The story of Mowgli, the abandoned “man-cub” who is brought up by wolves in the jungles of Central India, is one of the greatest literary myths ever created. As he embarks on a series of thrilling escapades, Mowgli encounters such unforgettable creatures as the bear Baloo, the graceful black panther Bagheera and Shere Khan, the tiger with the blazing eyes. Other animal stories in The Jungle Books range from the dramatic battle between good and evil in “Rikki-tikki-tav” to the macabre comedy, “The Undertakers.” With The Jungle Books, Rudyard Kipling drew on ancient beast fables, Buddhist philosophy, and memories of his Anglo-Indian childhood to create a rich, symbolic portrait of man and nature, and an eternal classic of childhood. This edition contains both of Kipling’s Jungle Books, as well as “In the Rukh,” the story that introduced readers to Mowgli.
Constantly rebuffed from the social circles he aspires to frequent, the timid clerk Golyadkin is confronted by the sudden appearance of his double, a more brazen, confident and socially successful version of himself, who abuses and victimizes the original. As he is increasingly persecuted, Golyadkin finds his social, romantic and professional life unravelling, in a spiral that leads to a catastrophic denouement.
The Double, Dostoevsky’s second published work of fiction, which foreshadows in its themes many of his mature novels, is the surreal and hallucinatory tale of an unfortunate anti-hero, at once chilling in its depiction of the dark sides of human nature and exuberantly comical.
We takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in.
Written in a highly charged, direct and concise style, Zamyatin’s 1921 seminal novel – here presented in Hugh Aplin’s crisp translation – is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
In a series of nine letters, the narrator tells his friend how he introduced Vera Nikolayevna, a married woman who had been forbidden as a child to read fiction and poetry, to the intellectual pleasures of Goethe’s masterpiece. Opening up in front of Vera’s eyes is not only the realm of imagination, but also a world of unbridled feelings and tempestuous passions, which can only shatter the comfort and safety of her existence and force her to set off on a journey of spiritual awakening.
This lesser-known novella by one of the great masters of Russian literature, now available to English readers in Hugh Aplin’s lucid translation, is presented here with ‘Yakov Pasynkov’, another poignant story exploring the nature of love and human relations.
This trilogy of short novels, taken as a whole, recounts the young narrator’s early life up to his university days, each episode told through the perceptions, points of view and emotions felt by the protagonist at the time. Based on Tolstoy’s own life and experiences, this fictionalized account of a young man growing into the world combines anecdote with frank personal assessment and philosophical extrapolation, as the author’s Stendhalian take on the confessional genre confronts and blurs the notions of reality and imagination.
Tolstoy’s first published work, which launched him on a successful writing career, Childhood, Boyhood, Youth – besides offering an early display of his storytelling and stylistic abilities – provides the reader with invaluable insight into the personal and literary development of one of the greatest writers of all time.
First published in 1831, Belkin’s Stories was the first completed work of fiction by the founding father of Russian literature. Through a series of interlinked stories purporting to have been told by various narrators to the recently deceased country squire Ivan Belkin, Pushkin offers his own variation on themes and genres that were popular in his day and provides a vivid portrayal of the Russian people.
From the story of revenge served cold in ‘The Shot’ to the havoc wreaked by a blizzard on the life of two young lovers, from the bittersweet tones of ‘The Postmaster’ to the supernatural atmosphere of ‘The Undertaker’, this collection – presented here in a brand-new translation by Roger Clarke – sparkles with humour and is a testament to the brilliance and versatility of Pushkin’s mind.
Contains: ‘The Shot’, ‘The Blizzard’, ‘The Undertaker’, ‘The Postmaster’, ‘Young Miss Peasant’, ‘A History of Goryukhino Village’.
During a stifling St Petersburg summer, the rich landowner Velchaninov is haunted by the figure of a man he keeps glimpsing in the street. When he receives a surprise visit from him late at night, he realizes he is an old friend, Trusotsky, whose late wife, Natalya, was his secret lover. As the two men renew their acquaintance, Velchaninov becomes aware that Trusotsky’s child is, in fact, his own daughter. From then on, the destinies of the two old friends become intertwined as they engage – at turns repelled and attracted by each other – in a dangerous game of cat and mouse that will lead to a final dramatic confrontation.
Compelling, gripping, darkly humorous, The Eternal Husband – composed by the author at the peak of his writing powers, between The Idiot and Devils, and described by Dostoevsky’s biographer Joseph Frank as “a small masterpiece” – shows Dostoevsky at his best as a ruthless dissector of the quirks and foibles of the human character.
The civil servant Ivan Matveich and his wife Yelena Ivanovna are spectators of an exhibition – in a shopping arcade – of a crocodile owned by a German, when Ivan is suddenly swallowed alive by the animal. Unsuccessful in his attempts to be freed from his prison, due to the German’s concern for his crocodile and excessive desire for compensation, the civil servant gradually comes to appreciate his new environment, while his wife begins to enjoy her new-found freedom.
Inspired by Gogol’s surreal tales, Dostoevsky’s hilarious story has been interpreted by some as a vitriolic piece of social criticism and a veiled attack on the revolutionary philosopher Nikolai Chernyshevsky.
Presented as a series of letters between the humble copying clerk Devushkin and a distant relative of his, the young Varenka, Poor People brings to the fore the underclass of St Petersburg, who live at the margins of society in the most appalling conditions and abject poverty. As Devushkin tries to help Varenka improve her plight by selling anything he can, he is reduced to even more desperate circumstances and seeks refuge in alcohol, looking on helplessly as the object of his impossible love is taken away from him.
Introducing the first in a long line of underground characters, Poor People, Dostoevsky’s first full-length work of fiction, is a poignant, tragicomic tale which foreshadows the greatness of his later novels.
While at a party organized by the lieutenant of his regiment, the shy and awkward Ryabovitch is suddenly kissed by an unknown woman in a dark room. This unexpected and electrifying encounter marks a turning point in his life and a shift in his personality, arousing his passions and setting him on a desperate quest to discover the identity of the mysterious lady.
One of Chekhov’s most admired stories, ‘The Kiss’ is joined in this volume by five equally celebrated tales in a brand-new translation by Hugh Aplin: ‘The Lady with the Little Dog’, ‘Ward Six’, ‘The Black Monk’, ‘The House with a Mezzanine, ‘The Peasants’ and ‘The Bishop’ – making this an indispensable collection for those wanting to discover Chekhov at his creative best.
In ‘The Death of a Civil Servant’, an administrative clerk accidentally sneezes on a hierarchical superior at the opera, which results in great embarrassment and hilarious and futile attempts at atonement. The other short stories included in this volume, ‘A Calculated Marriage’, ‘The Culprit’, ‘The Exclamation Mark’, ‘The Speech-Maker’, ‘Who Is to Blame?’ and ‘A Defenceless Creature’ are in the same absurdly comical vein.
This short collection shows Chekhov in an amusing, playful light, poking fun at the greed, sycophancy and ignorance of his characters, with the moral detachment that also characterizes his major, serious works.
Ivan Bunin’s first published work, The Village is a bleak and uncompromising portrayal of rural life in south-west Russia. Set at the time of the 1905 Revolution and centering on episodes in the lives of two peasant brothers – “characters sunk so far below the average of intelligence as to be scarcely human” – it reveals the pettiness, violence and ignorance of life on the land.
At once nostalgic for a bygone more innocent age and foreshadowing the turbulences of the twentieth century, Bunin’s narrative is a triumph of bitter realism, shot through with the author’s classical style and precision of language.
This edition contains detailed notes on the text, extra material about the author and a carefully selected bibliography. There is also an appendix containing the first few pages of The Village in the original Russian.
In Bulgakov’s ‘Diaboliad’, the modest and unassuming office clerk Korotkov is summarily sacked for a trifling error from his job at the Main Central Depot of Match Materials and tries to seek out his newly assigned superior, responsible for his dismissal. His quest through the labyrinth of Soviet bureaucracy takes on the increasingly surreal dimensions of a nightmare.
This early satirical story, reminiscent of Gogol and Dostoevsky, was first published in 1924 and incurred the wrath of pro-Soviet critics. Along with the three other stories in this volume, which also explore the themes of the absurd and bizarre, it provides a fascinating glimpse into the artistic development of the author of The Master and Margarita.
Contains ‘Diaboliad’, ‘No.13 – The Elpit Workers’ Commune Building’, ‘A Chinese Tale’, ‘The Adventures of Chichikov’.
As the young Zinaida and her sweetheart, the student Nemovetsky, stroll through the idyllic Russian countryside, their memories, dreams and thoughts about life and the future mingle in the evening breeze. But when night falls, they hasten to retrace their steps back to town through a small wood, where they are accosted by three threatening drunkards, who knock Nemovetsky unconscious and start to chase the girl through the underwood. When the young student comes round, he is confronted with the horror of what has just happened.
Haunting, disquieting, shocking, ‘The Abyss’ – one of the most powerful short stories ever written – is accompanied in this volume by fifteen other stories by Andreyev, including ‘Silence’, ‘The Thief’ and ‘Lazarus’, some of them never translated before into English. Together, they provide a clear account of the lasting legacy of Russia’s foremost man of letters of the early twentieth century.
Contains: ‘Bargamot and Garaska’, ‘A Grand Slam’, ‘Silence’, ‘Once upon a Time There Lived’, ‘A Robbery in the Offing’, ‘The Abyss’, ‘Ben Tobit’, ‘Phantoms’, ‘The Thief’, ‘Lazarus’, ‘A Son of Man’, ‘Incaution’, ‘Peace’, ‘Ipatov’, ‘The Return’ and ‘The Flight’.
Turgenev’s final novel, Virgin Soil traces the destinies of several middle-class revolutionaries who seek to “go to the people” by working on the land and instilling democratic ideas in the countryside’s locals. They include the daydreaming impoverished young tutor Nezhdanov – employed by the liberal councillor Sipyagin and his vain and beautiful wife Valentina – the naive young radical Maryanna and the progressive factory manager Solomin.
Their liaisons, intrigues and conspiracies, set against the backdrop of Tsarist Russia, form the matter of Turgenev’s most ambitious and elaborate work, which cemented the author’s place in the West as Russia’s foremost novelist while at the same time proving controversial at home – culminating in the arrest of fifty-two real-life revolutionaries barely a month after it was published.
Driven to his deathbed by an incurable disease, the thirty-year-old impoverished gentleman Chulkaturin decides to write a diary looking back on his short life. After describing his youthful disillusionment and his family’s fall from grace and loss of status, the narrative focuses on his love for Liza, the daughter of a senior civil servant, his rivalry with the dashing Prince N. and his ensuing humiliation. These pages helped establish the archetype of the “superfluous man”, a recurring figure in nineteenth-century Russian literature.
First published in 1850, ‘The Diary of a Superfluous Man’ was initially censored by the authorities, as some of its passages were deemed too critical of Russian society. This volume also includes two other masterly novellas, also touching on the theme of disappointed love: ‘Asya’ and ‘First Love’.
On his way back to Russia after some years spent in the West, Grigory Mikhailovich Litvinov, the son of a retired official of merchant stock, stops over in Baden-Baden to meet his fiancée Tatyana. However, a chance encounter with his old flame, the manipulative Irina – now married to a general and a prominent figure in aristocratic expatriate circles – unearths feelings buried deep inside the young man’s heart, derailing his plans for the future and throwing his life into turmoil.
Around this love story Turgenev constructs a sharply satirical exposé of his countrymen, which famously embroiled its author in a heated quarrel with Dostoevsky. A melancholy evocation of impossible romance, Smoke represents the apogee of Turgenev’s later fiction.
Dmitry Rudin, a high-minded gentleman of reduced means, arrives at the estate of Darya Mikhailovna, where his intelligence, eloquence and conviction immediately make a powerful impression. As he stays on longer than intended, Rudin exerts a strong influence on the younger generation, and Darya’s daughter, Natalya, falls in love with him. But circumstances soon will show whether Rudin has the courage to act on his beliefs, and whether he can live up to the image he has created for himself.
Rudin, Turgenev’s first novel, is a subtle examination of human weakness which foreshadows many of the themes in the author’s later work, with its lead character personifying the type of the “superfluous man” which came to dominate much of the literature of nineteenth-century Russia.
Coming back to the “nest” of his family home in Russia after years of fruitless endeavours away from his roots, Lavretsky decides to turn his back on the vacuous salons of Paris and his frivolous and unfaithful wife Varvara Pavlovna. On his return he meets Liza, the daughter of one of his cousins, whom he had known when they were children and who rekindles in him long-smothered feelings of love. News of Varvara’s death arrive from France, offering Lavretsky the prospect of a new life, but a cruel twist threatens to shatter his dreams and forces him to re-evaluate his plans.
Hailed as a masterpiece of Russian literature, A Nest of the Gentry, Turgenev’s most successful and widely read novel – here presented in a new translation by Michael Pursglove – deals with the personal struggles of the individual in a period of turbulent social change.
One of Tolstoy’s last published works of fiction, The Devil revolves around the young landowner Yevgeny’s irrepressible lust for Stepanida, a sensual peasant woman. Even when he gets married to a respectable upper-class lady, he finds himself unable to put an end to his encounters with Stepanida, and becomes increasingly consumed by guilt and helplessness in the face of his urges.
In some ways comparable to the controversial Kreutzer Sonata, The Devil shows Tolstoy at his most salacious, and addresses the conflicts between desire, social norms and personal conscience. Also included in this volume is Family Happiness, one of Tolstoy’s earliest works, an entertaining and cynical account of marriage from the perspective of a disillusioned wife, and A Landowner’s Morning.
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