Can we ever be wholly free? In this book of breathtaking imaginary leaps that conjure dystopias and magical islands, Margaret Atwood holds a mirror up to our own world. The reflection we are faced with, of men and women in prisons literal and metaphorical, is frightening, but it is also a call to arms to speak and to act to preserve our freedom while we still can. And in that, there is hope.
Selected from The Handmaid's Tale and Hag-Seed by Margaret Atwood.
VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.
A series of short books by the world's greatest writers on the experiences that make us human
An unprecedented glimpse into the minds of two maestros. Haruki Murakami's passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk about their shared interest. They discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more.
The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.
Wuthering Heights is the tale of two families both joined and riven by love and hate. Cathy is a beautiful and wilful young woman torn between her soft-hearted husband and Heathcliff, the passionate and resentful man who has loved her since childhood. The power of their bond creates a maelstrom of cruelty and violence which will leave one of them dead and cast a shadow over the lives of their children. Emily Brontë's novel is a stunningly original and shocking exploration of obsessive passion.
In this vivid portrait of one day in a woman's life, Clarissa Dalloway is preoccupied with the last-minute details of party she is to give that evening. As she readies her house she is flooded with memories and re-examines the choices she has made over the course of her life.
Perfectly preserving the tone and mood of the novel whilst condensing it into two acts, David Malouf, with the gift for language already evident from his novels and poetry, presents afresh the timeless story of Charlotte Brontë's Jane Eyre, one of the most enduring literary classics of all time. The love between Jane and Mr Rochester, and the mystery of the woman behind the locked door, are here set to music in the opera composed by Michael Berkeley.
Dr Jekyll has been experimenting with his identity. He has developed a drug which separates the two sides of his nature and allows him occasionally to abandon himself to his most corrupt inclinations as the monstrous Mr Hyde. But gradually he begins to find that the journey back to goodness becomes more and more difficult, and the risk that Mr Hyde will break free entirely from Dr Jekyll's control puts all of London in grave peril.
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the end of the road on his own, but when he finds a neighbour's dog murdered he sets out on a terrifying journey which will turn his whole world upside down.
After a chance encounter on a train the English teacher William Bradshaw starts a close friendship with the mildly sinister Arthur Norris. Norris is a man of contradictions; lavish but heavily in debt, excessively polite but sexually deviant. First published in 1933 Mr Norris Changes Trains piquantly evokes the atmosphere of Berlin during the rise of the Nazis.
A deliberate historical parable. Prater Violet resembles episodes in Goodbye to Berlin and keeps up the same high level of excellence' - Edmund Wilson
An impatient phone call from the temperamental Austrian director, Friedrich Bergmann, introduces a young Christopher Isherwood to the film industry. Isherwood's job is to rescue the script of an idiotic love story set in nineteenth-century Vienna, a film called Prater Violet. In the real Vienna of 1934 the Austrian Right crushes a socialist uprising. Bergmann is distraught and his prophecy of the coming war goes unheeded. As tensions on set grow, studio intrigues and competing egos threaten to derail the whole project.
This bold new take on the life and ideas of political philosopher Hannah Arendt explores her lessons for living in an age of uncertainty
This bold new take on the life and ideas of political philosopher Hannah Arendt explores her lessons for living in an age of uncertainty
'Compelling and original' OBSERVER
'An absorbing new biography... Admirable' ECONOMIST
'Invigorating and insightful' FINANCIAL TIMES
The violent unease of today's world would have been all too familiar to Hannah Arendt. Tyranny, occupation, disenchantment, post-truth politics, conspiracy theories, racism, mass migration, the banality of evil: she had lived through them all.
Born in the first decade of the last century, Arendt escaped fascist Europe to make a new life for herself in America, where she became one of the world's most influential - and controversial - public intellectuals. She wrote about power and terror, exile and love, and above all about freedom. Questioning - thinking - was her first defence against tyranny. In place of the forces of darkness and insanity, she pitched a politics of plurality, spontaneity and defiance. Loving the world, Arendt taught, meant finding the courage to protect it.
Written with passion and authority, Lyndsey Stonebridge's We Are Free to Change the World illuminates Arendt's life and work and its urgent dialogue with our troubled present. It calls on each of us to think our way, as Hannah Arendt did - unflinchingly, lovingly and defiantly - through our own unpredictable times.
Who would have thought that the outstanding art book of the year would be written not by a curator or an art historian or even an artist – but by a museum guard?
Sunday Times, *Art Book of the Year*
Greek vases, an Iroquois turtle rattle, Picassos. His every word about them is illuminating. The big picture is art’s power to console and unite
Financial Times *Best Books of 2023*
Consoling and beautiful
Guardian
Hauntingly beautiful ... elegant ... a work of art as luminous as the old masters' paintings that comforted [Bringley] in his grief
Daily Mail Online
Bringley is a marvellous guide ... All the Beauty in the World succeeds joyously
Daily Telegraph
Here is twentieth-century woman in close-up, coping with the tragedies and upheavals of women's lives from the First World War to Greenham Common and beyond.
This is the ‘edited’ diary of an individual woman, born in 1901, and a story of the twentieth century. On the eve of the Great War, Millicent King begins keeping her journal, vividly recording the drama of everyday life. From bohemian London to Rome in the 1920s, through social work and the build-up to another war, in which she drives ambulances through the bombed streets of London, this is a story both fictional and true. Full of the texture of life, beautifully observed and evocative, it tells the story of an ordinary woman’s life against the huge canvas of the last century.
WITH AN INTRODUCTION BY THE AUTHOR
This series of war novels from Vintage Classics presents eight powerful stories about the horror and waste of war - each a passionate plea to prevent its repetition.
'Extravagantly beautiful... Enormously, achingly alive... A howl of love and rage, playful and funny as well as hard and bitter’ New York Times As young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood.
Then Sula ran away to live her dreams and Nel got married. Ten years later Sula returns and no one, least of all Nel, trusts her. Sula is a story of fear – the fear that traps us, justifying itself through perpetual myth and legend.
Cast as a witch by the people who resent her strength, Sula is a woman of uncompromising power, a wayward force who challenges the smallness of a world that tries to hold her down. ‘What a force her thoughts have been and how grateful we must be that they were offered to us in this extremely challenging age’ Alice Walker, Guardian BY THE NOBEL PRIZE-WINNING AUTHOR OF BELOVED Winner of the PEN/Saul Bellow award for achievement in American fiction
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