The phenomenal global and Sunday Times bestseller from the author of Sapiens
For the last 100,000 years, we Sapiens have accumulated enormous power. But despite all our discoveries, inventions and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. International and political tensions are rising. And we are rushing headlong into the age of AI – an alien information network that threatens to annihilate us. For all that we have accomplished, why are we so self-destructive?
Nexus looks through the long lens of human history to consider how the flow of information has brought us here. Taking us from the Stone Age through the canonisation of the Bible, the invention of print, the rise of mass media and the recent resurgence of populism, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how systems like the Roman Empire, the Catholic Church and the Soviet Union have wielded information to achieve their goals, for good and ill. And he addresses the urgent choices we face as non-human intelligence threatens our very existence.
Information is not the raw material of truth, nor is it a mere weapon. Nexus explores the hopeful middle ground between these extremes and, in doing so, rediscovers our shared humanity.
The breathtaking new novel about the boundaries between worlds and individuals, from the internationally bestselling author of 1Q84.
A love story, a quest, an ode to books and to the libraries that house them, The City and Its Uncertain Walls is a parable for these strange times.
STEP INTO THE CITY. . .
When a young man’s girlfriend mysteriously vanishes, he sets his heart on finding the imaginary city where her true self lives. His search will lead him to take a job in a remote library with mysteries of its own.
When he finally makes it to the walled city, a shadowless place of horned beasts and willow trees, he finds his beloved working in a different library – a dream library. But she has no memory of their life together in the other world and, as the lines between reality and fantasy start to blur, he must decide what he’s willing to lose.
A love story, a quest, an ode to books and to the libraries that house them, The City and Its Uncertain Walls is a parable for these strange times.
Prizewinning Yan Lianke returns with a campus novel like no other following a young Buddhist as she journeys through worldly temptation
Yahui is a young Buddhist at university. But this is no ordinary university. It is populated by every faith in China: Buddhists, Daoists, Catholics, Protestants and Muslims who jostle alongside one another in the corridors of learning, and whose deities are never far from the classroom.
Her days are measured out making elaborate religious papercuts, taking part in highly charged tug-of-war competitions between the faiths and trying to resist the daily temptation to return to secular life and abandon the ascetic ideals that are her calling. Everything seems to dangle by a thread. But when she meets a Daoist student called Mingzheng, an inexorable romance of mythic proportions takes hold of her.
These two novellas by the inimitable Tanizaki were among his favourites.
The Secret History of the Lord of Musashi recounts the dark sexual obsessions of a sixteenth-century warlord, accidentally initiated in his youth into the morbid rites attendant upon battle. Based on invented documents that overlap with historical reality, the story unfolds a masterly balance of irony and melodrama, elegance and brutality.
Arrowroot also touches on the pursuit of legend, but in a very different mode. Cast in the uniquely Japanese form of the ‘essay novel’, the narrative blends the stories of two friends on an expedition into the mountains south of Kyoto, one of them following the traces of a medieval myth, the other in search of a more recent, private past.
‘After 20 years of writing novels in a fairly orthodox style, Tanizaki fused two interests - traditional Japanese storytelling and experimental narrative – into a unique style’ New York
A woman's weekend away in the Austrian mountains takes an inexplicable and sinister turn - and becomes a fight for survival.
A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival.
This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and simultaneously a disturbing dissection of the place of human beings in the natural world.
HOLD THE POWER AND GLORY OF ANCIENT ROME IN THE PALM OF YOUR HAND.
A wild she-wolf tenderly nurses infant twins Romulus and Remus.
Marcus Junius Brutus looks out over chaos and conflict, flaunting the bloodied daggers with which he murdered Julius Caesar.
Trumpets blare, crowds roar, gladiators enter the grand Colosseum. Let the games begin.
Frescoes fade and books vanish, but the story of Rome’s epic rise and fall survives in scenes struck in gold, silver and bronze. Told through the lives of twelve remarkable coins, this is ancient Rome as you’ve never seen it before.
* A Financial Times Book of the Year * A Sunday Times and Mail on Sunday Summer Read *
The bestselling author of The Curious Incident of the Dog in the Night-time weaves ancient fables into fresh, unexpected forms and forges new unforgettable legends.
'A marvel of a collection' Kaliane Bradley, author of The Ministry of Time
‘A consummate storyteller’ New York Times
The myth of the Minotaur in his labyrinth is turned into a wrenching parable of maternal love – and of the monstrosities of patriarchy.
The lover of a goddess, Tithonus, is gifted eternal life but without eternal youth.
Actaeon, changed into a stag after glimpsing the naked Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about how humans use and misuse animals.
From genetic engineering to the eternal complications of family, Haddon showcases how we are subject to the same elemental forces that obsessed the Greeks, as he reimagines stories from Laika the Soviet space dog on her fateful orbit to St Anthony wrestling with loneliness in the desert.
'In sentences as precisely cut as paper sculptures, Mark Haddon fits ancient myth to the cruelties and wonders of the present' Francis Spufford, author of Cahokia Jazz
Cunning Folk transports us to a time when magic was used to solve life’s day-to-day problems – as well as some of deadly importance.
‘A brilliant book, written with wit and vigour’ MALCOLM GASKILL, author of The Ruin of All Witches
‘Absolutely fascinating’ IAN MORTIMER, author of The Time-Traveller’s Guide to Medieval England
It’s 1600 and you’ve lost your precious silver spoons, or maybe they’ve been stolen. Perhaps your child has a fever. Or you’re facing trial. Maybe you’re looking for love or escaping a husband. What do you do? In medieval and early modern Europe, your first port of call might well have been cunning folk: practitioners of magic who were a common, even essential part of daily life, at a time when the supernatural was surprisingly mundane.
Charming, thought-provoking and based on original research, Cunning Folk is an immersive reconstruction of a bygone world by an expert historian, as well as a commentary on the beauty and bafflement of being human.
‘I adore Cunning Folk. A truly fascinating and human book’ Ruth Goodman, author of How To Be a Tudor
‘Packed with vivid historical anecdotes, this is an intriguing insight into the magical lives of past people and the history of our own superstitions today’ Marion Gibson, author of Witchcraft
‘Fascinating . . . opens a window into another world’ Tracy Borman, author of Anne Boleyn & Elizabeth I
‘Full of such magical tips and colourful vignettes . . . crackles with incident’ Kate Maltby, Financial Times
A husband and wife each write in their diary, never knowing if it is being read by the other.
Ikuko and her husband are deeply in love but have grown physically apart, each unsure of the other’s desires. When Ikuko finds the key to her husband’s diary she ignores it, but she does begin to keep a diary of her own. Both parties start to set down in writing the evolution of their sex life and their deepest, most private desires. Who is reading whose diary? Who knows what? So begins an extended erotic game of lust, jealousy and manipulation.
‘A story about sex and marriage that is as explicit as any novel on the theme since Lady Chatterley's Lover’ The Times
'Sensational and serious' New York Times
Two or three times a day I think to myself: maybe I’ll die today.
While recovering from a stroke, seventy-seven-year-old Utsugi turns to his diary to wryly record his struggle with his ageing body. Though impotent and in pain he notes down his growing desire for his beautiful daughter-in-law Satsuko, a chic, Westernised dancer with a shady past. Written when the author himself was an old man and shining with self-effacing humour, Tanizaki’s last novel is a tragicomedy about desire and the will to survive.
‘Lightly comic, lyrically evocative and savagely cruel’ New York Times
‘An artistic masterpiece’ Irish Times
"Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?"
From this moment, almost against his conscious will, Guy Haines is trapped in a nightmare of shared guilt and an insidious merging of personalities. The psychologists would call it folie a deux...
Strangers on a Train was Patricia Highsmith's first novel, and adapted into a classic film by Alfred Hitchcock.
'A true original in crime fiction' The Times
A brief visit to a Swiss sanatorium becomes a life-altering seven-year odyssey.
Hans Castorp arrives at a sanatorium in the Swiss Alps to visit his cousin, intending to stay for just three weeks. But when he falls ill, he remains and is drawn in by the introspection and erudition that define life in the mountains. As his stay extends to seven transformative years, Hans falls in love and becomes intoxicated with the ideas he hears at the clinic - ideas which will strain and crack apart in a world on the verge of the First World War.
'Magnificent... a beautiful, feverish account of obsessive love' Jonathan Coe, Guardian
'The greatest German novelist of the 20th century' Spectator
After a chance encounter on a train the English teacher William Bradshaw starts a close friendship with the mildly sinister Arthur Norris. Norris is a man of contradictions; lavish but heavily in debt, excessively polite but sexually deviant. First published in 1933 Mr Norris Changes Trains piquantly evokes the atmosphere of Berlin during the rise of the Nazis.
A deliberate historical parable. Prater Violet resembles episodes in Goodbye to Berlin and keeps up the same high level of excellence' - Edmund Wilson
An impatient phone call from the temperamental Austrian director, Friedrich Bergmann, introduces a young Christopher Isherwood to the film industry. Isherwood's job is to rescue the script of an idiotic love story set in nineteenth-century Vienna, a film called Prater Violet. In the real Vienna of 1934 the Austrian Right crushes a socialist uprising. Bergmann is distraught and his prophecy of the coming war goes unheeded. As tensions on set grow, studio intrigues and competing egos threaten to derail the whole project.
The major new novel from the once-in-a-generation author of The End of Eddy
The major new novel from the once-in-a-generation author of The End of Eddy
'One of the most important, politically vital and morally bracing writers of his generation’ Keiran Goddard, Guardian
‘Change fills me with admiration and inspiration, as well as renewed faith in writing itself’ Maggie Nelson
‘One of the major writers of our time' Garth Greenwell
‘A mesmeric novel’ Daily Mail
Édouard Louis longs for a life beyond the poverty, discrimination and violence in his working-class hometown - so he sets out to study in Amiens, and, later, at university in Paris. He sheds the provincial 'Eddy' for an elegant new name, determined to eradicate every aspect of his past. He reads incessantly; he dines with aristocrats; he spends nights with millionaires and drug dealers alike.
Everything he does is motivated by a single obsession: to become someone else. Change is at once a personal odyssey, a story of dreams, friendship and the perils of leaving the past behind, and a profound portrait of a society divided by class, inequality and power.
The Soviet Don Quixote, Chevengur is now seen by many Russian writers as Russia's greatest novel of the last century.
'Platonov is an extraordinary writer, perhaps the most brilliant Russian writer of the twentieth century' New York Review of Books
The Soviet Don Quixote, Chevengur is now seen by many Russian writers as Russia's greatest novel of the last century. This is the first English version to convey its subtlety and depth.
Zakhar Pavlovich comes from a world of traditional crafts to work as a train mechanic, motivated by his belief in the transformative power of industry. His adopted son, Sasha Dvanov, embraces revolution, which will transform everything: the words we speak and the lives we live, souls and bodies, the soil underfoot and the sun overhead.
Seeking communism, Dvanov joins up with Stepan Kopionkin, a warrior for the cause whose steed is the fearsome cart horse Strength of the Proletariat. Together they cross the steppe, meeting counter-revolutionaries, desperados and visionaries of all kinds. At last they reach the isolated town of Chevengur. There communism is believed to have been achieved because everything that is not communism has been eliminated. And yet even in Chevengur the revolution recedes from sight.
Comic, ironic, grotesque, disturbingly poetic in its use of language and profoundly sorrowful, Chevengur is a revolutionary novel about revolutionary ardour and despair. Unpublished during Andrey Platonov’s life, it is now one of the most celebrated Russian novels, and the most ambitious and moving of Platonov’s recreations of a world undergoing revolutionary transformation.
'It was from the novel Chevengur that I learned to create \"literary worlds\". Platonov is a self-taught literary jeweller, a true believer who built dystopias. His love for his characters is instantly conveyed to readers' Andrey Kurkov
Life on our planet as you've never seen it before
A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.
Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.
The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part - or protective - of it. They begin to ask, what is life without earth? What is earth without humanity?
This killer will get inside your head… and there’s nothing you can do to stop it
When a body is found in the forest, the police make a horrifying discovery: her scalp has been removed and sewn back on. But they have no idea why.
With a second woman reported missing, detectives fear their worst nightmare has come true.
A serial killer is stalking the streets of Oslo.
With time running out to find the woman, former detective Harry Hole is called in to think like a murderer thinks… and to track down this killer before they strike again.
But Harry has ulterior motives for wanting to solve this case and, if he fails, there could be more than one life at risk.
'Nesbo deploys all the key ingredients of a cracking good thriller… effortless' Guardian
'The undisputed king of Scandinavian crime fiction' The Times
From the author of TikTok sensation My Year of Rest and Relaxation.
NAMED A MOST ANTICIPATED BOOK OF 2022 BY Guardian, Harper's Bazaar, The Times, New Statesman, Good Housekeeping & Daily Mail.
In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot in a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh's most exciting leap yet
Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life's few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did for many of the village's children.
Ina's gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina's home in the woods outside the village is a place to fear and to avoid, a godless place.
Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people's desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine.
But when fate brings Marek into violent proximity to the lord's family, new and occult forces upset the old order. By year's end, the veil between blindness and sight, life and death, the natural world and the spirit world will prove to be very thin indeed.
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