‘Other people finish a film. It’s over and it’s successful. They read the reviews. They have a party. There’s some kind of relief. For me it’s like stamping out cookies. I finish a film and I go on to the next one.’ Woody Allen
In this retrospective, Tom Shone reviews Woody Allen’s entire career, providing incisive commentary on his films and shedding light on this uniquely self-deprecating filmmaker, with the help of comments contributed by Allen himself. Superbly illustrated with more than 250 key images, this is a fitting tribute to one of the masters of modern cinema, published to mark Woody Allen’s eightieth birthday.
Woody Allen is a uniquely innovative performer, writer and director with nearly fifty movies to his credit, from cult slapstick films and romantic comedies to introspective character studies and crime thrillers. Classics such as Annie Hall, Manhattan, Stardust Memories, Broadway Danny Rose and Hannah and Her Sisters still resonate, and more recently Midnight in Paris and Blue Jasmine have been notable successes.
Born Allan Stewart Konigsberg on 1 December 1935 and raised in New York City, he was destined for a show-business career when he began writing scripts for TV shows while still a teenager. He then achieved recognition as a stand-up comedian with the release of three albums of his nightclub performances. Allen first tried writing a screenplay in the mid-1960s for What’s New Pussycat?. Not satisfied with the final film, he decided that he would direct as well as write his next picture, What’s Up, Tiger Lily?, in 1966.
Woody Allen’s output has always been prodigious; he has made a film a year, more or less, since the early 1970s. Famously indifferent to award ceremonies, and having never accepted an Oscar in person, Allen has won numerous accolades for his directing and writing, including four Oscars, nine BAFTAs, two Golden Globes and, in 2014, the prestigious Cecil B. DeMille award for his contribution to cinema.
The culmination of several years of research by games writer Matt Leone, Like a Hurricane gathers together over 60 voices, spread across continents, disciplines and companies, speaking candidly on the vision, fearlessness, and bold ambition that made Street Fighter II a household name. A collaboration between Read-Only Memory and Polygon, Like a Hurricane is an extended and enhanced print adaptation of Matt Leone's series of in-depth oral histories, published online in serial form by Polygon. This physical version has been extended and enhanced for print, featuring over 50 specially commissioned illustrations and extra research content.
Saddle manufacturer Brooks England have been a British household name and an international cycling icon for 150 years. What continues to motivate and inspire this classic marque? With the help of a variety of writers, artists, journalists, designers, photographers and illustrators, this eclectic compendium of cycling's joys depicts Brooks's unique and idiosyncratic view of the wide-ranging impact of the bicycle and its place in the world, alongside their dedication to function, quality and style. While Brooks is, at its heart, a British company, the team explore the bicycle as a worldwide phenomenon that has connected people - the Tour de France luring professional cyclists of all nationalities to the continental countryside - and continues to provide lone travellers with a gateway to all corners of the earth, celebrating journeys undertaken in some of the planet's most extreme environments, from South America's Atrato Swamp to Siberia.
Alongside these ambitious projects, the simple joy of cycling to work, the sense of freedom and adventure afforded to all those who cycle for leisure, and the satisfaction gleaned from crafting the bicycle itself are exalted. The result isn't a book about a saddle maker, but a collection of fascinating contributions from leading creatives from a broad cultural spectrum who are as passionate about their work as they are about their cycling.
A phenomenon of 21st-century bookmaking, Oliver Jeffers has carved an extraordinary career that shows no sign of slowing. Still only in his forties, he has published an array of hugely popular books, both as illustrator and author–illustrator. This overview of his life and work – so far – charts his passion for the environment and his quest to understand humanity’s major challenges, and the impact this has had on his creative and intellectual output.
The list of Jeffers’s accomplishments is long and glittering: he has held numerous one-man shows, in both the UK and the USA, and was appointed an MBE in 2022 for services to the arts. Most importantly, however, he has tirelessly pushed the boundaries of what a picturebook can be. His regular exploration of existential issues – whether through illustration or other media such as site-specific installation or film – has exerted a major influence on the practice of authorial picturebook-making.
This addition to Thames & Hudson’s acclaimed Illustrators series is the first book to focus closely on Oliver Jeffers’s practice as an illustrator, offering an in-depth analysis of his processes, influences, styles and subjects as they have changed over time.
Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events.
In this elegant volume, Gayford – who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions – takes us on a visual journey through the city’s past five centuries.
From his arrival in London in 1980, clutching a suitcase and sewing machine, to his death from AIDS in 1994, artist, performer, musician, club promoter and fashion designer Leigh Bowery led an extraordinary life.
Chronicled here with candid wit and affection, Leigh’s closest confidante Sue Tilley describes her best friend’s journey as a creative young gay kid growing up in the Melbourne suburbs who burst onto the vibrant London club scene of the 1980s and changed it forever. Brilliantly evoking the hedonistic energy of the city, Tilley’s personal account of her life with Leigh – their best mates, holidays, clubbing, drugs, outfits, flatmates and sex lives – paints a vivid picture of 80s pop culture through their friendship and love of a good time. She also offers irreverent anecdotes of the London art world, and particularly of Leigh’s close relationship with Lucian Freud, who painted Leigh many times from 1990 onwards; and concludes with a poignant and unsentimental recollection of Leigh’s final days in hospital.
Written with the full co-operation of his family and friends, including Charles Atlas, Rachel Auburn, Michael Clark, Lucian Freud, Jeffrey Hinton, Damien Hirst, Princess Julia, Cerith Wyn Evans and Baillie Walsh.
The story of the Highland clans is a gripping one, full of celebrated names and heroic deeds. It is also, as Alistair Moffat reveals, the story of a fearless people, shaped by the unique traditions and landscape of the Scottish Highlands.
Here, he traces the history of the clans from their Celtic origins to the coming of the Romans, through the great battles of Bannockburn and Flodden, to the Clearances and the present day. The story of the clans is also about the pain of leaving, with the great emigrations to the United States, Canada, Australia and New Zealand. Clansmen and women disappeared, but the memories have never faded. Even today the power of the ancient clan names persists, drawing many back to this rugged corner of the world. Complete with a clan map and an alphabetical list of the clans of the Scottish Highlands, this is a must for anyone interested in the history of Scotland.
‘Pithy, admirable ... a most refreshing resumé’ The Times Literary Supplement
India has had many histories. To pilgrims from ancient China, India was the birthplace of the Buddha; to Alexander the Great it was a land of clever naked philosophers and indomitable, elephantine armies. At the height of the Mughal empire, India boasted nearly a quarter of the world economy, and even under colonial rule it was the jewel in the crown of the British Empire. Today it is the resurgent home to one sixth of the global population.
Andrew Robinson incisively distils India’s many incarnations, from the remarkably advanced cities of the early Indus Valley to the world’s largest democracy. Anyone curious about its past, present or future will find this a fascinating introduction.
‘Pithy, admirable ... a most refreshing resumé’ The Times Literary Supplement
India has had many histories. To pilgrims from ancient China, India was the birthplace of the Buddha; to Alexander the Great it was a land of clever naked philosophers and indomitable, elephantine armies. At the height of the Mughal empire, India boasted nearly a quarter of the world economy, and even under colonial rule it was the jewel in the crown of the British Empire. Today it is the resurgent home to one sixth of the global population.
Andrew Robinson incisively distils India’s many incarnations, from the remarkably advanced cities of the early Indus Valley to the world’s largest democracy. Anyone curious about its past, present or future will find this a fascinating introduction.
A comprehensive new overview of expressionism, tracing its evolution from the nineteenth century to the present day.
Expressionist artists believed in the art object’s ability to communicate emotion, irrespective of any representational or narrative content. In this comprehensive introduction to one of the most radical artistic movements of our time, writer, artist, curator and educator Colin Rhodes traces the thread of expressionist thought from the nineteenth century to the present day, mapping its various manifestations across Europe and the USA, as well as parts of Africa, Asia and South America.
By paying particular attention to nuanced issues of gender, sexuality, and cultural appropriation Rhodes challenges the received art-historical narrative and reassesses it in the context of broader twentieth and twenty-first century artistic practice. Generously illustrated, the diverse selection of artists featured in this book range from Wassily Kandinsky, Erma Bossi, Francis Bacon, and Mark Rothko to Ursula Schultze-Bluhm, Gillian Ayres, Purvis Young and Jadé Fadojutimi.
Weegee’s macabre tabloid photographs of murdered gangsters, bodies trapped in crashed cars, slums consumed by fire, and other poignant records of New York’s nocturnal low life in the 1930s and 40s are the stuff of legend. Lesser-known, however, is the work he created in his later years, when he satirized Hollywood, mocking its fleeting glory, jubilant crowds, and social scenes, and created celebrity portraits that he delighted in distorting using a palette of technical tricks. And herein lies the paradox of Weegee: how can two such wildly different bodies of work co-exist?
Offering the first evaluation of the famed photographer’s career in its entirety, this book reconciles the two sides of Weegee by showing how the ‘spectacle’ was the unifying theme of his work. Over 130 images, some iconic, some more rarely seen, are accompanied by essays that explore the consistent themes throughout Weegee’s career, his documentary and photojournalism work, and his last great series taken on the set of Stanley Kubrick’s 1964 film Dr. Strangelove.
When we think of the trailblazing photographer Dennis Morris’s work, music is right there. Morris’s adventures in the 1970s reggae and punk scene laid the groundwork for a six-decade career.
It all began with Bob Marley: Morris doorstepped Marley in his early teens while skipping school and went on to capture much of Marley’s tour, which launched his career as a music photographer. He later became the official photographer for the Sex Pistols, and for John Lydon’s next project, Public Image Limited, Morris was art director and designer as well as taking iconic images for the band. He captured the greats of reggae and roots music, from Lee 'Scratch' Perry to Toots and Jimmy Cliff, forming friendships with many of the acts.
Morris's documentary and street photography work, with roots in his experiences as a Black teenager in 1970s Britain, bring us visionary projects that explore race, politics and cultural identity. From the miner's strike to squat protests, from civil rights organizations to pop-up studio portraits, his work was a reckoning with his new home, capturing eccentricity and individual spirits with his camera.
Edited by Laurie Hurwitz, this book unfolds in two electrifying parts: the first unravels Morris’s lens on race, culture and identity in 1970s Britain, while the second pulses with encounters with music legends like Patti Smith, Gregory Isaacs, The Stone Roses and Radiohead.
With contributions from agnès B and Sean O’Hagan, the book will delight photography fans and music lovers alike. It includes previously unseen images, and is supported by an internationally touring exhibition, presenting Morris’s influential work in depth for the first time.
‘I sing of arms and the man’ wrote Virgil at the start of the Aeneid, one of Rome’s most iconic origin stories exploring the tumultuous journey of Aeneas from Trojan prince to a hero of Rome. But did Aeneas actually flee from Troy? How did this story affect the Roman’s perspective of themselves? And did they believe it? In Rome Before Rome, Philip Matyszak explores the myths and legends, heroes and villains that shaped the Roman sense of self.
There are few books which explain how these different legends fit into Rome’s overall narrative and none which explore the range of myths Matyszak describes. Some of the legends are well known, from Romulus and Remus to the Rape of the Sabines, whilst others are more obscure such as the story of the praetor Cipus, who grew horns and became a King of Rome. Whether renowned or unfamiliar, all are significant in their own way and have had a profound impact on the Romans. Even today these myths continue to reverberate throughout western culture as films, TV shows and plays.
Matyszak dissects these myths, investigating hard-to-find texts, such as the historical texts of Dionysius of Halicarnassus and Plutarch’s Roman Questions sources, as well as classic texts like Livy’s From the Founding of the City and Ovid’s Metamorphoses, revealing that Rome’s illustrious mythological past is not quite as it might seem.
Manet, Pissarro, Morisot, Cézanne, Seurat, Gauguin, Van Gogh and their colleagues made some of the most beautiful drawings in the history of art. This book sets drawings by the Impressionists and Post-Impressionists in the context of late 19th-century France and explains why these particular works are as important as their paintings in the representation of modernity.
A new approach to materials and a wholly inclusive attitude to exhibitions gave drawings a more elevated status in this period than ever before, which avant-garde artists welcomed in their preference for scenes from contemporary life. For the first time also, painting and drawing shared the same stylistic principles of spontaneity, freer handling and lack of finish. Pastels by Degas, watercolours by Cézanne, pen-and-ink drawings by Van Gogh and mixed media works by Toulouse-Lautrec have an autonomy of their own, which proved instrumental in the development of modern art.
The distinguished art historian Christopher Lloyd examines the drawings of twenty of the leading Impressionist and Post-Impressionist artists, highlighting an aspect of French avant-garde art that remains relatively unexplored and was of immense importance for the art movements that followed.
An indispensable guide to the international history of illustrated images, from 1750 to the present day.
Illustration: A Concise History is a dynamic visual journey through the landscape of illustration that maps the evolution of the discipline from the industrial revolution to the post-digital age and showcases over 180 of its most iconic practitioners, including Laura Knight, Antonio Lopez, Käthe Kollwitz and Hayao Miyazaki. By contextualizing the subject within a framework of key political events, cultural innovations and technological advances, Andrew Hall redefines how we might think about illustration and the place that it has in our ever-evolving global network.
The second half of this introductory volume follows on from the ten chapters charting the chronology of illustration to provide a more in-depth look at its specific commercial genres across eleven feature sections, each including mini-histories, practical career advice and biographies of inspirational practitioners who operated within the field.
Chanel’s J12 watch revolutionized the standards of watches for women, combining technical sophistication with the allure of modern design. The J12 has evolved into a classic watchmaking icon of the twenty-first century.
Since its arrival just over twenty years ago, the J12 has drawn its inspiration from Chanel’s drive to shake up the codes by combining a daring artistic approach with superlative technical finesse. The J12 watch transformed ceramic into a precious material, and rewrote two hundred years of watchmaking with the innovative brilliance of its design. A text by noted watch connoisseur Nicholas Foulkes explores the extraordinary conception, execution and history of the Chanel J12. Enhanced by a strikingly original selection of fine photographs, this volume celebrates twenty years of the most beautiful and technically refined watches ever worn on the wrist.
Arguably the most famous perfume in the world – most memorably endorsed by Marilyn Monroe – Chanel No5 continues to fascinate and claims millions of devotees around the world. Created in 1921 by Coco Chanel, the perfume was one of the first to use synthetics. To complement her pioneering fashion, Chanel wanted to give the modern woman ‘a perfume, but an artificial perfume...not rose or lily of the valley...a perfume that is compound’, presented in a distinctively pared-back glass bottle that would become an icon in its own right (inspiring a series of works by Andy Warhol decades later).
Presented in two volumes (one on the early years of Chanel No5 from 1921 to 1945, the other on the period in which Chanel No5 went truly global, from the postwar years to today), Chanel No5 explores the evolution of the perfume’s packaging, composition, manufacture and marketing, with unprecedented access to the Chanel archives and those tasked with creating the fragrance today.
The world’s leading creatives have lent their talents to the perfume’s advertising campaigns, which are given pride of place in the book, from photographers such as Richard Avedon and Helmut Newton, to film directors including Ridley Scott and Baz Luhrmann, and stylish muses – Coco Chanel herself, of course, as well as Suzy Parker, Catherine Deneuve, Nicole Kidman, Gisele Bündchen and Lily-Rose Depp.
This practical set of yoga positions, movements, breathing exercises and meditations lets you create a routine that's perfect for you. The 60 illustrated cards and accompanying booklet give clear instructions so that you can practice alone, and with confidence.
The cards are divided up into five useful sections, helping you navigate quickly to the ones you need: Inversions and balancing; Back arches and twists; Standing poses; Supine and seated, and Breath and meditations.
The different postures and exercises (asana) include variations and modifications to suit all abilities, body types and ages. Each card includes a graphic icon to highlight the main qualities of the pose or exercise being shown: calm, energy, focus, mobility and strength - so you can zone in fast on the ones that suit your needs on any given day. Also included is a section of breathing and mindfulness exercises (pranayama) giving advice and bite-size information on the science of breath for stress release, sleep and wellbeing.
The 32-page booklet introduces yoga for complete beginners, explaining the key yogic texts and philosophies in an accessible way and showing how they can be understood and applied to your everyday life. You'll also find suggested sequences for long and short sessions, energetic or relaxing routines and to help ease complaints like insomnia, stress, anxiety, fatigue and PMS.
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