An extraordinary novel from the author of Never Let Me Go and the Booker Prize winning The Remains of the Day 'You've long set your heart against it, Axl, I know. But it's time now to think on it anew. There's a journey we must go on, and no more delay...' The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years.
Elio believes he has left behind his first love – but as an affair with an older man intensifies, his thoughts turn to the past and to Oliver.
Oliver, a college professor, husband and father, is preparing to leave New York. The imminent trip stirs up longing and regret, awakening an old desire and propelling him towards a decision that could change everything.
In Call Me By Your Name, we fell in love with Oliver and Elio. Find Me returns to these unforgettable characters, exploring how love can ripple out from the past and into the future.
Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation – awkward but electrifying – something life-changing begins.
Normal People is a story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find they can’t.
Lord of the Flies is a thought-provoking novel authored by William Golding in 1954. The book describes in detail the horrific exploits of a band of young children who make a striking transition from civilized to barbaric. Lord of the Flies commands a pessimistic outlook that seems to show that man is inherently tied to society, and without it, we would likely return to savagery.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast.
"Echo's Bones' was intended by Samuel Beckett to form the 'recessional' or end-piece of his early collection of interrelated stories, More Pricks Than Kicks, published in 1934. The story was written at the request of the publisher, but was held back from inclusion in the published volume. 'Echo's Bones' has remained unpublished to this day, and the present edition will situate the work in terms of its biographical context, its intertextual references, and as a vital link in the evolution of Beckett's early work.
The editor, Mark Nixon, is director of the Beckett International Foundation at the University of Reading."
Sylvia Plath is a major cultural icon who continues to inspire new generations of female readers. The Bell Jar is one of the defining novels of the 20th century.
I was supposed to be having the time of my life . . .
Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther's vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . .
The Bell Jar, Sylvia Plath's only novel, is partially based on Plath's own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide.
What do you do when you realise you have everything you think you've ever wanted but still feel completely empty? What do you do when it all starts to fall apart? The second volume of Moby's extraordinary life story is a journey into the dark heart of fame and the demons that lurk just beneath the bling and bluster of the celebrity lifestyle. In summer 1999, Moby released the album that defined the millennium, PLAY. Like generation-defining albums before it, PLAY was ubiquitous, and catapulted Moby to superstardom.
Suddenly he was hanging out with David Bowie and Lou Reed, Christina Ricci and Madonna, taking esctasy for breakfast (most days), drinking litres of vodka (every day), and sleeping with super models (infrequently). It was a diet that couldn't last. And then it fell apart.
The second volume of Moby's memoir is a classic about the banality of fame. It is shocking, riotously entertaining, extreme, and unforgiving. It is unedifying, but you can never tear your eyes away from the page.
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.
My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all.
Years ago, Sukie moved in with Nathan because her mother was dead and her father was difficult, and she had nowhere else to go. Now they are on the brink of the inevitable.
Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.
Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.
Ten-year-old Jas has a unique way of experiencing her universe: the feeling of udder ointment on her skin as protection against harsh winters; the texture of green warts, like capers, on migrating toads; the sound of 'blush words' that aren't in the Bible. But when a tragic accident ruptures the family, her curiosity warps into a vortex of increasingly disturbing fantasies – unlocking a darkness that threatens to derail them all.
A bestselling sensation in the Netherlands, Marieke Lucas Rijneveld's radical debut novel is studded with images of wild, violent beauty: a world of language unlike any other, exquisitely captured in Michele Hutchison's translation.
Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are interviewed and then befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence, beginning a complex ménage-à-quatre. But when Frances and Nick get unexpectedly closer, the sharply witty and emotion-averse Frances is forced to honestly confront her own vulnerabilities for the first time.
Nancy Jansen is the beating heart of her family.
She is the centre around whom many lives turn.
Mother
Therapist
Daughter
Sister
Wife
But Nancy has a new role:
Lover
Everybody can be happy, Nancy believes, so long as they can be kept apart.
But when these lives start to overlap, collision becomes inevitable, with consequences for all...
Go on an adventure with Katherine Rundell .
Winner of the Waterstones Children's Book Prize | Winner of the Blue Peter Book Award
Shortlisted for the CILIP Carnegie Medal | From the winner of the Costa Children's Book Prize
'A writer with an utterly distinctive voice and a wild imagination' - Philip Pullman
'Read everything she writes' - Daily Mail
Everyone tells Sophie that she was orphaned in a shipwreck - found floating in a cello case on the English Channel on her first birthday. But Sophie is convinced her mother also survived.
When the Welfare Agency threatens to separate her from her guardian and send her to an orphanage, Sophie takes matters into her own hands, starting with the only clue she has - the address of a cello-maker in Paris. On the run from the authorities, Sophie finds Matteo and his network of rooftoppers - urchins who walk tightropes and live in the sky. In a race across the rooftops of Paris, will they be able to find her mother before it's too late?
Hopeful, inspiring and thrilling in equal measure, this is a classic adventure story about pursuing your dreams and never ignoring a possible.
As a child, Kathy - now thirty-one years old - lived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory.
And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbed - even comforted - by their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailsham’s nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhood - and about their lives now.
First published in 1954, Lord of the Flies is now recognised as a classic, one of the most celebrated and widely read of modern novels. This edition, which includes an introduction and notes by Ian Gregor and Mark Kinkead-Weekes, meets the demand for its use in schools and its prescription by numerous examining boards. In compiling the notes they have borne in mind the needs of younger readers not only in this country but overseas.
Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face great a great loss.
Outline is the first book in a short and yet epic cycle – a masterful trilogy which will be remembered as one of the most significant achievements of our times.
'Outline succeeds powerfully. Among other things, it gets a great variety of human beings down on the page with both immediacy and depth; an elemental pleasure that makes the book as gripping to read as a thriller... A stellar accomplishment.' James Lasdun, Guardian
From the Costa Book of the Year-winning author of Days Without End
Even when you come out of bloodshed and disaster in the end you have got to learn to live.
Winona is a young Lakota orphan adopted by former soldiers Thomas McNulty and John Cole.
Living with Thomas and John on the farm they work in 1870s Tennessee, she is educated and loved, forging a life for herself beyond the violence and dispossession of her past. But the fragile harmony of her unlikely family unit, in the aftermath of the Civil War, is soon threatened by a further traumatic event, one which Winona struggles to confront, let alone understand.
Told in Sebastian Barry's rare and masterly prose, A Thousand Moons is a powerful, moving study of one woman's journey, of her determination to write her own future, and of the enduring human capacity for love.
'Nobody writes like, nobody takes lyrical risks like, nobody pushes the language, and the heart, and the two together, quite like Sebastian Barry does.' - ALI SMITH
Not far from London, there is a village.
This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present.
It belongs to families dead for generations, and to those who have only recently moved here, such as the boy Lanny, and his mum and dad.
But it also belongs to Dead Papa Toothwort, who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all.
A series of unsolved murders with one thing in common: each of the deaths bears an eerie resemblance to the crimes depicted in classic mystery novels.
The deaths lead FBI Agent Gwen Mulvey to mystery bookshop Old Devils. Owner Malcolm Kershaw had once posted online an article titled ‘My Eight Favourite Murders,’ and there seems to be a deadly link between the deaths and his list – which includes Agatha Christie’s The ABC Murders, Patricia Highsmith’s Strangers on a Train and Donna Tartt’s The Secret History.
Can the killer be stopped before all eight of these perfect murders have been re-enacted?
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