Funny, sharp explications of what these sometimes not-very-nice women were up to!' – Margaret Atwood, author of The Handmaid's Tale
The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.
Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.
Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.
'A treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style' - historian Amanda Foreman
One of Barack Obama’s Favorite Books of 2021
The New York Times bestseller from the Grammy-nominated indie rockstar Japanese Breakfast, an unflinching, deeply moving memoir about growing up mixed-race, Korean food, losing her Korean mother, and forging her own identity in the wake of her loss.
'As good as everyone says it is and, yes, it will have you in tears. An essential read for anybody who has lost a loved one, as well as those who haven't' – Marie–Claire
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humour and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band – and meeting the man who would become her husband – her Koreanness began to feel ever more distant, even as she found the life she wanted to live.
It was her mother’s diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.
Vivacious, lyrical and honest, Michelle Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.
‘Possibly the best book I’ve read all year . . . I will be buying copies for friends and family this Christmas.’ – Rukmini Iyer in the Guardian ‘Best Food Books of 2021’
‘Wonderful . . . The writing about Korean food is gorgeous . . . but as a brilliant kimchi-related metaphor shows, Zauner’s deepest concern is the ferment, and delicacy, of complicated lives.’ – Victoria Segal, Sunday Times, ‘My favourite read of the year’
The House of Fortune is the sequel to Jessie Burton’s million-copy bestseller The Miniaturist. Set in the golden city of Amsterdam in 1705, it is a story of fate and ambition, secrets and dreams, and one young woman’s determination to rule her own destiny.
Thea Brandt is turning eighteen, and is ready to welcome adulthood with open arms. At the theatre, Walter, the love of her life, awaits her, but at home in the house on the Herengracht, winter has set in – her father Otto and Aunt Nella argue endlessly, and the Brandt family are selling their furniture in order to eat. On Thea’s birthday, also the day that her mother Marin died, the secrets from the past begin to overwhelm the present.
Nella is desperate to save the family and maintain appearances, to find Thea a husband who will guarantee her future, and when they receive an invitation to Amsterdam’s most exclusive ball, she is overjoyed – perhaps this will set their fortunes straight. And indeed, the ball does set things spinning: new figures enter their life, promising new futures. But their fates are still unclear, and when Nella feels a strange prickling sensation on the back of her neck, she wonders if the miniaturist has returned for her . . .
Shortlisted for the Women's Prize for Fiction
In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker.
This was never the story of one woman, or two. It was the story of them all . . .
In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.
From the Trojan women whose fates now lie in the hands of the Greeks, to the Amazon princess who fought Achilles on their behalf, to Penelope awaiting the return of Odysseus, to the three goddesses whose feud started it all, these are the stories of the women embroiled in the legendary war.
Powerfully told from an all-female perspective, A Thousand Ships puts the women, girls and goddesses at the centre of the story.
'With her trademark passion, wit, and fierce feminism, Natalie Haynes gives much-needed voice to the silenced women of the Trojan War' – Madeline Miller, author of Circe
'A gripping feminist masterpiece' – Deborah Frances-White, The Guilty Feminist
The third novel in the international bestselling Before the Coffee Gets Cold series, following four new customers in a cafe where customers can travel back in time. On the hillside of Mount Hakodate in northern Japan, Cafe Donna Donna is fabled for its dazzling views of Hakodate port. But thats not all. Like the charming Tokyo cafe Funiculi Funicula, Cafe Donna Donna offers its customers the extraordinary experience of travelling through time. From the author of Before the Coffee Gets Cold and Tales from the Cafe comes another story of four new customers, each of whom is hoping to take advantage of the cafe's time-travelling offer. Among some familiar faces from Toshikazu Kawaguchis previous novels, readers will also be introduced to: A daughter who begrudges her deceased parents for leaving her orphaned A comedian who aches for his beloved and their shared dreams A younger sister whose grief has become all-consuming A young man who realizes his love for his childhood friend too late
Winner of the Booker Prize 2020
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.
Shuggie is different. Fastidious and fussy, he shares his mother’s sense of snobbish propriety. The miners' children pick on him and adults condemn him as no’ right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.
Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst’s The Line of Beauty, it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
'We were bowled over by this first novel, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love.' – The judges of the Booker Prize
In a small back alley in Tokyo, there is a café which has been serving carefully brewed coffee for more than one hundred years. But this coffee shop offers its customers a unique experience: the chance to travel back in time . . .
From the author of Before the Coffee Gets Cold comes Tales from the Cafe, a story of four new customers each of whom is hoping to take advantage of Cafe Funiculi Funicula's time-travelling offer.
Among some faces that will be familiar to readers of Toshikazu Kawaguchi's previous novel, we will be introduced to:
The man who goes back to see his best friend who died 22 years ago
The son who was unable to attend his own mother’s funeral
The man who travelled to see the girl who he could not marry
The old detective who never gave his wife that gift . . .
This beautiful, simple tale tells the story of people who must face up to their past, in order to move on with their lives. Kawaguchi once again invites the reader to ask themselves: what would you change if you could travel back in time?
A beautiful, moving story about a small Japanese café that offers its visitors the chance to travel back in time, to find an answer to the question: what would you change if you could go back? For fans of The Guest Cat and If Cats Disappeared from the World.
The chance to join 'the Revival of the Great Lucia Berlin' (New York Times)
From the author of A Manual for Cleaning Women.
Ranging from Texas, to Chile, to New Mexico and New York, in Evening in Paradise Berlin writes about the good, the bad and everything in between: struggling young mothers, husbands who pack their bags and leave in the middle of the night, wives looking back at their first marriage from the distance of their second . . .
The publication of A Manual for Cleaning Women, Lucia Berlin’s dazzling collection of short stories, marked the rediscovery of a writer whose talent had gone unremarked by many. The incredible reaction to Lucia’s writing – her ability to capture the beauty and ugliness that coexist in everyday lives, the extraordinary honesty and magnetism with which she draws on her own history to breathe life into her characters – included calls for her contribution to American literature to be as celebrated as that of Raymond Carver.
Evening in Paradise is a careful selection from Lucia Berlin’s remaining stories – a jewel-box follow-up for her hungry fans.
The Sunday Times and New York Times Bestseller
A couple in their thirties live in a small rented cottage in a quiet part of Tokyo. They work at home as freelance writers. They no longer have very much to say to one another.
One day a cat invites itself into their small kitchen. She is a beautiful creature. She leaves, but the next day comes again, and then again and again. New, small joys accompany the cat; the days have more light and colour. Life suddenly seems to have more promise for the husband and wife; they go walking together, talk and share stories of the cat and its little ways, play in the nearby Garden. But then something happens that will change everything again.
The Guest Cat is an exceptionally moving and beautiful novel about the nature of life and the way it feels to live it. Written by Japanese poet and novelist Takashi Hiraide, the book won Japan's Kiyama Shohei Literary Award, and was a bestseller in France and America.
A beautifully moving tale of loss and reaching out to the ones we love, of one man’s journey to discover what really matters in modern life.
Our narrator’s days are numbered. Estranged from his family, living alone with only his cat Cabbage for company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can set about tackling his bucket list, the Devil appears with a special offer: in exchange for making one thing in the world disappear, he can have one extra day of life. And so begins a very bizarre week . . .
Because how do you decide what makes life worth living? How do you separate out what you can do without from what you hold dear? In dealing with the Devil our narrator will take himself – and his beloved cat – to the brink. Genki Kawamura's If Cats Disappeared from the World is a story of loss and reconciliation, of one man’s journey to discover what really matters in modern life.
This beautiful tale is translated from the Japanese by Eric Selland, who also translated The Guest Cat by Takashi Hiraide. Fans of The Guest Cat and The Travelling Cat Chronicles will also surely love If Cats Disappeared from the World.
A dazzling urban satire of modern human relations? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
‘A brilliant evocation of life as a single girl in a certain time . . . reads like Anita Loos out of Jane Austen, and any woman who has ever had a job, a relationship or indeed a mother will read it and roar’ The Times
‘I cannot recommend a book more joyfully . . . Hilariously funny, miraculously observed, endlessly touching’ Daily Telegraph
‘Wild comedy . . . observed with merciless, flamboyant wit. A gloriously funny book’ Sunday Times
'Intriguing' – Sunday Times
'A rousing read' – Irish Times
'A bright light of Francophone feminism' – New York Times
Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women.
Taking three archetypes from historic witch hunts – independent women, women who avoid having children and women who embrace ageing – Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies åre still controlled by men.
Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in.
With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.
Agnes is sent to wait out her final months on the farm of district officer Jón Jónsson, his wife and their two daughters. Horrified to have a convicted murderer in their midst, the family avoid contact with Agnes. Only Tóti, the young assistant priest appointed Agnes’s spiritual guardian, is compelled to try to understand her. As the year progresses and the hardships of rural life force the household to work side by side, Agnes’s story begins to emerge and with it the family’s terrible realization that all is not as they had assumed.
Based on actual events, Burial Rites is an astonishing and moving novel about the truths we claim to know and the ways in which we interpret what we’re told. In beautiful, cut-glass prose, Hannah Kent portrays Iceland’s formidable landscape, in which every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?
The shocking true story of the breathtaking rise and collapse of Theranos, the multibillion-dollar biotech startup founded by Elizabeth Holmes, written by the prize-winning journalist who first broke the story and pursued it to the end.
Seen as the female Steve Jobs, Theranos founder and CEO Elizabeth Holmes was a brilliant Stanford dropout whose startup ‘unicorn’ promised to revolutionize the medical industry with a machine that would make blood testing significantly faster and easier. Backed by wealthy investors, Theranos sold shares that valued the company at more than $9 billion.
There was just one problem: the technology didn’t work . . .
Despite threats of legal action, brave whistleblowers started to talk. They revealed a culture of intimidation and secrecy, technology that repeatedly failed, results sent to real patients that were incorrect but upon which life-changing medical decisions were being made, with devastating consequences.
The riveting story behind The Dropout, in Bad Blood, John Carreyrou investigates the biggest corporate fraud since Enron, a tale of ambition and scandal set amid the bold promises of Silicon Valley.
Brutally violent, Blood Meridian is the story of one teenage runaway in the nineteenth-century American South, as a sadistic gang unleashes its massacre across the desert land. It is the work that sealed Cormac McCarthy's reputation as one of the twentieth century's greatest writers – his magnum opus.
‘[A] brilliant, uncompromising work of fiction – imagine if the authors of the King James Bible, their hands guided by Satan, wrote a western’ – The Times
Through the hostile landscape of the Texas–Mexico border wanders the Kid, a fourteen year-old Tennessean who is quickly swept up in the relentless tide of blood.
A group known as the Glanton gang hunt Indigenous Americans, collecting scalps as their bloody trophies. At the centre of this violence stands Judge Holden: a massive, hairless man, mysterious if not supernatural, erudite and cold-blooded. He is singularly extreme in his sadistic violence.
But the apparent chaos is not without order – the Glanton gang, too, are stalked as prey.
Read as both a brilliant subversion of the Western novel and a blazing example of that form, it is a powerful, mesmerizing and savagely beautiful novel – and one of the most important works in American fiction of the last century.
‘In Blood Meridian, McCarthy reaches the peak of his style: spare and ornate at once, repetitious but endlessly readable’ – Guardian
God. Truth. Existence. From the legendary author Cormac McCarthy, Stella Maris is a masterful coda to The Passenger.
'It's an uncanny, unsettling dream, tuned into the static of the universe' – New York Times
A mathematician, twenty years-old, is admitted to the hospital. She has forty thousand dollars in a plastic bag, and one request. She does not want to talk about her brother.
Stella Maris is book two in a duology, preceded by The Passenger.
Praise for The Passenger:
'What a glorious sunset song . . . It’s rich and it’s strange, mercurial and melancholic' – Guardian
'The Passenger shows that McCarthy belongs in the company of Melville and Dostoevsky, writers the world will never cease to need' – New Statesman
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