One of the great classics of western literature, Les Misérables is a magisterial work which is rich in both character portrayal and meticulous historical description.
Characters such as the absurdly criminalised Valjean, the street urchin Gavroche, the rascal Thenardier, the implacable detective Javert, and the pitiful figure of the prostitute Fantine and her daughter Cosette, have entered the pantheon of literary dramatis personae.
The reader is also treated to the unforgettable descriptions of the Battle of Waterloo and Valjean’s flight through the Paris sewers.
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Generally regarded as the pre-eminent work of Conrad's shorter fiction, Heart of Darkness is a chilling tale of horror which, as the author intended, is capable of many interpretations. Set in the Congo during the period of rapid colonial expansion in the 19th century, the story deals with the highly disturbing effects of economic, social and political exploitation of European and African societies and the cataclysmic behaviour this induced in some individuals.
The other two stories in this book – Youth and The End of the Tether – concern the sea and those who sail upon it, a genre in which Conrad reigns supreme.
Generally considered to be F. Scott Fitzgerald's finest novel, The Great Gatsby is a consummate summary of the "roaring twenties", and a devastating expose of the ‘Jazz Age’.
Through the narration of Nick Carraway, the reader is taken into the superficially glittering world of the mansions which lined the Long Island shore in the 1920s, to encounter Nick's cousin Daisy, her brash but wealthy husband Tom Buchanan, Jay Gatsby and the mystery that surrounds him.
The Great Gatsby is an undisputed classic of American literature from the period following the First World War and is one of the great novels of the twentieth century.
Jonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal).
As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.
In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time.
The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor.
This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.
This book comes with an introduction and notes by Dr Tim Middleton, Head of English Studies, University of Ripon and York. In seeking to discover his inner self, the brilliant Dr Jekyll discovers a monster. First published to critical acclaim in 1886, this mesmerising thriller is a terrifying study of the duality of man's nature This volume also includes Stevenson's 1887 collection of short stories, "The Merry Men" and Other Tales and Fables. "The Merry Men" is a gripping Highland tale of shipwrecks and madness; "Markheim", the sinister study of the mind of a murderer; "Thrawn Janet", a spine-chilling tale of demonic possession; "Olalla", a study o degeneration and incipient vampirism in the Spanish mountains; "Will O'the Mill", a thought-provoking fable about a mountain inn-keeper; and "The Treasure of Franchard", a study of French bourgeois life
'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.'
Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.
Living overseas but writing, always, about his native city, Joyce made Dublin unforgettable. The stories in Dubliners show us truants, seducers, gossips, rally-drivers, generous hostesses, corrupt politicians, failing priests, amateur theologians, struggling musicians, moony adolescents, victims of domestic brutishness, sentimental aunts and poets, patriots earnest or cynical, and people striving to get by.
In every sense an international figure, Joyce was faithful to his own country by seeing it unflinchingly and challenging every precedent and piety in Irish literature.
With an Introduction and Notes by Professor Len Platt, Professor of Modern Literatures, Head of Goldsmiths Learning Enhancement Unit, Goldsmiths, University of London,New Cross, London SE14 6NW.
Finnegans Wake is the book of Here Comes Everybody and Anna Livia Plurabelle and their family - their book, but in a curious way the book of us all as well as all our books. Joyce's last great work, it is not comprised of many borrowed styles, like Ulysses, but, rather, formulated as one dense, tongue-twisting soundscape.
This ‘language’ is based on English vocabulary and syntax but, at the same time, self-consciously designed to function as a pun machine with an astonishing capacity for resisting singularity of meaning. Announcing a ‘revolution of the word’, this astonishing book amounts to a powerfully resonant cultural critique - a unique kind of miscommunication which, far from stabilizing the world in meaning, constructs a universe radically unfixed by a wild diversity of possibilities and potentials. It also remains the most hilarious, ‘obscene’, book of innuendos ever to be imagined.
Begun when the author was only eighteen and conceived from a nightmare, Frankenstein is the deeply disturbing story of a monstrous creation which has terrified and chilled readers since its first publication in 1818.
The novel has thus seared its way into the popular imagination while establishing itself as one of the pioneering works of modern science fiction.
Jane Austen teased readers with the idea of a 'heroine whom no one but myself will much like', but Emma is irresistible. 'Handsome, clever, and rich', Emma is also an 'imaginist', 'on fire with speculation and foresight'. She sees the signs of romance all around her, but thinks she will never be married.
Her matchmaking maps out relationships that Jane Austen ironically tweaks into a clearer perspective. Judgement and imagination are matched in games the reader too can enjoy, and the end is a triumph of understanding.
Dickens wrote of David Copperfield: 'Of all my books I like this the best'. Millions of readers in almost every language on earth have subsequently come to share the author's own enthusiasm for this greatly loved classic, possibly because of its autobiographical form.
Following the life of David through many sufferings and great adversity, the reader will also find many light-hearted moments in the company of a host of English fiction's greatest stars including Mr Micawber, Traddles, Uriah Heep, Creakle, Betsy Trotwood, and the Peggoty family.
Few readers, arriving at the end of David Copperfield, will not wish to echo Thackeray’s famous praise, having read the first monthly part – ‘Bravo Dickens’.
That is not dead that can eternal lie And with strange aeons even death may die Millenia ago, the Old Ones ruled our planet. Since that time, they have but slumbered. But when a massive sea tremor brings the ancient stone city of R'lyeh to the surface once more, the Old Ones awaken at last.
The Whisperer in Darkness brings together the original Cthulhu Mythos stories of the legendary horror writer H.P. Lovecraft. Included in this volume are several early tales, along with the classics 'The Call of Cthulhu', 'The Dunwich Horror' and 'At the Mountains of Madness'. Arm yourself with a copy of Abdul Alhazred's fabled Necronomican and prepare to face terrors beyond the wildest imaginings of all, save H.P. Lovecraft.
The story of Edmund Dantes, self-styled Count of Monte Cristo, is told with consummate skill. The victim of a miscarriage of justice, Dantes is fired by a desire for retribution and empowered by a stroke of providence. In his campaign of vengeance, he becomes an anonymous agent of fate. The sensational narrative of intrigue, betrayal, escape, and triumphant revenge moves at a cracking pace. Dumas' novel presents a powerful conflict between good and evil embodied in an epic saga of rich diversity that is complicated by the hero's ultimate discomfort with the hubristic implication of his own actions.
Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder.
From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime.
The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.
William Blake was an engraver, painter and visionary mystic as well as one of the most revolutionary of the Romantic poets. His writing attracted the astonished admiration of authors as diverse as Wordsworth, Ruskin, W.B.Yeats, and more recently beat poet Allen Ginsberg and the 'flower power' generation. He is one of England's most original artists whose works aim to liberate imaginative energies and subvert 'the mind-forged manacles' of restriction.
This volume contains many of his writings, including: 'Songs of Innocence', 'Songs of Experience', 'The Marriage of Heaven and Hell', and a generous selection from the Prophetic Books including 'Milton' and 'Jerusalem'.
Anna Karenina is one of the most loved and memorable heroines of literature. Her overwhelming charm dominates a novel of unparalleled richness and density. Tolstoy considered this book to be his first real attempt at a novel form, and it addresses the very nature of society at all levels of destiny, death, human relationships and the irreconcilable contradictions of existence. It ends tragically, and there is much that evokes despair, yet set beside this is an abounding joy in life's many ephemeral pleasures, and a profusion of comic relief.
Motherless Sara Crewe was sent home from India to school at Miss Minchin's. Her father was immensely rich and she became "show pupil" - a little princess. Then her father dies and his wealth disappears, and Sara has to learn to cope with her changed circumstances.
Her strong character enables her to fight successfully against her new-found poverty and the scorn of her fellows.
A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work.
This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.
Written with a light touch, this is perhaps the most accessible of Joyce’s works.
Doctor Watson, Mr Sherlock Holmes - The most famous introduction in the history of crime fiction takes place in Sir Arthur Conan Doyle's A Study in Scarlet, bringing together Sherlock Holmes, the master of science detection, and John H. Watson, the great detective's faithful chronicler. This novel not only establishes the magic of the Holmes myth but also provides the reader with a dramatic adventure yarn which ranges from the foggy, gas-lit streets of London to the burning plains of Utah.
The Sign of the Four, the second Holmes novel, presents the detective with one of his greatest challenges. The theft of the Agna treasure in India forms a catalyst for treachery, deceit and murder.
With these two classic novels, A Study in Scarlet and The Sign of the Four, you have the brilliant foundation of the Sherlock Holmes canon. Reading pleasure rarely comes any finer.
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