Linda Nochlin’s landmark essay heralded the dawn of a feminist history of art. It remains fundamental to any appreciation of art today. At once challenging and enlightening, it is never less than fully engaging, enticing the reader to question their own assumptions and to set off in new directions. Nochlin refuses to handle the question of why there have been no ‘great women artists’ on its own, corrupted, terms. Instead, she dismantles the very concept of greatness, unravelling the basic assumptions that created the male-centric genius in art. With unparalleled insight, Nochlin lays bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one.
Surveying the last forty years since the end of China’s Cultural Revolution, this book redefines contemporary Chinese art by placing it in the context of unprecedented cultural, political and urban transformation.
Writer and curator Jiang Jiehong takes a thematic approach, examining how artists have responded to concepts of the collective, tradition, urbanization and development outside the constraints of contemporary China and beyond the conventional art space. Artworks by important, internationally recognized artists and emerging practitioners are represented through curatorial discussions, as well as images of original installation views and historical art events. Illustrated in full-colour throughout, this concise and far-reaching survey offers new insights into the relationship of contemporary Chinese art to the past and the present.
Anime Architecture presents the most breathtaking environments created by the most important and revered directors and illustrators of Japanese animated films. From futuristic cities of steel to romantic rural locales, the creators of anime have conjured memorable and painstakingly detailed worlds, the influences of which have been felt across cinema, literature, comic books and videogames for decades.
This volume offers a peerless survey of these cinematic arenas – including materials from Akira, Ghost in the Shell, Patlabor, Neon Genesis Evangelion and Tekkonkinkreet – through original background paintings, storyboards, drafts, sources of inspiration and film excerpts.
A celebration and resource produced in direct collaboration with the original Japanese production studios, Anime Architecture offers privileged views into the earliest conception stages of iconic scenes, through to their development into finished films. Anyone who has been touched by the beauty and imagination of classic anime will find page after page of revelation and inspiration. Containing the often secretive creative processes of the major anime studios, this enthusiast’s treasure trove will have its significance for future generations of artists, illustrators, architects, designers, videogame makers and dreamers.
The best-selling Chanel Catwalk was the first book to gather every Chanel collection ever created by Karl Lagerfeld in a single volume. Now fully updated to include Lagerfeld’s final collections for the house and those of his right-hand and successor, Virginie Viard, this revised edition includes twenty-eight new collections.
This definitive publication features a concise history of Karl Lagerfeld and Virginie Viard’s time at Chanel as well as brief biographical profiles of each designer. The collections (from Haute Couture and Ready-to-Wear to Cruise and Métier d’arts) are organized chronologically. Each one is introduced by a short text unveiling its influences and highlights and illustrated with carefully curated catwalk images, showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and of course the top fashion models who wore them on the runway. A rich reference section, including an extensive index, concludes the book.
Iconography, the study of symbols – be they animals, artefacts, plants, shapes or gestures – is an essential element of art history.
This guide unravels over fifty of the most common and intriguing visual symbols from across the globe from 2300 BCE to the present day. While symbols cross dialects and national boundaries, their meanings can vary and are often culturally specific. The snake, an object of fascination and mysticism in Aztec culture, usually represents sin in the west. Yinka Shonibare’s Last Supper (2013) plays on the grapevine’s historic associations to satiric and startling effect.
Matt Wilson explores symbolism’s subtle implications and overt and covert meanings, providing an indispensable tool for interpretation. A reference section includes suggestions for further reading and a glossary of art and historical terms.
London may have Savile Row and Paris its luxury houses, but nowhere can compete with the essence of Italy’s nonchalant elegance: sprezzatura. This book presents the most in-depth look at the designers, tailors and artisans who for generations have defined the very notion of Italian style. From such fabled names as Rubinacci and Kiton to highly sought-after global brands like Zegna, more than fifty iconic Italian menswear houses are featured for their individual style and commitment to upholding the values of quality and timelessness.
Featuring lavish photographs, with close-ups of subtle, exquisite details, most taken specially for this publication, The Italian Gentleman explores the world behind the finished garments – the ateliers and hidden shops where legends are born. Including iconic brands alongside fabric mills, shirting, accessories and shoemaking, this timely publication is a tribute to true Italian style with today’s modern man in mind.
Founded as a luxury leather goods house in 1913 in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the family company in 1979. After initially focusing exclusively on accessories, she presented the house’s first fashion collection in 1988. She would soon transform Prada into one of the world’s most influential luxury brands with a deeply personal, sophisticated and subtly subversive approach.
This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Miuccia Prada, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.
Ambitious in scope, democratic in nature, Magnum Streetwise> is an unmissable tour through the photographs and practices that have helped define what street photography is and can be. Magnum photographers such as Henri Cartier-Bresson pioneered ‘modern’ concepts of street photography before the term was even coined. But their influence is far from historic. A rich seam of street photography runs through the heart of Magnum to this day, both in the work of recognized masters of street photography – such as Erwitt, Parr, Gilden and Kalvar – and of those who might not even consider themselves street photographers; a continued influence that has not gone unnoticed among the current generation of budding street photographers and fans.
Magnum Streetwise is a true visual feast, interleaving insightful texts and anecdotes within an intuitive blend of photographer- and theme-based portfolios, exploring not only the work of outstanding photographers, but how common subject matter (places of leisure, marketplaces, travel) and locations (Paris, New York, Tokyo) have been addressed, conceptually and practically, across the agency and through the ages. Magnum Streetwise is an essential addition to the bibliography of street photography, showcasing hidden gems alongside many of the genre’s most famous images.
‘Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork’ Wall Street Journal
This stunning monograph, a long-overdue critical appraisal of Polish artist Józef Czapski (1896–1993), arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his 97th year, it’s no surprise that the artist has works dating from every decade of the 20th century but the first. As witness to the tumultuous events of that century, he found in painting ‘a refuge and a salvation’.
Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolour in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatre-goers and art lovers doing what they do best – looking.
Founded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection.
This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.
Lively and informative, The World Atlas of Tattoo is a superbly illustrated and compelling reference book that, through examining the meeting point between tattoo artists and their personal understanding of their environment, presents a well-informed and nuanced account of what has become a widespread art practice. Organized geographically, each section is introduced by a short historical overview of the types of tattooing traditionally practised in that area of the world, enabling the reader to trace historical threads in the careers of some of the profiled tattooers, as well as marvel at how other artists have managed to create novel forms of tattooing that transcend any previous context. The book also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs.
Revealing the elaborate embroidery, intricate pleats and daring cuts that make up some of the 20th century’s most beautiful garments, this book explores the specific techniques used by couturiers as tastes and textile technologies evolved. Work by designers such as Mariano Fortuny, Madeleine Vionnet, Paul Poiret, Hubert de Givenchy, Mary Quant, Yves Saint Laurent and Vivienne Westwood is rediscovered, and exquisite haute-couture pieces, from sequinned Chanel trouser suits and richly embroidered Schiaparelli jackets to striking Balenciaga creations and Dior evening gowns, are examined.
Part of the ‘Fashion in Detail’ series, this updated edition features a revised introduction and list of designers followed by chapters dedicated to a particular technique. Each garment is illustrated through detailed photography and line drawings and is accompanied by a commentary by leading experts in textiles and fashion.
An extraordinary exploration of the techniques used by couturiers in the construction of these exceptional garments, 20th-Century Fashion in Detail will delight all followers of fashion.
Founded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world’s leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.
This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director (1998–2014), and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.
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