A visual history of Tarot
To explore the Tarot is to explore ourselves, to be reminded of the universality of our longing for meaning, for purpose and for a connection to the divine. This 600-year-old tradition reflects not only a history of seekers, but our journey of artistic expression and the ways we communicate our collective human story.
For many in the West, Tarot exists in the shadow place of our cultural consciousness, a metaphysical tradition assigned to the dusty glass cabinets of the arcane. Its history, long and obscure, has been passed down through secret writing, oral tradition, and the scholarly tomes of philosophers and sages. Hundreds of years and hundreds of creative hands—mystics and artists often working in collaboration—have transformed what was essentially a parlor game into a source of divination and system of self-exploration, as each new generation has sought to evolve the form and reinterpret the medium.
Author Jessica Hundley traces this fascinating history in this pocket-sized edition of Tarot from TASCHEN’s Library of Esoterica series. The book explores the symbolic meaning behind hundreds of cards and works of original art, spanning from Medieval to modern, and artfully arranged according to the sequencing of the 78 cards of the Major and Minor Arcana. It explores the powerful influence of Tarot as muse to artists like Salvador Dalí and Niki de Saint Phalle and includes the decks of dozens of contemporary artists from around the world, all of whom have embraced the medium for its capacity to push cultural identity forward.
Life in the Woods
Creative cabin architecture, from California to Sapporo
Ever since Henry David Thoreau’s described his two years, two months, and two days of refuge existence at Walden Pond, Massachusetts, in Walden, or, Life in the Woods (1854), the idea of a cabin dwelling has seduced the modern psyche. In the past decade, as our material existence and environmental footprint has grown exponentially, architects around the globe have become particularly interested in the possibilities of the minimal, low-impact, and isolated abode.
Cabins combines insightful text, rich photography, and bright, contemporary illustrations by Marie-Laure Cruschi to show how this particular architectural type presents special opportunities for creative thinking. In eschewing excess, the cabin limits actual spatial intrusion to the bare essentials of living requirements, while in responding to its typically rustic setting, it foregrounds eco-friendly solutions. The cabin comes to showcase some of the most inventive and forward-looking practices of contemporary architecture, including Renzo Piano, Terunobu Fujimori, and Tom Kundig, all embracing such distilled sanctuary spaces.
The book showcases the variety of cabins in use and geography. From an artist studio on the Suffolk coast in England to a bamboo bungalow in Sri Lanka, this collection is as exciting in its international reach as it is in its array of briefs, clients, and situations. Constant throughout, however, is architectural innovation, and an inspiring sense of contemplation and coexistence as people return to nature and to a less destructive model of being in the world.
With her music and boundless passion for life, Tina Turner enchanted millions of fans around the world and inspired the stars of tomorrow. Peter Lindbergh was a lifelong friend of the Queen of Rock 'n' Roll and shot intimate portraits of her over many years.
Lindbergh’s photographs do more than just document her iconic status; they reveal the powerful, joyful, and at times introverted woman behind the public persona. Through his lens, Peter Lindbergh captured Tina Turner’s radiant energy with an incredible sensitivity and his impeccable understanding of dramatic composition. His work shows Tina in all her complexity, blending her fierce spirit with quieter, more reflective moments.
Across numerous settings―from the stage to the beach, from the streets to the iconic Eiffel Tower, with the city of Paris sprawling beneath her―Peter portrayed Tina throughout the years, always capturing the real Tina. His photos depict her singing, dancing, and simply being herself, effortlessly showcasing the depth of her character. Each image tells a story, a testament to her vitality and complexity, both on stage and in life. In each of these portraits, Tina is immediately recognizable.
The book, which includes a personal foreword by Tina Turner’s husband Erwin Bach, is a heartfelt tribute to the friendship and deep connection between two artists who shaped the cultural landscape of the 20th century. It’s more than a collection of photographs; it’s a celebration of a shared journey of creativity, trust, and mutual respect.
“We were partners in crime,” remembers Tina. “He was willing to try anything―and so was I! Together, we made magic!” The magic they made together lives on in Peter Lindbergh’s photographs. This book―a collection of images created during their long professional collaboration and enduring friendship―tells their special story.
Brick by Brick
The world’s most innovative brick buildings
Of all building materials in the world, brick is one of the most enduring and ubiquitous. Traces of brickmaking date back to 7500 BC and fired brick first made its appearance in about 3500 BC. Since then, the trusty brick has shown amazing resilience and remains one of the mainstays of contemporary architecture. Rooted in tradition in countries as different as China and the Netherlands, it is inexpensive, flexible in use, and can also be ecologically fabricated.
This comprehensive volume tours the world to cover the most exciting and innovative brick buildings of the past 35 years, from Paraguay to New Zealand. True to all TASCHEN architecture tomes, it includes new talents like Sanchit Arora from RENESA as well as established starchitects such as Renzo Piano and Peter Zumthor. Featured buildings showcase the variety of brick applications across cultural, domestic, infrastructure, and leisure spaces, including Tate Modern Switch House in London by Herzog & de Meuron, D’Houndt + Bajart’s Boa School Restaurant in Lille-Lomme, and MASS Design’s Maternity Waiting Village in Kasungu, Malawi.
The visual of vinyls
The most daring of record designs
This electrifying vinyl edition creates a new and edgy definition for “album art.” Produced in collaboration with Colors magazine, it brings together more than 500 remarkable records from the collection of Alessandro Benedetti and Peter Bastine.
This book forms a junction between photography, music, and design, celebrating vinyl for the integrity of sound recording and its artistic potential as a material form. With featured artists including Pink Floyd, The Beatles, Prince, Michael Jackson, Bon Jovi, and beyond, it offers compelling insight into the most intricate details of a performer’s visual identity, from a vivid color to a futuristic mirror effect.
The discs are arranged thematically to span monochrome vinyl; unusual vinyl (including silver, gold, or mirror vinyl as well as extremely rare glow-in-the-dark vinyl); multicolored vinyl; etched vinyl (where music is pressed onto only one side); shaped vinyl (cut into forms that are different from the classic round disc); and picture discs (where a photograph or design is stamped onto the surface of the record).
In addition, there is a rare view into the records known today as “ribs” or “bone music.” Produced in the USSR, where western music and culture were forbidden, these were made by engraving discarded x-rays with special machines and creating bootleg disks of hit singles of artists such as David Bowie and Pink Floyd.
Page after page, this kaleidoscopic encyclopedia of innovative and ingenious vinyl is a colorful journey through era-defining records and artists.
The Divine Proportion
The mysterious formula that rules art, nature, and science
The Divine Proportion reveals a number of simple patterns: It is seen in the seed patterns of fruits, the family tree of bees, the pyramids of Egypt, Gothic cathedrals, Renaissance paintings, the human body, shells ... the list is endless.
Mathematicians use the Greek symbol Φ to represent the Divine Proportion and equate it to a number that is defined by the ratio (1 + √5) / 2 or 1.6180339.... Numbers do little, however, in describing this unique ratio that is found everywhere in nature and for 2500 years has been an aesthetic guide in art and architecture.
Beginning with calculations found on clay tablets in ancient Babylon, the story of Divine Proportion can be traced alongside the history of numbers to the fractals of the digital age. As its many forms unfold we uncover the Golden Rectangle in the Parthenon, Golden Spirals in the human inner ear, a Golden Angle in the petal patterns of a rose, and the Fibonacci numbers in lilies, daisies, pineapples, and in our own DNA.
With its natural balance and elegant beauty, the Divine Proportion is a perpetual reminder that our hope for regeneration and continuity lies in realizing the meaningful and harmonious relationship of all the parts to the whole.
This book deals with the Divine Proportion, a secret code that rules art, nature, and science. It is known by many names: Golden Mean, Sacred Cut and Phi are only a few; and it is not by chance that the Divine Proportion was given its name. It has been called divine because over thousands of years it has been deemed to be so.
The Dutch Golden Age's genius in XL resolution
The Dutch Golden Age of painting spawned some of history’s greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmensz. van Rijn (1606–1669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of art’s most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandt’s paintings are built of intricacies—the totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike.
Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt’s self portraiture is an intimate glimpse into his lifelong process of self-reflection.
This XL monograph compiles all 330 of Rembrandt’s paintings in stunning reproductions. From Belshazzar’s Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt’s painted oeuvre like never before.
When David Hockney discovered the iPhone as an artistic medium, it opened up entirely new possibilities for his art. He made his first digital paintings in spring 2009, describing the morning landscape in broad lines and dazzling colors directly on a display that offered subtle hues as unmixed expressions of pure light. Then in 2010, Hockney started working with an iPad, and the larger screen expanded his artistic repertoire and enabled an even more complex interplay of color, light, and line.
Each image in this book captures a fleeting moment seen through a window in Hockney’s Yorkshire home: from vibrant sunrise and lilac morning sky to peaceful night-time impressions or the sudden arrival of spring. Fascinating details reveal drops on window panes, distant lights in the night, reflections on vases or an abundance of varied window-sill vegetation. In 120 paintings made between 2009 and 2012, selected and arranged by the artist himself, we experience the passage of time through the eyes of David Hockney.
This artist’s book, which first appeared in an exclusive signed edition in 2020, now returns in a wallet-friendly pocket edition. So now is the perfect occasion to heed the advice of the Times critic regarding this book: “If you would like to be given a bouquet by David Hockney, here is your chance.”
The mostly true tale of Stan Lee, the one and only Godfather of Comics. From his childhood in Depression-era New York, to transforming Marvel into the number one comics publisher in the world, to his 21st-century reinvention as Chief Creative Officer of global entertainment company POW! Entertainment, Stan “the Man” Lee stands the test of time as the most legendary name in comicbook history.
Stanley Lieber began working at Timely Comics in 1940 at the age of 17 and found himself at the helm of the bullpen as its top editor just two years later. But it wasn’t until 1961 that he ignited a revolution known as the “Marvel Age of Comics.” With a legendary stable of art partners including Jack Kirby, Steve Ditko, John Romita, and Jim Steranko, Lee unleashed a dizzying cascade of seminal comicbook creations—the Fantastic Four, Hulk, Spider-Man, Thor, Iron Man, the X-Men, and the Avengers to name a few. After moving to Hollywood in 1980, he did it again, developing TV and film projects that laid the groundwork for the “Marvel movie.” Stan’s constant cameo presence in these billion-dollar worldwide events was a testament to his influence. As the man behind POW! Entertainment, he became a master of all media—working with rock stars and professional sports leagues, movie mavens and reality TV shows—reinforcing his creative stature the world over.
First published as a signed Collector’s Edition and sold out within a week, the book was written and edited with Lee himself. His tale is told by his successor at Marvel, renowned comics writer, editor, and historian Roy Thomas, who brings “you are there” insights and wide-eyed clarity to key moments of Lee’s journey to pop culture immortality. Featuring hundreds of treasures of comicbook art, intimate photographs sourced straight from his family archives, a foreword written by Lee himself, a novel-length essay and new epilogue by Thomas, and an appendix with complete reprints of Stan’s comics from throughout the decades, this is a titanic tribute worthy of the Man.
Mustaches and muscles
Back to the days when men were men and sex was carefree
In 1965, Tom of Finland began flirting with the idea of an ongoing character for his panel stories, the ultimate Tom’s Man. He tried out a blond named Vicky—a common male name in Finland—followed by a Tarzan-inspired Jack. Then in 1968 Tom settled on Kake, a dark-haired, mustached leatherman who often wore a tight white T-shirt bearing the motto “Fucker.” Kake lived up to this moniker, a sort of post-Stonewall, hyper-masculine Johnny Appleseed traveling the world on his motorcycle to spread the seeds of liberated, mutually satisfying, ecstatically explicit gay sex. Tom lived out many of his most personal fantasies through Kake, and Kake’s international fans made him the template for what came to be known as the gay clone look of the 1970s. Between 1968 and 1986, Tom published 26 episodes of Kake adventures, most as 20-page booklets.
Tom of Finland – The Complete Kake Comics collects all of these stories in one volume. Return with Kake to the days when men were men, sex was carefree, and everyone wore a big thick mustache.
Categories of Vision
Six decades of image-making
Travelling widely, Ralph Gibson works primarily in inspired series, associated image reveries in both monochrome and colour, whose titles—The Somnambulist, Déjà-Vu, Days at Sea, and Chiaroscuro—underline the particular poetic sensibility that informs his work. Starting out in 1960 with Dorothea Lange, he made his way to New York in 1967 and was soon considered in the same light as the likes of Larry Clark and Diane Arbus.
The photographs and series can of course speak for themselves. But for Gibson there is a philosophy at play behind the image, and in the included short texts he proposes his thesis. Nudes, portraits, still lives, narratives—loyal to his Leica, Gibson ranges between genres and creates new categories of vision. He gets closer to things and meditates on them in a way that only the silence of the image can attempt.
Produced in close collaboration with the artist, this book offers the fruit of more than six decades of image-making. From Gibson’s first photographs in San Francisco, Hollywood, and New York in the 1960s right up to the present day, this is the most comprehensive collection of this highly acclaimed photographer.
One of the key figures in the New York art world of the 1980s, Keith Haring (1958–1990) created a signature style that blended street art, graffiti, a Pop sensibility, and cartoon elements to unique, memorable effect. With thick black outlines, bright colors, and kinetic figures, his public (and occasionally illegal) interventions, sculptures, and works on canvas and paper have become instantly recognizable icons of 20th-century visual culture.From his first chalk drawings in the New York City subway stations, to his renowned “Radiant Baby” symbol, and his commissions for Swatch Watch and Absolut Vodka, Haring’s work was both emblematic of the manic work ethic of 1980s New York, yet distinctive for its social awareness. Belying their bright, playful aesthetics, his pieces often tackled intensely controversial socio-political issues, including racism, capitalism, religious fundamentalism, and the increasing impact of AIDS on New York’s gay community, the latter foreshadowing his own death from the disease in 1990.In this vivid introduction to Haring’s work, we explore the dynamic life and innovative spirit of this singular artist, who spent little more than a decade in the spotlight, but through the accessibility of his visual vocabulary and the strength of his political commitment became one of the most significant artists to emerge from New York’s vibrant, downtown community.
Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.
“The Shining may be the first movie that ever made its audience jump with a title that simply says, ‘Tuesday,’” proclaimed The New York Times. Never has a film evoked so much dread in its audience with so little gore than Stanley Kubrick’s adaptation of the 1977 novel by the master of terror himself, Stephen King, where true horror lies in the darkest corners of domesticity and isolation.
Equally a study of the intricate mechanics of Kubrick’s genius as an in-depth look at the making of a visual masterpiece, Stanley Kubrick’s The Shining gathers hundreds of hours of exclusive new interviews with the cast and crew in an unprecedented look at the 1980 cult classic. Slip in through the back door of The Overlook Hotel to witness Kubrick’s endless rounds of script rewrites, his revolutionary use of the Steadicam, the mechanics behind the infamous blood elevator, the mysterious mid-filming fire at Elstree Studios, and the countless takes needed to satisfy the meticulous force that was Kubrick.
Conceived and edited by Academy Award-winning director Lee Unkrich, dubbed by The Hollywood Reporter as “the world's foremost Shining aficionado,” with text by best-selling author J.W. Rinzler and a foreword by Steven Spielberg, this is the definitive compendium of the film that transformed the horror genre.
The two-volume collection designed by M/M Paris includes hundreds of never-before-seen production photographs from the Stanley Kubrick Archive and the personal collections of cast and crew, rare documents and correspondence, conceptual art, an exclusive look at deleted scenes, and more.
Selfies with Rembrandt
The complete self-portraiture
Few devotees of the form can approach Rembrandt Harmenszoon van Rijn’s radical contributions to self-portraiture. Challenging the conventions enshrined by his predecessors, Rembrandt transformed the art into a fully realized medium capable of communicating emotional depth rather than favorably immortalizing one’s likeness in the finest trappings of luxury. With more than 80 works spanning paintings, etchings, and drawings, the Dutchman’s lifelong practice of self-portraiture functions as a means of concretizing that which is fleeting. Across four decades, one constant is particularly striking across media and styles—Rembrandt’s dedication to presenting himself from multiple perspectives, celebrating the multiplicity of the individual and championing the unfiltered portrayal of emotional expression.
Apart from the thematic concerns present within Rembrandt’s suite of self-portraits, the works themselves are rich with technical innovation and experimentation. There is an unmistakable humanity present across the entirety of this oeuvre, each expressive brushstroke and obfuscated feature amounting to an unflinchingly honest characterization of himself, in all his foibles, contrasting states of feeling, and stages of life.
This monograph renders all of Rembrandt’s self-portraits – from his first experimentations at age twenty-two to his final self-portrait painted a year before his death – and stands testament to a life committed to revolutionizing painterly practice both in content and form.
In 1965, Steve Schapiro started documenting Andy Warhol for LIFE magazine: Warhol was cementing a reputation as an important Pop artist who drew his inspiration from popular culture and commercial objects. With his sunglasses, blond wig, and bland public utterances, Warhol was enigmatic, charismatic, intensely ambitious, and aware that to become a star, you needed the presence of people to document your ascent. Schapiro, also ambitious and hardworking, who in his own words “kept quiet and smiled a lot,” was an ideal witness to Warhol’s relentless rise from cult New York artist to 20th-century icon. Ironically, LIFE never published the story, so many of these images are seen here for the first time, scanned from negatives found deep in Schapiro’s archive.
Between 1965 and 1966, Schapiro busily photographed Warhol and his entourage of superstars, including the legendary Edie Sedgwick and Nico, hanging out art openings,. making his underground movie Camp, working on his silkscreens at the Factory, and roaming the streets of New York. Schapiro was also present at the opening of Warhol’s first museum retrospective at the Institute of Contemporary Art in Philadelphia, attended by a hyped-up crowd of thousands ―the night where art’s coolest new king was crowned and Andymania was born. The final stop on the Warhol express train is Los Angeles, where Andy exhibited his ironic Silver Clouds at the Ferus Gallery, stayed at the picturesque Castle, and set up and filmed a performance by cult band the Velvet Underground.
Featuring more than 120 photographs, Schapiro’s images are juxtaposed with tipped-in plates of original Warhol artworks exhibited during the period. The art works include Before and After, 4, 1962, Colored Campbell’s Soup Can, 1965, S&H Green Stamps, 1965, One Dollar Bills (Fronts), 1962, 100 Cans, 1962, Flowers, 1965, Shot Red Marilyn, 1964, Elvis I and II [Elvis Diptych] [Ferus Type], 1963–64, Green Disaster # 2 (Green Disaster Ten Times), 1963, White Disaster (White Car Crash 19 Times), 1963, and many others. Also featuring an interview with Steve Schapiro, who passed away in early 2022, and an essay and extended captions by official Warhol biographer Blake Gopnik. Andy Warhol and Friends 1965–1966 is a definitive portrait of a groundbreaking artist at a transformative period in postwar American culture.
By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers.Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn’t choose. Not everyone got along—the Hulk fought with everyone—but working together they could defeat the baddest of Marvel’s bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes—and Avengers—and the group’s founding members shockingly departed, leaving Captain America to lead the newly minted heroes.Relive the classic early adventures of Avengers Nos. 1–20 now available as a compact trade edition. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has then been digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press.Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that’s illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth’s Mightiest Heroes is worthy of Tony Stark’s library—or yours.
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