of the Royal Academy after a gap of more than 150 years, women have been a constant presence in the art world, conducting commercially successful careers and exhibiting in public exhibitions.
Against society’s expectations of wives, mothers and daughters, limited to the private domestic sphere, they dared to pursue public careers, and to paint history pieces, battle scenes and the nude, usually regarded as the preserve of men. An examination of figures such as Mary Beale, Angelica Kauffman, Elizabeth, Lady Butler and many more reveals careers very far from the stereotypical view of women as amateur watercolourists, pursuing art as a ladylike accomplishment. Instead, in this exhibition catalogue. they are revealed as professionals who navigated the art world despite being excluded from academy training and art institution membership, and who were determined to succeed despite the obstacles they faced.
In English Female Artists, 1876, Ellen Creathorne Clayton wrote that women artists had ‘left only but faintly impressed footprints on the sands of time’. By looking at what women painted, how their work was received by exhibition critics, what women said themselves about their status in the art world, including their links to campaigns for women’s rights, Women Artists in Britain shines a spotlight on their true legacy and place in art history.
Tabitha Barber is Curator of British Art, 1500–1750 at Tate Britain.
Tim Batchelor is an Assistant Curator at Tate Britain.
A fascinating introduction to the life and work of John Constable, this book highlights key aspects of his innovative practice and the ways in which he brought a new vivacity to the observation of nature in nineteenth century art.
John Constable (1776–1837) was one of the greatest landscape painters of all time. Inspired by nature and the ever-changing British weather, he dedicated his career to capturing the beauty of the natural world, often painting in the open air and, rather radically, making expressive sketches in oil on the spot. His idyllic, nostalgic depictions of nineteenth-century rural life are iconic: attentive to detail, spontaneous in gesture and bold in their use of colour, they are imbued with a sense of drama and narrative, conveying feelings of happiness and sorrow, love and friendship. But they also have a clarity of expression borne of familiarity: preferring to paint the places he knew and loved, Constable’s landscapes demonstrate an emotional connection, and a true sense of place.
Charting Constable’s remarkable trajectory from his childhood and adolescence in rural Suffolk to his death in London at the age of sixty, this book is the perfect introduction to the life and work of the acclaimed artist. Bringing together a selection of paintings, drawings, sketchbooks and prints from across his career, the introduction book spotlights the influences that shaped his artistic vision, revealing a masterful use of light and colour, and his immense contribution to the landscape tradition.
Gillian Forrester is an independent art historian, curator and writer. She was formerly Senior Curator of Prints and Drawings at the Yale Centre for British Art and specialises in British print culture, with a particular focus on John Constable and J.M.W. Turner.
This book is an engaging introduction to the life and work of John Singer Sargent, the most accomplished portrait painter of the late-nineteenth and early-twentieth century.
John Singer Sargent (1856–1925) is one of the most famous painters of his time. The masterful portraits for which he is best known capture not only a remarkable likeness to his sitters, but a sense of identity and personality, an energy and intimacy. Conveyed with deft and fluid brushwork, these portraits are testament to Sargent’s exceptional attention to detail and adept characterisation. But Sargent was much more than a portraitist, as revealed by the beautifully evocative scenes of the places that he visited and the people that he encountered on his extensive travels.
This fascinating book explores the life and work of Sargent, contextualising his practice within the times he lived. Beginning with his cosmopolitan childhood in Europe and studio training in Paris, it charts his rise to fame and establishment as a leading portraitist internationally, up until his final works during the outbreak of the First World War. Touching on his travels, his friendships and the personal connections that influenced his practice, this a true celebration of an extraordinary artist and his paintings, which continue to captivate today.
Elizabeth Prettejohn is a writer, independent curator and Professor of History of Art at the University of York.
An essential introduction to the life and work of JMW Turner, this book examines his pioneering explorations into oil and watercolours transformed landscape painting.
JMW Turner (1775–1851) is arguably Britain’s greatest painter. An extraordinary and prolific artist of incredible range, his pioneering explorations in oils and watercolours, his innovative use of colour and the proliferation of his work through print media enabled him to forge a stellar reputation in his own time. Yet, his dramatic landscapes, marine paintings and revelatory scenes of industry, war and contemporary life are as captivating to audiences today as they were then.
This book is an essential introduction to the life and work of this influential artist. Tracing Turner’s journey from his modest beginnings and formative years, through to his tours and engagement with the British and Continental landscape, alongside pioneering historical, biblical and classical narrative paintings, it highlights his breathtaking technical skill and deep engagement with his own times. Showcasing an impressive selection of iconic and significant works from across his career, it reveals the enduring power of Turner’s work and the true extent of his artistic genius.
Andrew Loukes is Curator of the Egremont Collection at Petworth House, having previously worked at Tate Britain and Manchester Art Gallery. He is a specialist in British art of the Romantic period and has curated several exhibitions on J.M.W. Turner, along with others on John Constable and William Blake. Andrew is also a former Trustee of Turner’s House.
This book is an indispensable introduction to the life and work of Barbara Hepworth, whose sculptures expanded the possibilities for art within modern society.
Barbara Hepworth (1903–75) was a leading figure in modern sculpture during the twentieth century, whose prolific career spanned over five decades and bore witness to a period of great political and social change. Inspired by the natural world, Hepworth’s sculptures reflect her high regard for the landscape, but also her deep engagement with art’s civic function and its relationship to our social environment.
This concise book is the perfect introduction to Hepworth’s remarkable life and work. Contextualising her career from her beginnings in London, carving with wood and stone, to her relocation in Cornwall, and the pivotal point when she turned to metal casting, and started creating the monumental sculptures which cemented her international reputation, it celebrates the mastery and determination of an extraordinary artist whose work continues to inspire today.
Katy Norris is Exhibitions and Displays Curator at Tate St Ives, a researcher and writer specialising in women artists, feminism and social reform movements in Britain during the early twentieth century.
Brought together in the UK for the first time in 80 years, this paperback exhibition book offers unprecedented access to the landmark exhibition's collection of masterpieces, exploring the story of the friendships that made modern art.
Expressionists is a story of friendships told through art – the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider. In the early twentieth century they came together to form, in their own words, ‘a union of various countries to serve one purpose’ – to transform modern art.
Rallying around Wassily Kandinsky and Gabriele Münter these highly individual artists experimented with colour, sound and light, creating astonishingly bold and vibrant art – from Alexander Sacharoff’s freestyle performance to Gabriele Münter’s experimental photography, from Franz Marc’s innovative use of colour to the dramatic paintings of Marianne Werefkin.
The exhibition catalogue features in-depth investigations of major themes and a wide variety of spotlight essays to shine a light on a remarkable artistic group: their travels and techniques, their interests and sources of inspiration, and the relationships that bound them together. The front cover showcases Franz Marc’s Tiger, 1912, and the back cover is printed with Gabriele Münter’s 1909 vivid portrait of her friend and fellow artist, Marianne Werefkin.
Edited by Natalia Sidlina, Curator, International Art, Tate Modern, and with texts by Genevieve Barton, Stephen Borkhardt, Emily Christensen, Charlotte de Mille, Anne Grasselli, Miriam Leimer, Matthias Mühling, Bibiana Obler, Oksana Oliinyk, Dorothy Price, Niccola Shearman, Kimberly Smith, Melanie Vietmeier and Isabel Wünsche.
This beautifully presented and imaginatively curated book offers a collection of highlights from the Tate collection over the past 500 years, now reprinted in an accessible paperback format. A must-have treasure for those wanting to keep home a piece of British Art history in their own homes. Tate Britain is the home of British art from 1500 to the present day. This beautiful guide to the highlights of the collection provides an essential introduction to the extraordinary development of British art over centuries, telling the story of the collection and presenting a selection of the stunning works on display. The art from Britain in Tate's collection is rich with imaginative invention and reinvention. This panoramic book celebrates this aesthetic ingenuity as an ongoing story, revealing how 500 years of art can act as a fascinating lens through which to deepen our understanding of ourselves and society, past and present, in both Britain and in the rest of the world. British art is also notable for genres unique to itself: group portraits, known as 'conversation pieces', focusing on social relations between friends, family and allies; themes from British literature, particularly Shakespeare, Milton and Tennyson (rather than classical mythology); and topical subjects in the late eighteenth and early nineteenth centuries reflecting the wars with France and the scientific innovations of the Industrial Revolution. Hogarth brought an art of social engagement, as did the artists associated with the Young British Art movement more recently. This generous companion to the Tate collection provides a guide to the rich history of British art, demonstrating the remarkable range of art in the collection. Kirsteen McSwein is Senior Curator, Interpretation at Tate Britain.
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