Karl Lagerfeld is a modern master of couture. He is also famously outspoken: his wise, surprising statements pop up like offbeat news flashes. This compact collection of quotations pays homage to the legendary éminence grise of the fashion world. Lagerfeld’s pronouncements – on fashion, women, art, politics, love, and life high and low – are famously oracular, seized upon by fashionistas, acolytes and sages around the world.
Created with the full approval of the designer himself, this cornucopia of Lagerfeld’s maxims is required reading for us all today as we negotiate the trickiest curves of modern life. Cultivated, unpredictable, provocative, sometimes shocking, Lagerfeld’s ‘bons mots’ are always impossible to ignore.
2017 marks the 70th anniversary of the House of Dior. It was in 1947 that Christian Dior presented his first collection and heralded the birth of a new fashion silhouette for women. After the austerity of the war years, the cinched waistlines, full skirts and soft shoulders of the New Look came to embody a revival of Parisian luxury. Paris regained its place as the global capital of fashion and the name of Dior became a synonym for haute couture.
For this book, seventy of the most memorable looks created Christian Dior and his successors – Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri – have been specially selected and photographed in fascinating detail. These wonderful designs are also featured in sketches, runway shots and fashion shoots by the world’s greatest fashion photographers, including Irving Penn, Richard Avedon, Cecil Beaton, William Klein, Helmut Newton, Patrick Demarchelier, Paolo Roversi, Peter Lindbergh, Mario Testino and Nick Knight.
Recurring themes from the history of Dior are discussed in depth: the concept of line and architecture in fashion; the influence of history and art (the Palace of Versailles, the Empire style, Impressionism, the Belle Époque, the Ballets Russes, Picasso, Dalí, Pollock); the use of colour; the influence of gardens and landscapes as sources of inspiration; and, of course, the brand’s muses and famous clients: the Duchess of Windsor, Marlene Dietrich, Princess Grace of Monaco, Marilyn Monroe, Elizabeth Taylor, Isabelle Adjani, Princess Diana, Marion Cotillard, Charlize Theron, Natalie Portman, Jennifer Lawrence and more.
The most captivating and intriguing 19th-century murders from around the world are re-examined in this disquieting volume, which takes readers on a perilous journey around the world’s most benighted regions. In each area, murders are charted with increasing specificity: beginning with city- or region-wide overviews, drilling down to street-level diagrams and zooming-in to detailed floor plans. All the elements of each crime are meticulously replotted on archival maps, from the prior movements of both killer and victim to the eventual location of the body.
The murders revisited range from the ‘French Ripper’ Joseph Vacher, who roamed the French countryside brutally murdering and mutilating over twenty shepherds and shepherdesses, to H.H. Holmes, who built a hotel in Chicago to entrap, murder and dispose of its many guests. Crime expert Dr Drew Gray illuminates the details of each case, recounting both the horrifying particulars of the crimes themselves and the ingenious detective work that led to the eventual capture of the murderers. He highlights the development of police methods and technology: from the introduction of the police whistle to the standardization of the mugshot and from the invention of fingerprinting to the use of radio telegraphy to capture criminals. Disturbing crime-scene photographs by pioneers of policework, such as Alphonse Bertillon, and contemporary illustrations from the sensationalist magazines of the day, including the Illustrated Police News and the Petit Journal, complete the macabre picture.
Iconography, the study of symbols – be they animals, artefacts, plants, shapes or gestures – is an essential element of art history.
This guide unravels over fifty of the most common and intriguing visual symbols from across the globe from 2300 BCE to the present day. While symbols cross dialects and national boundaries, their meanings can vary and are often culturally specific. The snake, an object of fascination and mysticism in Aztec culture, usually represents sin in the west. Yinka Shonibare’s Last Supper (2013) plays on the grapevine’s historic associations to satiric and startling effect.
Matt Wilson explores symbolism’s subtle implications and overt and covert meanings, providing an indispensable tool for interpretation. A reference section includes suggestions for further reading and a glossary of art and historical terms.
London may have Savile Row and Paris its luxury houses, but nowhere can compete with the essence of Italy’s nonchalant elegance: sprezzatura. This book presents the most in-depth look at the designers, tailors and artisans who for generations have defined the very notion of Italian style. From such fabled names as Rubinacci and Kiton to highly sought-after global brands like Zegna, more than fifty iconic Italian menswear houses are featured for their individual style and commitment to upholding the values of quality and timelessness.
Featuring lavish photographs, with close-ups of subtle, exquisite details, most taken specially for this publication, The Italian Gentleman explores the world behind the finished garments – the ateliers and hidden shops where legends are born. Including iconic brands alongside fabric mills, shirting, accessories and shoemaking, this timely publication is a tribute to true Italian style with today’s modern man in mind.
Founded as a luxury leather goods house in 1913 in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the family company in 1979. After initially focusing exclusively on accessories, she presented the house’s first fashion collection in 1988. She would soon transform Prada into one of the world’s most influential luxury brands with a deeply personal, sophisticated and subtly subversive approach.
This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Miuccia Prada, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.
Ambitious in scope, democratic in nature, Magnum Streetwise> is an unmissable tour through the photographs and practices that have helped define what street photography is and can be. Magnum photographers such as Henri Cartier-Bresson pioneered ‘modern’ concepts of street photography before the term was even coined. But their influence is far from historic. A rich seam of street photography runs through the heart of Magnum to this day, both in the work of recognized masters of street photography – such as Erwitt, Parr, Gilden and Kalvar – and of those who might not even consider themselves street photographers; a continued influence that has not gone unnoticed among the current generation of budding street photographers and fans.
Magnum Streetwise is a true visual feast, interleaving insightful texts and anecdotes within an intuitive blend of photographer- and theme-based portfolios, exploring not only the work of outstanding photographers, but how common subject matter (places of leisure, marketplaces, travel) and locations (Paris, New York, Tokyo) have been addressed, conceptually and practically, across the agency and through the ages. Magnum Streetwise is an essential addition to the bibliography of street photography, showcasing hidden gems alongside many of the genre’s most famous images.
Revealing the elaborate embroidery, intricate pleats and daring cuts that make up some of the 20th century’s most beautiful garments, this book explores the specific techniques used by couturiers as tastes and textile technologies evolved. Work by designers such as Mariano Fortuny, Madeleine Vionnet, Paul Poiret, Hubert de Givenchy, Mary Quant, Yves Saint Laurent and Vivienne Westwood is rediscovered, and exquisite haute-couture pieces, from sequinned Chanel trouser suits and richly embroidered Schiaparelli jackets to striking Balenciaga creations and Dior evening gowns, are examined.
Part of the ‘Fashion in Detail’ series, this updated edition features a revised introduction and list of designers followed by chapters dedicated to a particular technique. Each garment is illustrated through detailed photography and line drawings and is accompanied by a commentary by leading experts in textiles and fashion.
An extraordinary exploration of the techniques used by couturiers in the construction of these exceptional garments, 20th-Century Fashion in Detail will delight all followers of fashion.
When Karl Lagerfeld was named at the helm of the fashion house in 1983, he set out to radically shake up and update its image – not only through bold collections but also, from 1987 onwards, by choosing to shoot the house’s campaigns himself, a move that was unprecedented for a fashion designer.
Conceived in collaboration with Karl Lagerfeld and the House of Chanel, this definitive publication opens with an essay by Patrick Mauriès before exploring the campaigns themselves, organized chronologically. A carefully curated selection of images showcases hundreds of spectacular clothes worn by the top fashion models – and personalities – of each era, from Inès de la Fressange, Claudia Schiffer, Kate Moss and Cara Delevingne, to Kirsten Stewart and Lily Rose Depp, captured in glamorous locations, from Coco Chanel’s Paris apartment to the French Riviera or LA.
Presented in a high-end, slipcased package, Chanel: the Karl Lagerfeld Campaigns offers an unrivalled overview of the house of Chanel as seen through the eyes – and lens – of Karl Lagerfeld himself.
Founded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world’s leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.
This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director (1998–2014), and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.
Arguably the most famous perfume in the world – most memorably endorsed by Marilyn Monroe – Chanel No5 continues to fascinate and claims millions of devotees around the world. Created in 1921 by Coco Chanel, the perfume was one of the first to use synthetics. To complement her pioneering fashion, Chanel wanted to give the modern woman ‘a perfume, but an artificial perfume...not rose or lily of the valley...a perfume that is compound’, presented in a distinctively pared-back glass bottle that would become an icon in its own right (inspiring a series of works by Andy Warhol decades later).
Presented in two volumes (one on the early years of Chanel No5 from 1921 to 1945, the other on the period in which Chanel No5 went truly global, from the postwar years to today), Chanel No5 explores the evolution of the perfume’s packaging, composition, manufacture and marketing, with unprecedented access to the Chanel archives and those tasked with creating the fragrance today.
The world’s leading creatives have lent their talents to the perfume’s advertising campaigns, which are given pride of place in the book, from photographers such as Richard Avedon and Helmut Newton, to film directors including Ridley Scott and Baz Luhrmann, and stylish muses – Coco Chanel herself, of course, as well as Suzy Parker, Catherine Deneuve, Nicole Kidman, Gisele Bündchen and Lily-Rose Depp.
Back in 2007 the first issues of MONOCLE magazine hit newsstands and kiosks around the globe. At its core was a pledge to commission all original photography – capturing the world on film, on the ground and in the moment. In the years since, MONOCLE has continued in its pursuit of documenting through its unique lens – from embassies and personal residences to world leaders and cultural stars. Each issue has featured a dedicated image-led Expo section celebrating lesser-known locales, obscure events and curious characters through truly outstanding photography. Syrian cities, French legionnaires, Thai festival goers, brutalist architecture and private member’s clubs have all graced the pages of the magazine.
The Monocle Book of Photography draws on the best of these visual stories from an archive a decade and a half in the making. The book also features original reporting about each of the assignments, as well as first-hand accounts from the photographers and editors involved.
From Gabrielle Chanel’s 1932 collection to the newest interpretations of her signature signs and symbols by Patrice Leguéreau, Director of the CHANEL Fine Jewelry Creation Studio, CHANEL High Jewelry remains eternally modern and true to the spirit of her enterprise.
Breathtaking new photography and classic images from the CHANEL archives brings together revealing combinations in a stunning visual narrative, privileging aesthetic form over four chapters: the origins, the symbols, the spirit, and the allure. Gabrielle Chanel’s passion for fabulous and improbable marvels is celebrated here in a covetable book object that pays tribute to the House’s unparalleled insistence on luxury and refinement, creativity and beauty.
Based on extensive research and exploring CHANEL’s inspirations and art through some of the most precious of all her creations and the eternally modern ideas they have inspired, the book features superb photographs by Karl Lagerfeld, Mario Testino, Patrick Demarchelier, François Kollar, Roger Schall, George Hoyningen-Huene, André Kertész, Sarah Moon, Koto Bolofo, Karim Sadli, Dominique Issermann, and many others. It is also illustrated with images from CHANEL’s archive and sketches that express the creativity and joie de vivre of the world’s finest High Jewelry collection.
Alexander McQueen has grasped the public’s imagination like few other fashion designers before him. In this book, a striking tribute to Alexander McQueen’s stunning collections, Robert Fairer – US Vogue’s exclusive backstage photographer for over a decade – opens up his archive for the first time.
Tracing McQueen’s entire career from the 1990s to his final collection, ‘Plato’s Atlantis’, Alexander McQueen: Unseen celebrates the singular beauty of the designer’s creations and the intense behind-the-scenes work of McQueen’s trusted collaborators.
Fairer’s high-energy photographs capture the glamour, grit and spirit that made McQueen’s flamboyant shows so special, and offer a unique insight into the work of one of the world’s most captivating fashion designers.
Comet presents the amazing story of the Rosetta space probe and its interstellar voyage to the comet Tchoury. Its mission – to find clues to the origins of our solar system and the emergence of life on Earth. Following a ten-year voyage and a journey spanning millions of kilometres through our Solar System, the Rosetta entered the comet’s orbit.
Its lander, Philae – a miniature science laboratory – landed directly on Tchoury’s surface and was able to take the photographs presented here. This triumph of scientific endeavour brought back a raft of incredible new photographs, the best of which are featured here. The book is built around the various phases in Rosetta’s journey: leaving Earth, breaching its atmosphere and watching the lights of home recede; skirting the Moon and coming close to Mars; plunging into the cosmos’ starry void and approaching the comet; and, finally, landing on Tchoury.
The photographs are accompanied by a text that reflects on the objectives of the mission and the accomplishment of such a technological feat for humanity. Detailed captions provide the reader with accessible scientific information, enabling them to get to the heart of the subject.
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