A phenomenon of 21st-century bookmaking, Oliver Jeffers has carved an extraordinary career that shows no sign of slowing. Still only in his forties, he has published an array of hugely popular books, both as illustrator and author–illustrator. This overview of his life and work – so far – charts his passion for the environment and his quest to understand humanity’s major challenges, and the impact this has had on his creative and intellectual output.
The list of Jeffers’s accomplishments is long and glittering: he has held numerous one-man shows, in both the UK and the USA, and was appointed an MBE in 2022 for services to the arts. Most importantly, however, he has tirelessly pushed the boundaries of what a picturebook can be. His regular exploration of existential issues – whether through illustration or other media such as site-specific installation or film – has exerted a major influence on the practice of authorial picturebook-making.
This addition to Thames & Hudson’s acclaimed Illustrators series is the first book to focus closely on Oliver Jeffers’s practice as an illustrator, offering an in-depth analysis of his processes, influences, styles and subjects as they have changed over time.
This beautiful, in-depth reference book by illustration professor Martin Salisbury explores drawing for illustration. Salisbury places a special emphasis on drawing, treating it as a fundamental skill that every illustrator should engage with. Assisting students through exercises and case studies, this guide explores the often-unseen world of draftsmanship that underpins finished illustration work.
From book illustration to graphic novels and caricatures to commercial design, this attractive volume draws on sketchbooks, projects, and historical examples to show how they started as drawings from observation and drawings from imagination.
Salisbury starts out by explaining the fundamentals of this exciting discipline before outlining the basic principles of line, tone, composition, and color through inspired examples. Different approaches to drawing, including anecdotal, sequential, and reportage, are examined to help students acquire their own personal visual language. Interviews with illustrators also provide valuable insights into the creative process, as they discuss the challenges, rewards, and what drawing personally means for them.
Visually appealing, Drawing for Illustration features detailed analysis of works by key illustrators from the past and present, including George Cruikshank, Ronald Searle, Sheila Robinson, Laura Carlin, Alexis Deacon, and Isabelle Arsenault, looking at the differing roles drawing plays in their particular illustrative languages and how styles have changed over time.
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