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Fantastyka i horror

Zapraszamy do zapoznania się z najbardziej interesującymi bestsellerami z kategorii fantastyka i horror. Oto najciekawsi autorzy, najlepszych bestsellerów z literatury fantastycznej i horroru: Stephen King, Harlan Coben, Herbert George Wells, Brandon Sanderson, Wojciech Siudmak, Siri Pettersen,

J.R.R. Tolkien, Anna Karnicka, Andrzej Sapkowski i wiele innych. Zapraszamy do mrożącej krew w żyłach literatury.

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Okładka książki Zgroza w Dunwich i inne przerażające opowieści br

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Jeśli istniała rzecz, której Howard Phillips Lovecraft nie pomieściłby w swej otchłannej wyobraźni, był nią pośmiertny los jego własnej twórczości. Niezauważony za życia, dziś uważany za arcymistrza literatury grozy, żył tylko 47 lat. Urodził się i zmarł w Providence, kolebce anglosaskiej Ameryki. Był erudytą, staromodnym dżentelmenem, koneserem klasycznej poezji i kolonialnej architektury. Mało publikował, pisał dla przyjemności, ze straceńczą nonszalancją. Uwielbiał koty. Miewał koszmarne sny. Swe nieokiełznane fantazje przekuł w stylową i obsesyjną prozę, która do dziś nie przestaje zachwycać, przerażać i inspirować. Czytelniku, miej się na baczności! Oto piętnaście najbardziej upiornych opowieści wszech czasów: Zgroza w Dunwich, Zew Cthulhu, Widmo nad Innsmouth, W górach szaleństwa, Przypadek Charlesa Dextera Warda, Kolor z innego wszechświata… Wszystkie po raz pierwszy w nowym, wiernym przekładzie, w pełni oddającym elegancję i bogactwo stylu Lovecrafta, uzupełnione obszernym posłowiem i ozdobione wspaniałymi ilustracjami.
Okładka książki Opowieści podróżnicze

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Harry Clarke - irlandzki artysta okresu secesji. Pochodził z rodziny o tradycjach rzemieślniczych i artystycznych, wspólnie z bratem odziedziczył po ojcu pracownię witraży. Autor ponad stu trzydziestu witraży oraz cenionych, wznawianych do dziś ilustracji do książek, między innymi Fausta Goethego, baśni Andersena i Perraulta, poezji Swinburne'a.
Okładka książki Przypadek Charlesa Dextera Warda

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W latach dwudziestych minionego wieku, w Providence - swym rodzinnym mieście - umieścił Lovecraft tę makabryczną historię losów popadającego w coraz większy obłęd Charlesa Dextera Warda. A wszystko zaczyna się od pozornie niewinnego odkrycia, że Ward jest w linii prostej potomkiem - osiadłego półtora stulecia wcześniej w Providence, a przybyłego z osławionego Salem - Josepha Curwena. Tego tajemniczego alchemika i kabalisty, o którego życiu wszelkie wzmianki postanowiono z jakiegoś powodu zniszczyć...
Okładka książki Woman in Love

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First published in 1920, D. H. Lawrence’s “Women in Love” is the sequel to his 1915 novel “The Rainbow” and is widely considered one of his best works and one of the most important English novels of the twentieth century. “Women in Love” continues to follow the Brangwen family, focusing on the lives and loves of sisters Gudrun and Ursula Brangwen. Living in the Midlands of England during the 1910’s, Ursula is a teacher and Gudrun is an artist. The sisters meet two men who live nearby, Rupert Birkin and Gerald Crich, the four find that they have much in common and the sisters soon get involved with them romantically. Rupert and Ursula are at first friends, but develop a loving relationship and eventually become engaged. Gudrun pursues a romantic relationship with Gerald, a local industrialist, but their romance is stormy and tumultuous and ultimately ends in tragedy. Controversial during its time for its frank depictions of sexuality and the destructiveness of relationships and jealousy, “Women in Love” is a modern and powerful story of love and human imperfections set against the backdrop of the social turmoil of the First World War. This edition is printed on premium acid-free paper.
Okładka książki The Wind in the Willows

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Far from fading with time, Kenneth Grahame's classic tale of fantasy has attracted a growing audience in each generation. Rat, Mole, Badger and the preposterous Mr Toad (with his 'Poop-poop-poop' road-hogging new motor car), have brought delight to many through the years with their odd adventures on and by the river, and at the imposing residence of Toad Hall.
Okładka książki Turn of the Screw & The Aspern Papers

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The Turn of the Screw is the classic ghost story for which James is most remembered. Set in a country house, it is a chilling tale of the supernatural told by a master of the genre. The Aspern Papers is a tale of Americans in Europe, a theme in which Henry James is at his most assured and accomplished. The author cleverly evokes the drama of comédie humaine against the settings of a Venetian palace.
Okładka książki Twenty Thousand Leagues Under the Sea

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Professor Aronnax, his faithful servant, Conseil, and the Canadian harpooner, Ned Land, begin an extremely hazardous voyage to rid the seas of a little-known and terrifying sea monster. However, the "monster" turns out to be a giant submarine, commanded by the mysterious Captain Nemo, by whom they are soon held captive. So begins not only one of the great adventure classics by Jules Verne, the 'Father of Science Fiction', but also a truly fantastic voyage from the lost city of Atlantis to the South Pole.
Okładka książki The Mysterious Island

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Jules Verne (1828-1905) is internationally famous as the author of a distinctive series of adventure stories describing new travel technologies which opened up the world and provided means to escape from it. The collective enthusiasm of generations of readers of his 'extraordinary voyages' was a key factor in the rise of modern science fiction. In The Mysterious Island a group of men escape imprisonment during the American Civil War by stealing a balloon. Blown across the world, they are air-wrecked on a remote desert island. In a manner reminiscent of Robinson Crusoe, the men apply their scientific knowledge and technical skill to exploit the island's bountiful resources, eventually constructing a sophisticated society in miniature. The book is also an intriguing mystery story, for the island has a secret.
Okładka książki The Little Prince

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The Little Prince is a classic tale of equal appeal to children and adults. On one level it is the story of an airman's discovery, in the desert, of a small boy from another planet - the Little Prince of the title - and his stories of intergalactic travel, while on the other hand it is a thought-provoking allegory of the human condition. First published in 1943, the year before the author's death in action, this translation contains Saint-Exupery's delightful illustrations.
Okładka książki The Lost World and Other Stories

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These lively, varied and thought-provoking science-fiction stories (from the era of Jules Verne and H. G. Wells) are linked by their imposing central character, the pugnaciously adventurous and outrageous Professor Challenger. The Lost World (forebear of Jurassic Park) vividly depicts a perilous region in which the explorers confront creatures from the prehistoric era. The Poison Belt presents an eerie doomsday scenario, while 'The Disintegration Machine' satirically comments on scientific cynicism. In 'When the World Screamed', the planet responds violently to an experimental incursion. The strangest item is The Land of Mist, which seeks to reconcile science with spiritualism. This memorable collection provides imaginative entertainment, entrancing escapism and bold provocation.
Okładka książki Tales of Mystery and Imagination

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This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included. These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.
Okładka książki Tales of Mystery and the Macabre

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'In the great mirror opposite I saw myself, and right behind, another wicked fearful self, so like me my soul seemed to quiver within me, as though not knowing to which similitude of body it belonged'. Elizabeth Gaskell is better known today for her pioneering social novels such as Mary Barton (1848) but she also wrote some fascinating tales of the supernatural and the macabre, which are collected here in this volume. The real charm of this dark anthology is its variety. Unlike so many writers of this kind of material, Gaskell allows the story to fit the style rather than the other way around and as result there is a charming freshness to each tale. This remarkable author uses different voices, tones and topics to engage her readers and as you turn from one story to the next you cannot be quite sure what to expect.
Okładka książki Picture of Dorian Gray

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Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.
Okładka książki Journey to the Centre of the Earth

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The father of science fiction, Jules Verne, invites you to join the intrepid and eccentric Professor Liedenbrock and his companions on a thrilling and dramatic expedition as they travel down a secret tunnel in a volcano in Iceland on a journey which will lead them to the centre of the earth. Along the way they encounter various hazards and witness many incredible sights such as the underground forest, illuminated by electricity, the Great Geyser, the battle between prehistoric monsters, the strange whispering gallery, giant insects and the vast subterranean sea with its ferocious whirlpool.
Okładka książki Gulliver's Travels

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Jonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.
Okładka książki The Haunted Hotel & Other Stories

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Have you ever heard of the fascination of terror?' This is a unique collection of strang stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The Star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hote that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale. The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles which bring a clarity of vision that can lead to madness.
Okładka książki Heart of Darkness & Other Stories

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Generally regarded as the pre-eminent work of Conrad's shorter fiction, Heart of Darkness is a chilling tale of horror which, as the author intended, is capable of many interpretations. Set in the Congo during the period of rapid colonial expansion in the 19th century, the story deals with the highly disturbing effects of economic, social and political exploitation of European and African societies and the cataclysmic behaviour this induced in some individuals. The other two stories in this book – Youth and The End of the Tether – concern the sea and those who sail upon it, a genre in which Conrad reigns supreme.
Okładka książki Dracula

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'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.
Okładka książki Frankenstein

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Begun when the author was only eighteen and conceived from a nightmare, Frankenstein is the deeply disturbing story of a monstrous creation which has terrified and chilled readers since its first publication in 1818. The novel has thus seared its way into the popular imagination while establishing itself as one of the pioneering works of modern science fiction.
Okładka książki From the Earth to the Moon & Around the Moon

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JULES VERNE (1828-1905) was internationally famous as the author of novels based on ‘extraordinary voyages.’ His visionary use of new travel technologies inspired his readers to look to the industrial future rather than the remote past for their dreams of adventure. The popularity of his novels led directly to modern science fiction. In From the Earth to the Moon and Around the Moon, Jules Verne turned the ancient fantasy of space flight into a believable technological possibility – an engineering dream for the industrial age. Directly inspired by Verne’s story, enthusiasts worked successfully at overcoming the practical difficulties, and within a century, human beings did indeed fly to the Moon. Curiously, however, Verne is unlikely to have thought it possible that a manned projectile could actually be fired out of a giant cannon, rising higher than the Moon, swinging around it, and then landing safely back on Earth. He had used the science of the day to construct a literary conjuring trick, a hoax, one of the most successful in all history. By skilful misdirection he drew the attention of readers away from weaknesses in the project. Read the book and you, too, will be fooled into accepting the realistic possibility in Verne’s time of that dream of flying to the Moon.
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