In Artists’ Homes, writer and photographer Tom Harford Thompson presents some thirty individual, eccentric houses and workspaces, from a music producer’s studio in Hackney to an eco-warrior’s treehouse on the Sussex Downs. His evocative photographs show how our live/work spaces, whether a tumbledown cottage, a country farmhouse or a reclaimed factory, are beautiful because of the lives we live in them. With work no longer separate from home life, we see how these artists function in the homes that inspire them, pursuing the life creative.
Among the artists and craftspeople featured are Billy Childish, co-founder of the Stuckist art movement; Penny Rimbaud and Gee Vaucher, creative partners who set up their home and studio as an ‘anarchist-pacifist open house’ (Dial House, in Essex); music producer Liam Watson of the famed London studio Toe Rag; vintage motorcycle dealer Ian Hatton, of cult shop Verrall’s; vintner Peter Hall of Breaky Bottom Vineyard, one of the first wineries in the UK; and many more.
No other art movement in history has contained two artists as different as Magritte and Miró. This is because Surrealism was not in origin an art movement, but a philosophical strategy. It was a way of life – a rebellion against the establishment that had given the world the hideous slaughter of the First World War. Instead of trying to analyse the work of the Surrealists, bestselling author and Surrealist artist Desmond Morris concentrates on them as people – as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Did they enjoy a social life or were they loners? Were they bold eccentrics or timid recluses?
Thanks to the popularity of workshops and classes, metal jewelry-making is no longer the exclusive realm of professional jewelry designers. Now, with a little patience and the right instruction, anyone can learn to create beautiful jewelry with metalsmithing techniques.
This book is one of the most comprehensive volumes on metal jewelry-making available. Freshly commissioned, full-colour photographs accompany detailed step-by-step tutorials, while comprehensive sidebars detail the relevant considerations for applying each technique to a variety of different metals, with cross-references where applicable.
The book also includes profiles of contemporary practitioners, providing readers with an understanding of a wide range of different working methods, materials and developing techniques.
With its combination of tutorials, inspirational galleries, extensive cross-referencing and advice, Metalsmithing for Jewelry Makers is an authoritative reference that is guaranteed to appeal to professionals and amateurs alike.
There has never been a period in photography’s long history – no school, no movement – when flowers have not been a central focus, whether in the form of the classic still life, the botanical study, incorporated into portraiture and studies of the human body, documented in street photography, or used subversively in surrealist collage and montage.
Today, flower photography remains in full bloom, with photographers the world over depicting flowers and floral motifs in novel ways. Featuring works by more than 120 photographers, Flora Photographica links the very best of flower photography from the past thirty years with its predecessors – canonical floral studies from the realms of photography, botanical illustration, drawing and painting that have marked the collective imagination for centuries, if not millennia.
Works by contemporary photographers such as Cindy Sherman, Thomas Ruff, Vik Muniz, Valérie Belin, Viviane Sassen, and Martin Schoeller appear across nine thematic chapters, complemented by two in-depth essays by curators William A. Ewing and Danaé Panchaud exploring the relationship between contemporary works and the rich traditions of floral art and photography.
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