It is often forgotten just how provocative Impressionist canvases seemed when they were first exhibited in 1874. The advocates of the new style rejected the established principles of art prevalent at that time in France.
This book traces Impressionism’s origins to its spread to America and Australia. Ralph Skea shows how Impressionist artists transformed everyday subject matter. Daringly using colour and rapid brushstrokes, the Impressionists worked out of doors, creating paintings that captured the transient effects of light and feeling. Impressionism’s initial shock factor gradually gave way to widespread acceptance, but only now can we appreciate how profound its influence has been on modern art.
‘Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork’ Wall Street Journal
This stunning monograph, a long-overdue critical appraisal of Polish artist Józef Czapski (1896–1993), arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his 97th year, it’s no surprise that the artist has works dating from every decade of the 20th century but the first. As witness to the tumultuous events of that century, he found in painting ‘a refuge and a salvation’.
Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolour in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatre-goers and art lovers doing what they do best – looking.
Founded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection.
This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.
Architect and designer Michael Embacher’s unique collection of more than 250 bicycles, the only one of its kind, was lovingly collected over many years and exhibited around the world. This new compact edition of Cyclepedia offers an expanded selection of Embacher’s finest, most unusual and most coveted pieces, despite the fact that the collection is no longer intact.
With a foreword by design guru Paul Smith and a history of bicycle design by Michael Zappe and Martin Strubreiter, this homage to the beauty of two wheels is a celebration of the fastest, lightest, most innovative – and most inventive – bicycles designed over the past century. This stunning, carefully curated selection features some of the rarest, most beautiful and most sought-after bicycles from around the world, including classic racing bikes from the Tour de France, high-tech machines that employ the latest advances in materials science, and eccentric bikes designed for unusual uses. With a redesigned layout that makes the most of Bernhard Angerer’s colourful photography, this edition features ten new bicycles from Embacher’s collection, including designs from Alex Singer, Alan, Textima and Puch.
Lively and informative, The World Atlas of Tattoo is a superbly illustrated and compelling reference book that, through examining the meeting point between tattoo artists and their personal understanding of their environment, presents a well-informed and nuanced account of what has become a widespread art practice. Organized geographically, each section is introduced by a short historical overview of the types of tattooing traditionally practised in that area of the world, enabling the reader to trace historical threads in the careers of some of the profiled tattooers, as well as marvel at how other artists have managed to create novel forms of tattooing that transcend any previous context. The book also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs.
Pieter Bruegel the Elder and his work have attained a legendary status in our collective consciousness. The most important Netherlandish painter and draughtsman of the 16th century had already achieved great fame during his own lifetime, but was largely forgotten until his rediscovery by art historians in the early 20th century. Just over forty paintings by Bruegel’s own hand survive. His complex, multi-layered compositions, which draw on the earlier pictorial traditions of Hieronymus Bosch, are often moralizing, and teem with characters. The variety of subjects and their originality of execution inspire wonder to this day.
Published to accompany the major exhibition at the Kunsthistorisches Museum in Vienna, this spectacular catalogue allows readers to immerse themselves in the immensely rich pictorial world of the Netherlandish master. In uniting the artist’s works in different media – paintings, drawings and prints – it highlights his perfect handling and execution, his virtuoso use of colour and his draughtsmanship. The book is complemented by an e-book featuring five further essays by the curators, who present the fruits of recent research on the artist’s materials and techniques.
Bruegel’s inventions and stories create artworks with a timeless power, and this volume, presenting a full survey of the artist’s entire oeuvre, will be an indispensable resource for Bruegel fans and scholars alike.
Founded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world’s leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.
This definitive publication opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director (1998–2014), and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.
No other art movement in history has contained two artists as different as Magritte and Miró. This is because Surrealism was not in origin an art movement, but a philosophical strategy. It was a way of life – a rebellion against the establishment that had given the world the hideous slaughter of the First World War. Instead of trying to analyse the work of the Surrealists, bestselling author and Surrealist artist Desmond Morris concentrates on them as people – as remarkable individuals. What were their personalities, their predilections, their character strengths and flaws? Did they enjoy a social life or were they loners? Were they bold eccentrics or timid recluses?
Plain and elaborate, commonplace and precious, fashionable and timeless, masculine and feminine: Dior’s silk scarves form a unique visual repertoire and cover a gamut of palettes, themes and styles. The epitome of Parisian chic, they express the poetic imagination of the creative directors who have shaped the destiny of the house, from Christian Dior to Maria Grazia Chiuri.
Unveiling the history and artistry of Dior’s scarves from the first designs to today, this sumptuous book celebrates their incredible variety and beauty as never before. At its heart is an atlas of over 400 scarves, organized by theme and printed on a delicate paper that replicates the texture of the scarves themselves. Dior’s creative director Maria Grazia Chiuri, who has overseen the creation of this volume, contributes a foreword. The atlas is supplemented by exclusive visual essays from renowned photographers Brigitte Niedermair and Pol Baril, as well as texts by distinguished fashion historians Maria Luisa Frisa, Claire Allen-Johnstone, Elda Danese and Emilie Hammen.
From vibrant opulence to graphic harmony, every scarf conveys a mood and every one tells a story. Those stories are now brought together in a book that will delight all aficionados of this symbol of timeless elegance.
There has never been a period in photography’s long history – no school, no movement – when flowers have not been a central focus, whether in the form of the classic still life, the botanical study, incorporated into portraiture and studies of the human body, documented in street photography, or used subversively in surrealist collage and montage.
Today, flower photography remains in full bloom, with photographers the world over depicting flowers and floral motifs in novel ways. Featuring works by more than 120 photographers, Flora Photographica links the very best of flower photography from the past thirty years with its predecessors – canonical floral studies from the realms of photography, botanical illustration, drawing and painting that have marked the collective imagination for centuries, if not millennia.
Works by contemporary photographers such as Cindy Sherman, Thomas Ruff, Vik Muniz, Valérie Belin, Viviane Sassen, and Martin Schoeller appear across nine thematic chapters, complemented by two in-depth essays by curators William A. Ewing and Danaé Panchaud exploring the relationship between contemporary works and the rich traditions of floral art and photography.
Here is a comprehensive, accessible and authoritative illustrated reference to the history, art and science of photography. In one single, elegant volume, it features over 300 iconic photographs and contains more than 1,200 concise yet fully detailed entries on all aspects of the subject. Though much information can today be found online, locating it takes time and sources can have questionable provenance and uncertain academic credentials.
All previous dictionaries of photography are now outdated, as well, focusing either on the famous and influential practitioners of the genre or presented as mere glossaries of technical terms. This landmark publication, newly available in paperback, is the culmination of ten years of development and research. Working with an international expert panel of 150 consultants and 79 researchers, Nathalie Herschdorfer has triumphed in creating the first source of information for all scholars, practitioners and collectors of photography to turn to in the future.
"Undeniably one of the most influential innovations of the modern world, the car has revolutionized manufacturing and transformed how we move, forever changing our landscapes, cities, environments and economies. With each revolution, each transformation, have come almost unmatched impacts upon wider culture, changing not only the way we live, but the ways we look at and consider the world around us. The influence of the car upon photography and the work created by photographers since the early 20th century can be clearly traced through the V&A's photography collection.
Autofocus explores the deep cultural significance and impact of the car on the history of photography, playing a role both as subject matter and as a genuine creative vehicle - the means by which photographers have accomplished many of their great works. Written by Marta Weiss, Senior Curator of Photographs at the V&A, and published to coincide with the opening in November 2019 of the exhibition 'Cars: Accelerating the Modern World', Autofocus presents over 100 photographs, supported by commentaries and an introduction of c. 1,500 words, that span from the early years of the automobile to the present day.
For both photography and car-loving audiences, Autofocus illustrates the ascendance of the car as a cultural icon, and the ways in which it has shaped the world around and ahead of us.
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The essential purpose of a staircase is utilitarian: to facilitate ascent and descent. Yet the design of even the simplest stair is complex, requiring great knowledge, skill and ingenuity. This volume showcases the astonishing diversity of staircases over the centuries, from the stepped pyramids of the Maya to the exquisitely proportioned stairs of the Renaissance, to the elaborate balustraded confections of the Baroque period, to the virtuosic, computer-aided designs of today.
A superb range of photographs, many specially taken for this publication, illustrates clear and accessible written surveys by specialist architectural historians. From Renaissance masterpieces, the sweeping curves of Art Nouveau, the functional beauty of the Bauhaus, to high-tech contemporary dream creations, the staircase is a powerful emblem of technological and artistic achievement. Architectural tours de force all, often charged with religious, mystical and hierarchical meaning, these staircases are inherently dynamic, as is every page of this fascinating and beautifully illustrated book.
Art & Politics Now is a richly illustrated survey of more than 200 artists whose works address 'the political', often using radical approaches and techniques to communicate their ideas. Since the turn of the 21st century, contemporary artists have increasingly engaged with some of the most pressing issues facing our world and their art has taken a distinctly political turn. Eleven themed chapters with integrated illustrations each provide a closely woven argument about the contribution of specific artworks and projects to different aspects of political and social engagement, from globalization and citizenship to activism and the environment.
Twilight of the Romanovs opens a door onto the world of pre-revolutionary Russia in original photographs taken during the last decades of Romanov rule. They include many remarkable colour images created using an early three-colourplate technique; these bring the remote past to life with an especially vivid jolt. We discover a world of exceptional diversity, seemingly timeless, almost archaic, marked by persistent poverty, yet also abundantly rich and often surprisingly modern.
These photographs are snapshots of a vanished world. The Russian Empire was soon to be destroyed, and, in the ensuing blood-soaked decades, rendered unrecognizable. Yet these images reveal a surprising continuity: despite the subsequent cataclysm, faces, postures, buildings and landscapes still resonate with those who see them a cent
The definitive photography textbook for the digital age, The New Basics is packed with technical tips, practical exercises, contemporary images and step-by-step guidance for all aspiring photographers. Introducing technical and creative aspects of commercial as well as fine art photography, it is the first book to assume from the outset that students are most interested in digital imaging - not just digital capture, but also postproduction and screen-based output. It includes step-by-step guidance on the use of image-manipulation software to improve digital imagery, including colour correction and the use of Photoshop as a tool in experimental photography.
Reflecting contemporary teaching techniques in further education, it compels the reader to dive in to develop practical skills from the outset. Equal weight is given to creative as well as technical matters, with chapters on genres (portraiture, landscape etc) introducing skills needed to compose exciting photos and develop a personal style of image-making. Full of practical and money-saving tips on how to use your camera in challenging conditions, how to persuade people to pose for street photographs and how to secure sponsorship and exhibition spaces, this book is sure to supplant other basic photography books.
Giorgio Vasari’s The Lives of the Most Famous Painters, Sculptors and Architects (1550 and 1568) is a classic of cultural history. A monumental assembly of artists’ lives from Giotto to Michelangelo, it paints a vivid picture of the progress of art in the hands of individual masters.
This illustrated standalone edition of Vasari’s Life of Raphael offers a new translation of this rich and remarkable ‘Life’, elegantly rendering Vasari’s literary text in modern terms. A work of authoritative skill and precision, the translation preserves Vasari’s compelling narrative, while beautifully reproduced illustrations bring it newly to life. Editors Paul Joannides and Rick Scorza bring together the original and expanded Italian editions of 1550 and 1568, with succinct commentary drawing upon their expert knowledge of Raphael’s career.
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