The sublime city of Venice has long offered inspiration to the world's storytellers. This anthology gathers a dazzling variety of stories with Venetian settings, including Daphne du Maurier's haunting "Don't Look Now," Anthony Trollope's wartime romance "The Last Austrian Who Left Venice," Vernon Lee's spine-chilling "A Wicked Voice," and a scene from The Wings of the Dove, Henry James's tale of passion and betrayal in a Gothic palazzo on the Grand Canal. The famed Venetian adventurer Giacomo Casanova weighs in with escapades from his notorious Memoirs, alongside enthralling selections by Baron Corvo, Marcel Proust, Camillo Boito, and Jeanette Winterson. In its multifaceted portrait of La Serenissima, Venice Stories showcases a lineup of literary classics worthy of the magnificent city they celebrate.
A perfect gift of timeless erotic stories ranging from ancient Greek myth to modern stories of longing and lust. This beautifully jacketed Everyman's Library Pocket Classics hardcover anthology has a full-cloth binding and silk ribbon marker. Accounts of ardour and transgression also flow from unexpected pens: an astonishingly explicit scene from an unfinished novel by Edith Wharton, and Guy de Maupassant's heated tale of a young peasant woman offering her breast to a starving stranger on a train. Hunger is the fierce undercurrent to these stories: the gnawing lust of one lover for another, or the greedy pursuit of a particular inclination. The elegant depravity of an eighteenth-century French aristocrat, the dreamlike seductions of an Egyptian jinni in the form of a snake, the brutal anonymity of a highway truck-stop encounter--the stories in this richly varied collection reveal that the urge to articulate sexual desire is as inventive as it is timeless.
Included here are famous tales like 'Sound of Thunder', in which the carelessness of a group of time-travellers leads to disastrous consequences, and 'The Veldt', in which two seemingly innocent young children transform their nursery into a lethal trap. Here are the Martian stories, tales that vividly animate the red planet with its brittle cities and double-mooned sky. Here are stories which speak of a special nostalgia for Green Town, Illinois, the perfect setting for a seemingly cloudless childhood - except for the unknown terror lurking in the ravine. Here are the Irish stories and the Mexican stories, linked across their separate geographies by Bradbury's astonishing inventiveness. Here, too, are thrilling, terrifying stories such as 'The Fog Horn' - perfect for reading under the covers.
Read for the first time, these stories are a feast for the imagination; read again - and again - they reveal new, dazzling facets of a master storyteller's extraordinary art.
Arthur Rackham (1867-1939) was one of the leading illustrators from the golden age of British book illustration. Fairy-tale and fantasy were his forte and in later life he responded to the dark stimulus of Poe's gothic tales with gleeful appreciation of their macabre and otherworldly qualities, claiming afterwards that he had quite succeeded in frightening himself! For lovers of the thrilling and chilling, young and old, Poe's sensational stories cannot fail to hit the spot. This collection contains the best of his prose works, including of course the well-known masterpieces 'The Fall of the House of Usher' (the ultimate haunted house story), 'The Pit and the Pendulum', 'The Tell-Tale Heart' and 'The Murders in the Rue Morgue' (the very first detective story in fiction). First published in 1935 it has been redesigned, re-typeset and republished in a handsome edition which features all Rackham's original colour and black and white illustrations. A perfect gift - though not for the faint-hearted!
The stories collected here--including such gems as Stephen Crane's "The Bride Comes to Yellow Sky," O. Henry's "The Marry Month of May," F. Scott Fitzgerald's "The Bridal Party," Joy Williams's "The Wedding," and Lorrie Moore's "Thank You For Having Me", encompass comic wedding mishaps, engagements broken and mended, honeymoon adventures, and scenes both heartwarming and heartbreaking. There are glamorous weddings in Paris and New York, and more eccentric ones in the Wild West and on a remote island beach. There are nervous brides, forgetful grooms, meddling guests, interrupted nuptials, second thoughts, and second chances. Above all, there are all kinds of people - young and old, rich and poor, divorced and widowed, with or without children - joining together in the age-old quest for matrimonial happiness.
Baron Munchausen’s absurd adventures have entertained adults and children alike for more than two centuries. First published in England in 1785, his traveller’s tales soon became as well known as those of his near contemporaries, Gulliver and Robinson Crusoe – but are a great deal funnier! The real Baron Münchhausen was a German aristocrat whose colourful military career and sporting experiences provided ample material for the after-dinner stories for which he became notorious. One of the guests at the Baron’s table was Rudolf Erich Raspe, librarian, scientist and writer, who later, hard-up in London, turned the Baron’s astonishing life-story to good account. Raspe’s fictional Baron adopts the same tone of nonchalant exaggeration apparently characteristic of the original as he tells how he turned a wolf inside out in Russia, rode on a Turkish cannon ball, danced a hornpipe in the stomach of large fish which had swallowed him alive, mended his horse which had been severed in two by a portcullis, lent his friend General Elliot a hand at the siege of Gibraltar by nipping into the enemy camp and destroying all their cannon, and even visited the moon – twice. The more preposterous the subject, the more earnest and deadpan the narrator’s manner. Though many artists have been inspired by the Baron’s fantastic escapades, Gustave Doré’s illustrations (1862) are by far the best
Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture - largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall - and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.'
The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre- 1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgeud Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck.
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