Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse.
After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . .
Sosuke Natsukawa’s international bestseller, translated from Japanese by Louise Heal Kawai, is a life-affirming story for those for whom books are so much more than words on paper. Now read the second book in the series: The Cat Who Saved the Library.
Nanami sees nothing wrong with a library and cat combination. But a talking cat is a whole other story.
Thirteen-year-old Nanami Kosaki loves reading. The local library is a home from home and books have become her best friends. When Nanami notices books disappearing from the library shelves, she’s particularly curious about a suspicious man in a grey suit whose furtive behaviour doesn’t feel right. Should she follow him to see what he’s up to?
When a talking tabby cat called Tiger appears to warn her about how dangerous that would be, together they’re brave enough to follow the frightening trail to find out where all the books have gone. Will Nanami and Tiger overcome the challenges of the adventure ahead?
Warm, wonderful and wise, Sosuke Natsukawa's The Cat Who Saved the Library is also a powerful lesson never to underestimate the value of great literature, and a reminder always to think for ourselves, no matter what our charismatic leaders might say.
A memoir about thinking and reading, eating and denying your body food, about the relationships that form us and the long tentacles of childhood.
In the household of Sarah Moss's childhood she learnt that the female body and mind were battlegrounds. 1970s austerity and second-wave feminism came together: she must keep herself slim but never be vain, she must be intelligent but never angry, she must be able to cook and sew and make do and mend, but know those skills were frivolous. Clever girls should be ambitious but women must restrain themselves. Women had to stay small.
Years later, her self-control had become dangerous, and Sarah found herself in A&E. The return of her teenage anorexia had become a medical emergency, forcing her to reckon with all that she had denied her hard-working body and furiously turning mind.
My Good Bright Wolf navigates contested memories of girlhood, the chorus of relentless and controlling voices that dogged Sarah’s every thought, and the writing and books in which she could run free. Beautiful, audacious, moving and very funny, this memoir is a remarkable exercise in the way a brain turns on itself, and then finds a way out.
From Sarah Moss, the Sunday Times bestselling author of Summerwater, My Good Bright Wolf is a memoir like no other.
Bad News is the second of Edward St Aubyn’s semi-autobiographical Patrick Melrose novels, adapted for TV for Sky Atlantic and starring Benedict Cumberbatch as the aristocratic addict, Patrick.
Twenty-two years old and in the grip of a massive addiction, Patrick Melrose is forced to fly to New York to collect his father’s ashes. Over the course of a weekend, Patrick’s remorseless search for drugs on the avenues of Manhattan, haunted by old acquaintances and insistent inner voices, sends him into a nightmarish spiral. Alone in his room at the Pierre Hotel, he pushes body and mind to the very edge – desperate always to stay one step ahead of his rapidly encroaching past.
Bad News was originally published, along with Never Mind and Some Hope, as part of a three-book omnibus also called Some Hope.
A woman determined to make her mark. A journey that will change everything.
Paris, 1895. Glamour hides a city on the brink. One morning, a young woman boards the Granville express with a deadly plan.
On the journey lives intertwine in explosive ways. There are the railway crew who have everything to lose, a little boy travelling alone for the first time, an elderly statesman with his fragile wife and a lonely artist far from home.
The train speeds towards the City of Light and into a future that will change everything . . .
Craig Suder, third baseman for the Seattle Mariners, is in a slump. His batting average is shocking, his marriage somehow worse, and he secretly fears he’s inherited his mother’s insanity. Ordered to take a midseason rest, Suder instead takes his LP of Charlie Parker’s “Ornithology” and flees.
A dazzling tale of madness, confinement and the need for escape, Suder introduced Percival Everett to the world as a writer already fully capable of conjuring whole lives and worlds on the page.
David Larson can never go home.
His parents are dead. His sister and her hippie husband, staunchly anti-war, won't even have the newly returned Vietnam veteran in the house. So Larson takes his chances on the road, travelling west from Georgia until he breaks down in the nowhere town of Slut’s Hole, Wyoming.
There he finds lodging with Chloë Sixbury, a one-legged sexagenarian widow, and her disabled son. Their ersatz family is complete when Larson takes in Butch, a Vietnamese girl abandoned at the highway rest stop where he works, but at the edge of this tableau lingers the unmistakable spectre of violence.
Blending the grotesquerie of the Southern Gothic with the Western's codes of frontier justice, in Walk Me to the Distance Percival Everett renders a vivid and haunting landscape of the American badlands, where cruelty is the lingua franca.
Part travelogue, part reportage, part autobiography, The Sign of the Cross is the story of Colm Tóibín's religious pilgrimage across Europe.
Between 1990 and 1994, Colm Tóibín made a series of trips through Catholic Europe. His journey led him into close contact with people from all walks of life, from priests to politicians, from the intellectually open to the spiritually bigoted. He then set down his impressions in The Sign of the Cross, a beautifully written book filled with personal detail set within its historical context.
Now part of the Picador Collection, a series showcasing the very best of modern literature
In Love in a Dark Time, Colm Tóibín looks at the life and work of some of the greatest and most influential artists of the nineteenth and twentieth centuries. Linked by the common thread of their sexualities, his subjects range from figures such as Oscar Wilde, born in the 1850s, to Pedro Almodóvar, born nearly a hundred years later.
Tóibín studies how a changing world impacted on the lives of people who, on the whole, kept their homosexuality hidden, and reveals that the laws of desire changed everything for them, both in their private lives and in the spirit of their work.
Now part of the Picador Collection, a series showcasing the very best of modern literature.
Follow Colm Tóibín's lone religious pilgrimage along the Irish border during the tumultuous summer of 1987.
In the summer after the Anglo-Irish Agreement, when tension was high in Northern Ireland, Colm Tóibín walked along the border from Derry to Newry. Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on ordinary life and the legacy of history in a bleak and desolate landscape.
Tóibín describes the rituals – the marches, the funerals, the demonstrations – observed by both communities along the border, and listens to the stories which haunt both sides. With sympathy and insight Bad Blood captures the intimacy of life along one of the most contested strips of land in Western Europe.
Now part of the Picador Collection, a series showcasing the very best of modern literature.
In Sweden, where children murder children and where gun violence is the worst in Europe, Nicolas Lunabba's job as a social organizer with Malmö's underclass requires firm boundaries and emotional detachment. But all that changes when he meets Elijah – an unruly teenage boy of mixed heritage whose perilous future reminds Nicolas of his own troubled and violent past.
Allowing Elijah into his home and then into his heart, Nicolas crosses one of his own red lines. With the odds stacked against them, and completely unprepared for the journey he and Elijah now set off on together, can Nicolas keep Elijah safe from harm and steer him towards a better future?
Written as a letter to Elijah, Will You Care If I Die? tells Nicolas and Elijah’s story – and asks us to reimagine what it means to care for one another in an uncaring world.
The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he flees to nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town.
So begins a dangerous and transcendent journey along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise. And together, the unlikely pair embark on the most life-changing odyssey of them all . . .
In Wise Animals, tech philosopher Tom Chatfield excavates human history to uncover our changing relationship with technology, from the personalized hand axes of our Paleolithic ancestors to the artificial superintelligences of the future.
Drawing on an astonishing breadth of cutting-edge research and historical sources, Chatfield encourages us to rethink everything we thought we knew about technology, and shows how we might deflect the path of technological development towards the long-term interests not only of humanity, but of all life on Earth.
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