From its North Sea islands to the Alps, Germany contains a wide range of landscapes and cultures. Angelika Taschen has selected the country’s most inspiring places to stay, including grand hotels, family guesthouses, palaces, an abbey, and glamping tents. Each characterful choice is beautifully photographed and accompanied by insightful texts.
An illustrated edition of James Baldwin’s The Fire Next Time, with photographs by Steve Schapiro
First published in 1963, James Baldwin’s The Fire Next Time stabbed at the heart of America’s so-called “Negro problem.” As remarkable for its masterful prose as for its frank and personal account of the black experience in the United States, it is considered one of the most passionate and influential explorations of 1960s race relations, weaving thematic threads of love, faith, and family into a candid assault on the hypocrisy of the “land of the free.”
Now, James Baldwin’s rich, raw, and ever relevant prose is reprinted with more than 100 photographs from Steve Schapiro, who traveled the American South with Baldwin for Life magazine. The encounter thrust Schapiro into the thick of the movement, allowing for vital, often iconic, images both of civil rights leaders—including Dr. Martin Luther King Jr., Rosa Parks, Fred Shuttlesworth, and Jerome Smith—and such landmark events as the March on Washington and the Selma march.
Rounding out the edition are Schapiro’s stories from the field, an original introduction by civil rights legend and U.S. Congressman John Lewis, captions by journalist Marcia Davis, and an essay by Gloria Baldwin Karefa-Smart, who was with her brother James in Sierra Leone when he started to work on the story. The result is a remarkable visual and textual record of one of the most important and enduring struggles of the American experience.
First published as a TASCHEN Collector’s Edition, now available in a pocket-sized Centennial
The Star Wars Archives. 1977 - 1983
The definitive exploration of the original trilogy
Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor.
Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience.
In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy—Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi—and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, the XXL-sized tome is an authoritative exploration of the original saga as told by its creator.
Die Schrecken der sieben Weltmeere
Die Welt der Seeräuber und Piraten in Literatur und Illustrationskunst
Piraten, Seeräuber, Korsaren – wer kennt sie nicht, die säbelrasselnden Abenteurer und Schrecken der sieben Weltmeere? Seit Jahrhunderten spuken sie, ob echt oder erfunden, durch die Welt von Literatur und Kunst: Edward Teach, alias Blackbeard, bekannt für seine blutrünstige Grausamkeit, Henry, genannt Bloody Morgan, dessen versunkene Schätze bis heute der Entdeckung harren, und natürlich Long John Silver, ein Antiheld, wie er im Buche steht und wie ihn Robert Louis Stevenson in der Schatzinsel (1885) so packend geschildert hat.
Der Band Pirate Tales ist eine wahre Schatzkiste von Auszügen aus Romanen und Erzählungen, die von der großen Zeit der Seeräuberei im 16. und 17. Jahrhundert berichten. Den Anfang macht Daniel Defoes Robinson Crusoe (1719), das alles bereit hält, was die Geschichte der Kaperei zu bieten hat: Schiffbruch, Meuterei, verborgene Inseln und sprechende Papageien. Defoes Meisterwerk wurde zum Vorbild für viele Abenteuerromane, nicht zuletzt für Jules Vernes Die geheimnisvolle Insel (1871), das ebenfalls vertreten ist. Dritter im Bunde ist Robert Louis Stevenson mit der Schatzinsel (1885), einem Piraten-Epos, das in keiner Seeräubersammlung fehlen darf, denn hier begegnen wir Billy Bones, der blinde Pew, der holzbeinige Long John Silver und der Schwarze Fleck. Auszüge aus Howard Pyles posthum publizierten Buch der Piraten (1921) runden den Band ab.
Spannend und anschaulich bebildert sind all diese Geschichten aus der Welt der Piraterie mit Werken aus der Schule von Brandywine, die als Wiege der modernen amerikanischen Illustrationskunst gilt, angefangen bei dem Piratenspezialisten Howard Pyle, gefolgt von dessen Schülern Newell Convers Wyeth und Frank Schoonover. Der Band enthält neben Originalwerken aus Privatsammlungen Werke aus der Goldenen Zeit der Illustrationskunst an der Wende vom 19. zum 20. Jahrhundert. Die Auftaktillustrationen zu den einzelnen Geschichten wurden eigens für diesen Band von dem kanadischen Illustrationskünstler Michael Custode gezeichnet.
Eine ausführliche Einleitung aus der Feder des Historikerpaars Robert und Jill May stellt historische Freibeuterpersönlichkeiten und ihren Einfluss auf die im Band enthaltenen Erzählungen vor. Die einzelnen Geschichten werden fachkundig kommentiert, das Leben und Werk der Autoren und Illustratoren im Kontext ihrer Kunst vorgestellt. Mit seiner Mischung aus Geschichte und Geschichten, literarischer Fiktion und Illustrationskunst lässt Das Buch der Piraten uns eintauchen in eine Welt der Abenteuer auf sturmgepeitschter See an der Seite verwegener Seeleute und jeder Gefahr spottender Outlaws.
In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction.
In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble.
A visual pilgrimage through holy mountains, great pyramids, and golden shrines, Sacred Sites celebrates the ways we transform the world around us through ritual, creativity, and worship. Essays, interviews and more than 400 images explore spaces ranging from ancient temples to modern works of spatial art.
In the imaginations of young and old alike, the word “pirate” resonates with spine-tingling fear and swashbuckling adventure. Over centuries, our cultural landscape has been populated by a host of famous real and fictional figures immortalized in literature and art: Edward Teach, also known as Blackbeard, with his fearsome reputation for cruelty; Henry ‘Bloody’ Morgan, whose treasure is still sought today; and of course Long John Silver, the archetypal anti-hero of Robert Louis Stevenson’s Treasure Island (1885).
Pirate Tales gathers a treasure trove of excerpts from literary works inspired by the historical pirates of the 16th and 17th centuries. The edition begins with Daniel Defoe’s Robinson Crusoe (1719), a book containing all the trappings of pirate lore – shipwrecks, mutineers, undiscovered islands, and talking parrots – and one which influenced hundreds of works of adventure fiction, not least Jules Verne’s The Mysterious Island (1871). The third nerve-jangling novel is Treasure Island, without which no book on pirates would be complete, thanks to its unforgettable additions to the pirate canon: Blind Pew, Billy Bones, the black spot, wooden legs and Long John Silver. Extracts from Howard Pyle’s posthumously published Book of Pirates (1921) round off the edition.
The tales are enlivened by arresting illustrations at every turn, including those by artists from the Brandywine School such as Pyle, the undisputed father of pirate illustration, and his students N. C. Wyeth and Frank Schoonover. This edition features a number of original artworks by these illustrators, drawn from private collections, as well as contributions by other artists from illustration’s so-called “Golden Age” of the late 19th and early 20th century. Scene-setting vignettes for each story were executed by the illustrator Michael Custode.
Martin Luther’s revolutionary publication
Martin Luther’s Bible, first printed in 1534, was not only a milestone for the printing press, but also a momentous event in world history. A UNESCO world heritage masterpiece, Luther’s translation from Hebrew and ancient Greek into German made the Bible accessible to laypeople and gave printed reference to a whole new branch of Christian faith: Protestantism.
In this meticulous two-volume reprint, TASCHEN presents a complete facsimile of the Luther Bible. Based on a precious copy of the original and printed in color, it reveals the multilayered splendor of this publication, showcasing the meticulous script, elaborate initials, and exquisite color woodcuts from the workshop of Lucas Cranach.
In an accompanying booklet, Stephan Füssel, director of the Institute for Book Sciences at the Johannes Gutenberg University in Mainz, adds his expertise to the publication with detailed descriptions of the illustrations, as well as an introduction exploring Luther’s life and the seismic significance of his bible.
An epic pictorial history of the City by the Bay
Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid–nineteenth century to the present day.
Enjoy eye-catching views of the city’s most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco’s counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city’s most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg, among others.
This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies, from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall, and many local shooters. Also includes introductory essays and captions by Bay Area–based author Richie Unterberger and a “Best of San Francisco” books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, “I left my heart in San Francisco,” and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.
The complete set of Views of Mount Fuji
Mount Fuji has long been a centerpiece of Japanese cultural imagination, and nothing captures this with more virtuosity than the landmark woodblock print series Thirty-six Views of Mount Fuji by Katsushika Hokusai (1760–1849). The renowned printmaker documents 19th-century Japan with exceptional artistry and adoration, celebrating its countryside, cities, people, and serene natural beauty. Produced at the peak of Hokusai’s artistic ambition, the series is a quintessential work of ukiyo-e that earned the artist world-wide recognition as a leading master of his craft.
The prints illustrate Hokusai’s own obsession with Mount Fuji as well as the flourishing domestic tourism of the late Edo period. Just as the mountain was a cherished view for travelers heading to the capital Edo (now Tokyo) along the Tōkaidō road, Mount Fuji is the infallible backdrop to each of the series’ unique scenes. Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail. Including the iconic Under the Great Wave off Kanagawa (also The Great Wave), this widely celebrated series is a treasure of international art history.
Among only a few complete reprints of the series, this XXL edition pays homage to Hokusai’s striking colors and compositions with unprecedented care and magnitude. Bound in the Japanese tradition with uncut paper, Thirty-six Views of Mount Fuji presents the original 36 plates plus the additional 10 later added by the artist. The perfect companion piece to TASCHEN’s One Hundred Views of Edo and The Sixty-Nine Stations along the Kisokaidō, this publication paints an enchanting picture of pre-industrial Japan and is itself a stunning monument to the art of woodblock printing.
Explore centuries of timeless textiles from the Musée de l’Impression sur Étoffes
In the far east of France, close to the German and Swiss borders, lies the historic city of Mulhouse. During the early 19th century, it became one of the leading centres of textile manufacture in the country. Today it is home to the Musée de l’Impression sur Étoffes, a museum dedicated entirely to the history of fabric printing from the 17th century right up to the present day.
Few are the serious fashion designers who have not come to visit this astonishing temple to textiles. This book, however, gives you the key to those vaults, presenting on its broad pages perfectly captured images of its collections that span four different continents – recounting a fascinating artistic and technological adventure across the world, from its origins in India to the most contemporary creations.
Across two volumes, you’ll discover nine luxuriantly illustrated chapters that being to glorious life a chronological and thematic overview of the Musée’s unprecedented retrospective of the art of printed fabrics. And that journey begins in India, with the first volume devoted to the far east origins of the designs that made these prints famous, and how they came over to the factories of Europe. You’ll also find here stories and images detailing artistic innovations such as toile de Jouy and the development of new colour ranges.
In the second volume, the reader can look back at the incredible inventiveness of manufacturers and their designers throughout the nineteenth and twentieth centuries. Explore eye-catching cashmere motifs and the intense passion for nature and flowers that emerged under the Second Empire, before the artistic avant-gardes and modernity profoundly evolved the artistic creation of textile prints.
With nearly 900 pieces reproduced here to the highest possible standard, you will journey through the extraordinary tapestry of motifs and colours, that make this book such a peerless source of inspiration for textile enthusiasts of all kinds.
The Kisokaido route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it’s the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.
Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN volume is sourced from one of the finest surviving first editions and revives the series in our compact anniversary edition.
The power and glory of illuminated bibles
In the beginning was the word, and in the Middle Ages were kings, princes, and high-ranking religious members whose wealth and influence produced illustrated bibles of extraordinary craftsmanship.
This edition brings together 50 of the finest medieval bible manuscripts from the Austrian National Library. With examples from every epoch of the Middle Ages, the collection explores visualizations of the bible in various theological and historical contexts. In impeccable reproduction quality, these stunning images may be appreciated as much as art historical treasures as they are important religious artifacts.
Texts by Andreas Fingernagel, Stephan Füssel, Christian Gastgeber, and a team of 15 scientific authors describe each manuscript in detail, exploring both the evolution of the Bible and the medieval understanding of history. A glossary of important terms is also included so that those not versed in bible history can enjoy the texts as well.
The official illustrated history of Depeche Mode by Dutch artist Anton Corbijn
In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: “I’d like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool.” Also in the fall of 2020, TASCHEN released the limited edition Depeche Mode by Anton Corbijn (81–18) signed by Depeche Mode and Anton Corbijn, and it became one of the fastest selling collector’s editions in the publishing company’s history.
This pocket-sized and wallet-friendly edition is a testament to Corbijn’s unique vision, and indeed “cool” as Gahan acknowledged so movingly in his speech; an illustrated history of how Corbijn, who became in 1986 the band’s de facto creative director, and helped cement Depeche Mode’s reputation as the biggest cult band in the world.
Featuring over 150 photographs from Corbijn’s extensive archives, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech; a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988 right up to 2023.
Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn trumpets how one man’s original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band’s enduring popularity. Reflecting on his role in Depeche Mode, Corbijn recalls in the book’s introduction: “A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them.” This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.
An encyclopedic guide to the biggest-breasted stars past and present
The Big Book of Breasts was an immediate best seller when it debuted in 2006. Its 396 pages introduced readers to the top naturally bountiful nude models of the 1950s, ’60s and ’70s, amazingly mammiferous beauties including Virginia Bell, Roberta Pedon, Mary Waters, Keli Stewart and many more. The one and only complaint was that there was no biographical information on these curvaceous cuties, no lists of their magazines and films to give readers a more intimate connection.
We listened, and The Bigger Book of Breasts answers! Not only are there more pages with all new photos of your favorite big breast models of the ’50s through ’70s, there are also personal profiles for each and every one. Which model married comedian Richard Pryor? Who inspired Russ Meyer’s first film? Where are those free Mary Waters loops? And yes, Roberta Pedon is alive and well!
Further updating the “Bigger” theme, we added the 12 most incredible, natural, and provocative breast models of today, gathered from across the world by Berlin-based photographer, Bernd Daktari Lorenz. Nadine Jansen, Luna Amor, Miosotis Claribel and the incredible Hitomi Tanaka prove breasts are bigger than ever, and bigger is beautiful, for both breasts and books. Wrap it up with stunning photos of our original cover girl Kelly Madison and The Bigger Book of Breasts is a bigger treat for all.
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