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Classics
The Waves
Virginia Woolf
Introduction and Notes by Deborah Parsons, University of Birmingham.
'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore.
The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy.
The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.
Far from fading with time, Kenneth Grahame's classic tale of fantasy has attracted a growing audience in each generation. Rat, Mole, Badger and the preposterous Mr Toad (with his 'Poop-poop-poop' road-hogging new motor car), have brought delight to many through the years with their odd adventures on and by the river, and at the imposing residence of Toad Hall.
This Side of Paradise tells the story of Amory Blaine, the only child of wealthy parents, whose journey from adolescence to adulthood follows him from prep school through to Princeton University, where his literary talents flourish, in contrast to his academic failure. A sequence of love affairs with beautiful young women are fatally damaged by the collapse of his family's fortune, and the novel ends with him poised to face the challenge of making his own way in the world. Composed in an unconventional narrative mode, the novel is a rich fusion of satiric and romance idioms, and found a captivated audience on its publication in1920. It made Fitzgerald rich and famous overnight.
The Beautiful and Damned is a bleaker version of the corrosive power of wealth and its privileges, one of Fitzgerald's abiding subjects. Anthony Patch, is heir to a huge fortune, whose marriage to the beautiful and indolent Gloria is increasingly shadowed by Anthony's fall into alcoholism. Though he wins a lawsuit to gain his inheritance of millions of dollars, it is a pyrrhic victory, for he is now a physically and morally broken man.
There are four of them - George, Harris, the writer himself and that dog, Montmorency - all participants in a boating expedition on the Thames. The difficulties and vicissitudes heaped upon these innocents develop to epic proportions as they experience the hazards of the great English waterway. Their problems are in no way diminished by the outrageous behaviour of Montmorency,who lays waste to several riverside communities in the course of their journey.
‘What is a “bummel”?’ said George. ‘How would you translate it?’ ‘A “bummel”,’ I explained, ‘I should describe as a journey, long or short, without an end; the only thing regulating it being the necessity of getting back within a given time to the point from which one started…’
After considerable indecision the bummel takes our heroes to Germany's Black Forest where they manage to disrupt the tranquil way of life usually enjoyed by the denizens, whose curious behaviour they closely observe and record in their account of this second epic journey. Even without that dog, chaos and mayhem reign supreme.
This book is with an introduction and notes by Dr Nicola Bradbury, University of Reading. "To the Lighthouse" is the most autobiographical of Virginia Woolf's novels.
It is based on her own early experiences, and while it touches on childhood and children's perceptions and desires, it is at its most trenchant when exploring adult relationships, marriage and the changing class-structure in the period spanning
Tom Sawyer, a shrewd and adventurous boy, is as much at home in the respectable world of his Aunt Polly as in the self-reliant and parentless world of his friend Huck Finn. The two enjoy a series of adventures, accidentally witnessing a murder, establishing the innocence of the man wrongly accused, as well as being hunted by Injun Joe, the true murderer, eventually escaping and finding the treasure that Joe had buried.
Huckleberry Finn recounts the further adventures of Huck, who runs away from a drunken and brutal father, and meets up with the escaped slave Jim. They float down the Mississippi on a raft, participating in the lives of the characters they meet, witnessing corruption, moral decay and intellectual impoverishment.
Sharing so much in background and character, these two stories, the best of Twain, indisputably belong together in one volume. Though originally written as adventure stories for young people, the vivid writing provides a profound commentary on provincial American life in the mid-nineteenth century and the institution of slavery.
With an Introduction and Notes by David Ellis, University of Kent at Canterbury. With Illustrations by R.Seymour, R.W. Buss and Hablot K. Browne (Phiz).
The Pickwick Papers is Dickens' first novel and widely regarded as one of the major classics of comic writing in English. Originally serialised in monthly instalments, it quickly became a huge popular success with sales reaching 40,000 by the final part.
In the century and a half since its first appearance, the characters of Mr Pickwick, Sam Weller and the whole of the Pickwickian crew have entered the consciousness of all who love English literature in general, and the works of Dickens in particular.
Then the vision of an enormous town presented itself, of a monstrous town...a cruel devourer of the world's light. There was room enough there to place any story, depth enough for any passion, variety enough there for any setting, darkness enough to bury five millions of lives.'
Conrad’s ‘monstrous town’ is London, and his story of espionage and counter-espionage, anarchists and embassies, is a detective story that becomes the story of Winnie Verloc’s tenacity in maintaining her devotion to her peculiar and simple-minded brother, Stevie, as they pursue their very ordinary lives above a rather dubious shop in the back streets of Soho. However, far from offering any sentimental picture, The Secret Agent is Conrad’s funniest novel. Its savagely witty picture of human absurdity and misunderstanding is written in an ironic style that provokes laughter and unease at the same time, and that continues to provide one of the most disturbing visions of aspiration and futility in twentieth century literature.
Mary Lennox was horrid. Selfish and spoilt, she was sent to stay with her hunchback uncle in Yorkshire. She hated it. But when she finds the way into a secret garden and begins to tend it, a change comes over her and her life. She meets and befriends a local boy, the talented Dickon, and comes across her sickly cousin Colin who had been kept hidden from her. Between them, the three children work astonishing magic in themselves and those around them.
This novel, based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age.
As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom turns into conflict, because she cannot reconcile his bourgeois standards with her own lively intelligence. Maggie is unable to adapt to her community or break free from it, and the result, on more than one level, is tragedy.
The Little Prince is a classic tale of equal appeal to children and adults. On one level it is the story of an airman's discovery, in the desert, of a small boy from another planet - the Little Prince of the title - and his stories of intergalactic travel, while on the other hand it is a thought-provoking allegory of the human condition.
First published in 1943, the year before the author's death in action, this translation contains Saint-Exupery's delightful illustrations.
The Man in the Iron Mask is the final episode in the cycle of novels featuring Dumas' celebrated foursome of D'Artagnan, Athos, Porthos and Aramis, who first appeared in The Three Musketeers. Some thirty-five years on, the bonds of comradeship are under strain as they end up on different sides in a power struggle that may undermine the young Louis XIV and change the face of the French monarchy. In the fast-paced narrative style that was his trademark, Dumas pitches us straight into the action. What is the secret shared by Aramis and Madame de Chevreuse? Why does the Queen Mother fear its revelation? Who is the mysterious prisoner in the Bastille? And what is the nature of the threat he poses? Dumas, the master storyteller, keeps us reading and guessing until the climactic scene in the grotto of Locmaria, a fitting conclusion to the epic saga of the musketeers.
This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included.
These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.
'In the great mirror opposite I saw myself, and right behind, another wicked fearful self, so like me my soul seemed to quiver within me, as though not knowing to which similitude of body it belonged'.
Elizabeth Gaskell is better known today for her pioneering social novels such as Mary Barton (1848) but she also wrote some fascinating tales of the supernatural and the macabre, which are collected here in this volume. The real charm of this dark anthology is its variety. Unlike so many writers of this kind of material, Gaskell allows the story to fit the style rather than the other way around and as result there is a charming freshness to each tale.
This remarkable author uses different voices, tones and topics to engage her readers and as you turn from one story to the next you cannot be quite sure what to expect.
Tender is the Night is a story set in the hedonistic high society of Europe during the ‘Roaring Twenties’. A wealthy schizophrenic, Nicole Warren, falls in love with Dick Diver - her psychiatrist. The resulting saga of the Divers’ troubled marriage, and their circle of friends, includes a cast of aristocratic and beautiful people, unhappy love affairs, a duel, incest, and the problems inherent in the possession of great wealth. Despite cataloguing a maelstrom of interpersonal conflict, Tender is the Night has a poignancy and warmth that springs from the quality of Fitzgerald's writing and the tragic personal experiences on which the novel is based.
Six years separate Tender is the Night and The Last Tycoon, the novel Fitzgerald left unfinished at his death in December 1940. Fitzgerald lived in Hollywood more or less continuously from July 1937 until his death, and a novel about the film industry at the height of 'the studio system' centred on the working life of a top producer was begun in 1939. Even in its incomplete state The Last Tycoon remains the greatest American novel about Hollywood and contains some of Fitzgerald's most brilliant writing.
Set in Hardy's Wessex, Tess is a moving novel of hypocrisy and double standards. Its challenging sub-title, A Pure Woman, infuriated critics when the book was first published in 1891, and it was condemned as immoral and pessimistic.
It tells of Tess Durbeyfield, the daughter of a poor and dissipated villager, who learns that she may be descended from the ancient family of d'Urbeville. In her search for respectability her fortunes fluctuate wildly, and the story assumes the proportions of a Greek tragedy. It explores Tess's relationships with two very different men, her struggle against the social mores of the rural Victorian world which she inhabits and the hypocrisy of the age.
In addressing the double standards of the time, Hardy’s masterly evocation of a world which we have lost, provides one of the most compelling stories in the canon of English literature, whose appeal today defies the judgement of Hardy’s contemporary critics.
From its first publication in 1719, Robinson Crusoe has been printed in over 700 editions. It has inspired almost every conceivable kind of imitation and variation, and been the subject of plays, opera, cartoons, and computer games. The character of Crusoe has entered the consciousness of each succeeding generation as readers add their own interpretation to the adventures so thrillingly 'recorded' by Defoe. Praised by eminent figures such as Coleridge, Rousseau and Wordsworth, this perennially popular book was cited by Karl Marx in Das Kapital to illustrate economic theory. However it is readers of all ages over the last 280 years who have given Robinson Crusoe its abiding position as a classic tale of adventure.
"Pride and Prejudice", which opens with one of the most famous sentences in English Literature, is an ironic novel of manners. In it, the garrulous and empty-headed Mrs Bennet has only one aim - that of finding a good match for each of her five daughters. In this, she is mocked by her cynical and indolent husband. With its wit, its social precision and, above all, its irresistible heroine, "Pride and Prejudice" has proved one of the most enduringly popular novels in the English language.
What does persuasion mean - a firm belief, or the action of persuading someone to think something else? Anne Elliot is one of Austen's quietest heroines, but also one of the strongest and the most open to change. She lives at the time of the Napoleonic wars, a time of accident, adventure, the making of new fortunes and alliances.
A woman of no importance, she manoeuvres in her restricted circumstances as her long-time love Captain Wentworth did in the wars. Even though she is nearly thirty, well past the sell-by bloom of youth, Austen makes her win out for herself and for others like herself, in a regenerated society.
The magical Peter Pan comes to the night nursery of the Darling children, Wendy, John and Michael. He teaches them to fly, then takes them through the sky to Never-Never Land, where they find Red Indians, wolves, Mermaids and... Pirates. The leader of the pirates is the sinister Captain Hook. His hand was bitten off by a crocodile, who, as Captain Hook explains 'liked me arm so much that he has followed me ever since, licking his lips for the rest of me'. After lots of adventures, the story reaches its exciting climax as Peter, Wendy and the children do battle with Captain Hook and his band.
Peter Pan in Kensington Gardens is the magical tale that first introduces Peter Pan, the little boy who never grows any older. He escapes his human form and flies to Kensington Gardens, where all his happy memories are, and meets the fairies, the thrushes, and Old Caw the crow. The fairies think he is too human to be allowed to stay in after Lock-out time, so he flies off to an island which divides the Gardens from the more grown-up Hyde Park - Peter's adventures, and how he eventually meets Mamie and the goat, are delightfully illustrated by Arthur Rackham.
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