In Artists’ Homes, writer and photographer Tom Harford Thompson presents some thirty individual, eccentric houses and workspaces, from a music producer’s studio in Hackney to an eco-warrior’s treehouse on the Sussex Downs. His evocative photographs show how our live/work spaces, whether a tumbledown cottage, a country farmhouse or a reclaimed factory, are beautiful because of the lives we live in them. With work no longer separate from home life, we see how these artists function in the homes that inspire them, pursuing the life creative.
Among the artists and craftspeople featured are Billy Childish, co-founder of the Stuckist art movement; Penny Rimbaud and Gee Vaucher, creative partners who set up their home and studio as an ‘anarchist-pacifist open house’ (Dial House, in Essex); music producer Liam Watson of the famed London studio Toe Rag; vintage motorcycle dealer Ian Hatton, of cult shop Verrall’s; vintner Peter Hall of Breaky Bottom Vineyard, one of the first wineries in the UK; and many more.
No other art movement in history has contained two artists as different as Magritte and Miró. This is because Surrealism was not in origin an art movement, but a philosophical strategy. It was a way of life – a rebellion against the establishment that had given the world the hideous slaughter of the First World War. Instead of trying to analyse the work of the Surrealists, bestselling author and Surrealist artist Desmond Morris concentrates on them as people – as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Did they enjoy a social life or were they loners? Were they bold eccentrics or timid recluses?
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